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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221.5 219 172 it is the complementary color RGB 33.5 36 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221.5 219 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221.5 219 172 shade: RGB 226.5 219 167, RGB 243.5 237 186, RGB 255 255 205, RGB 255 255 224 and RGB 255 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221.5 219 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221.5 219 172 shade: RGB 221.5 219 172, RGB 204.5 201 153, RGB 187.5 183 134, RGB 170.5 165 115 and RGB 153.5 147 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221.5 219 172 shade: RGB 221 218 172, RGB 221 205 172, RGB 221 192 172, RGB 221 179 172 and RGB 221 172 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221.5 219 172 shade: RGB 221 218 172, RGB 210 221 172, RGB 197 221 172, RGB 184 221 172 and RGB 172 221 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221.5 219 172 shade matches the following richer shades: RGB 221 218 172, RGB 230 227 162, RGB 240 236 153 and RGB 249 244 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221.5 219 172 shade: RGB 221 218 172, RGB 211 210 181, RGB 202 201 191, RGB 193 193 200 and RGB 183 184 210

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221.5 219 172 shade: RGB 221 191 172, RGB 221 205 172, RGB 221 218 172, RGB 211 221 172 and RGB 198 221 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221.5 219 172 shade: RGB 197 193 113, RGB 209 206 142, RGB 221 218 172, RGB 233 231 201 and RGB 245 244 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221.5 219 172 shade: RGB 221.5 219 172, RGB 172 221 178 and RGB 198 172 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221.5 219 172 shade: RGB 221.5 219 172, RGB 172 221 218 and RGB 218 172 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221.5 219 172 shade: RGB 221.5 219 172, RGB 172 221 178, RGB 172 175 221 and RGB 221 172 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221.5 219 172 shade: RGB 221.5 219 172, RGB 172 221 193, RGB 172 175 221 and RGB 221 172 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 22 / 13

HEX #DDDBAC

RGB 221.5 219 172

HSL 56.97, 0.42%, 0.77%

LAB 86.55, -6.65, 23.48

 

Complementary color

CMYK 60 / 57 / 0 / 67

HEX #212453

RGB 33.5 36 83

HSL 236.97, 0.42%, 0.23%

LAB 16.59, 14.59, -29.16

 

CMYK 0 / 3 / 26 / 11

HEX #E2DBA7

RGB 226.5 219 167

HSL 52.44, 0.51%, 0.77%

LAB 86.85, -5.47, 26.56

 

CMYK 0 / 3 / 24 / 5

HEX #F3EDBA

RGB 243.5 237 186

HSL 53.22, 0.71%, 0.84%

LAB 93.13, -5.72, 25.56

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 1 / 22 / 13

HEX #DDDBAC

RGB 221.5 219 172

HSL 56.97, 0.42%, 0.77%

LAB 86.55, -6.65, 23.48

 

CMYK 0 / 2 / 25 / 20

HEX #CCC999

RGB 204.5 201 153

HSL 55.92, 0.34%, 0.7%

LAB 80.17, -6.44, 24.49

 

CMYK 0 / 2 / 29 / 26

HEX #BBB786

RGB 187.5 183 134

HSL 54.95, 0.28%, 0.63%

LAB 73.69, -6.18, 25.55

 

CMYK 0 / 3 / 33 / 33

HEX #AAA573

RGB 170.5 165 115

HSL 54.05, 0.25%, 0.56%

LAB 67.09, -5.89, 26.68

 

CMYK 0 / 4 / 37 / 40

HEX #999360

RGB 153.5 147 96

HSL 53.22, 0.23%, 0.49%

LAB 60.37, -5.53, 27.88

 

CMYK 0 / 1 / 22 / 13

HEX #DDDAAC

RGB 221 218 172

HSL 56.33, 0.42%, 0.77%

LAB 86.25, -6.33, 23.07

 

CMYK 0 / 7 / 22 / 13

HEX #DDCDAC

RGB 221 205 172

HSL 40.41, 0.42%, 0.77%

LAB 82.92, 0.37, 18.46

 

CMYK 0 / 13 / 22 / 13

HEX #DDC0AC

RGB 221 192 172

HSL 24.49, 0.42%, 0.77%

LAB 79.64, 7.2, 13.87

 

CMYK 0 / 19 / 22 / 13

HEX #DDB3AC

RGB 221 179 172

HSL 8.57, 0.42%, 0.77%

LAB 76.43, 14.13, 9.31

 

CMYK 0 / 22 / 22 / 13

HEX #DDACAC

RGB 221 172 172

HSL 0, 0.42%, 0.77%

LAB 74.73, 17.89, 6.89

 

CMYK 0 / 1 / 22 / 13

HEX #DDDAAC

RGB 221 218 172

HSL 56.33, 0.42%, 0.77%

LAB 86.25, -6.33, 23.07

 

CMYK 5 / 0 / 22 / 13

HEX #D2DDAC

RGB 210 221 172

HSL 73.47, 0.42%, 0.77%

LAB 86.2, -11.89, 22.87

 

CMYK 11 / 0 / 22 / 13

HEX #C5DDAC

RGB 197 221 172

HSL 89.39, 0.42%, 0.77%

LAB 85.28, -16.58, 21.46

 

CMYK 17 / 0 / 22 / 13

HEX #B8DDAC

RGB 184 221 172

HSL 105.31, 0.42%, 0.77%

LAB 84.42, -21.13, 20.13

 

CMYK 22 / 0 / 22 / 13

HEX #ACDDAD

RGB 172 221 173

HSL 121.22, 0.42%, 0.77%

LAB 83.71, -25.03, 18.5

 

CMYK 0 / 1 / 22 / 13

HEX #DDDAAC

RGB 221 218 172

HSL 56.33, 0.42%, 0.77%

LAB 86.25, -6.33, 23.07

 

CMYK 0 / 1 / 30 / 10

HEX #E6E3A2

RGB 230 227 162

HSL 57.35, 0.58%, 0.77%

LAB 89.1, -8.85, 32.2

 

CMYK 0 / 2 / 36 / 6

HEX #F0EC99

RGB 240 236 153

HSL 57.24, 0.74%, 0.77%

LAB 92.05, -10.61, 40.75

 

CMYK 0 / 2 / 43 / 2

HEX #F9F48F

RGB 249 244 143

HSL 57.17, 0.9%, 0.77%

LAB 94.66, -12.15, 49.1

 

CMYK 0 / 1 / 22 / 13

HEX #DDDAAC

RGB 221 218 172

HSL 56.33, 0.42%, 0.77%

LAB 86.25, -6.33, 23.07

 

CMYK 0 / 0 / 14 / 17

HEX #D3D2B5

RGB 211 210 181

HSL 58, 0.25%, 0.77%

LAB 83.59, -4.55, 14.52

 

CMYK 0 / 0 / 5 / 21

HEX #CAC9BF

RGB 202 201 191

HSL 54.55, 0.09%, 0.77%

LAB 80.79, -1.43, 5.1

 

CMYK 4 / 4 / 0 / 22

HEX #C1C1C8

RGB 193 193 200

HSL 240, 0.06%, 0.77%

LAB 78.26, 1.32, -3.51

 

CMYK 13 / 12 / 0 / 18

HEX #B7B8D2

RGB 183 184 210

HSL 237.78, 0.23%, 0.77%

LAB 75.45, 4.81, -13.18

 

CMYK 0 / 14 / 22 / 13

HEX #DDBFAC

RGB 221 191 172

HSL 23.27, 0.42%, 0.77%

LAB 79.39, 7.73, 13.52

 

CMYK 0 / 7 / 22 / 13

HEX #DDCDAC

RGB 221 205 172

HSL 40.41, 0.42%, 0.77%

LAB 82.92, 0.37, 18.46

 

CMYK 0 / 1 / 22 / 13

HEX #DDDAAC

RGB 221 218 172

HSL 56.33, 0.42%, 0.77%

LAB 86.25, -6.33, 23.07

 

CMYK 5 / 0 / 22 / 13

HEX #D3DDAC

RGB 211 221 172

HSL 72.24, 0.42%, 0.77%

LAB 86.28, -11.53, 22.98

 

CMYK 10 / 0 / 22 / 13

HEX #C6DDAC

RGB 198 221 172

HSL 88.16, 0.42%, 0.77%

LAB 85.35, -16.22, 21.56

 

CMYK 0 / 2 / 43 / 23

HEX #C5C171

RGB 197 193 113

HSL 57.14, 0.42%, 0.61%

LAB 76.8, -10.09, 40.67

 

CMYK 0 / 1 / 32 / 18

HEX #D1CE8E

RGB 209 206 142

HSL 57.31, 0.42%, 0.69%

LAB 81.65, -8.71, 32.28

 

CMYK 0 / 1 / 22 / 13

HEX #DDDAAC

RGB 221 218 172

HSL 56.33, 0.42%, 0.77%

LAB 86.25, -6.33, 23.07

 

CMYK 0 / 1 / 14 / 9

HEX #E9E7C9

RGB 233 231 201

HSL 56.25, 0.42%, 0.85%

LAB 91.09, -4.3, 14.86

 

CMYK 0 / 0 / 6 / 4

HEX #F5F4E6

RGB 245 244 230

HSL 56, 0.43%, 0.93%

LAB 95.92, -2.06, 6.85

 

CMYK 0 / 1 / 22 / 13

HEX #DDDBAC

RGB 221.5 219 172

HSL 56.97, 0.42%, 0.77%

LAB 86.55, -6.65, 23.48

 

CMYK 22 / 0 / 19 / 13

HEX #ACDDB2

RGB 172 221 178

HSL 127.35, 0.42%, 0.77%

LAB 83.81, -24.16, 16.02

 

CMYK 10 / 22 / 0 / 13

HEX #C6ACDD

RGB 198 172 221

HSL 271.84, 0.42%, 0.77%

LAB 74.02, 18.54, -21.22

 

CMYK 0 / 1 / 22 / 13

HEX #DDDBAC

RGB 221.5 219 172

HSL 56.97, 0.42%, 0.77%

LAB 86.55, -6.65, 23.48

 

CMYK 22 / 0 / 1 / 13

HEX #ACDDDA

RGB 172 221 218

HSL 176.33, 0.42%, 0.77%

LAB 84.76, -16.35, -3.72

 

CMYK 1 / 22 / 0 / 13

HEX #DAACDD

RGB 218 172 221

HSL 296.33, 0.42%, 0.77%

LAB 75.84, 25.08, -18.28

 

CMYK 0 / 1 / 22 / 13

HEX #DDDBAC

RGB 221.5 219 172

HSL 56.97, 0.42%, 0.77%

LAB 86.55, -6.65, 23.48

 

CMYK 22 / 0 / 19 / 13

HEX #ACDDB2

RGB 172 221 178

HSL 127.35, 0.42%, 0.77%

LAB 83.81, -24.16, 16.02

 

CMYK 22 / 21 / 0 / 13

HEX #ACAFDD

RGB 172 175 221

HSL 236.33, 0.42%, 0.77%

LAB 72.66, 8.67, -23.48

 

CMYK 0 / 22 / 3 / 13

HEX #DDACD6

RGB 221 172 214

HSL 308.57, 0.42%, 0.77%

LAB 75.9, 24.79, -14.35

 

CMYK 0 / 1 / 22 / 13

HEX #DDDBAC

RGB 221.5 219 172

HSL 56.97, 0.42%, 0.77%

LAB 86.55, -6.65, 23.48

 

CMYK 22 / 0 / 13 / 13

HEX #ACDDC1

RGB 172 221 193

HSL 145.71, 0.42%, 0.77%

LAB 84.14, -21.4, 8.59

 

CMYK 22 / 21 / 0 / 13

HEX #ACAFDD

RGB 172 175 221

HSL 236.33, 0.42%, 0.77%

LAB 72.66, 8.67, -23.48

 

CMYK 0 / 22 / 10 / 13

HEX #DDACC8

RGB 221 172 200

HSL 325.71, 0.42%, 0.77%

LAB 75.48, 22.33, -7.34

 

Description

Color code: RGB 221.5 219 172 | qconv.com Color code: RGB 221.5 219 172 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221.5 red, 219 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221.5 219 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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