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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221.1 90.8 17 it is the complementary color RGB 33.9 164.2 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221.1 90.8 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221.1 90.8 17 shade: RGB 226.1 90.8 12, RGB 243.1 108.8 31, RGB 255 126.8 50, RGB 255 144.8 69 and RGB 255 162.8 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221.1 90.8 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221.1 90.8 17 shade: RGB 221.1 90.8 17, RGB 204.1 72.8 0, RGB 187.1 54.8 0, RGB 170.1 36.8 0 and RGB 153.1 18.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221.1 90.8 17 shade: RGB 222 91 16, RGB 222 35 16 and RGB 222 16 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221.1 90.8 17 shade: RGB 222 91 16, RGB 222 146 16, RGB 222 202 16, RGB 187 222 16 and RGB 132 222 16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221.1 90.8 17 shade matches the following richer shades: RGB 222 91 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221.1 90.8 17 shade: RGB 222 91 16, RGB 203 96 36, RGB 184 102 55, RGB 164 107 74 and RGB 145 112 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221.1 90.8 17 shade: RGB 222 16 54, RGB 222 33 16, RGB 222 88 16, RGB 222 143 16 and RGB 222 198 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221.1 90.8 17 shade: RGB 146 59 11, RGB 184 75 13, RGB 222 91 16, RGB 238 113 41 and RGB 241 138 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221.1 90.8 17 shade: RGB 221.1 90.8 17, RGB 109 222 16 and RGB 16 27 222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221.1 90.8 17 shade: RGB 221.1 90.8 17, RGB 16 222 88 and RGB 88 16 222

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221.1 90.8 17 shade: RGB 221.1 90.8 17, RGB 109 222 16, RGB 16 150 222 and RGB 130 16 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221.1 90.8 17 shade: RGB 221.1 90.8 17, RGB 47 222 16, RGB 16 150 222 and RGB 191 16 222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 92 / 13

HEX #DD5A11

RGB 221.1 90.8 17

HSL 21.7, 0.86%, 0.47%

LAB 54.94, 48, 60.79

Complementary color

CMYK 86 / 31 / 0 / 7

HEX #21A4EE

RGB 33.9 164.2 238

HSL 201.7, 0.86%, 0.53%

LAB 64.27, -7.84, -46.29

 

CMYK 0 / 60 / 95 / 11

HEX #E25A0C

RGB 226.1 90.8 12

HSL 22.08, 0.9%, 0.47%

LAB 55.75, 49.77, 62.89

 

CMYK 0 / 55 / 87 / 5

HEX #F36C1F

RGB 243.1 108.8 31

HSL 22.01, 0.9%, 0.54%

LAB 61.71, 47.95, 63.09

 

CMYK 0 / 50 / 80 / 0

HEX #FF7E32

RGB 255 126.8 50

HSL 22.48, 1%, 0.6%

LAB 66.99, 44.24, 61.16

 

CMYK 0 / 43 / 73 / 0

HEX #FF9045

RGB 255 144.8 69

HSL 24.45, 1%, 0.64%

LAB 70.79, 35.92, 56.62

 

CMYK 0 / 36 / 65 / 0

HEX #FFA258

RGB 255 162.8 88

HSL 26.87, 1%, 0.67%

LAB 74.88, 27.6, 52.13

 

CMYK 0 / 59 / 92 / 13

HEX #DD5A11

RGB 221.1 90.8 17

HSL 21.7, 0.86%, 0.47%

LAB 54.94, 48, 60.79

 

CMYK 0 / 64 / 100 / 20

HEX #CC4800

RGB 204.1 72.8 0

HSL 21.4, 1%, 0.4%

LAB 49, 49.74, 59.68

 

CMYK 0 / 71 / 100 / 27

HEX #BB3600

RGB 187.1 54.8 0

HSL 17.57, 1%, 0.37%

LAB 43.2, 51.25, 55.07

 

CMYK 0 / 78 / 100 / 33

HEX #AA2400

RGB 170.1 36.8 0

HSL 12.98, 1%, 0.33%

LAB 37.6, 52.06, 50.6

 

CMYK 0 / 88 / 100 / 40

HEX #991200

RGB 153.1 18.8 0

HSL 7.37, 1%, 0.3%

LAB 32.35, 51.73, 45.87

 

CMYK 0 / 59 / 93 / 13

HEX #DE5B10

RGB 222 91 16

HSL 21.84, 0.87%, 0.47%

LAB 55.12, 48.23, 61.23

 

CMYK 0 / 84 / 93 / 13

HEX #DE2310

RGB 222 35 16

HSL 5.53, 0.87%, 0.47%

LAB 47.97, 67.78, 56.63

 

CMYK 0 / 93 / 93 / 13

HEX #DE1010

RGB 222 16 16

HSL 0, 0.87%, 0.47%

LAB 46.89, 70.86, 55.98

 

CMYK 0 / 59 / 93 / 13

HEX #DE5B10

RGB 222 91 16

HSL 21.84, 0.87%, 0.47%

LAB 55.12, 48.23, 61.23

 

CMYK 0 / 34 / 93 / 13

HEX #DE9210

RGB 222 146 16

HSL 37.86, 0.87%, 0.47%

LAB 66.62, 20.14, 69.28

 

CMYK 0 / 9 / 93 / 13

HEX #DECA10

RGB 222 202 16

HSL 54.17, 0.87%, 0.47%

LAB 80.63, -9.32, 79.67

 

CMYK 16 / 0 / 93 / 13

HEX #BBDE10

RGB 187 222 16

HSL 70.19, 0.87%, 0.47%

LAB 83.36, -33.71, 80.6

 

CMYK 41 / 0 / 93 / 13

HEX #84DE10

RGB 132 222 16

HSL 86.21, 0.87%, 0.47%

LAB 80.28, -54.16, 76.85

 

CMYK 0 / 59 / 93 / 13

HEX #DE5B10

RGB 222 91 16

HSL 21.84, 0.87%, 0.47%

LAB 55.12, 48.23, 61.23

 

CMYK 0 / 59 / 93 / 13

HEX #DE5B10

RGB 222 91 16

HSL 21.84, 0.87%, 0.47%

LAB 55.12, 48.23, 61.23

 

CMYK 0 / 53 / 82 / 20

HEX #CB6024

RGB 203 96 36

HSL 21.56, 0.7%, 0.47%

LAB 53.16, 39.02, 51.53

 

CMYK 0 / 45 / 70 / 28

HEX #B86637

RGB 184 102 55

HSL 21.86, 0.54%, 0.47%

LAB 51.8, 29, 40.2

 

CMYK 0 / 35 / 55 / 36

HEX #A46B4A

RGB 164 107 74

HSL 22, 0.38%, 0.47%

LAB 50.57, 19.13, 27.73

 

CMYK 0 / 23 / 35 / 43

HEX #91705E

RGB 145 112 94

HSL 21.18, 0.21%, 0.47%

LAB 50, 10.38, 15.01

 

CMYK 0 / 93 / 76 / 13

HEX #DE1036

RGB 222 16 54

HSL 348.93, 0.87%, 0.47%

LAB 47.19, 71.7, 37.44

 

CMYK 0 / 85 / 93 / 13

HEX #DE2110

RGB 222 33 16

HSL 4.95, 0.87%, 0.47%

LAB 47.82, 68.19, 56.54

 

CMYK 0 / 60 / 93 / 13

HEX #DE5810

RGB 222 88 16

HSL 20.97, 0.87%, 0.47%

LAB 54.6, 49.6, 60.88

 

CMYK 0 / 36 / 93 / 13

HEX #DE8F10

RGB 222 143 16

HSL 36.99, 0.87%, 0.47%

LAB 65.91, 21.75, 68.78

 

CMYK 0 / 11 / 93 / 13

HEX #DEC610

RGB 222 198 16

HSL 53.01, 0.87%, 0.47%

LAB 79.59, -7.29, 78.88

 

CMYK 0 / 60 / 92 / 43

HEX #923B0B

RGB 146 59 11

HSL 21.33, 0.86%, 0.31%

LAB 36.49, 34.5, 43.7

 

CMYK 0 / 59 / 93 / 28

HEX #B84B0D

RGB 184 75 13

HSL 21.75, 0.87%, 0.39%

LAB 45.98, 41.5, 52.83

 

CMYK 0 / 59 / 93 / 13

HEX #DE5B10

RGB 222 91 16

HSL 21.84, 0.87%, 0.47%

LAB 55.12, 48.23, 61.23

 

CMYK 0 / 53 / 83 / 7

HEX #EE7129

RGB 238 113 41

HSL 21.93, 0.85%, 0.55%

LAB 61.78, 44.26, 59.17

 

CMYK 0 / 43 / 67 / 5

HEX #F18A50

RGB 241 138 80

HSL 21.61, 0.85%, 0.63%

LAB 67.62, 34.44, 47.35

 

CMYK 0 / 59 / 92 / 13

HEX #DD5A11

RGB 221.1 90.8 17

HSL 21.7, 0.86%, 0.47%

LAB 54.94, 48, 60.79

 

CMYK 51 / 0 / 93 / 13

HEX #6DDE10

RGB 109 222 16

HSL 92.91, 0.87%, 0.47%

LAB 79.35, -61.26, 75.7

 

CMYK 93 / 88 / 0 / 13

HEX #101BDE

RGB 16 27 222

HSL 236.8, 0.87%, 0.47%

LAB 29.83, 65.18, -93.24

 

CMYK 0 / 59 / 92 / 13

HEX #DD5A11

RGB 221.1 90.8 17

HSL 21.7, 0.86%, 0.47%

LAB 54.94, 48, 60.79

 

CMYK 93 / 0 / 60 / 13

HEX #10DE58

RGB 16 222 88

HSL 140.97, 0.87%, 0.47%

LAB 77.91, -71.71, 52.16

 

CMYK 60 / 93 / 0 / 13

HEX #5810DE

RGB 88 16 222

HSL 260.97, 0.87%, 0.47%

LAB 33.39, 70.98, -87.19

 

CMYK 0 / 59 / 92 / 13

HEX #DD5A11

RGB 221.1 90.8 17

HSL 21.7, 0.86%, 0.47%

LAB 54.94, 48, 60.79

 

CMYK 51 / 0 / 93 / 13

HEX #6DDE10

RGB 109 222 16

HSL 92.91, 0.87%, 0.47%

LAB 79.35, -61.26, 75.7

 

CMYK 93 / 32 / 0 / 13

HEX #1096DE

RGB 16 150 222

HSL 200.97, 0.87%, 0.47%

LAB 59.16, -6.59, -45.53

 

CMYK 41 / 93 / 0 / 13

HEX #8210DE

RGB 130 16 222

HSL 273.2, 0.87%, 0.47%

LAB 38.53, 74.59, -78.53

 

CMYK 0 / 59 / 92 / 13

HEX #DD5A11

RGB 221.1 90.8 17

HSL 21.7, 0.86%, 0.47%

LAB 54.94, 48, 60.79

 

CMYK 79 / 0 / 93 / 13

HEX #2FDE10

RGB 47 222 16

HSL 110.97, 0.87%, 0.47%

LAB 77.81, -74.09, 73.8

 

CMYK 93 / 32 / 0 / 13

HEX #1096DE

RGB 16 150 222

HSL 200.97, 0.87%, 0.47%

LAB 59.16, -6.59, -45.53

 

CMYK 14 / 93 / 0 / 13

HEX #BF10DE

RGB 191 16 222

HSL 290.97, 0.87%, 0.47%

LAB 47.91, 82.43, -62.84

 

Description

Color code: RGB 221.1 90.8 17 | qconv.com Color code: RGB 221.1 90.8 17 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221.1 red, 90.8 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221.1 90.8 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 92 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 92% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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