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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 53 193 it is the complementary color RGB 35 202 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 53 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 53 193 shade: RGB 225 53 188, RGB 242 71 207, RGB 255 89 226, RGB 255 107 245 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 53 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 53 193 shade: RGB 220 53 193, RGB 203 35 174, RGB 186 17 155, RGB 169 0 136 and RGB 152 0 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 53 193 shade: RGB 220 56 193, RGB 220 56 149, RGB 220 56 105, RGB 220 56 60 and RGB 220 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 53 193 shade: RGB 220 56 193, RGB 202 56 220, RGB 158 56 220, RGB 114 56 220 and RGB 69 56 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 53 193 shade matches the following richer shades: RGB 220 56 193 and RGB 239 37 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 53 193 shade: RGB 220 56 193, RGB 201 75 180, RGB 182 94 168, RGB 163 113 155 and RGB 144 132 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 53 193 shade: RGB 157 56 220, RGB 201 56 220, RGB 220 56 195, RGB 220 56 151 and RGB 220 56 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 53 193 shade: RGB 164 29 142, RGB 199 35 173, RGB 220 56 193, RGB 226 91 204 and RGB 232 126 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 53 193 shade: RGB 220 53 193, RGB 220 113 56 and RGB 56 220 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 53 193 shade: RGB 220 53 193, RGB 195 220 56 and RGB 56 195 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 53 193 shade: RGB 220 53 193, RGB 220 113 56, RGB 56 220 80 and RGB 56 162 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 53 193 shade: RGB 220 53 193, RGB 220 162 56, RGB 56 220 80 and RGB 56 113 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 12 / 14

HEX #DC35C1

RGB 220 53 193

HSL 309.7, 0.7%, 0.54%

LAB 53.61, 75.93, -36.8

 

Complementary color

CMYK 83 / 0 / 69 / 21

HEX #23CA3E

RGB 35 202 62

HSL 129.7, 0.7%, 0.46%

LAB 71.52, -67.09, 55.94

 

CMYK 0 / 76 / 16 / 12

HEX #E135BC

RGB 225 53 188

HSL 312.91, 0.74%, 0.55%

LAB 54.22, 76.34, -32.89

 

CMYK 0 / 71 / 14 / 5

HEX #F247CF

RGB 242 71 207

HSL 312.28, 0.87%, 0.61%

LAB 59.79, 77.31, -34.9

 

CMYK 0 / 65 / 11 / 0

HEX #FF59E2

RGB 255 89 226

HSL 310.48, 1%, 0.67%

LAB 64.88, 76.79, -37.5

 

CMYK 0 / 58 / 4 / 0

HEX #FF6BF5

RGB 255 107 245

HSL 304.05, 1%, 0.71%

LAB 68.29, 72.58, -42.7

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 76 / 12 / 14

HEX #DC35C1

RGB 220 53 193

HSL 309.7, 0.7%, 0.54%

LAB 53.61, 75.93, -36.8

 

CMYK 0 / 83 / 14 / 20

HEX #CB23AE

RGB 203 35 174

HSL 310.36, 0.71%, 0.47%

LAB 48.2, 74.22, -34.41

 

CMYK 0 / 91 / 17 / 27

HEX #BA119B

RGB 186 17 155

HSL 311.01, 0.83%, 0.4%

LAB 43.07, 71.47, -31.36

 

CMYK 0 / 100 / 20 / 34

HEX #A90088

RGB 169 0 136

HSL 311.72, 1%, 0.33%

LAB 38.22, 67.63, -27.61

 

CMYK 0 / 100 / 23 / 40

HEX #980075

RGB 152 0 117

HSL 313.82, 1%, 0.3%

LAB 33.9, 61.91, -22.74

 

CMYK 0 / 75 / 12 / 14

HEX #DC38C1

RGB 220 56 193

HSL 309.88, 0.7%, 0.54%

LAB 53.91, 75.06, -36.33

 

CMYK 0 / 75 / 32 / 14

HEX #DC3895

RGB 220 56 149

HSL 325.98, 0.7%, 0.54%

LAB 52.08, 69.51, -13.37

 

CMYK 0 / 75 / 52 / 14

HEX #DC3869

RGB 220 56 105

HSL 342.07, 0.7%, 0.54%

LAB 50.76, 65.35, 11.17

 

CMYK 0 / 75 / 73 / 14

HEX #DC383C

RGB 220 56 60

HSL 358.54, 0.7%, 0.54%

LAB 49.94, 62.68, 36.97

 

CMYK 0 / 75 / 75 / 14

HEX #DC3838

RGB 220 56 56

HSL 0, 0.7%, 0.54%

LAB 49.89, 62.51, 39.18

 

CMYK 0 / 75 / 12 / 14

HEX #DC38C1

RGB 220 56 193

HSL 309.88, 0.7%, 0.54%

LAB 53.91, 75.06, -36.33

 

CMYK 8 / 75 / 0 / 14

HEX #CA38DC

RGB 202 56 220

HSL 293.41, 0.7%, 0.54%

LAB 52.46, 75.49, -54.29

 

CMYK 28 / 75 / 0 / 14

HEX #9E38DC

RGB 158 56 220

HSL 277.32, 0.7%, 0.54%

LAB 45.99, 67.18, -65.03

 

CMYK 48 / 75 / 0 / 14

HEX #7238DC

RGB 114 56 220

HSL 261.22, 0.7%, 0.54%

LAB 40.53, 59.91, -74.18

 

CMYK 69 / 75 / 0 / 14

HEX #4538DC

RGB 69 56 220

HSL 244.76, 0.7%, 0.54%

LAB 36.48, 54.32, -80.98

 

CMYK 0 / 75 / 12 / 14

HEX #DC38C1

RGB 220 56 193

HSL 309.88, 0.7%, 0.54%

LAB 53.91, 75.06, -36.33

 

CMYK 0 / 85 / 14 / 6

HEX #EF25CE

RGB 239 37 206

HSL 309.8, 0.86%, 0.54%

LAB 56.22, 85.22, -39.96

 

CMYK 0 / 75 / 12 / 14

HEX #DC38C1

RGB 220 56 193

HSL 309.88, 0.7%, 0.54%

LAB 53.91, 75.06, -36.33

 

CMYK 0 / 63 / 10 / 21

HEX #C94BB4

RGB 201 75 180

HSL 310, 0.54%, 0.54%

LAB 52.67, 61.85, -30.96

 

CMYK 0 / 48 / 8 / 29

HEX #B65EA8

RGB 182 94 168

HSL 309.55, 0.38%, 0.54%

LAB 52.71, 45.65, -24.13

 

CMYK 0 / 31 / 5 / 36

HEX #A3719B

RGB 163 113 155

HSL 309.6, 0.21%, 0.54%

LAB 53.99, 26.71, -14.79

 

CMYK 0 / 8 / 1 / 44

HEX #90848E

RGB 144 132 142

HSL 310, 0.05%, 0.54%

LAB 56.47, 6.42, -3.73

 

CMYK 29 / 75 / 0 / 14

HEX #9D38DC

RGB 157 56 220

HSL 276.95, 0.7%, 0.54%

LAB 45.86, 67, -65.26

 

CMYK 9 / 75 / 0 / 14

HEX #C938DC

RGB 201 56 220

HSL 293.05, 0.7%, 0.54%

LAB 52.3, 75.29, -54.54

 

CMYK 0 / 75 / 11 / 14

HEX #DC38C3

RGB 220 56 195

HSL 309.15, 0.7%, 0.54%

LAB 54.01, 75.35, -37.33

 

CMYK 0 / 75 / 31 / 14

HEX #DC3897

RGB 220 56 151

HSL 325.24, 0.7%, 0.54%

LAB 52.15, 69.73, -14.45

 

CMYK 0 / 75 / 51 / 14

HEX #DC386C

RGB 220 56 108

HSL 340.98, 0.7%, 0.54%

LAB 50.84, 65.58, 9.46

 

CMYK 0 / 82 / 13 / 36

HEX #A41D8E

RGB 164 29 142

HSL 309.78, 0.7%, 0.38%

LAB 39.11, 62.94, -29.97

 

CMYK 0 / 82 / 13 / 22

HEX #C723AD

RGB 199 35 173

HSL 309.51, 0.7%, 0.46%

LAB 47.44, 73.26, -35.06

 

CMYK 0 / 75 / 12 / 14

HEX #DC38C1

RGB 220 56 193

HSL 309.88, 0.7%, 0.54%

LAB 53.91, 75.06, -36.33

 

CMYK 0 / 60 / 10 / 11

HEX #E25BCC

RGB 226 91 204

HSL 309.78, 0.7%, 0.62%

LAB 59.9, 65.43, -33.21

 

CMYK 0 / 46 / 7 / 9

HEX #E87ED7

RGB 232 126 215

HSL 309.62, 0.7%, 0.7%

LAB 67.26, 52.66, -27.92

 

CMYK 0 / 76 / 12 / 14

HEX #DC35C1

RGB 220 53 193

HSL 309.7, 0.7%, 0.54%

LAB 53.61, 75.93, -36.8

 

CMYK 0 / 49 / 75 / 14

HEX #DC7138

RGB 220 113 56

HSL 20.85, 0.7%, 0.54%

LAB 59.26, 37.81, 49.23

 

CMYK 75 / 0 / 19 / 14

HEX #38DCB3

RGB 56 220 179

HSL 165, 0.7%, 0.54%

LAB 79.2, -50.75, 8.36

 

CMYK 0 / 76 / 12 / 14

HEX #DC35C1

RGB 220 53 193

HSL 309.7, 0.7%, 0.54%

LAB 53.61, 75.93, -36.8

 

CMYK 11 / 0 / 75 / 14

HEX #C3DC38

RGB 195 220 56

HSL 69.15, 0.7%, 0.54%

LAB 83.48, -28.39, 72.18

 

CMYK 75 / 11 / 0 / 14

HEX #38C3DC

RGB 56 195 220

HSL 189.15, 0.7%, 0.54%

LAB 72.92, -28.1, -23.02

 

CMYK 0 / 76 / 12 / 14

HEX #DC35C1

RGB 220 53 193

HSL 309.7, 0.7%, 0.54%

LAB 53.61, 75.93, -36.8

 

CMYK 0 / 49 / 75 / 14

HEX #DC7138

RGB 220 113 56

HSL 20.85, 0.7%, 0.54%

LAB 59.26, 37.81, 49.23

 

CMYK 75 / 0 / 64 / 14

HEX #38DC50

RGB 56 220 80

HSL 128.78, 0.7%, 0.54%

LAB 77.64, -68.3, 55.4

 

CMYK 75 / 26 / 0 / 14

HEX #38A2DC

RGB 56 162 220

HSL 201.22, 0.7%, 0.54%

LAB 63.22, -10.88, -37.99

 

CMYK 0 / 76 / 12 / 14

HEX #DC35C1

RGB 220 53 193

HSL 309.7, 0.7%, 0.54%

LAB 53.61, 75.93, -36.8

 

CMYK 0 / 26 / 75 / 14

HEX #DCA238

RGB 220 162 56

HSL 38.78, 0.7%, 0.54%

LAB 70.41, 11.8, 60.45

 

CMYK 75 / 0 / 64 / 14

HEX #38DC50

RGB 56 220 80

HSL 128.78, 0.7%, 0.54%

LAB 77.64, -68.3, 55.4

 

CMYK 75 / 49 / 0 / 14

HEX #3871DC

RGB 56 113 220

HSL 219.15, 0.7%, 0.54%

LAB 49.27, 18.27, -60.13

 

Description

Color code: RGB 220 53 193 | qconv.com Color code: RGB 220 53 193 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 53 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 53 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 12 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 12% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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