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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 212 206 it is the complementary color RGB 35 43 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 212 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 212 206 shade: RGB 225 212 201, RGB 242 230 220 and RGB 255 248 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 212 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 212 206 shade: RGB 220 212 206, RGB 203 194 187, RGB 186 176 168, RGB 169 158 149 and RGB 152 140 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 212 206 shade: RGB 221 213 207, RGB 221 209 207 and RGB 221 207 207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 212 206 shade: RGB 221 213 207, RGB 221 216 207, RGB 221 220 207, RGB 217 221 207 and RGB 214 221 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 212 206 shade matches the following richer shades: RGB 221 213 207, RGB 227 212 200, RGB 234 211 194, RGB 240 210 187 and RGB 247 209 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 212 206 shade: RGB 221 213 207, RGB 214 214 213, RGB 207 215 220, RGB 201 216 227 and RGB 194 216 233

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 212 206 shade: RGB 221 207 208, RGB 221 209 207, RGB 221 213 207, RGB 221 216 207 and RGB 221 220 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 212 206 shade: RGB 186 170 158, RGB 204 192 183, RGB 221 213 207 and RGB 238 234 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 212 206 shade: RGB 220 212 206, RGB 212 221 207 and RGB 207 207 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 212 206 shade: RGB 220 212 206, RGB 207 221 213 and RGB 213 207 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 212 206 shade: RGB 220 212 206, RGB 212 221 207, RGB 207 215 221 and RGB 215 207 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 212 206 shade: RGB 220 212 206, RGB 208 221 207, RGB 207 215 221 and RGB 219 207 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 6 / 14

HEX #DCD4CE

RGB 220 212 206

HSL 25.71, 0.17%, 0.84%

LAB 85.38, 1.71, 3.93

 

Complementary color

CMYK 29 / 12 / 0 / 81

HEX #232B31

RGB 35 43 49

HSL 205.71, 0.17%, 0.16%

LAB 17.02, -1.78, -5.04

 

CMYK 0 / 6 / 11 / 12

HEX #E1D4C9

RGB 225 212 201

HSL 27.5, 0.29%, 0.84%

LAB 85.66, 2.63, 7.03

 

CMYK 0 / 5 / 9 / 5

HEX #F2E6DC

RGB 242 230 220

HSL 27.27, 0.46%, 0.91%

LAB 91.97, 2.39, 6.31

 

CMYK 0 / 3 / 6 / 0

HEX #FFF8EF

RGB 255 248 239

HSL 33.75, 1%, 0.97%

LAB 97.88, 0.81, 5.13

 

CMYK 0 / 4 / 6 / 14

HEX #DCD4CE

RGB 220 212 206

HSL 25.71, 0.17%, 0.84%

LAB 85.38, 1.71, 3.93

 

CMYK 0 / 4 / 8 / 20

HEX #CBC2BB

RGB 203 194 187

HSL 26.25, 0.13%, 0.76%

LAB 78.97, 1.93, 4.63

 

CMYK 0 / 5 / 10 / 27

HEX #BAB0A8

RGB 186 176 168

HSL 26.67, 0.12%, 0.69%

LAB 72.44, 2.16, 5.36

 

CMYK 0 / 7 / 12 / 34

HEX #A99E95

RGB 169 158 149

HSL 27, 0.1%, 0.62%

LAB 65.79, 2.42, 6.13

 

CMYK 0 / 8 / 14 / 40

HEX #988C82

RGB 152 140 130

HSL 27.27, 0.1%, 0.55%

LAB 59.01, 2.71, 6.95

 

CMYK 0 / 4 / 6 / 13

HEX #DDD5CF

RGB 221 213 207

HSL 25.71, 0.17%, 0.84%

LAB 85.74, 1.71, 3.93

 

CMYK 0 / 5 / 6 / 13

HEX #DDD1CF

RGB 221 209 207

HSL 8.57, 0.17%, 0.84%

LAB 84.73, 3.8, 2.46

 

CMYK 0 / 6 / 6 / 13

HEX #DDCFCF

RGB 221 207 207

HSL 0, 0.17%, 0.84%

LAB 84.23, 4.85, 1.73

 

CMYK 0 / 4 / 6 / 13

HEX #DDD5CF

RGB 221 213 207

HSL 25.71, 0.17%, 0.84%

LAB 85.74, 1.71, 3.93

 

CMYK 0 / 2 / 6 / 13

HEX #DDD8CF

RGB 221 216 207

HSL 38.57, 0.17%, 0.84%

LAB 86.5, 0.15, 5.03

 

CMYK 0 / 0 / 6 / 13

HEX #DDDCCF

RGB 221 220 207

HSL 55.71, 0.17%, 0.84%

LAB 87.52, -1.92, 6.49

 

CMYK 2 / 0 / 6 / 13

HEX #D9DDCF

RGB 217 221 207

HSL 77.14, 0.17%, 0.84%

LAB 87.47, -3.82, 6.39

 

CMYK 3 / 0 / 6 / 13

HEX #D6DDCF

RGB 214 221 207

HSL 90, 0.17%, 0.84%

LAB 87.25, -4.86, 6.04

 

CMYK 0 / 4 / 6 / 13

HEX #DDD5CF

RGB 221 213 207

HSL 25.71, 0.17%, 0.84%

LAB 85.74, 1.71, 3.93

 

CMYK 0 / 7 / 12 / 11

HEX #E3D4C8

RGB 227 212 200

HSL 26.67, 0.33%, 0.84%

LAB 85.8, 3.18, 7.78

 

CMYK 0 / 10 / 17 / 8

HEX #EAD3C2

RGB 234 211 194

HSL 25.5, 0.49%, 0.84%

LAB 85.99, 5.28, 11.31

 

CMYK 0 / 13 / 22 / 6

HEX #F0D2BB

RGB 240 210 187

HSL 26.04, 0.64%, 0.84%

LAB 86.11, 6.96, 15.24

 

CMYK 0 / 15 / 27 / 3

HEX #F7D1B4

RGB 247 209 180

HSL 25.97, 0.81%, 0.84%

LAB 86.34, 9.11, 19.34

 

CMYK 0 / 4 / 6 / 13

HEX #DDD5CF

RGB 221 213 207

HSL 25.71, 0.17%, 0.84%

LAB 85.74, 1.71, 3.93

 

CMYK 0 / 0 / 0 / 16

HEX #D6D6D5

RGB 214 214 213

HSL 60, 0.01%, 0.84%

LAB 85.6, -0.18, 0.48

 

CMYK 6 / 2 / 0 / 14

HEX #CFD7DC

RGB 207 215 220

HSL 203.08, 0.16%, 0.84%

LAB 85.52, -1.75, -3.4

 

CMYK 11 / 5 / 0 / 11

HEX #C9D8E3

RGB 201 216 227

HSL 205.38, 0.32%, 0.84%

LAB 85.54, -2.87, -7.13

 

CMYK 17 / 7 / 0 / 9

HEX #C2D8E9

RGB 194 216 233

HSL 206.15, 0.47%, 0.84%

LAB 85.23, -3.86, -10.82

 

CMYK 0 / 6 / 6 / 13

HEX #DDCFD0

RGB 221 207 208

HSL 355.71, 0.17%, 0.84%

LAB 84.25, 5.02, 1.24

 

CMYK 0 / 5 / 6 / 13

HEX #DDD1CF

RGB 221 209 207

HSL 8.57, 0.17%, 0.84%

LAB 84.73, 3.8, 2.46

 

CMYK 0 / 4 / 6 / 13

HEX #DDD5CF

RGB 221 213 207

HSL 25.71, 0.17%, 0.84%

LAB 85.74, 1.71, 3.93

 

CMYK 0 / 2 / 6 / 13

HEX #DDD8CF

RGB 221 216 207

HSL 38.57, 0.17%, 0.84%

LAB 86.5, 0.15, 5.03

 

CMYK 0 / 0 / 6 / 13

HEX #DDDCCF

RGB 221 220 207

HSL 55.71, 0.17%, 0.84%

LAB 87.52, -1.92, 6.49

 

CMYK 0 / 9 / 15 / 27

HEX #BAAA9E

RGB 186 170 158

HSL 25.71, 0.17%, 0.67%

LAB 70.63, 3.74, 8.26

 

CMYK 0 / 6 / 10 / 20

HEX #CCC0B7

RGB 204 192 183

HSL 25.71, 0.17%, 0.76%

LAB 78.44, 2.67, 6.03

 

CMYK 0 / 4 / 6 / 13

HEX #DDD5CF

RGB 221 213 207

HSL 25.71, 0.17%, 0.84%

LAB 85.74, 1.71, 3.93

 

CMYK 0 / 2 / 3 / 7

HEX #EEEAE7

RGB 238 234 231

HSL 25.71, 0.17%, 0.92%

LAB 92.92, 0.82, 1.92

 

CMYK 0 / 4 / 6 / 14

HEX #DCD4CE

RGB 220 212 206

HSL 25.71, 0.17%, 0.84%

LAB 85.38, 1.71, 3.93

 

CMYK 4 / 0 / 6 / 13

HEX #D4DDCF

RGB 212 221 207

HSL 98.57, 0.17%, 0.84%

LAB 87.1, -5.54, 5.81

 

CMYK 6 / 6 / 0 / 13

HEX #CFCFDD

RGB 207 207 221

HSL 240, 0.17%, 0.84%

LAB 83.5, 2.63, -6.92

 

CMYK 0 / 4 / 6 / 14

HEX #DCD4CE

RGB 220 212 206

HSL 25.71, 0.17%, 0.84%

LAB 85.38, 1.71, 3.93

 

CMYK 6 / 0 / 4 / 13

HEX #CFDDD5

RGB 207 221 213

HSL 145.71, 0.17%, 0.84%

LAB 86.89, -6.16, 2.3

 

CMYK 4 / 6 / 0 / 13

HEX #D5CFDD

RGB 213 207 221

HSL 265.71, 0.17%, 0.84%

LAB 83.96, 4.63, -6.18

 

CMYK 0 / 4 / 6 / 14

HEX #DCD4CE

RGB 220 212 206

HSL 25.71, 0.17%, 0.84%

LAB 85.38, 1.71, 3.93

 

CMYK 4 / 0 / 6 / 13

HEX #D4DDCF

RGB 212 221 207

HSL 98.57, 0.17%, 0.84%

LAB 87.1, -5.54, 5.81

 

CMYK 6 / 3 / 0 / 13

HEX #CFD7DD

RGB 207 215 221

HSL 205.71, 0.17%, 0.84%

LAB 85.55, -1.56, -3.9

 

CMYK 3 / 6 / 0 / 13

HEX #D7CFDD

RGB 215 207 221

HSL 274.29, 0.17%, 0.84%

LAB 84.12, 5.3, -5.93

 

CMYK 0 / 4 / 6 / 14

HEX #DCD4CE

RGB 220 212 206

HSL 25.71, 0.17%, 0.84%

LAB 85.38, 1.71, 3.93

 

CMYK 6 / 0 / 6 / 13

HEX #D0DDCF

RGB 208 221 207

HSL 115.71, 0.17%, 0.84%

LAB 86.81, -6.91, 5.36

 

CMYK 6 / 3 / 0 / 13

HEX #CFD7DD

RGB 207 215 221

HSL 205.71, 0.17%, 0.84%

LAB 85.55, -1.56, -3.9

 

CMYK 1 / 6 / 0 / 13

HEX #DBCFDD

RGB 219 207 221

HSL 291.43, 0.17%, 0.84%

LAB 84.44, 6.65, -5.43

 

Description

Color code: RGB 220 212 206 | qconv.com Color code: RGB 220 212 206 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 212 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 212 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 6 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 6% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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