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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 188 34 it is the complementary color RGB 35 67 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 188 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 188 34: RGB 225 188 29, RGB 242 206 48, RGB 255 224 67, RGB 255 242 86 and RGB 255 255 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 188 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 188 34: RGB 220 188 34, RGB 203 170 15, RGB 186 152 0, RGB 169 134 0 and RGB 152 116 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 85 / 14

HEX #DCBC22

RGB 220 188 34

HSL 49.68, 0.73%, 0.5%

LAB 76.86, -2.67, 73.32

 

Complementary color

CMYK 84 / 70 / 0 / 13

HEX #2343DD

RGB 35 67 221

HSL 229.68, 0.73%, 0.5%

LAB 37.1, 45.76, -80.59

 

CMYK 0 / 16 / 87 / 12

HEX #E1BC1D

RGB 225 188 29

HSL 48.67, 0.77%, 0.5%

LAB 77.32, -0.62, 75.03

 

CMYK 0 / 15 / 80 / 5

HEX #F2CE30

RGB 242 206 48

HSL 48.87, 0.88%, 0.57%

LAB 83.56, -2.1, 76.09

 

CMYK 0 / 12 / 74 / 0

HEX #FFE043

RGB 255 224 67

HSL 50.11, 1%, 0.63%

LAB 89.38, -5.06, 75.82

 

CMYK 0 / 5 / 66 / 0

HEX #FFF256

RGB 255 242 86

HSL 55.38, 1%, 0.67%

LAB 94.07, -13.08, 73.57

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 15 / 85 / 14

HEX #DCBC22

RGB 220 188 34

HSL 49.68, 0.73%, 0.5%

LAB 76.86, -2.67, 73.32

 

CMYK 0 / 16 / 93 / 20

HEX #CBAA0F

RGB 203 170 15

HSL 49.47, 0.86%, 0.43%

LAB 70.51, -1.06, 71.4

 

CMYK 0 / 18 / 100 / 27

HEX #BA9800

RGB 186 152 0

HSL 49.03, 1%, 0.36%

LAB 64.08, 0.78, 67.95

 

CMYK 0 / 21 / 100 / 34

HEX #A98600

RGB 169 134 0

HSL 47.57, 1%, 0.33%

LAB 57.55, 2.87, 62.57

 

CMYK 0 / 24 / 100 / 40

HEX #987400

RGB 152 116 0

HSL 45.79, 1%, 0.3%

LAB 50.88, 5.07, 57.08

 

CMYK 0 / 15 / 85 / 14

HEX #DCBC22

RGB 220 188 34

HSL 49.68, 0.73%, 0.5%

LAB 76.86, -2.67, 73.32

 

CMYK 0 / 1 / 85 / 14

HEX #DCD922

RGB 220 217 34

HSL 59.03, 0.73%, 0.5%

LAB 84.46, -17.34, 79.58

 

CMYK 13 / 0 / 85 / 14

HEX #C0DC22

RGB 192 220 34

HSL 69.03, 0.73%, 0.5%

LAB 83.18, -30.39, 77.66

 

CMYK 27 / 0 / 85 / 14

HEX #A1DC22

RGB 161 220 34

HSL 79.03, 0.73%, 0.5%

LAB 81.23, -42.58, 75.22

 

CMYK 41 / 0 / 85 / 14

HEX #82DC22

RGB 130 220 34

HSL 89.03, 0.73%, 0.5%

LAB 79.64, -53.56, 73.23

 

CMYK 0 / 15 / 85 / 14

HEX #DCBC22

RGB 220 188 34

HSL 49.68, 0.73%, 0.5%

LAB 76.86, -2.67, 73.32

 

CMYK 0 / 13 / 88 / 94

HEX #100E02

RGB 16 14 2

HSL 51.43, 0.78%, 0.04%

LAB 3.87, -1.05, 4.96

 

CMYK 0 / 15 / 85 / 74

HEX #43390A

RGB 67 57 10

HSL 49.47, 0.74%, 0.15%

LAB 24.13, -1.53, 28.96

 

CMYK 0 / 14 / 85 / 54

HEX #766512

RGB 118 101 18

HSL 49.8, 0.74%, 0.27%

LAB 43.07, -2.15, 45.18

 

CMYK 0 / 15 / 85 / 34

HEX #A9901A

RGB 169 144 26

HSL 49.51, 0.73%, 0.38%

LAB 60.3, -2.14, 59.59

 

CMYK 0 / 15 / 85 / 14

HEX #DCBC22

RGB 220 188 34

HSL 49.68, 0.73%, 0.5%

LAB 76.86, -2.67, 73.32

 

CMYK 85 / 0 / 83 / 14

HEX #22DC25

RGB 34 220 37

HSL 120.97, 0.73%, 0.5%

LAB 77.08, -74.2, 69.29

 

CMYK 50 / 85 / 0 / 14

HEX #6F22DC

RGB 111 34 220

HSL 264.84, 0.73%, 0.5%

LAB 37.28, 67.96, -79.53

 

CMYK 0 / 15 / 85 / 14

HEX #DCBC22

RGB 220 188 34

HSL 49.68, 0.73%, 0.5%

LAB 76.86, -2.67, 73.32

 

CMYK 85 / 0 / 15 / 14

HEX #22DCBA

RGB 34 220 186

HSL 169.03, 0.73%, 0.5%

LAB 79.08, -51.06, 4.43

 

CMYK 15 / 85 / 0 / 14

HEX #BA22DC

RGB 186 34 220

HSL 289.03, 0.73%, 0.5%

LAB 47.94, 78.41, -61.68

 

CMYK 0 / 15 / 85 / 14

HEX #DCBC22

RGB 220 188 34

HSL 49.68, 0.73%, 0.5%

LAB 76.86, -2.67, 73.32

 

CMYK 85 / 0 / 83 / 14

HEX #22DC25

RGB 34 220 37

HSL 120.97, 0.73%, 0.5%

LAB 77.08, -74.2, 69.29

 

CMYK 85 / 69 / 0 / 14

HEX #2244DC

RGB 34 68 220

HSL 229.03, 0.73%, 0.5%

LAB 37.19, 44.75, -79.87

 

CMYK 0 / 85 / 1 / 14

HEX #DC22D9

RGB 220 34 217

HSL 300.97, 0.73%, 0.5%

LAB 53.35, 83.75, -50.98

 

CMYK 0 / 15 / 85 / 14

HEX #DCBC22

RGB 220 188 34

HSL 49.68, 0.73%, 0.5%

LAB 76.86, -2.67, 73.32

 

CMYK 85 / 0 / 58 / 14

HEX #22DC5D

RGB 34 220 93

HSL 139.03, 0.73%, 0.5%

LAB 77.47, -69.29, 49.46

 

CMYK 85 / 69 / 0 / 14

HEX #2244DC

RGB 34 68 220

HSL 229.03, 0.73%, 0.5%

LAB 37.19, 44.75, -79.87

 

CMYK 0 / 85 / 27 / 14

HEX #DC22A1

RGB 220 34 161

HSL 319.03, 0.73%, 0.5%

LAB 50.61, 76.39, -22.74

 

Description

Color code: RGB 220 188 34 | qconv.com Color code: RGB 220 188 34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 188 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 188 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 85 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 85% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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