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Color name
RGB 220 178 110

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 178 110 it is the complementary color RGB 35 77 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 178 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 220 178 110 shade: RGB 225 178 105, RGB 242 196 124, RGB 255 214 143, RGB 255 232 162 and RGB 255 250 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 178 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 220 178 110 shade: RGB 220 178 110, RGB 203 160 91, RGB 186 142 72, RGB 169 124 53 and RGB 152 106 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 220 178 110 shade: RGB 220 179 111, RGB 220 149 111, RGB 220 120 111 and RGB 220 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 220 178 110 shade: RGB 220 179 111, RGB 220 208 111, RGB 203 220 111, RGB 174 220 111 and RGB 144 220 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 220 178 110 shade matches the following richer shades: RGB 220 179 111, RGB 235 182 97 and RGB 249 185 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 220 178 110 shade: RGB 220 179 111, RGB 206 175 126, RGB 191 172 140, RGB 177 168 155 and RGB 162 165 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 220 178 110 shade: RGB 220 120 111, RGB 220 149 111, RGB 220 178 111, RGB 220 207 111 and RGB 204 220 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 220 178 110 shade: RGB 200 142 49, RGB 212 161 78, RGB 220 179 111, RGB 228 196 145 and RGB 236 214 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 220 178 110 shade: RGB 220 178 110, RGB 131 220 111 and RGB 135 111 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 220 178 110 shade: RGB 220 178 110, RGB 111 220 178 and RGB 178 111 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 220 178 110 shade: RGB 220 178 110, RGB 131 220 111, RGB 111 153 220 and RGB 200 111 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 220 178 110 shade: RGB 220 178 110, RGB 111 220 124, RGB 111 153 220 and RGB 220 111 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 50 / 14

HEX #DCB26E

RGB 220 178 110

HSL 37.09, 0.61%, 0.65%

LAB 74.94, 6.88, 40.31

 

Complementary color

CMYK 76 / 47 / 0 / 43

HEX #234D91

RGB 35 77 145

HSL 217.09, 0.61%, 0.35%

LAB 33.37, 10.42, -41.8

 

CMYK 0 / 21 / 53 / 12

HEX #E1B269

RGB 225 178 105

HSL 36.5, 0.67%, 0.65%

LAB 75.37, 8.5, 43.49

 

CMYK 0 / 19 / 49 / 5

HEX #F2C47C

RGB 242 196 124

HSL 36.61, 0.82%, 0.72%

LAB 81.74, 7.63, 42.16

 

CMYK 0 / 16 / 44 / 0

HEX #FFD68F

RGB 255 214 143

HSL 38.04, 1%, 0.78%

LAB 87.65, 5.3, 40.34

 

CMYK 0 / 9 / 36 / 0

HEX #FFE8A2

RGB 255 232 162

HSL 45.16, 1%, 0.82%

LAB 92.39, -1.86, 36.93

 

CMYK 0 / 2 / 29 / 0

HEX #FFFAB5

RGB 255 250 181

HSL 55.95, 1%, 0.85%

LAB 97.21, -8.61, 33.78

 

CMYK 0 / 19 / 50 / 14

HEX #DCB26E

RGB 220 178 110

HSL 37.09, 0.61%, 0.65%

LAB 74.94, 6.88, 40.31

 

CMYK 0 / 21 / 55 / 20

HEX #CBA05B

RGB 203 160 91

HSL 36.96, 0.52%, 0.58%

LAB 68.46, 7.79, 41.67

 

CMYK 0 / 24 / 61 / 27

HEX #BA8E48

RGB 186 142 72

HSL 36.84, 0.45%, 0.51%

LAB 61.87, 8.86, 43.04

 

CMYK 0 / 27 / 69 / 34

HEX #A97C35

RGB 169 124 53

HSL 36.72, 0.52%, 0.44%

LAB 55.18, 10.14, 44.35

 

CMYK 0 / 30 / 78 / 40

HEX #986A22

RGB 152 106 34

HSL 36.61, 0.63%, 0.36%

LAB 48.38, 11.68, 45.39

 

CMYK 0 / 19 / 50 / 14

HEX #DCB36F

RGB 220 179 111

HSL 37.43, 0.61%, 0.65%

LAB 75.2, 6.44, 40.13

 

CMYK 0 / 32 / 50 / 14

HEX #DC956F

RGB 220 149 111

HSL 20.92, 0.61%, 0.65%

LAB 67.92, 22.52, 30.86

 

CMYK 0 / 45 / 50 / 14

HEX #DC786F

RGB 220 120 111

HSL 4.95, 0.61%, 0.65%

LAB 61.48, 37.91, 22.35

 

CMYK 0 / 50 / 50 / 14

HEX #DC6F6F

RGB 220 111 111

HSL 0, 0.61%, 0.65%

LAB 59.65, 42.5, 19.88

 

CMYK 0 / 19 / 50 / 14

HEX #DCB36F

RGB 220 179 111

HSL 37.43, 0.61%, 0.65%

LAB 75.2, 6.44, 40.13

 

CMYK 0 / 5 / 50 / 14

HEX #DCD06F

RGB 220 208 111

HSL 53.39, 0.61%, 0.65%

LAB 82.63, -8.64, 49.23

 

CMYK 8 / 0 / 50 / 14

HEX #CBDC6F

RGB 203 220 111

HSL 69.36, 0.61%, 0.65%

LAB 84.5, -21.41, 51.15

 

CMYK 21 / 0 / 50 / 14

HEX #AEDC6F

RGB 174 220 111

HSL 85.32, 0.61%, 0.65%

LAB 82.56, -32.49, 48.35

 

CMYK 35 / 0 / 50 / 14

HEX #90DC6F

RGB 144 220 111

HSL 101.83, 0.61%, 0.65%

LAB 80.89, -43.03, 45.93

 

CMYK 0 / 19 / 50 / 14

HEX #DCB36F

RGB 220 179 111

HSL 37.43, 0.61%, 0.65%

LAB 75.2, 6.44, 40.13

 

CMYK 0 / 23 / 59 / 8

HEX #EBB661

RGB 235 182 97

HSL 36.96, 0.78%, 0.65%

LAB 77.27, 9.9, 49.95

 

CMYK 0 / 26 / 67 / 2

HEX #F9B952

RGB 249 185 82

HSL 37.01, 0.93%, 0.65%

LAB 79.3, 13.18, 59.58

RGB 249 185 82

CMYK 0 / 19 / 50 / 14

HEX #DCB36F

RGB 220 179 111

HSL 37.43, 0.61%, 0.65%

LAB 75.2, 6.44, 40.13

 

CMYK 0 / 15 / 39 / 19

HEX #CEAF7E

RGB 206 175 126

HSL 36.75, 0.45%, 0.65%

LAB 73.08, 4.42, 29.3

 

CMYK 0 / 10 / 27 / 25

HEX #BFAC8C

RGB 191 172 140

HSL 37.65, 0.28%, 0.65%

LAB 71.2, 1.86, 18.98

 

CMYK 0 / 5 / 12 / 31

HEX #B1A89B

RGB 177 168 155

HSL 35.45, 0.12%, 0.65%

LAB 69.27, 0.97, 7.86

 

CMYK 4 / 2 / 0 / 34

HEX #A2A5A9

RGB 162 165 169

HSL 214.29, 0.04%, 0.65%

LAB 67.62, -0.28, -2.45

 

CMYK 0 / 45 / 50 / 14

HEX #DC786F

RGB 220 120 111

HSL 4.95, 0.61%, 0.65%

LAB 61.48, 37.91, 22.35

 

CMYK 0 / 32 / 50 / 14

HEX #DC956F

RGB 220 149 111

HSL 20.92, 0.61%, 0.65%

LAB 67.92, 22.52, 30.86

 

CMYK 0 / 19 / 50 / 14

HEX #DCB26F

RGB 220 178 111

HSL 36.88, 0.61%, 0.65%

LAB 74.95, 6.97, 39.82

 

CMYK 0 / 6 / 50 / 14

HEX #DCCF6F

RGB 220 207 111

HSL 52.84, 0.61%, 0.65%

LAB 82.37, -8.13, 48.92

 

CMYK 7 / 0 / 50 / 14

HEX #CCDC6F

RGB 204 220 111

HSL 68.81, 0.61%, 0.65%

LAB 84.57, -21.02, 51.25

 

CMYK 0 / 29 / 76 / 22

HEX #C88E31

RGB 200 142 49

HSL 36.95, 0.61%, 0.49%

LAB 63.22, 13.65, 55.49

 

CMYK 0 / 24 / 63 / 17

HEX #D4A14E

RGB 212 161 78

HSL 37.16, 0.61%, 0.57%

LAB 69.5, 10.11, 49.53

 

CMYK 0 / 19 / 50 / 14

HEX #DCB36F

RGB 220 179 111

HSL 37.43, 0.61%, 0.65%

LAB 75.2, 6.44, 40.13

 

CMYK 0 / 14 / 36 / 11

HEX #E4C491

RGB 228 196 145

HSL 36.87, 0.61%, 0.73%

LAB 80.75, 4.24, 29.82

 

CMYK 0 / 9 / 25 / 7

HEX #ECD6B2

RGB 236 214 178

HSL 37.24, 0.6%, 0.81%

LAB 86.57, 2.14, 20.57

 

CMYK 0 / 19 / 50 / 14

HEX #DCB26E

RGB 220 178 110

HSL 37.09, 0.61%, 0.65%

LAB 74.94, 6.88, 40.31

 

CMYK 40 / 0 / 50 / 14

HEX #83DC6F

RGB 131 220 111

HSL 108.99, 0.61%, 0.65%

LAB 80.27, -47.19, 45.04

 

CMYK 39 / 50 / 0 / 14

HEX #876FDC

RGB 135 111 220

HSL 253.21, 0.61%, 0.65%

LAB 53.69, 34.63, -52.77

 

CMYK 0 / 19 / 50 / 14

HEX #DCB26E

RGB 220 178 110

HSL 37.09, 0.61%, 0.65%

LAB 74.94, 6.88, 40.31

 

CMYK 50 / 0 / 19 / 14

HEX #6FDCB2

RGB 111 220 178

HSL 156.88, 0.61%, 0.65%

LAB 80.62, -41.18, 11.1

 

CMYK 19 / 50 / 0 / 14

HEX #B26FDC

RGB 178 111 220

HSL 276.88, 0.61%, 0.65%

LAB 58.04, 45.83, -45.6

 

CMYK 0 / 19 / 50 / 14

HEX #DCB26E

RGB 220 178 110

HSL 37.09, 0.61%, 0.65%

LAB 74.94, 6.88, 40.31

 

CMYK 40 / 0 / 50 / 14

HEX #83DC6F

RGB 131 220 111

HSL 108.99, 0.61%, 0.65%

LAB 80.27, -47.19, 45.04

 

CMYK 50 / 30 / 0 / 14

HEX #6F99DC

RGB 111 153 220

HSL 216.88, 0.61%, 0.65%

LAB 62.78, 4.08, -38.51

 

CMYK 9 / 50 / 0 / 14

HEX #C86FDC

RGB 200 111 220

HSL 288.99, 0.61%, 0.65%

LAB 60.62, 51.86, -41.36

 

CMYK 0 / 19 / 50 / 14

HEX #DCB26E

RGB 220 178 110

HSL 37.09, 0.61%, 0.65%

LAB 74.94, 6.88, 40.31

 

CMYK 50 / 0 / 44 / 14

HEX #6FDC7C

RGB 111 220 124

HSL 127.16, 0.61%, 0.65%

LAB 79.63, -51.13, 37.7

 

CMYK 50 / 30 / 0 / 14

HEX #6F99DC

RGB 111 153 220

HSL 216.88, 0.61%, 0.65%

LAB 62.78, 4.08, -38.51

 

CMYK 0 / 50 / 6 / 14

HEX #DC6FCF

RGB 220 111 207

HSL 307.16, 0.61%, 0.65%

LAB 62.58, 55.15, -30.8

 

Description

Color code: RGB 220 178 110 | qconv.com Color code: RGB 220 178 110 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 178 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 178 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 50 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 50% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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