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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 243 234 it is the complementary color RGB 234 12 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 243 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 243 234 shade: RGB 26 243 229, RGB 43 255 248, RGB 60 255 255, RGB 77 255 255 and RGB 94 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 243 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 243 234 shade: RGB 21 243 234, RGB 4 225 215, RGB 0 207 196, RGB 0 189 177 and RGB 0 171 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 243 234 shade: RGB 22 242 233, RGB 22 242 174, RGB 22 242 115, RGB 22 242 55 and RGB 48 242 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 243 234 shade: RGB 22 242 233, RGB 22 192 242, RGB 22 132 242, RGB 22 73 242 and RGB 22 22 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 243 234 shade matches the following richer shades: RGB 22 242 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 243 234 shade: RGB 22 242 233, RGB 42 222 215, RGB 62 203 197, RGB 81 183 179 and RGB 101 163 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 243 234 shade: RGB 22 242 114, RGB 22 242 172, RGB 22 242 231, RGB 22 195 242 and RGB 22 136 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 243 234 shade: RGB 9 173 166, RGB 11 212 204, RGB 22 242 233, RGB 61 244 237 and RGB 100 246 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 243 234 shade: RGB 21 243 234, RGB 55 22 242 and RGB 242 143 22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 243 234 shade: RGB 21 243 234, RGB 231 22 242 and RGB 242 231 22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 243 234 shade: RGB 21 243 234, RGB 55 22 242, RGB 242 22 33 and RGB 209 242 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 243 234 shade: RGB 21 243 234, RGB 121 22 242, RGB 242 22 33 and RGB 143 242 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 4 / 5

HEX #15F3EA

RGB 21 243 234

HSL 177.57, 0.9%, 0.52%

LAB 87.1, -48.4, -9.18

 

Complementary color

CMYK 0 / 95 / 91 / 8

HEX #EA0C15

RGB 234 12 21

HSL 357.57, 0.9%, 0.48%

LAB 49.26, 74.31, 56.88

 

CMYK 89 / 0 / 6 / 5

HEX #1AF3E5

RGB 26 243 229

HSL 176.13, 0.9%, 0.53%

LAB 86.99, -49.59, -6.72

 

CMYK 83 / 0 / 3 / 0

HEX #2BFFF8

RGB 43 255 248

HSL 178.02, 1%, 0.58%

LAB 91.15, -48.5, -10.43

 

CMYK 76 / 0 / 0 / 0

HEX #3CFFFF

RGB 60 255 255

HSL 180, 1%, 0.62%

LAB 91.55, -45.23, -13.44

 

CMYK 70 / 0 / 0 / 0

HEX #4DFFFF

RGB 77 255 255

HSL 180, 1%, 0.65%

LAB 91.83, -43.45, -13

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 91 / 0 / 4 / 5

HEX #15F3EA

RGB 21 243 234

HSL 177.57, 0.9%, 0.52%

LAB 87.1, -48.4, -9.18

 

CMYK 98 / 0 / 4 / 12

HEX #04E1D7

RGB 4 225 215

HSL 177.29, 0.97%, 0.45%

LAB 81.17, -46.54, -7.96

 

CMYK 100 / 0 / 5 / 19

HEX #00CFC4

RGB 0 207 196

HSL 176.81, 1%, 0.41%

LAB 75.21, -44.31, -6.63

 

CMYK 100 / 0 / 6 / 26

HEX #00BDB1

RGB 0 189 177

HSL 176.19, 1%, 0.37%

LAB 69.16, -41.95, -5.23

 

CMYK 100 / 0 / 8 / 33

HEX #00AB9E

RGB 0 171 158

HSL 175.44, 1%, 0.34%

LAB 63.01, -39.55, -3.79

 

CMYK 91 / 0 / 4 / 5

HEX #16F2E9

RGB 22 242 233

HSL 177.55, 0.89%, 0.52%

LAB 86.78, -48.21, -9.13

 

CMYK 91 / 0 / 28 / 5

HEX #16F2AE

RGB 22 242 174

HSL 161.45, 0.89%, 0.52%

LAB 85.37, -63.1, 19.62

 

CMYK 91 / 0 / 52 / 5

HEX #16F273

RGB 22 242 115

HSL 145.36, 0.89%, 0.52%

LAB 84.44, -73.94, 47.68

 

CMYK 91 / 0 / 77 / 5

HEX #16F237

RGB 22 242 55

HSL 129, 0.89%, 0.52%

LAB 83.94, -80.16, 70.81

 

CMYK 80 / 0 / 91 / 5

HEX #30F216

RGB 48 242 22

HSL 112.91, 0.89%, 0.52%

LAB 84.06, -79.48, 78.25

 

CMYK 91 / 0 / 4 / 5

HEX #16F2E9

RGB 22 242 233

HSL 177.55, 0.89%, 0.52%

LAB 86.78, -48.21, -9.13

 

CMYK 91 / 21 / 0 / 5

HEX #16C0F2

RGB 22 192 242

HSL 193.64, 0.89%, 0.52%

LAB 72.42, -22.01, -35.74

 

CMYK 91 / 45 / 0 / 5

HEX #1684F2

RGB 22 132 242

HSL 210, 0.89%, 0.52%

LAB 55.16, 11.96, -63.02

 

CMYK 91 / 70 / 0 / 5

HEX #1649F2

RGB 22 73 242

HSL 226.09, 0.89%, 0.52%

LAB 40.16, 48.96, -87.48

 

CMYK 91 / 91 / 0 / 5

HEX #1616F2

RGB 22 22 242

HSL 240, 0.89%, 0.52%

LAB 32.16, 72.16, -100.77

 

CMYK 91 / 0 / 4 / 5

HEX #16F2E9

RGB 22 242 233

HSL 177.55, 0.89%, 0.52%

LAB 86.78, -48.21, -9.13

 

CMYK 91 / 0 / 4 / 5

HEX #16F2E9

RGB 22 242 233

HSL 177.55, 0.89%, 0.52%

LAB 86.78, -48.21, -9.13

 

CMYK 81 / 0 / 3 / 13

HEX #2ADED7

RGB 42 222 215

HSL 177.67, 0.73%, 0.52%

LAB 80.54, -43.49, -8.87

 

CMYK 69 / 0 / 3 / 20

HEX #3ECBC5

RGB 62 203 197

HSL 177.45, 0.58%, 0.52%

LAB 74.68, -37.94, -7.88

 

CMYK 56 / 0 / 2 / 28

HEX #51B7B3

RGB 81 183 179

HSL 177.65, 0.41%, 0.52%

LAB 68.66, -30.39, -6.94

 

CMYK 38 / 0 / 1 / 36

HEX #65A3A1

RGB 101 163 161

HSL 178.06, 0.25%, 0.52%

LAB 62.96, -20.41, -5.29

 

CMYK 91 / 0 / 53 / 5

HEX #16F272

RGB 22 242 114

HSL 145.09, 0.89%, 0.52%

LAB 84.43, -74.08, 48.13

 

CMYK 91 / 0 / 29 / 5

HEX #16F2AC

RGB 22 242 172

HSL 160.91, 0.89%, 0.52%

LAB 85.33, -63.54, 20.6

 

CMYK 91 / 0 / 5 / 5

HEX #16F2E7

RGB 22 242 231

HSL 177, 0.89%, 0.52%

LAB 86.72, -48.77, -8.16

 

CMYK 91 / 19 / 0 / 5

HEX #16C3F2

RGB 22 195 242

HSL 192.82, 0.89%, 0.52%

LAB 73.29, -23.55, -34.38

 

CMYK 91 / 44 / 0 / 5

HEX #1688F2

RGB 22 136 242

HSL 208.91, 0.89%, 0.52%

LAB 56.28, 9.51, -61.22

 

CMYK 95 / 0 / 4 / 32

HEX #09ADA6

RGB 9 173 166

HSL 177.44, 0.9%, 0.36%

LAB 63.92, -37.75, -6.91

 

CMYK 95 / 0 / 4 / 17

HEX #0BD4CC

RGB 11 212 204

HSL 177.61, 0.9%, 0.44%

LAB 76.99, -43.88, -8.29

 

CMYK 91 / 0 / 4 / 5

HEX #16F2E9

RGB 22 242 233

HSL 177.55, 0.89%, 0.52%

LAB 86.78, -48.21, -9.13

 

CMYK 75 / 0 / 3 / 4

HEX #3DF4ED

RGB 61 244 237

HSL 177.7, 0.89%, 0.6%

LAB 87.88, -45.3, -9.55

 

CMYK 59 / 0 / 2 / 4

HEX #64F6F0

RGB 100 246 240

HSL 177.53, 0.89%, 0.68%

LAB 89.35, -40.14, -8.83

 

CMYK 91 / 0 / 4 / 5

HEX #15F3EA

RGB 21 243 234

HSL 177.57, 0.9%, 0.52%

LAB 87.1, -48.4, -9.18

 

CMYK 77 / 91 / 0 / 5

HEX #3716F2

RGB 55 22 242

HSL 249, 0.89%, 0.52%

LAB 33.56, 72.94, -98.4

 

CMYK 0 / 41 / 91 / 5

HEX #F28F16

RGB 242 143 22

HSL 33, 0.89%, 0.52%

LAB 68.45, 30.23, 70.56

 

CMYK 91 / 0 / 4 / 5

HEX #15F3EA

RGB 21 243 234

HSL 177.57, 0.9%, 0.52%

LAB 87.1, -48.4, -9.18

 

CMYK 5 / 91 / 0 / 5

HEX #E716F2

RGB 231 22 242

HSL 297, 0.89%, 0.52%

LAB 56.06, 91.04, -60.66

 

CMYK 0 / 5 / 91 / 5

HEX #F2E716

RGB 242 231 22

HSL 57, 0.89%, 0.52%

LAB 89.9, -15.18, 86.69

 

CMYK 91 / 0 / 4 / 5

HEX #15F3EA

RGB 21 243 234

HSL 177.57, 0.9%, 0.52%

LAB 87.1, -48.4, -9.18

 

CMYK 77 / 91 / 0 / 5

HEX #3716F2

RGB 55 22 242

HSL 249, 0.89%, 0.52%

LAB 33.56, 72.94, -98.4

 

CMYK 0 / 91 / 86 / 5

HEX #F21621

RGB 242 22 33

HSL 357, 0.89%, 0.52%

LAB 51.34, 75.43, 54.03

 

CMYK 14 / 0 / 91 / 5

HEX #D1F216

RGB 209 242 22

HSL 69, 0.89%, 0.52%

LAB 90.38, -33.95, 86

 

CMYK 91 / 0 / 4 / 5

HEX #15F3EA

RGB 21 243 234

HSL 177.57, 0.9%, 0.52%

LAB 87.1, -48.4, -9.18

 

CMYK 50 / 91 / 0 / 5

HEX #7916F2

RGB 121 22 242

HSL 267, 0.89%, 0.52%

LAB 39.66, 76.97, -88.08

 

CMYK 0 / 91 / 86 / 5

HEX #F21621

RGB 242 22 33

HSL 357, 0.89%, 0.52%

LAB 51.34, 75.43, 54.03

 

CMYK 41 / 0 / 91 / 5

HEX #8FF216

RGB 143 242 22

HSL 87, 0.89%, 0.52%

LAB 86.7, -58.18, 81.51

 

Description

Color code: RGB 21 243 234 | qconv.com Color code: RGB 21 243 234 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 243 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 243 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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