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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 166 162 it is the complementary color RGB 234 89 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 166 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 166 162 shade: RGB 26 166 157, RGB 43 184 176, RGB 60 202 195, RGB 77 220 214 and RGB 94 238 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 166 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 166 162 shade: RGB 21 166 162, RGB 4 148 143, RGB 0 130 124, RGB 0 112 105 and RGB 0 94 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 166 162 shade: RGB 20 167 163, RGB 20 167 124, RGB 20 167 84, RGB 20 167 44 and RGB 36 167 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 166 162 shade: RGB 20 167 163, RGB 20 132 167, RGB 20 92 167, RGB 20 52 167 and RGB 20 20 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 166 162 shade matches the following richer shades: RGB 20 167 163 and RGB 5 183 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 166 162 shade: RGB 20 167 163, RGB 36 152 149, RGB 51 137 135, RGB 66 122 120 and RGB 81 106 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 166 162 shade: RGB 20 167 84, RGB 20 167 123, RGB 20 167 163, RGB 20 133 167 and RGB 20 94 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 166 162 shade: RGB 11 94 92, RGB 16 131 128, RGB 20 167 163, RGB 25 204 199 and RGB 42 228 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 166 162 shade: RGB 21 166 162, RGB 45 20 167 and RGB 167 104 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 166 162 shade: RGB 21 166 162, RGB 163 20 167 and RGB 167 163 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 166 162 shade: RGB 21 166 162, RGB 45 20 167, RGB 167 20 25 and RGB 143 167 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 166 162 shade: RGB 21 166 162, RGB 89 20 167, RGB 167 20 25 and RGB 99 167 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 2 / 35

HEX #15A6A2

RGB 21 166 162

HSL 178.34, 0.78%, 0.37%

LAB 61.69, -35.17, -7.97

 

Complementary color

CMYK 0 / 62 / 60 / 8

HEX #EA595D

RGB 234 89 93

HSL 358.34, 0.78%, 0.63%

LAB 57.49, 56.3, 27.76

 

CMYK 84 / 0 / 5 / 35

HEX #1AA69D

RGB 26 166 157

HSL 176.14, 0.73%, 0.38%

LAB 61.59, -36.32, -5.3

 

CMYK 77 / 0 / 4 / 28

HEX #2BB8B0

RGB 43 184 176

HSL 176.6, 0.62%, 0.45%

LAB 67.97, -37.47, -6.41

 

CMYK 70 / 0 / 3 / 21

HEX #3CCAC3

RGB 60 202 195

HSL 177.04, 0.57%, 0.51%

LAB 74.28, -38.31, -7.4

 

CMYK 65 / 0 / 3 / 14

HEX #4DDCD6

RGB 77 220 214

HSL 177.48, 0.67%, 0.58%

LAB 80.53, -38.91, -8.29

 

CMYK 61 / 0 / 2 / 7

HEX #5EEEE9

RGB 94 238 233

HSL 177.92, 0.81%, 0.65%

LAB 86.71, -39.35, -9.11

 

CMYK 87 / 0 / 2 / 35

HEX #15A6A2

RGB 21 166 162

HSL 178.34, 0.78%, 0.37%

LAB 61.69, -35.17, -7.97

 

CMYK 97 / 0 / 3 / 42

HEX #04948F

RGB 4 148 143

HSL 177.92, 0.95%, 0.3%

LAB 55.27, -33.44, -6.75

 

CMYK 100 / 0 / 5 / 49

HEX #00827C

RGB 0 130 124

HSL 177.23, 1%, 0.25%

LAB 48.79, -31.09, -5.34

 

CMYK 100 / 0 / 6 / 56

HEX #007069

RGB 0 112 105

HSL 176.25, 1%, 0.22%

LAB 42.17, -28.5, -3.82

 

CMYK 100 / 0 / 9 / 63

HEX #005E56

RGB 0 94 86

HSL 174.89, 1%, 0.18%

LAB 35.36, -25.85, -2.23

 

CMYK 88 / 0 / 2 / 35

HEX #14A7A3

RGB 20 167 163

HSL 178.37, 0.79%, 0.37%

LAB 62.02, -35.4, -8.03

 

CMYK 88 / 0 / 26 / 35

HEX #14A77C

RGB 20 167 124

HSL 162.45, 0.79%, 0.37%

LAB 60.99, -46.1, 12.31

 

CMYK 88 / 0 / 50 / 35

HEX #14A754

RGB 20 167 84

HSL 146.12, 0.79%, 0.37%

LAB 60.27, -54.37, 32.9

 

CMYK 88 / 0 / 74 / 35

HEX #14A72C

RGB 20 167 44

HSL 129.8, 0.79%, 0.37%

LAB 59.86, -59.44, 50.62

 

CMYK 78 / 0 / 88 / 35

HEX #24A714

RGB 36 167 20

HSL 113.47, 0.79%, 0.37%

LAB 59.95, -59.13, 57.89

 

CMYK 88 / 0 / 2 / 35

HEX #14A7A3

RGB 20 167 163

HSL 178.37, 0.79%, 0.37%

LAB 62.02, -35.4, -8.03

 

CMYK 88 / 21 / 0 / 35

HEX #1484A7

RGB 20 132 167

HSL 194.29, 0.79%, 0.37%

LAB 51.2, -16.4, -26.77

 

CMYK 88 / 45 / 0 / 35

HEX #145CA7

RGB 20 92 167

HSL 210.61, 0.79%, 0.37%

LAB 38.89, 7.75, -46.2

 

CMYK 88 / 69 / 0 / 35

HEX #1434A7

RGB 20 52 167

HSL 226.94, 0.79%, 0.37%

LAB 27.83, 34.59, -64.19

 

CMYK 88 / 88 / 0 / 35

HEX #1414A7

RGB 20 20 167

HSL 240, 0.79%, 0.37%

LAB 21.72, 51.99, -74.31

 

CMYK 88 / 0 / 2 / 35

HEX #14A7A3

RGB 20 167 163

HSL 178.37, 0.79%, 0.37%

LAB 62.02, -35.4, -8.03

 

CMYK 97 / 0 / 3 / 28

HEX #05B7B2

RGB 5 183 178

HSL 178.31, 0.95%, 0.37%

LAB 67.36, -38.82, -8.45

 

CMYK 88 / 0 / 2 / 35

HEX #14A7A3

RGB 20 167 163

HSL 178.37, 0.79%, 0.37%

LAB 62.02, -35.4, -8.03

 

CMYK 76 / 0 / 2 / 40

HEX #249895

RGB 36 152 149

HSL 178.45, 0.62%, 0.37%

LAB 57.08, -31.19, -7.45

 

CMYK 63 / 0 / 1 / 46

HEX #338987

RGB 51 137 135

HSL 178.6, 0.46%, 0.37%

LAB 52.22, -25.78, -6.57

 

CMYK 46 / 0 / 2 / 52

HEX #427A78

RGB 66 122 120

HSL 177.86, 0.3%, 0.37%

LAB 47.54, -18.95, -4.66

 

CMYK 24 / 0 / 0 / 58

HEX #516A6A

RGB 81 106 106

HSL 180, 0.13%, 0.37%

LAB 42.91, -9.17, -3.03

 

CMYK 88 / 0 / 50 / 35

HEX #14A754

RGB 20 167 84

HSL 146.12, 0.79%, 0.37%

LAB 60.27, -54.37, 32.9

 

CMYK 88 / 0 / 26 / 35

HEX #14A77B

RGB 20 167 123

HSL 162.04, 0.79%, 0.37%

LAB 60.97, -46.34, 12.83

 

CMYK 88 / 0 / 2 / 35

HEX #14A7A3

RGB 20 167 163

HSL 178.37, 0.79%, 0.37%

LAB 62.02, -35.4, -8.03

 

CMYK 88 / 20 / 0 / 35

HEX #1485A7

RGB 20 133 167

HSL 193.88, 0.79%, 0.37%

LAB 51.51, -16.94, -26.29

 

CMYK 88 / 44 / 0 / 35

HEX #145EA7

RGB 20 94 167

HSL 209.8, 0.79%, 0.37%

LAB 39.49, 6.45, -45.24

 

CMYK 88 / 0 / 2 / 63

HEX #0B5E5C

RGB 11 94 92

HSL 178.55, 0.79%, 0.21%

LAB 35.69, -22.93, -5.45

 

CMYK 88 / 0 / 2 / 49

HEX #108380

RGB 16 131 128

HSL 178.43, 0.78%, 0.29%

LAB 49.38, -29.39, -6.79

 

CMYK 88 / 0 / 2 / 35

HEX #14A7A3

RGB 20 167 163

HSL 178.37, 0.79%, 0.37%

LAB 62.02, -35.4, -8.03

 

CMYK 88 / 0 / 2 / 20

HEX #19CCC7

RGB 25 204 199

HSL 178.32, 0.78%, 0.45%

LAB 74.52, -41.24, -9.26

 

CMYK 82 / 0 / 2 / 11

HEX #2AE4DF

RGB 42 228 223

HSL 178.39, 0.78%, 0.53%

LAB 82.54, -43.86, -10.14

 

CMYK 87 / 0 / 2 / 35

HEX #15A6A2

RGB 21 166 162

HSL 178.34, 0.78%, 0.37%

LAB 61.69, -35.17, -7.97

 

CMYK 73 / 88 / 0 / 35

HEX #2D14A7

RGB 45 20 167

HSL 250.2, 0.79%, 0.37%

LAB 23.16, 53.09, -71.87

 

CMYK 0 / 38 / 88 / 35

HEX #A76814

RGB 167 104 20

HSL 34.29, 0.79%, 0.37%

LAB 49.7, 19.15, 52.46

 

CMYK 87 / 0 / 2 / 35

HEX #15A6A2

RGB 21 166 162

HSL 178.34, 0.78%, 0.37%

LAB 61.69, -35.17, -7.97

 

CMYK 2 / 88 / 0 / 35

HEX #A314A7

RGB 163 20 167

HSL 298.37, 0.79%, 0.37%

LAB 39.71, 68.39, -44.17

 

CMYK 0 / 2 / 88 / 35

HEX #A7A314

RGB 167 163 20

HSL 58.37, 0.79%, 0.37%

LAB 65.33, -13.32, 65.07

 

CMYK 87 / 0 / 2 / 35

HEX #15A6A2

RGB 21 166 162

HSL 178.34, 0.78%, 0.37%

LAB 61.69, -35.17, -7.97

 

CMYK 73 / 88 / 0 / 35

HEX #2D14A7

RGB 45 20 167

HSL 250.2, 0.79%, 0.37%

LAB 23.16, 53.09, -71.87

 

CMYK 0 / 88 / 85 / 35

HEX #A71419

RGB 167 20 25

HSL 357.96, 0.79%, 0.37%

LAB 35.57, 55.86, 38.41

 

CMYK 14 / 0 / 88 / 35

HEX #8FA714

RGB 143 167 20

HSL 69.8, 0.79%, 0.37%

LAB 64.59, -25.83, 63.68

 

CMYK 87 / 0 / 2 / 35

HEX #15A6A2

RGB 21 166 162

HSL 178.34, 0.78%, 0.37%

LAB 61.69, -35.17, -7.97

 

CMYK 47 / 88 / 0 / 35

HEX #5914A7

RGB 89 20 167

HSL 268.16, 0.79%, 0.37%

LAB 27.88, 57.03, -63.91

 

CMYK 0 / 88 / 85 / 35

HEX #A71419

RGB 167 20 25

HSL 357.96, 0.79%, 0.37%

LAB 35.57, 55.86, 38.41

 

CMYK 41 / 0 / 88 / 35

HEX #63A714

RGB 99 167 20

HSL 87.76, 0.79%, 0.37%

LAB 61.95, -43.16, 60.41

 

Description

Color code: RGB 21 166 162 | qconv.com Color code: RGB 21 166 162 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 166 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 166 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 2 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 2% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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