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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 126.8 163.4 it is the complementary color RGB 234 128.2 91.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 126.8 163.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 126.8 163.4 shade: RGB 26 126.8 158.4, RGB 43 144.8 177.4, RGB 60 162.8 196.4, RGB 77 180.8 215.4 and RGB 94 198.8 234.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 126.8 163.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 126.8 163.4 shade: RGB 21 126.8 163.4, RGB 4 108.8 144.4, RGB 0 90.8 125.4, RGB 0 72.8 106.4 and RGB 0 54.8 87.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 126.8 163.4 shade: RGB 21 126 162, RGB 21 88 162, RGB 21 50 162, RGB 30 21 162 and RGB 69 21 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 126.8 163.4 shade: RGB 21 126 162, RGB 21 88 162, RGB 21 50 162 and RGB 21 21 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 126.8 163.4 shade matches the following richer shades: RGB 21 126 162 and RGB 6 133 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 126.8 163.4 shade: RGB 21 126 162, RGB 36 119 148, RGB 51 112 133, RGB 66 104 118 and RGB 81 97 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 126.8 163.4 shade: RGB 21 162 122, RGB 21 162 160, RGB 21 127 162, RGB 21 89 162 and RGB 21 52 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 126.8 163.4 shade: RGB 12 69 89, RGB 16 98 126, RGB 21 126 162, RGB 26 155 199 and RGB 39 179 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 126.8 163.4 shade: RGB 21 126.8 163.4, RGB 85 21 162 and RGB 162 141 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 126.8 163.4 shade: RGB 21 126.8 163.4, RGB 162 21 127 and RGB 127 162 21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 126.8 163.4 shade: RGB 21 126.8 163.4, RGB 85 21 162, RGB 162 56 21 and RGB 99 162 21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 126.8 163.4 shade: RGB 21 126.8 163.4, RGB 127 21 162, RGB 162 56 21 and RGB 56 162 21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 22 / 0 / 36

HEX #157EA3

RGB 21 126.8 163.4

HSL 195.42, 0.77%, 0.36%

LAB 49.43, -14.74, -27.43

 

Complementary color

CMYK 0 / 45 / 61 / 8

HEX #EA805B

RGB 234 128.2 91.6

HSL 15.42, 0.77%, 0.64%

LAB 64.76, 37.47, 37.7

 

CMYK 84 / 20 / 0 / 38

HEX #1A7E9E

RGB 26 126.8 158.4

HSL 194.32, 0.72%, 0.36%

LAB 49.29, -16.13, -24.73

 

CMYK 76 / 18 / 0 / 30

HEX #2B90B1

RGB 43 144.8 177.4

HSL 194.55, 0.61%, 0.43%

LAB 55.98, -17.57, -25.32

 

CMYK 69 / 17 / 0 / 23

HEX #3CA2C4

RGB 60 162.8 196.4

HSL 194.78, 0.54%, 0.5%

LAB 62.58, -18.63, -25.84

 

CMYK 64 / 16 / 0 / 16

HEX #4DB4D7

RGB 77 180.8 215.4

HSL 195, 0.64%, 0.57%

LAB 69.09, -19.44, -26.31

 

CMYK 60 / 15 / 0 / 8

HEX #5EC6EA

RGB 94 198.8 234.4

HSL 195.21, 0.77%, 0.64%

LAB 75.51, -20.06, -26.75

 

CMYK 87 / 22 / 0 / 36

HEX #157EA3

RGB 21 126.8 163.4

HSL 195.42, 0.77%, 0.36%

LAB 49.43, -14.74, -27.43

 

CMYK 97 / 25 / 0 / 43

HEX #046C90

RGB 4 108.8 144.4

HSL 195.21, 0.95%, 0.29%

LAB 42.68, -12.56, -26.74

 

CMYK 100 / 28 / 0 / 51

HEX #005A7D

RGB 0 90.8 125.4

HSL 196.56, 1%, 0.25%

LAB 35.87, -9.57, -25.89

 

CMYK 100 / 32 / 0 / 58

HEX #00486A

RGB 0 72.8 106.4

HSL 198.95, 1%, 0.21%

LAB 28.87, -6.16, -25

 

CMYK 100 / 37 / 0 / 66

HEX #003657

RGB 0 54.8 87.4

HSL 202.38, 1%, 0.17%

LAB 21.61, -2.47, -24.16

 

CMYK 87 / 22 / 0 / 36

HEX #157EA2

RGB 21 126 162

HSL 195.32, 0.77%, 0.36%

LAB 49.12, -14.8, -27.1

 

CMYK 87 / 46 / 0 / 36

HEX #1558A2

RGB 21 88 162

HSL 211.49, 0.77%, 0.36%

LAB 37.39, 8.43, -45.64

 

CMYK 87 / 69 / 0 / 36

HEX #1532A2

RGB 21 50 162

HSL 227.66, 0.77%, 0.36%

LAB 26.87, 34.06, -62.74

 

CMYK 81 / 87 / 0 / 36

HEX #1E15A2

RGB 30 21 162

HSL 243.83, 0.77%, 0.36%

LAB 21.66, 50.47, -71.37

 

CMYK 57 / 87 / 0 / 36

HEX #4515A2

RGB 69 21 162

HSL 260.43, 0.77%, 0.36%

LAB 24.98, 53.28, -65.75

 

CMYK 87 / 22 / 0 / 36

HEX #157EA2

RGB 21 126 162

HSL 195.32, 0.77%, 0.36%

LAB 49.12, -14.8, -27.1

 

CMYK 87 / 46 / 0 / 36

HEX #1558A2

RGB 21 88 162

HSL 211.49, 0.77%, 0.36%

LAB 37.39, 8.43, -45.64

 

CMYK 87 / 69 / 0 / 36

HEX #1532A2

RGB 21 50 162

HSL 227.66, 0.77%, 0.36%

LAB 26.87, 34.06, -62.74

 

CMYK 87 / 87 / 0 / 36

HEX #1515A2

RGB 21 21 162

HSL 240, 0.77%, 0.36%

LAB 21.22, 50.12, -72.1

 

CMYK 87 / 22 / 0 / 36

HEX #157EA2

RGB 21 126 162

HSL 195.32, 0.77%, 0.36%

LAB 49.12, -14.8, -27.1

 

CMYK 97 / 25 / 0 / 31

HEX #0685B1

RGB 6 133 177

HSL 195.44, 0.93%, 0.36%

LAB 51.82, -13.99, -31.58

 

CMYK 87 / 22 / 0 / 36

HEX #157EA2

RGB 21 126 162

HSL 195.32, 0.77%, 0.36%

LAB 49.12, -14.8, -27.1

 

CMYK 76 / 20 / 0 / 42

HEX #247794

RGB 36 119 148

HSL 195.54, 0.61%, 0.36%

LAB 46.59, -14.36, -22.78

 

CMYK 62 / 16 / 0 / 48

HEX #337085

RGB 51 112 133

HSL 195.37, 0.45%, 0.36%

LAB 44.21, -13.01, -17.48

 

CMYK 44 / 12 / 0 / 54

HEX #426876

RGB 66 104 118

HSL 196.15, 0.28%, 0.36%

LAB 41.79, -9.45, -12.07

 

CMYK 21 / 6 / 0 / 60

HEX #516167

RGB 81 97 103

HSL 196.36, 0.12%, 0.36%

LAB 40.04, -4.62, -5.45

 

CMYK 87 / 0 / 25 / 36

HEX #15A27A

RGB 21 162 122

HSL 162.98, 0.77%, 0.36%

LAB 59.35, -44.49, 11.11

 

CMYK 87 / 0 / 1 / 36

HEX #15A2A0

RGB 21 162 160

HSL 179.15, 0.77%, 0.36%

LAB 60.37, -33.92, -8.81

 

CMYK 87 / 22 / 0 / 36

HEX #157FA2

RGB 21 127 162

HSL 194.89, 0.77%, 0.36%

LAB 49.43, -15.36, -26.61

 

CMYK 87 / 45 / 0 / 36

HEX #1559A2

RGB 21 89 162

HSL 211.06, 0.77%, 0.36%

LAB 37.69, 7.77, -45.15

 

CMYK 87 / 68 / 0 / 36

HEX #1534A2

RGB 21 52 162

HSL 226.81, 0.77%, 0.36%

LAB 27.36, 32.75, -61.93

 

CMYK 87 / 22 / 0 / 65

HEX #0C4559

RGB 12 69 89

HSL 195.58, 0.76%, 0.2%

LAB 26.89, -9.77, -16.91

 

CMYK 87 / 22 / 0 / 51

HEX #10627E

RGB 16 98 126

HSL 195.27, 0.77%, 0.28%

LAB 38.47, -12.52, -22.19

 

CMYK 87 / 22 / 0 / 36

HEX #157EA2

RGB 21 126 162

HSL 195.32, 0.77%, 0.36%

LAB 49.12, -14.8, -27.1

 

CMYK 87 / 22 / 0 / 22

HEX #1A9BC7

RGB 26 155 199

HSL 195.26, 0.77%, 0.44%

LAB 59.69, -17.17, -31.82

 

CMYK 83 / 21 / 0 / 11

HEX #27B3E3

RGB 39 179 227

HSL 195.32, 0.77%, 0.52%

LAB 68.18, -19.33, -34.14

 

CMYK 87 / 22 / 0 / 36

HEX #157EA3

RGB 21 126.8 163.4

HSL 195.42, 0.77%, 0.36%

LAB 49.43, -14.74, -27.43

 

CMYK 48 / 87 / 0 / 36

HEX #5515A2

RGB 85 21 162

HSL 267.23, 0.77%, 0.36%

LAB 26.95, 55.05, -62.44

 

CMYK 0 / 13 / 87 / 36

HEX #A28D15

RGB 162 141 21

HSL 51.06, 0.77%, 0.36%

LAB 58.78, -3.84, 59.34

 

CMYK 87 / 22 / 0 / 36

HEX #157EA3

RGB 21 126.8 163.4

HSL 195.42, 0.77%, 0.36%

LAB 49.43, -14.74, -27.43

 

CMYK 0 / 87 / 22 / 36

HEX #A2157F

RGB 162 21 127

HSL 314.89, 0.77%, 0.36%

LAB 37.39, 62.22, -23.43

 

CMYK 22 / 0 / 87 / 36

HEX #7FA215

RGB 127 162 21

HSL 74.89, 0.77%, 0.36%

LAB 62, -30.12, 60.88

 

CMYK 87 / 22 / 0 / 36

HEX #157EA3

RGB 21 126.8 163.4

HSL 195.42, 0.77%, 0.36%

LAB 49.43, -14.74, -27.43

 

CMYK 48 / 87 / 0 / 36

HEX #5515A2

RGB 85 21 162

HSL 267.23, 0.77%, 0.36%

LAB 26.95, 55.05, -62.44

 

CMYK 0 / 65 / 87 / 36

HEX #A23815

RGB 162 56 21

HSL 14.89, 0.77%, 0.36%

LAB 38.84, 42.28, 42.84

 

CMYK 39 / 0 / 87 / 36

HEX #63A215

RGB 99 162 21

HSL 86.81, 0.77%, 0.36%

LAB 60.38, -41.03, 58.85

 

CMYK 87 / 22 / 0 / 36

HEX #157EA3

RGB 21 126.8 163.4

HSL 195.42, 0.77%, 0.36%

LAB 49.43, -14.74, -27.43

 

CMYK 22 / 87 / 0 / 36

HEX #7F15A2

RGB 127 21 162

HSL 285.11, 0.77%, 0.36%

LAB 33.26, 61.1, -51.87

 

CMYK 0 / 65 / 87 / 36

HEX #A23815

RGB 162 56 21

HSL 14.89, 0.77%, 0.36%

LAB 38.84, 42.28, 42.84

 

CMYK 65 / 0 / 87 / 36

HEX #38A215

RGB 56 162 21

HSL 105.11, 0.77%, 0.36%

LAB 58.73, -53.8, 56.77

 

Description

Color code: RGB 21 126.8 163.4 | qconv.com Color code: RGB 21 126.8 163.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 126.8 green and 163.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 126.8 163.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 22 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 22% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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