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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 103 97 it is the complementary color RGB 234 152 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 103 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 21 103 97 shade: RGB 26 103 92, RGB 43 121 111, RGB 60 139 130, RGB 77 157 149 and RGB 94 175 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 103 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 21 103 97 shade: RGB 21 103 97, RGB 4 85 78, RGB 0 67 59, RGB 0 49 40 and RGB 0 31 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 21 103 97 shade: RGB 20 101 95, RGB 20 101 73, RGB 20 101 52, RGB 20 101 30 and RGB 33 101 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 21 103 97 shade: RGB 20 101 95, RGB 20 85 101, RGB 20 63 101, RGB 20 42 101 and RGB 20 20 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 21 103 97 shade matches the following richer shades: RGB 20 101 95, RGB 10 111 104 and RGB 1 121 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 21 103 97 shade: RGB 20 101 95, RGB 30 91 87, RGB 40 81 78, RGB 50 71 70 and RGB 60 61 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 21 103 97 shade: RGB 20 101 51, RGB 20 101 73, RGB 20 101 94, RGB 20 86 101 and RGB 20 65 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 21 103 97 shade: RGB 6 33 31, RGB 13 67 63, RGB 20 101 95, RGB 27 135 127 and RGB 34 170 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 21 103 97 shade: RGB 21 103 97, RGB 30 20 101 and RGB 101 62 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 21 103 97 shade: RGB 21 103 97, RGB 94 20 101 and RGB 101 94 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 21 103 97 shade: RGB 21 103 97, RGB 30 20 101, RGB 101 20 27 and RGB 92 101 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 21 103 97 shade: RGB 21 103 97, RGB 54 20 101, RGB 101 20 27 and RGB 67 101 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 6 / 60

HEX #156761

RGB 21 103 97

HSL 175.61, 0.66%, 0.24%

LAB 39.11, -24.84, -3.45

 

Complementary color

CMYK 0 / 35 / 32 / 8

HEX #EA989E

RGB 234 152 158

HSL 355.61, 0.66%, 0.76%

LAB 71.16, 31.5, 9.67

 

CMYK 75 / 0 / 11 / 60

HEX #1A675C

RGB 26 103 92

HSL 171.43, 0.6%, 0.25%

LAB 39.06, -25.68, -0.45

 

CMYK 64 / 0 / 8 / 53

HEX #2B796F

RGB 43 121 111

HSL 172.31, 0.48%, 0.32%

LAB 46.09, -26.19, -1.55

 

CMYK 57 / 0 / 6 / 45

HEX #3C8B82

RGB 60 139 130

HSL 173.16, 0.4%, 0.39%

LAB 52.99, -26.42, -2.5

 

CMYK 51 / 0 / 5 / 38

HEX #4D9D95

RGB 77 157 149

HSL 174, 0.34%, 0.46%

LAB 59.76, -26.51, -3.35

 

CMYK 46 / 0 / 4 / 31

HEX #5EAFA8

RGB 94 175 168

HSL 174.81, 0.34%, 0.53%

LAB 66.42, -26.51, -4.12

 

CMYK 80 / 0 / 6 / 60

HEX #156761

RGB 21 103 97

HSL 175.61, 0.66%, 0.24%

LAB 39.11, -24.84, -3.45

 

CMYK 95 / 0 / 8 / 67

HEX #04554E

RGB 4 85 78

HSL 174.81, 0.91%, 0.17%

LAB 31.97, -23.6, -2.18

 

CMYK 100 / 0 / 12 / 74

HEX #00433B

RGB 0 67 59

HSL 172.84, 1%, 0.13%

LAB 24.73, -21.22, -0.55

 

CMYK 100 / 0 / 18 / 81

HEX #003128

RGB 0 49 40

HSL 168.98, 1%, 0.1%

LAB 17.23, -18.32, 1.34

 

CMYK 100 / 0 / 32 / 88

HEX #001F15

RGB 0 31 21

HSL 160.65, 1%, 0.06%

LAB 9.27, -14.35, 3.46

 

CMYK 80 / 0 / 6 / 60

HEX #14655F

RGB 20 101 95

HSL 175.56, 0.67%, 0.24%

LAB 38.34, -24.58, -3.35

 

CMYK 80 / 0 / 28 / 60

HEX #146549

RGB 20 101 73

HSL 159.26, 0.67%, 0.24%

LAB 37.73, -30.92, 9.23

 

CMYK 80 / 0 / 49 / 60

HEX #146534

RGB 20 101 52

HSL 143.7, 0.67%, 0.24%

LAB 37.31, -35.65, 21.11

 

CMYK 80 / 0 / 70 / 60

HEX #14651E

RGB 20 101 30

HSL 127.41, 0.67%, 0.24%

LAB 37.02, -39.02, 32.39

 

CMYK 67 / 0 / 80 / 60

HEX #216514

RGB 33 101 20

HSL 110.37, 0.67%, 0.24%

LAB 37.26, -37.29, 36.99

 

CMYK 80 / 0 / 6 / 60

HEX #14655F

RGB 20 101 95

HSL 175.56, 0.67%, 0.24%

LAB 38.34, -24.58, -3.35

 

CMYK 80 / 16 / 0 / 60

HEX #145565

RGB 20 85 101

HSL 191.85, 0.67%, 0.24%

LAB 33.1, -13.84, -14.98

 

CMYK 80 / 38 / 0 / 60

HEX #143F65

RGB 20 63 101

HSL 208.15, 0.67%, 0.24%

LAB 25.69, 0.02, -26.54

 

CMYK 80 / 58 / 0 / 60

HEX #142A65

RGB 20 42 101

HSL 223.7, 0.67%, 0.24%

LAB 18.99, 14.98, -37.29

 

CMYK 80 / 80 / 0 / 60

HEX #141465

RGB 20 20 101

HSL 240, 0.67%, 0.24%

LAB 13.16, 30.32, -46.84

 

CMYK 80 / 0 / 6 / 60

HEX #14655F

RGB 20 101 95

HSL 175.56, 0.67%, 0.24%

LAB 38.34, -24.58, -3.35

 

CMYK 91 / 0 / 6 / 56

HEX #0A6F68

RGB 10 111 104

HSL 175.84, 0.83%, 0.24%

LAB 41.9, -27.65, -3.61

 

CMYK 99 / 0 / 7 / 53

HEX #017970

RGB 1 121 112

HSL 175.5, 0.98%, 0.24%

LAB 45.43, -30.53, -3.2

 

CMYK 80 / 0 / 6 / 60

HEX #14655F

RGB 20 101 95

HSL 175.56, 0.67%, 0.24%

LAB 38.34, -24.58, -3.35

 

CMYK 67 / 0 / 4 / 64

HEX #1E5B57

RGB 30 91 87

HSL 176.07, 0.5%, 0.24%

LAB 34.9, -20.33, -3.47

 

CMYK 51 / 0 / 4 / 68

HEX #28514E

RGB 40 81 78

HSL 175.61, 0.34%, 0.24%

LAB 31.55, -15.22, -2.7

 

CMYK 30 / 0 / 1 / 72

HEX #324746

RGB 50 71 70

HSL 177.14, 0.17%, 0.24%

LAB 28.45, -8.41, -2.06

 

CMYK 2 / 0 / 0 / 76

HEX #3C3D3D

RGB 60 61 61

HSL 180, 0.01%, 0.24%

LAB 25.67, -0.42, -0.15

 

CMYK 80 / 0 / 50 / 60

HEX #146533

RGB 20 101 51

HSL 142.96, 0.67%, 0.24%

LAB 37.29, -35.84, 21.66

 

CMYK 80 / 0 / 28 / 60

HEX #146549

RGB 20 101 73

HSL 159.26, 0.67%, 0.24%

LAB 37.73, -30.92, 9.23

 

CMYK 80 / 0 / 7 / 60

HEX #14655E

RGB 20 101 94

HSL 174.81, 0.67%, 0.24%

LAB 38.31, -24.9, -2.79

 

CMYK 80 / 15 / 0 / 60

HEX #145665

RGB 20 86 101

HSL 191.11, 0.67%, 0.24%

LAB 33.44, -14.42, -14.46

 

CMYK 80 / 36 / 0 / 60

HEX #144165

RGB 20 65 101

HSL 206.67, 0.67%, 0.24%

LAB 26.36, -1.32, -25.48

 

CMYK 82 / 0 / 6 / 87

HEX #06211F

RGB 6 33 31

HSL 175.56, 0.69%, 0.08%

LAB 10.74, -10.83, -1.7

 

CMYK 81 / 0 / 6 / 74

HEX #0D433F

RGB 13 67 63

HSL 175.56, 0.68%, 0.16%

LAB 25.13, -18.06, -2.57

 

CMYK 80 / 0 / 6 / 60

HEX #14655F

RGB 20 101 95

HSL 175.56, 0.67%, 0.24%

LAB 38.34, -24.58, -3.35

 

CMYK 80 / 0 / 6 / 47

HEX #1B877F

RGB 27 135 127

HSL 175.56, 0.67%, 0.32%

LAB 50.8, -30.65, -4.09

 

CMYK 80 / 0 / 6 / 33

HEX #22AAA0

RGB 34 170 160

HSL 175.59, 0.67%, 0.4%

LAB 63.03, -36.58, -4.84

 

CMYK 80 / 0 / 6 / 60

HEX #156761

RGB 21 103 97

HSL 175.61, 0.66%, 0.24%

LAB 39.11, -24.84, -3.45

 

CMYK 70 / 80 / 0 / 60

HEX #1E1465

RGB 30 20 101

HSL 247.41, 0.67%, 0.24%

LAB 13.92, 31.38, -45.56

 

CMYK 0 / 39 / 80 / 60

HEX #653E14

RGB 101 62 20

HSL 31.11, 0.67%, 0.24%

LAB 30.07, 13.16, 31.58

 

CMYK 80 / 0 / 6 / 60

HEX #156761

RGB 21 103 97

HSL 175.61, 0.66%, 0.24%

LAB 39.11, -24.84, -3.45

 

CMYK 7 / 80 / 0 / 60

HEX #5E1465

RGB 94 20 101

HSL 294.81, 0.67%, 0.24%

LAB 23.07, 43.32, -30.28

 

CMYK 0 / 7 / 80 / 60

HEX #655E14

RGB 101 94 20

HSL 54.81, 0.67%, 0.24%

LAB 39.28, -6.27, 40.43

 

CMYK 80 / 0 / 6 / 60

HEX #156761

RGB 21 103 97

HSL 175.61, 0.66%, 0.24%

LAB 39.11, -24.84, -3.45

 

CMYK 70 / 80 / 0 / 60

HEX #1E1465

RGB 30 20 101

HSL 247.41, 0.67%, 0.24%

LAB 13.92, 31.38, -45.56

 

CMYK 0 / 80 / 73 / 60

HEX #65141B

RGB 101 20 27

HSL 354.81, 0.67%, 0.24%

LAB 21.38, 35.9, 17.86

 

CMYK 9 / 0 / 80 / 60

HEX #5C6514

RGB 92 101 20

HSL 66.67, 0.67%, 0.24%

LAB 40.63, -14.56, 41.38

 

CMYK 80 / 0 / 6 / 60

HEX #156761

RGB 21 103 97

HSL 175.61, 0.66%, 0.24%

LAB 39.11, -24.84, -3.45

 

CMYK 47 / 80 / 0 / 60

HEX #361465

RGB 54 20 101

HSL 265.19, 0.67%, 0.24%

LAB 16.62, 35.03, -41.02

 

CMYK 0 / 80 / 73 / 60

HEX #65141B

RGB 101 20 27

HSL 354.81, 0.67%, 0.24%

LAB 21.38, 35.9, 17.86

 

CMYK 34 / 0 / 80 / 60

HEX #436514

RGB 67 101 20

HSL 85.19, 0.67%, 0.24%

LAB 38.81, -25.74, 39.02

 

Description

Color code: RGB 21 103 97 | qconv.com Color code: RGB 21 103 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 103 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 103 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 6 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 6% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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