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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 53 34 it is the complementary color RGB 36 202 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 53 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 53 34: RGB 224 53 29, RGB 241 71 48, RGB 255 89 67, RGB 255 107 86 and RGB 255 125 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 53 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 53 34: RGB 219 53 34, RGB 202 35 15, RGB 185 17 0, RGB 168 0 0 and RGB 151 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 84 / 14

HEX #DB3522

RGB 219 53 34

HSL 6.16, 0.73%, 0.5%

LAB 49.16, 62.49, 49.91

 

Complementary color

CMYK 84 / 9 / 0 / 13

HEX #24CADD

RGB 36 202 221

HSL 186.16, 0.73%, 0.5%

LAB 74.72, -33, -20.84

 

CMYK 0 / 76 / 87 / 12

HEX #E0351D

RGB 224 53 29

HSL 7.38, 0.77%, 0.5%

LAB 50.08, 63.88, 53.31

 

CMYK 0 / 71 / 80 / 5

HEX #F14730

RGB 241 71 48

HSL 7.15, 0.87%, 0.57%

LAB 55.5, 63.54, 50.45

 

CMYK 0 / 65 / 74 / 0

HEX #FF5943

RGB 255 89 67

HSL 7.02, 1%, 0.63%

LAB 60.61, 61.84, 46.76

 

CMYK 0 / 58 / 66 / 0

HEX #FF6B56

RGB 255 107 86

HSL 7.46, 1%, 0.67%

LAB 63.71, 55.08, 40.16

 

CMYK 0 / 51 / 59 / 0

HEX #FF7D69

RGB 255 125 105

HSL 8, 1%, 0.71%

LAB 67.24, 47.85, 34.15

 

CMYK 0 / 76 / 84 / 14

HEX #DB3522

RGB 219 53 34

HSL 6.16, 0.73%, 0.5%

LAB 49.16, 62.49, 49.91

 

CMYK 0 / 83 / 93 / 21

HEX #CA230F

RGB 202 35 15

HSL 6.42, 0.86%, 0.43%

LAB 43.93, 62.21, 52.44

 

CMYK 0 / 91 / 100 / 27

HEX #B91100

RGB 185 17 0

HSL 5.51, 1%, 0.36%

LAB 39.1, 60.94, 53.07

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 76 / 84 / 14

HEX #DB3522

RGB 219 53 34

HSL 6.16, 0.73%, 0.5%

LAB 49.16, 62.49, 49.91

 

CMYK 0 / 62 / 85 / 14

HEX #DC5422

RGB 220 84 34

HSL 16.13, 0.73%, 0.5%

LAB 53.68, 51, 53.88

 

CMYK 0 / 48 / 85 / 14

HEX #DC7322

RGB 220 115 34

HSL 26.13, 0.73%, 0.5%

LAB 59.52, 36.03, 58.85

 

CMYK 0 / 34 / 85 / 14

HEX #DC9222

RGB 220 146 34

HSL 36.13, 0.73%, 0.5%

LAB 66.43, 19.63, 64.66

 

CMYK 0 / 20 / 85 / 14

HEX #DCB122

RGB 220 177 34

HSL 46.13, 0.73%, 0.5%

LAB 74.05, 3.08, 70.99

 

CMYK 0 / 76 / 84 / 14

HEX #DB3522

RGB 219 53 34

HSL 6.16, 0.73%, 0.5%

LAB 49.16, 62.49, 49.91

 

CMYK 0 / 73 / 87 / 94

HEX #0F0402

RGB 15 4 2

HSL 9.23, 0.76%, 0.03%

LAB 1.74, 2.79, 1.84

 

CMYK 0 / 76 / 85 / 74

HEX #42100A

RGB 66 16 10

HSL 6.43, 0.74%, 0.15%

LAB 12.93, 23.75, 15.77

 

CMYK 0 / 76 / 85 / 54

HEX #751C12

RGB 117 28 18

HSL 6.06, 0.73%, 0.26%

LAB 25.73, 37.96, 29.29

 

CMYK 0 / 76 / 85 / 34

HEX #A8291A

RGB 168 41 26

HSL 6.34, 0.73%, 0.38%

LAB 37.82, 50.45, 40

 

CMYK 0 / 76 / 84 / 14

HEX #DB3522

RGB 219 53 34

HSL 6.16, 0.73%, 0.5%

LAB 49.16, 62.49, 49.91

 

CMYK 25 / 0 / 85 / 14

HEX #A4DC22

RGB 164 220 34

HSL 78.06, 0.73%, 0.5%

LAB 81.4, -41.44, 75.44

 

CMYK 85 / 59 / 0 / 14

HEX #225ADC

RGB 34 90 220

HSL 221.94, 0.73%, 0.5%

LAB 42.49, 30.89, -71.17

 

CMYK 0 / 76 / 84 / 14

HEX #DB3522

RGB 219 53 34

HSL 6.16, 0.73%, 0.5%

LAB 49.16, 62.49, 49.91

 

CMYK 85 / 0 / 76 / 14

HEX #22DC35

RGB 34 220 53

HSL 126.13, 0.73%, 0.5%

LAB 77.15, -73.25, 64.86

 

CMYK 76 / 85 / 0 / 14

HEX #3522DC

RGB 53 34 220

HSL 246.13, 0.73%, 0.5%

LAB 31.96, 63.22, -88.5

 

CMYK 0 / 76 / 84 / 14

HEX #DB3522

RGB 219 53 34

HSL 6.16, 0.73%, 0.5%

LAB 49.16, 62.49, 49.91

 

CMYK 25 / 0 / 85 / 14

HEX #A4DC22

RGB 164 220 34

HSL 78.06, 0.73%, 0.5%

LAB 81.4, -41.44, 75.44

 

CMYK 85 / 9 / 0 / 14

HEX #22C9DC

RGB 34 201 220

HSL 186.13, 0.73%, 0.5%

LAB 74.37, -32.98, -20.84

 

CMYK 59 / 85 / 0 / 14

HEX #5A22DC

RGB 90 34 220

HSL 258.06, 0.73%, 0.5%

LAB 34.97, 65.85, -83.42

 

CMYK 0 / 76 / 84 / 14

HEX #DB3522

RGB 219 53 34

HSL 6.16, 0.73%, 0.5%

LAB 49.16, 62.49, 49.91

 

CMYK 51 / 0 / 85 / 14

HEX #6CDC22

RGB 108 220 34

HSL 96.13, 0.73%, 0.5%

LAB 78.75, -60.32, 72.11

 

CMYK 85 / 9 / 0 / 14

HEX #22C9DC

RGB 34 201 220

HSL 186.13, 0.73%, 0.5%

LAB 74.37, -32.98, -20.84

 

CMYK 34 / 85 / 0 / 14

HEX #9222DC

RGB 146 34 220

HSL 276.13, 0.73%, 0.5%

LAB 41.88, 72.34, -71.81

 

Description

Color code: RGB 219 53 34 | qconv.com Color code: RGB 219 53 34 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 53 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 53 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 84 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 84% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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