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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 53 21 it is the complementary color RGB 36 202 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 53 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 53 21 shade: RGB 224 53 16, RGB 241 71 35, RGB 255 89 54, RGB 255 107 73 and RGB 255 125 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 53 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 53 21 shade: RGB 219 53 21, RGB 202 35 2, RGB 185 17 0, RGB 168 0 0 and RGB 151 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 53 21 shade: RGB 219 53 20 and RGB 219 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 53 21 shade: RGB 219 53 20, RGB 219 106 20, RGB 219 160 20, RGB 219 213 20 and RGB 172 219 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 53 21 shade matches the following richer shades: RGB 219 53 20 and RGB 239 39 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 53 21 shade: RGB 219 53 20, RGB 200 66 40, RGB 181 79 59, RGB 161 92 79 and RGB 142 105 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 53 21 shade: RGB 219 20 97, RGB 219 20 44, RGB 219 50 20, RGB 219 103 20 and RGB 219 156 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 53 21 shade: RGB 144 34 13, RGB 182 43 17, RGB 219 53 20, RGB 236 76 45 and RGB 239 108 83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 53 21 shade: RGB 219 53 21, RGB 150 219 20 and RGB 20 70 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 53 21 shade: RGB 219 53 21, RGB 20 219 50 and RGB 50 20 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 53 21 shade: RGB 219 53 21, RGB 150 219 20, RGB 20 189 219 and RGB 90 20 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 53 21 shade: RGB 219 53 21, RGB 90 219 20, RGB 20 189 219 and RGB 150 20 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 90 / 14

HEX #DB3515

RGB 219 53 21

HSL 9.7, 0.83%, 0.47%

LAB 49.08, 62.24, 55.33

 

Complementary color

CMYK 85 / 14 / 0 / 8

HEX #24CAEA

RGB 36 202 234

HSL 189.7, 0.83%, 0.53%

LAB 75.17, -28.9, -27.16

 

CMYK 0 / 76 / 93 / 12

HEX #E03510

RGB 224 53 16

HSL 10.67, 0.87%, 0.47%

LAB 50.01, 63.68, 58.09

 

CMYK 0 / 71 / 85 / 5

HEX #F14723

RGB 241 71 35

HSL 10.49, 0.88%, 0.54%

LAB 55.41, 63.21, 56.38

 

CMYK 0 / 65 / 79 / 0

HEX #FF5936

RGB 255 89 54

HSL 10.45, 1%, 0.61%

LAB 60.49, 61.37, 53.21

 

CMYK 0 / 58 / 71 / 0

HEX #FF6B49

RGB 255 107 73

HSL 11.21, 1%, 0.64%

LAB 63.55, 54.44, 46.88

 

CMYK 0 / 51 / 64 / 0

HEX #FF7D5C

RGB 255 125 92

HSL 12.15, 1%, 0.68%

LAB 67.05, 47, 40.95

 

CMYK 0 / 76 / 90 / 14

HEX #DB3515

RGB 219 53 21

HSL 9.7, 0.83%, 0.47%

LAB 49.08, 62.24, 55.33

 

CMYK 0 / 83 / 99 / 21

HEX #CA2302

RGB 202 35 2

HSL 9.9, 0.98%, 0.4%

LAB 43.89, 62.08, 56.43

 

CMYK 0 / 91 / 100 / 27

HEX #B91100

RGB 185 17 0

HSL 5.51, 1%, 0.36%

LAB 39.1, 60.94, 53.07

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 76 / 91 / 14

HEX #DB3514

RGB 219 53 20

HSL 9.95, 0.83%, 0.47%

LAB 49.08, 62.23, 55.69

 

CMYK 0 / 91 / 91 / 14

HEX #DB1414

RGB 219 20 20

HSL 0, 0.83%, 0.47%

LAB 46.46, 69.65, 53.92

 

CMYK 0 / 76 / 91 / 14

HEX #DB3514

RGB 219 53 20

HSL 9.95, 0.83%, 0.47%

LAB 49.08, 62.23, 55.69

 

CMYK 0 / 52 / 91 / 14

HEX #DB6A14

RGB 219 106 20

HSL 25.93, 0.83%, 0.47%

LAB 57.48, 39.92, 61.62

 

CMYK 0 / 27 / 91 / 14

HEX #DBA014

RGB 219 160 20

HSL 42.21, 0.83%, 0.47%

LAB 69.65, 11.39, 70.63

 

CMYK 0 / 3 / 91 / 14

HEX #DBD514

RGB 219 213 20

HSL 58.19, 0.83%, 0.47%

LAB 83.28, -16.06, 81.05

 

CMYK 21 / 0 / 91 / 14

HEX #ACDB14

RGB 172 219 20

HSL 74.17, 0.83%, 0.47%

LAB 81.56, -38.25, 78.25

 

CMYK 0 / 76 / 91 / 14

HEX #DB3514

RGB 219 53 20

HSL 9.95, 0.83%, 0.47%

LAB 49.08, 62.23, 55.69

 

CMYK 0 / 84 / 100 / 6

HEX #EF2701

RGB 239 39 1

HSL 9.58, 0.99%, 0.47%

LAB 51.61, 71.41, 64.37

 

CMYK 0 / 76 / 91 / 14

HEX #DB3514

RGB 219 53 20

HSL 9.95, 0.83%, 0.47%

LAB 49.08, 62.23, 55.69

 

CMYK 0 / 67 / 80 / 22

HEX #C84228

RGB 200 66 40

HSL 9.75, 0.67%, 0.47%

LAB 47.4, 51.91, 44.07

 

CMYK 0 / 56 / 67 / 29

HEX #B54F3B

RGB 181 79 59

HSL 9.84, 0.51%, 0.47%

LAB 46.62, 40.04, 31.94

 

CMYK 0 / 43 / 51 / 37

HEX #A15C4F

RGB 161 92 79

HSL 9.51, 0.34%, 0.47%

LAB 46.71, 26.8, 19.73

 

CMYK 0 / 26 / 31 / 44

HEX #8E6962

RGB 142 105 98

HSL 9.55, 0.18%, 0.47%

LAB 47.93, 13.76, 9.72

 

CMYK 0 / 91 / 56 / 14

HEX #DB1461

RGB 219 20 97

HSL 336.78, 0.83%, 0.47%

LAB 47.53, 72.64, 11.52

 

CMYK 0 / 91 / 80 / 14

HEX #DB142C

RGB 219 20 44

HSL 352.76, 0.83%, 0.47%

LAB 46.63, 70.15, 42.38

 

CMYK 0 / 77 / 91 / 14

HEX #DB3214

RGB 219 50 20

HSL 9.05, 0.83%, 0.47%

LAB 48.75, 63.15, 55.47

 

CMYK 0 / 53 / 91 / 14

HEX #DB6714

RGB 219 103 20

HSL 25.03, 0.83%, 0.47%

LAB 56.89, 41.41, 61.19

 

CMYK 0 / 29 / 91 / 14

HEX #DB9C14

RGB 219 156 20

HSL 41.01, 0.83%, 0.47%

LAB 68.67, 13.54, 69.9

 

CMYK 0 / 76 / 91 / 44

HEX #90220D

RGB 144 34 13

HSL 9.62, 0.83%, 0.31%

LAB 32.04, 44.78, 39.44

 

CMYK 0 / 76 / 91 / 29

HEX #B62B11

RGB 182 43 17

HSL 9.45, 0.83%, 0.39%

LAB 40.76, 54.02, 47.64

 

CMYK 0 / 76 / 91 / 14

HEX #DB3514

RGB 219 53 20

HSL 9.95, 0.83%, 0.47%

LAB 49.08, 62.23, 55.69

 

CMYK 0 / 68 / 81 / 7

HEX #EC4C2D

RGB 236 76 45

HSL 9.74, 0.83%, 0.55%

LAB 55.27, 60.02, 51.38

 

CMYK 0 / 55 / 65 / 6

HEX #EF6C53

RGB 239 108 83

HSL 9.62, 0.83%, 0.63%

LAB 61.39, 48.81, 38.42

 

CMYK 0 / 76 / 90 / 14

HEX #DB3515

RGB 219 53 21

HSL 9.7, 0.83%, 0.47%

LAB 49.08, 62.24, 55.33

 

CMYK 32 / 0 / 91 / 14

HEX #96DB14

RGB 150 219 20

HSL 80.8, 0.83%, 0.47%

LAB 80.29, -46.59, 76.7

 

CMYK 91 / 68 / 0 / 14

HEX #1446DB

RGB 20 70 219

HSL 224.92, 0.83%, 0.47%

LAB 37.19, 42.49, -79.3

 

CMYK 0 / 76 / 90 / 14

HEX #DB3515

RGB 219 53 21

HSL 9.7, 0.83%, 0.47%

LAB 49.08, 62.24, 55.33

 

CMYK 91 / 0 / 77 / 14

HEX #14DB32

RGB 20 219 50

HSL 129.05, 0.83%, 0.47%

LAB 76.7, -74.2, 65.33

 

CMYK 77 / 91 / 0 / 14

HEX #3214DB

RGB 50 20 219

HSL 249.05, 0.83%, 0.47%

LAB 30.14, 67.37, -90.96

 

CMYK 0 / 76 / 90 / 14

HEX #DB3515

RGB 219 53 21

HSL 9.7, 0.83%, 0.47%

LAB 49.08, 62.24, 55.33

 

CMYK 32 / 0 / 91 / 14

HEX #96DB14

RGB 150 219 20

HSL 80.8, 0.83%, 0.47%

LAB 80.29, -46.59, 76.7

 

CMYK 91 / 14 / 0 / 14

HEX #14BDDB

RGB 20 189 219

HSL 189.05, 0.83%, 0.47%

LAB 70.63, -28.25, -26

 

CMYK 59 / 91 / 0 / 14

HEX #5A14DB

RGB 90 20 219

HSL 261.11, 0.83%, 0.47%

LAB 33.54, 69.58, -85.22

 

CMYK 0 / 76 / 90 / 14

HEX #DB3515

RGB 219 53 21

HSL 9.7, 0.83%, 0.47%

LAB 49.08, 62.24, 55.33

 

CMYK 59 / 0 / 91 / 14

HEX #5ADB14

RGB 90 219 20

HSL 98.89, 0.83%, 0.47%

LAB 77.81, -65.15, 73.64

 

CMYK 91 / 14 / 0 / 14

HEX #14BDDB

RGB 20 189 219

HSL 189.05, 0.83%, 0.47%

LAB 70.63, -28.25, -26

 

CMYK 32 / 91 / 0 / 14

HEX #9614DB

RGB 150 20 219

HSL 279.2, 0.83%, 0.47%

LAB 41.37, 75.66, -72.04

 

Description

Color code: RGB 219 53 21 | qconv.com Color code: RGB 219 53 21 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 53 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 53 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 90 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 90% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RGBA to CMYK

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CMYK to PANTONE®

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HEX to RAL®

convert from #RRGGBB to RAL®-number (RAL 0000)

HEX to HKS®

convert from #RRGGBB to HKS®-number (HKS 00)

HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

HEX to Sherwin Williams®

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RAL® to RGB

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RAL® to CMYK

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RAL® to HEX

convert from RAL®-number (RAL 0000) to #RRGGBB

RAL® to HKS®

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RAL® to PANTONE®

convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)

RAL® to Sherwin Williams®

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RAL® to NCS®

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HKS® to RGB

convert from HKS®-number (HKS 00) to RGB red green blue

HKS® to RGBA

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HKS® to CMYK

convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black

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HKS® to HEX

convert from HKS®-number (HKS 00) to #RRGGBB

HKS® to RAL®

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HKS® to PANTONE®

convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)

HKS® to Sherwin Williams®

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HKS® to NCS®

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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