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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 233 182 it is the complementary color RGB 36 22 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 233 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 233 182 shade: RGB 224 233 177, RGB 241 251 196, RGB 255 255 215, RGB 255 255 234 and RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 233 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 233 182 shade: RGB 219 233 182, RGB 202 215 163, RGB 185 197 144, RGB 168 179 125 and RGB 151 161 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 233 182 shade: RGB 218 233 180, RGB 232 233 180, RGB 233 219 180, RGB 233 205 180 and RGB 233 191 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 233 182 shade: RGB 218 233 180, RGB 204 233 180, RGB 190 233 180, RGB 180 233 185 and RGB 180 233 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 233 182 shade matches the following richer shades: RGB 218 233 180, RGB 222 241 173 and RGB 225 248 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 233 182 shade: RGB 218 233 180, RGB 215 225 188, RGB 211 217 196, RGB 208 209 204 and RGB 204 201 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 233 182 shade: RGB 233 219 180, RGB 233 233 180, RGB 219 233 180, RGB 205 233 180 and RGB 191 233 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 233 182 shade: RGB 187 214 117, RGB 203 223 149, RGB 218 233 180, RGB 234 242 212 and RGB 250 252 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 233 182 shade: RGB 219 233 182, RGB 180 233 205 and RGB 226 180 233

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 233 182 shade: RGB 219 233 182, RGB 180 219 233 and RGB 233 180 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 233 182 shade: RGB 219 233 182, RGB 180 233 205, RGB 194 180 233 and RGB 233 180 208

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 233 182 shade: RGB 219 233 182, RGB 180 233 221, RGB 194 180 233 and RGB 233 180 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 22 / 9

HEX #DBE9B6

RGB 219 233 182

HSL 76.47, 0.54%, 0.81%

LAB 90.19, -13.18, 23.28

 

Complementary color

CMYK 51 / 70 / 0 / 71

HEX #241649

RGB 36 22 73

HSL 256.47, 0.54%, 0.19%

LAB 12.16, 21.5, -29.47

 

CMYK 4 / 0 / 24 / 9

HEX #E0E9B1

RGB 224 233 177

HSL 69.64, 0.56%, 0.8%

LAB 90.46, -12.09, 26.28

 

CMYK 4 / 0 / 22 / 2

HEX #F1FBC4

RGB 241 251 196

HSL 70.91, 0.87%, 0.88%

LAB 96.69, -12.2, 25.32

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 6 / 0 / 22 / 9

HEX #DBE9B6

RGB 219 233 182

HSL 76.47, 0.54%, 0.81%

LAB 90.19, -13.18, 23.28

 

CMYK 6 / 0 / 24 / 16

HEX #CAD7A3

RGB 202 215 163

HSL 75, 0.39%, 0.74%

LAB 83.86, -13.11, 24.25

 

CMYK 6 / 0 / 27 / 23

HEX #B9C590

RGB 185 197 144

HSL 73.58, 0.31%, 0.67%

LAB 77.44, -13.02, 25.28

 

CMYK 6 / 0 / 30 / 30

HEX #A8B37D

RGB 168 179 125

HSL 72.22, 0.26%, 0.6%

LAB 70.9, -12.92, 26.36

 

CMYK 6 / 0 / 34 / 37

HEX #97A16A

RGB 151 161 106

HSL 70.91, 0.23%, 0.52%

LAB 64.25, -12.78, 27.5

 

CMYK 6 / 0 / 23 / 9

HEX #DAE9B4

RGB 218 233 180

HSL 76.98, 0.55%, 0.81%

LAB 90.08, -13.83, 24.15

 

CMYK 0 / 0 / 23 / 9

HEX #E8E9B4

RGB 232 233 180

HSL 61.13, 0.55%, 0.81%

LAB 91.11, -8.75, 25.73

 

CMYK 0 / 6 / 23 / 9

HEX #E9DBB4

RGB 233 219 180

HSL 44.15, 0.55%, 0.81%

LAB 87.62, -1.27, 20.94

 

CMYK 0 / 12 / 23 / 9

HEX #E9CDB4

RGB 233 205 180

HSL 28.3, 0.55%, 0.81%

LAB 84.11, 5.98, 16.04

 

CMYK 0 / 18 / 23 / 9

HEX #E9BFB4

RGB 233 191 180

HSL 12.45, 0.55%, 0.81%

LAB 80.67, 13.35, 11.19

 

CMYK 6 / 0 / 23 / 9

HEX #DAE9B4

RGB 218 233 180

HSL 76.98, 0.55%, 0.81%

LAB 90.08, -13.83, 24.15

 

CMYK 12 / 0 / 23 / 9

HEX #CCE9B4

RGB 204 233 180

HSL 92.83, 0.55%, 0.81%

LAB 89.12, -18.81, 22.67

 

CMYK 18 / 0 / 23 / 9

HEX #BEE9B4

RGB 190 233 180

HSL 108.68, 0.55%, 0.81%

LAB 88.22, -23.63, 21.29

 

CMYK 23 / 0 / 21 / 9

HEX #B4E9B9

RGB 180 233 185

HSL 125.66, 0.55%, 0.81%

LAB 87.72, -26.12, 17.91

 

CMYK 23 / 0 / 15 / 9

HEX #B4E9C7

RGB 180 233 199

HSL 141.51, 0.55%, 0.81%

LAB 88.02, -23.6, 11.05

 

CMYK 6 / 0 / 23 / 9

HEX #DAE9B4

RGB 218 233 180

HSL 76.98, 0.55%, 0.81%

LAB 90.08, -13.83, 24.15

 

CMYK 8 / 0 / 28 / 5

HEX #DEF1AD

RGB 222 241 173

HSL 76.76, 0.71%, 0.81%

LAB 92.33, -17.32, 30.84

 

CMYK 9 / 0 / 33 / 3

HEX #E1F8A5

RGB 225 248 165

HSL 76.63, 0.86%, 0.81%

LAB 94.25, -20.68, 37.45

 

CMYK 6 / 0 / 23 / 9

HEX #DAE9B4

RGB 218 233 180

HSL 76.98, 0.55%, 0.81%

LAB 90.08, -13.83, 24.15

 

CMYK 4 / 0 / 16 / 12

HEX #D7E1BC

RGB 215 225 188

HSL 76.22, 0.38%, 0.81%

LAB 87.93, -9.69, 16.99

 

CMYK 3 / 0 / 10 / 15

HEX #D3D9C4

RGB 211 217 196

HSL 77.14, 0.22%, 0.81%

LAB 85.74, -5.72, 9.64

 

CMYK 0 / 0 / 2 / 18

HEX #D0D1CC

RGB 208 209 204

HSL 72, 0.05%, 0.81%

LAB 83.64, -1.24, 2.35

 

CMYK 4 / 5 / 0 / 17

HEX #CCC9D4

RGB 204 201 212

HSL 256.36, 0.11%, 0.81%

LAB 81.49, 3.08, -5.1

 

CMYK 0 / 6 / 23 / 9

HEX #E9DBB4

RGB 233 219 180

HSL 44.15, 0.55%, 0.81%

LAB 87.62, -1.27, 20.94

 

CMYK 0 / 0 / 23 / 9

HEX #E9E9B4

RGB 233 233 180

HSL 60, 0.55%, 0.81%

LAB 91.19, -8.38, 25.85

 

CMYK 6 / 0 / 23 / 9

HEX #DBE9B4

RGB 219 233 180

HSL 75.85, 0.55%, 0.81%

LAB 90.15, -13.47, 24.26

 

CMYK 12 / 0 / 23 / 9

HEX #CDE9B4

RGB 205 233 180

HSL 91.7, 0.55%, 0.81%

LAB 89.18, -18.45, 22.77

 

CMYK 18 / 0 / 23 / 9

HEX #BFE9B4

RGB 191 233 180

HSL 107.55, 0.55%, 0.81%

LAB 88.28, -23.29, 21.39

 

CMYK 13 / 0 / 45 / 16

HEX #BBD675

RGB 187 214 117

HSL 76.7, 0.54%, 0.65%

LAB 81.81, -24.1, 44.74

 

CMYK 9 / 0 / 33 / 13

HEX #CBDF95

RGB 203 223 149

HSL 76.22, 0.54%, 0.73%

LAB 85.83, -18.65, 34.12

 

CMYK 6 / 0 / 23 / 9

HEX #DAE9B4

RGB 218 233 180

HSL 76.98, 0.55%, 0.81%

LAB 90.08, -13.83, 24.15

 

CMYK 3 / 0 / 12 / 5

HEX #EAF2D4

RGB 234 242 212

HSL 76, 0.54%, 0.89%

LAB 94.21, -7.77, 13.58

 

CMYK 1 / 0 / 3 / 1

HEX #FAFCF4

RGB 250 252 244

HSL 75, 0.57%, 0.97%

LAB 98.62, -2.05, 3.58

 

CMYK 6 / 0 / 22 / 9

HEX #DBE9B6

RGB 219 233 182

HSL 76.47, 0.54%, 0.81%

LAB 90.19, -13.18, 23.28

 

CMYK 23 / 0 / 12 / 9

HEX #B4E9CD

RGB 180 233 205

HSL 148.3, 0.55%, 0.81%

LAB 88.16, -22.47, 8.11

 

CMYK 3 / 23 / 0 / 9

HEX #E2B4E9

RGB 226 180 233

HSL 292.08, 0.55%, 0.81%

LAB 78.86, 25.65, -20.13

 

CMYK 6 / 0 / 22 / 9

HEX #DBE9B6

RGB 219 233 182

HSL 76.47, 0.54%, 0.81%

LAB 90.19, -13.18, 23.28

 

CMYK 23 / 6 / 0 / 9

HEX #B4DBE9

RGB 180 219 233

HSL 195.85, 0.55%, 0.81%

LAB 85.12, -9.69, -11.08

 

CMYK 0 / 23 / 6 / 9

HEX #E9B4DB

RGB 233 180 219

HSL 315.85, 0.55%, 0.81%

LAB 79.09, 25.42, -12.17

 

CMYK 6 / 0 / 22 / 9

HEX #DBE9B6

RGB 219 233 182

HSL 76.47, 0.54%, 0.81%

LAB 90.19, -13.18, 23.28

 

CMYK 23 / 0 / 12 / 9

HEX #B4E9CD

RGB 180 233 205

HSL 148.3, 0.55%, 0.81%

LAB 88.16, -22.47, 8.11

 

CMYK 17 / 23 / 0 / 9

HEX #C2B4E9

RGB 194 180 233

HSL 255.85, 0.55%, 0.81%

LAB 76.07, 15.42, -24.65

 

CMYK 0 / 23 / 11 / 9

HEX #E9B4D0

RGB 233 180 208

HSL 328.3, 0.55%, 0.81%

LAB 78.76, 23.55, -6.7

 

CMYK 6 / 0 / 22 / 9

HEX #DBE9B6

RGB 219 233 182

HSL 76.47, 0.54%, 0.81%

LAB 90.19, -13.18, 23.28

 

CMYK 23 / 0 / 5 / 9

HEX #B4E9DD

RGB 180 233 221

HSL 166.42, 0.55%, 0.81%

LAB 88.54, -19.3, 0.29

 

CMYK 17 / 23 / 0 / 9

HEX #C2B4E9

RGB 194 180 233

HSL 255.85, 0.55%, 0.81%

LAB 76.07, 15.42, -24.65

 

CMYK 0 / 23 / 17 / 9

HEX #E9B4C1

RGB 233 180 193

HSL 345.28, 0.55%, 0.81%

LAB 78.35, 21.15, 0.83

 

Description

Color code: RGB 219 233 182 | qconv.com Color code: RGB 219 233 182 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 233 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 233 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 22 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 22% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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