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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 198.8 159.4 it is the complementary color RGB 36 56.2 95.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 198.8 159.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 198.8 159.4 shade: RGB 224 198.8 154.4, RGB 241 216.8 173.4, RGB 255 234.8 192.4, RGB 255 252.8 211.4 and RGB 255 255 230.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 198.8 159.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 198.8 159.4 shade: RGB 219 198.8 159.4, RGB 202 180.8 140.4, RGB 185 162.8 121.4, RGB 168 144.8 102.4 and RGB 151 126.8 83.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 198.8 159.4 shade: RGB 219 198 159, RGB 219 182 159, RGB 219 166 159 and RGB 219 159 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 198.8 159.4 shade: RGB 219 198 159, RGB 219 214 159, RGB 207 219 159, RGB 190 219 159 and RGB 174 219 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 198.8 159.4 shade matches the following richer shades: RGB 219 198 159, RGB 229 202 148, RGB 240 205 137 and RGB 251 209 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 198.8 159.4 shade: RGB 219 198 159, RGB 208 195 170, RGB 197 191 180, RGB 186 188 191 and RGB 176 184 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 198.8 159.4 shade: RGB 219 166 159, RGB 219 182 159, RGB 219 198 159, RGB 219 214 159 and RGB 208 219 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 198.8 159.4 shade: RGB 196 163 99, RGB 207 181 129, RGB 219 198 159, RGB 230 216 189 and RGB 241 234 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 198.8 159.4 shade: RGB 219 198.8 159.4, RGB 168 219 159 and RGB 174 159 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 198.8 159.4 shade: RGB 219 198.8 159.4, RGB 159 219 198 and RGB 198 159 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 198.8 159.4 shade: RGB 219 198.8 159.4, RGB 168 219 159, RGB 159 180 219 and RGB 210 159 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 198.8 159.4 shade: RGB 219 198.8 159.4, RGB 159 219 168, RGB 159 180 219 and RGB 219 159 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 27 / 14

HEX #DBC69F

RGB 219 198.8 159.4

HSL 39.66, 0.45%, 0.74%

LAB 80.92, 1.1, 22.34

 

Complementary color

CMYK 62 / 41 / 0 / 63

HEX #24385F

RGB 36 56.2 95.6

HSL 219.66, 0.45%, 0.26%

LAB 23.87, 5.54, -25.88

 

CMYK 0 / 11 / 31 / 12

HEX #E0C69A

RGB 224 198.8 154.4

HSL 38.28, 0.53%, 0.74%

LAB 81.26, 2.37, 25.51

 

CMYK 0 / 10 / 28 / 5

HEX #F1D8AD

RGB 241 216.8 173.4

HSL 38.52, 0.71%, 0.81%

LAB 87.61, 1.95, 24.46

 

CMYK 0 / 8 / 25 / 0

HEX #FFEAC0

RGB 255 234.8 192.4

HSL 40.64, 1%, 0.88%

LAB 93.62, 0.48, 23.09

 

CMYK 0 / 1 / 17 / 0

HEX #FFFCD3

RGB 255 252.8 211.4

HSL 56.97, 1%, 0.91%

LAB 98.47, -5.9, 20.12

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230.4

HSL 60, 1%, 0.95%

LAB 99.42, -4.1, 11.76

 

CMYK 0 / 9 / 27 / 14

HEX #DBC69F

RGB 219 198.8 159.4

HSL 39.66, 0.45%, 0.74%

LAB 80.92, 1.1, 22.34

 

CMYK 0 / 10 / 30 / 21

HEX #CAB48C

RGB 202 180.8 140.4

HSL 39.35, 0.37%, 0.67%

LAB 74.46, 1.51, 23.39

 

CMYK 0 / 12 / 34 / 27

HEX #B9A279

RGB 185 162.8 121.4

HSL 39.06, 0.31%, 0.6%

LAB 67.89, 1.97, 24.52

 

CMYK 0 / 14 / 39 / 34

HEX #A89066

RGB 168 144.8 102.4

HSL 38.78, 0.27%, 0.53%

LAB 61.2, 2.51, 25.72

 

CMYK 0 / 16 / 45 / 41

HEX #977E53

RGB 151 126.8 83.4

HSL 38.52, 0.29%, 0.46%

LAB 54.38, 3.17, 27.03

 

CMYK 0 / 10 / 27 / 14

HEX #DBC69F

RGB 219 198 159

HSL 39, 0.45%, 0.74%

LAB 80.71, 1.47, 22.26

 

CMYK 0 / 17 / 27 / 14

HEX #DBB69F

RGB 219 182 159

HSL 23, 0.45%, 0.74%

LAB 76.69, 9.93, 16.69

 

CMYK 0 / 24 / 27 / 14

HEX #DBA69F

RGB 219 166 159

HSL 7, 0.45%, 0.74%

LAB 72.78, 18.52, 11.2

 

CMYK 0 / 27 / 27 / 14

HEX #DB9F9F

RGB 219 159 159

HSL 0, 0.45%, 0.74%

LAB 71.12, 22.3, 8.83

 

CMYK 0 / 10 / 27 / 14

HEX #DBC69F

RGB 219 198 159

HSL 39, 0.45%, 0.74%

LAB 80.71, 1.47, 22.26

 

CMYK 0 / 2 / 27 / 14

HEX #DBD69F

RGB 219 214 159

HSL 55, 0.45%, 0.74%

LAB 84.82, -6.81, 27.85

 

CMYK 5 / 0 / 27 / 14

HEX #CFDB9F

RGB 207 219 159

HSL 72, 0.45%, 0.74%

LAB 85.22, -13.84, 28.23

 

CMYK 13 / 0 / 27 / 14

HEX #BEDB9F

RGB 190 219 159

HSL 89, 0.45%, 0.74%

LAB 84.02, -20.05, 26.42

 

CMYK 21 / 0 / 27 / 14

HEX #AEDB9F

RGB 174 219 159

HSL 105, 0.45%, 0.74%

LAB 83, -25.69, 24.86

 

CMYK 0 / 10 / 27 / 14

HEX #DBC69F

RGB 219 198 159

HSL 39, 0.45%, 0.74%

LAB 80.71, 1.47, 22.26

 

CMYK 0 / 12 / 35 / 10

HEX #E5CA94

RGB 229 202 148

HSL 40, 0.61%, 0.74%

LAB 82.4, 1.86, 30.47

 

CMYK 0 / 15 / 43 / 6

HEX #F0CD89

RGB 240 205 137

HSL 39.61, 0.77%, 0.74%

LAB 83.96, 3.41, 38.37

 

CMYK 0 / 17 / 49 / 2

HEX #FBD17F

RGB 251 209 127

HSL 39.68, 0.94%, 0.74%

LAB 85.83, 4.78, 45.95

 

CMYK 0 / 10 / 27 / 14

HEX #DBC69F

RGB 219 198 159

HSL 39, 0.45%, 0.74%

LAB 80.71, 1.47, 22.26

 

CMYK 0 / 6 / 18 / 18

HEX #D0C3AA

RGB 208 195 170

HSL 39.47, 0.29%, 0.74%

LAB 79.24, 0.47, 14.21

 

CMYK 0 / 3 / 9 / 23

HEX #C5BFB4

RGB 197 191 180

HSL 38.82, 0.13%, 0.74%

LAB 77.54, 0.17, 6.28

 

CMYK 3 / 2 / 0 / 25

HEX #BABCBF

RGB 186 188 191

HSL 216, 0.04%, 0.74%

LAB 76.17, -0.13, -1.76

 

CMYK 13 / 9 / 0 / 21

HEX #B0B8CA

RGB 176 184 202

HSL 221.54, 0.2%, 0.74%

LAB 74.68, 0.85, -10.03

 

CMYK 0 / 24 / 27 / 14

HEX #DBA69F

RGB 219 166 159

HSL 7, 0.45%, 0.74%

LAB 72.78, 18.52, 11.2

 

CMYK 0 / 17 / 27 / 14

HEX #DBB69F

RGB 219 182 159

HSL 23, 0.45%, 0.74%

LAB 76.69, 9.93, 16.69

 

CMYK 0 / 10 / 27 / 14

HEX #DBC69F

RGB 219 198 159

HSL 39, 0.45%, 0.74%

LAB 80.71, 1.47, 22.26

 

CMYK 0 / 2 / 27 / 14

HEX #DBD69F

RGB 219 214 159

HSL 55, 0.45%, 0.74%

LAB 84.82, -6.81, 27.85

 

CMYK 5 / 0 / 27 / 14

HEX #D0DB9F

RGB 208 219 159

HSL 71, 0.45%, 0.74%

LAB 85.29, -13.47, 28.34

 

CMYK 0 / 17 / 49 / 23

HEX #C4A363

RGB 196 163 99

HSL 39.59, 0.45%, 0.58%

LAB 68.63, 3.93, 37.61

 

CMYK 0 / 13 / 38 / 19

HEX #CFB581

RGB 207 181 129

HSL 40, 0.45%, 0.66%

LAB 74.76, 1.97, 29.94

 

CMYK 0 / 10 / 27 / 14

HEX #DBC69F

RGB 219 198 159

HSL 39, 0.45%, 0.74%

LAB 80.71, 1.47, 22.26

 

CMYK 0 / 6 / 18 / 10

HEX #E6D8BD

RGB 230 216 189

HSL 39.51, 0.45%, 0.82%

LAB 86.8, 0.48, 15.05

 

CMYK 0 / 3 / 9 / 5

HEX #F1EADB

RGB 241 234 219

HSL 40.91, 0.44%, 0.9%

LAB 92.87, -0.16, 8.11

 

CMYK 0 / 9 / 27 / 14

HEX #DBC69F

RGB 219 198.8 159.4

HSL 39.66, 0.45%, 0.74%

LAB 80.92, 1.1, 22.34

 

CMYK 23 / 0 / 27 / 14

HEX #A8DB9F

RGB 168 219 159

HSL 111, 0.45%, 0.74%

LAB 82.64, -27.73, 24.31

 

CMYK 21 / 27 / 0 / 14

HEX #AE9FDB

RGB 174 159 219

HSL 255, 0.45%, 0.74%

LAB 68.69, 17.74, -28.46

 

CMYK 0 / 9 / 27 / 14

HEX #DBC69F

RGB 219 198.8 159.4

HSL 39.66, 0.45%, 0.74%

LAB 80.92, 1.1, 22.34

 

CMYK 27 / 0 / 10 / 14

HEX #9FDBC6

RGB 159 219 198

HSL 159, 0.45%, 0.74%

LAB 82.97, -23.46, 4.17

 

CMYK 10 / 27 / 0 / 14

HEX #C69FDB

RGB 198 159 219

HSL 279, 0.45%, 0.74%

LAB 70.81, 25.28, -25.01

 

CMYK 0 / 9 / 27 / 14

HEX #DBC69F

RGB 219 198.8 159.4

HSL 39.66, 0.45%, 0.74%

LAB 80.92, 1.1, 22.34

 

CMYK 23 / 0 / 27 / 14

HEX #A8DB9F

RGB 168 219 159

HSL 111, 0.45%, 0.74%

LAB 82.64, -27.73, 24.31

 

CMYK 27 / 18 / 0 / 14

HEX #9FB4DB

RGB 159 180 219

HSL 219, 0.45%, 0.74%

LAB 72.98, 1.52, -21.99

 

CMYK 4 / 27 / 0 / 14

HEX #D29FDB

RGB 210 159 219

HSL 291, 0.45%, 0.74%

LAB 71.97, 29.14, -23.14

 

CMYK 0 / 9 / 27 / 14

HEX #DBC69F

RGB 219 198.8 159.4

HSL 39.66, 0.45%, 0.74%

LAB 80.92, 1.1, 22.34

 

CMYK 27 / 0 / 23 / 14

HEX #9FDBA8

RGB 159 219 168

HSL 129, 0.45%, 0.74%

LAB 82.3, -29.19, 19.06

 

CMYK 27 / 18 / 0 / 14

HEX #9FB4DB

RGB 159 180 219

HSL 219, 0.45%, 0.74%

LAB 72.98, 1.52, -21.99

 

CMYK 0 / 27 / 4 / 14

HEX #DB9FD2

RGB 219 159 210

HSL 309, 0.45%, 0.74%

LAB 72.57, 30.42, -17.2

 

Description

Color code: RGB 219 198.8 159.4 | qconv.com Color code: RGB 219 198.8 159.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 198.8 green and 159.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 198.8 159.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 27 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 27% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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