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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 164 210 it is the complementary color RGB 36 91 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 164 210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 164 210 shade: RGB 224 164 205, RGB 241 182 224, RGB 255 200 243, RGB 255 218 255 and RGB 255 236 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 164 210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 164 210 shade: RGB 219 164 210, RGB 202 146 191, RGB 185 128 172, RGB 168 110 153 and RGB 151 92 134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 164 210 shade: RGB 219 164 210, RGB 219 164 195, RGB 219 164 180, RGB 219 164 165 and RGB 219 164 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 164 210 shade: RGB 219 164 210, RGB 213 164 219, RGB 198 164 219, RGB 183 164 219 and RGB 168 164 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 164 210 shade matches the following richer shades: RGB 219 164 210, RGB 229 154 217, RGB 239 143 224 and RGB 250 133 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 164 210 shade: RGB 219 164 210, RGB 208 174 203, RGB 198 184 196, RGB 188 195 189 and RGB 177 205 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 164 210 shade: RGB 198 164 219, RGB 212 164 219, RGB 219 164 210, RGB 219 164 196 and RGB 219 164 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 164 210 shade: RGB 195 105 180, RGB 207 134 195, RGB 219 164 210, RGB 230 193 224 and RGB 242 223 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 164 210 shade: RGB 219 164 210, RGB 219 183 164 and RGB 164 219 205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 164 210 shade: RGB 219 164 210, RGB 210 219 164 and RGB 164 210 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 164 210 shade: RGB 219 164 210, RGB 219 183 164, RGB 164 219 172 and RGB 164 199 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 164 210 shade: RGB 219 164 210, RGB 219 199 164, RGB 164 219 172 and RGB 164 183 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

Complementary color

CMYK 60 / 0 / 51 / 64

HEX #245B2D

RGB 36 91 45

HSL 129.82, 0.43%, 0.25%

LAB 34.08, -29.24, 21.13

 

CMYK 0 / 27 / 8 / 12

HEX #E0A4CD

RGB 224 164 205

HSL 319, 0.49%, 0.76%

LAB 74.07, 28.53, -12.15

 

CMYK 0 / 24 / 7 / 5

HEX #F1B6E0

RGB 241 182 224

HSL 317.29, 0.68%, 0.83%

LAB 80.48, 27.92, -12.7

 

CMYK 0 / 22 / 5 / 0

HEX #FFC8F3

RGB 255 200 243

HSL 313.09, 1%, 0.89%

LAB 86.52, 26.35, -13.68

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 28 / 5 / 21

HEX #CA92BF

RGB 202 146 191

HSL 311.79, 0.35%, 0.68%

LAB 67.18, 28.36, -14.97

 

CMYK 0 / 31 / 7 / 27

HEX #B980AC

RGB 185 128 172

HSL 313.68, 0.29%, 0.61%

LAB 60.54, 29.04, -14.45

 

CMYK 0 / 35 / 9 / 34

HEX #A86E99

RGB 168 110 153

HSL 315.52, 0.25%, 0.55%

LAB 53.79, 29.78, -13.87

 

CMYK 0 / 39 / 11 / 41

HEX #975C86

RGB 151 92 134

HSL 317.29, 0.24%, 0.48%

LAB 46.92, 30.57, -13.23

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 25 / 11 / 14

HEX #DBA4C3

RGB 219 164 195

HSL 326.18, 0.43%, 0.75%

LAB 73.25, 25.11, -7.93

 

CMYK 0 / 25 / 18 / 14

HEX #DBA4B4

RGB 219 164 180

HSL 342.55, 0.43%, 0.75%

LAB 72.83, 22.69, -0.29

 

CMYK 0 / 25 / 25 / 14

HEX #DBA4A5

RGB 219 164 165

HSL 358.91, 0.43%, 0.75%

LAB 72.45, 20.44, 7.42

 

CMYK 0 / 25 / 25 / 14

HEX #DBA4A4

RGB 219 164 164

HSL 0, 0.43%, 0.75%

LAB 72.42, 20.3, 7.94

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 3 / 25 / 0 / 14

HEX #D5A4DB

RGB 213 164 219

HSL 293.45, 0.43%, 0.75%

LAB 73.42, 27.4, -20.9

 

CMYK 10 / 25 / 0 / 14

HEX #C6A4DB

RGB 198 164 219

HSL 277.09, 0.43%, 0.75%

LAB 72.01, 22.53, -23.18

 

CMYK 16 / 25 / 0 / 14

HEX #B7A4DB

RGB 183 164 219

HSL 260.73, 0.43%, 0.75%

LAB 70.69, 17.75, -25.32

 

CMYK 23 / 25 / 0 / 14

HEX #A8A4DB

RGB 168 164 219

HSL 244.36, 0.43%, 0.75%

LAB 69.46, 13.1, -27.31

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 33 / 5 / 10

HEX #E59AD9

RGB 229 154 217

HSL 309.6, 0.59%, 0.75%

LAB 72.75, 37.62, -20.68

 

CMYK 0 / 40 / 6 / 6

HEX #EF8FE0

RGB 239 143 224

HSL 309.38, 0.75%, 0.75%

LAB 71.81, 47.72, -25.85

 

CMYK 0 / 47 / 8 / 2

HEX #FA85E7

RGB 250 133 231

HSL 309.74, 0.92%, 0.75%

LAB 71.47, 57.17, -30.11

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 16 / 2 / 18

HEX #D0AECB

RGB 208 174 203

HSL 308.82, 0.27%, 0.75%

LAB 74.82, 17.28, -10.09

 

CMYK 0 / 7 / 1 / 22

HEX #C6B8C4

RGB 198 184 196

HSL 308.57, 0.11%, 0.75%

LAB 76.24, 7.11, -4.27

 

CMYK 4 / 0 / 3 / 24

HEX #BCC3BD

RGB 188 195 189

HSL 128.57, 0.06%, 0.75%

LAB 78.11, -3.52, 2.16

 

CMYK 14 / 0 / 11 / 20

HEX #B1CDB6

RGB 177 205 182

HSL 130.71, 0.22%, 0.75%

LAB 79.83, -13.78, 8.31

 

CMYK 10 / 25 / 0 / 14

HEX #C6A4DB

RGB 198 164 219

HSL 277.09, 0.43%, 0.75%

LAB 72.01, 22.53, -23.18

 

CMYK 3 / 25 / 0 / 14

HEX #D4A4DB

RGB 212 164 219

HSL 292.36, 0.43%, 0.75%

LAB 73.33, 27.07, -21.06

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 25 / 11 / 14

HEX #DBA4C4

RGB 219 164 196

HSL 325.09, 0.43%, 0.75%

LAB 73.28, 25.28, -8.43

 

CMYK 0 / 25 / 17 / 14

HEX #DBA4B5

RGB 219 164 181

HSL 341.45, 0.43%, 0.75%

LAB 72.86, 22.84, -0.8

 

CMYK 0 / 46 / 8 / 24

HEX #C369B4

RGB 195 105 180

HSL 310, 0.43%, 0.59%

LAB 57.08, 46.09, -24.21

 

CMYK 0 / 35 / 6 / 19

HEX #CF86C3

RGB 207 134 195

HSL 309.86, 0.43%, 0.67%

LAB 65.17, 37.26, -20.22

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 16 / 3 / 10

HEX #E6C1E0

RGB 230 193 224

HSL 309.73, 0.43%, 0.83%

LAB 82.03, 18.35, -10.51

 

CMYK 0 / 8 / 1 / 5

HEX #F2DFEF

RGB 242 223 239

HSL 309.47, 0.42%, 0.91%

LAB 90.73, 9.26, -5.44

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 16 / 25 / 14

HEX #DBB7A4

RGB 219 183 164

HSL 20.73, 0.43%, 0.75%

LAB 77.05, 10.09, 14.49

 

CMYK 25 / 0 / 6 / 14

HEX #A4DBCD

RGB 164 219 205

HSL 164.73, 0.43%, 0.75%

LAB 83.42, -20.5, 1.15

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 4 / 0 / 25 / 14

HEX #D2DBA4

RGB 210 219 164

HSL 69.82, 0.43%, 0.75%

LAB 85.53, -12.03, 26.1

 

CMYK 25 / 4 / 0 / 14

HEX #A4D2DB

RGB 164 210 219

HSL 189.82, 0.43%, 0.75%

LAB 81.35, -12.92, -9.36

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 16 / 25 / 14

HEX #DBB7A4

RGB 219 183 164

HSL 20.73, 0.43%, 0.75%

LAB 77.05, 10.09, 14.49

 

CMYK 25 / 0 / 21 / 14

HEX #A4DBAC

RGB 164 219 172

HSL 128.73, 0.43%, 0.75%

LAB 82.67, -26.87, 17.5

 

CMYK 25 / 9 / 0 / 14

HEX #A4C7DB

RGB 164 199 219

HSL 201.82, 0.43%, 0.75%

LAB 78.38, -7.19, -13.8

 

CMYK 0 / 25 / 4 / 14

HEX #DBA4D2

RGB 219 164 210

HSL 309.82, 0.43%, 0.75%

LAB 73.72, 27.72, -15.47

 

CMYK 0 / 9 / 25 / 14

HEX #DBC7A4

RGB 219 199 164

HSL 38.18, 0.43%, 0.75%

LAB 81.06, 1.63, 20.09

 

CMYK 25 / 0 / 21 / 14

HEX #A4DBAC

RGB 164 219 172

HSL 128.73, 0.43%, 0.75%

LAB 82.67, -26.87, 17.5

 

CMYK 25 / 16 / 0 / 14

HEX #A4B7DB

RGB 164 183 219

HSL 219.27, 0.43%, 0.75%

LAB 74.11, 1.38, -20.24

 

Description

Color code: RGB 219 164 210 | qconv.com Color code: RGB 219 164 210 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 164 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 164 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 4 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 4% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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