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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219.1 72.8 74 it is the complementary color RGB 35.9 182.2 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219.1 72.8 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219.1 72.8 74 shade: RGB 224.1 72.8 69, RGB 241.1 90.8 88, RGB 255 108.8 107, RGB 255 126.8 126 and RGB 255 144.8 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219.1 72.8 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219.1 72.8 74 shade: RGB 219.1 72.8 74, RGB 202.1 54.8 55, RGB 185.1 36.8 36, RGB 168.1 18.8 17 and RGB 151.1 0.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219.1 72.8 74 shade: RGB 219 72 73 and RGB 219 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219.1 72.8 74 shade: RGB 219 72 73, RGB 219 72 113, RGB 219 72 152, RGB 219 72 192 and RGB 206 72 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219.1 72.8 74 shade matches the following richer shades: RGB 219 72 73, RGB 237 54 56 and RGB 254 36 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219.1 72.8 74 shade: RGB 219 72 73, RGB 201 90 91, RGB 183 107 108, RGB 166 125 125 and RGB 148 143 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219.1 72.8 74 shade: RGB 219 72 153, RGB 219 72 114, RGB 219 72 74, RGB 219 109 72 and RGB 219 148 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219.1 72.8 74 shade: RGB 174 34 35, RGB 208 41 43, RGB 219 72 73, RGB 226 106 107 and RGB 232 141 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219.1 72.8 74 shade: RGB 219.1 72.8 74, RGB 192 219 72 and RGB 72 133 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219.1 72.8 74 shade: RGB 219.1 72.8 74, RGB 74 219 72 and RGB 72 74 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219.1 72.8 74 shade: RGB 219.1 72.8 74, RGB 192 219 72, RGB 72 219 216 and RGB 99 72 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219.1 72.8 74 shade: RGB 219.1 72.8 74, RGB 148 219 72, RGB 72 219 216 and RGB 143 72 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 66 / 14

HEX #DB484A

RGB 219.1 72.8 74

HSL 359.51, 0.67%, 0.57%

LAB 52.18, 56.99, 31.53

 

Complementary color

CMYK 80 / 0 / 1 / 29

HEX #23B6B5

RGB 35.9 182.2 181

HSL 179.51, 0.67%, 0.43%

LAB 67.46, -35.87, -9.93

 

CMYK 0 / 68 / 69 / 12

HEX #E04845

RGB 224.1 72.8 69

HSL 1.47, 0.72%, 0.57%

LAB 52.98, 58.34, 35.57

 

CMYK 0 / 62 / 64 / 5

HEX #F15A58

RGB 241.1 90.8 88

HSL 1.1, 0.85%, 0.65%

LAB 58.85, 57.57, 32.6

 

CMYK 0 / 57 / 58 / 0

HEX #FF6C6B

RGB 255 108.8 107

HSL 0.73, 1%, 0.71%

LAB 64.34, 55.57, 29.31

 

CMYK 0 / 50 / 51 / 0

HEX #FF7E7E

RGB 255 126.8 126

HSL 0.37, 1%, 0.75%

LAB 67.94, 48.61, 23.44

 

CMYK 0 / 43 / 43 / 0

HEX #FF9091

RGB 255 144.8 145

HSL 359.89, 1%, 0.78%

LAB 71.89, 41.44, 18.27

 

CMYK 0 / 67 / 66 / 14

HEX #DB484A

RGB 219.1 72.8 74

HSL 359.51, 0.67%, 0.57%

LAB 52.18, 56.99, 31.53

 

CMYK 0 / 73 / 73 / 21

HEX #CA3637

RGB 202.1 54.8 55

HSL 359.92, 0.58%, 0.5%

LAB 46.39, 57.43, 34.89

 

CMYK 0 / 80 / 81 / 27

HEX #B92424

RGB 185.1 36.8 36

HSL 0.32, 0.67%, 0.43%

LAB 40.84, 57.3, 38.74

 

CMYK 0 / 89 / 90 / 34

HEX #A81211

RGB 168.1 18.8 17

HSL 0.71, 0.82%, 0.36%

LAB 35.67, 56.23, 42.61

 

CMYK 0 / 99 / 100 / 41

HEX #970000

RGB 151.1 0.8 0

HSL 0.32, 1%, 0.3%

LAB 30.89, 54.09, 44.67

 

CMYK 0 / 67 / 67 / 14

HEX #DB4849

RGB 219 72 73

HSL 359.59, 0.67%, 0.57%

LAB 52.04, 57.22, 31.92

 

CMYK 0 / 67 / 67 / 14

HEX #DB4848

RGB 219 72 72

HSL 0, 0.67%, 0.57%

LAB 52.02, 57.16, 32.48

 

CMYK 0 / 67 / 67 / 14

HEX #DB4849

RGB 219 72 73

HSL 359.59, 0.67%, 0.57%

LAB 52.04, 57.22, 31.92

 

CMYK 0 / 67 / 48 / 14

HEX #DB4871

RGB 219 72 113

HSL 343.27, 0.67%, 0.57%

LAB 52.83, 60.04, 9.23

 

CMYK 0 / 67 / 31 / 14

HEX #DB4898

RGB 219 72 152

HSL 327.35, 0.67%, 0.57%

LAB 53.99, 64.07, -12.28

 

CMYK 0 / 67 / 12 / 14

HEX #DB48C0

RGB 219 72 192

HSL 311.02, 0.67%, 0.57%

LAB 55.58, 69.38, -33.15

 

CMYK 6 / 67 / 0 / 14

HEX #CE48DB

RGB 206 72 219

HSL 294.69, 0.67%, 0.57%

LAB 54.94, 70.65, -49.72

 

CMYK 0 / 67 / 67 / 14

HEX #DB4849

RGB 219 72 73

HSL 359.59, 0.67%, 0.57%

LAB 52.04, 57.22, 31.92

 

CMYK 0 / 77 / 76 / 7

HEX #ED3638

RGB 237 54 56

HSL 359.34, 0.84%, 0.57%

LAB 52.87, 68.09, 43.35

 

CMYK 0 / 86 / 85 / 0

HEX #FE2426

RGB 254 36 38

HSL 359.45, 0.99%, 0.57%

LAB 54.52, 76.41, 55.3

 

CMYK 0 / 67 / 67 / 14

HEX #DB4849

RGB 219 72 73

HSL 359.59, 0.67%, 0.57%

LAB 52.04, 57.22, 31.92

 

CMYK 0 / 55 / 55 / 21

HEX #C95A5B

RGB 201 90 91

HSL 359.46, 0.51%, 0.57%

LAB 52.38, 44.29, 21.24

 

CMYK 0 / 42 / 41 / 28

HEX #B76B6C

RGB 183 107 108

HSL 359.21, 0.35%, 0.57%

LAB 53.67, 30.37, 12.6

 

CMYK 0 / 25 / 25 / 35

HEX #A67D7D

RGB 166 125 125

HSL 0, 0.19%, 0.57%

LAB 56.34, 15.89, 6.18

 

CMYK 0 / 3 / 3 / 42

HEX #948F8F

RGB 148 143 143

HSL 0, 0.02%, 0.57%

LAB 59.82, 1.85, 0.65

 

CMYK 0 / 67 / 30 / 14

HEX #DB4899

RGB 219 72 153

HSL 326.94, 0.67%, 0.57%

LAB 54.02, 64.19, -12.82

 

CMYK 0 / 67 / 48 / 14

HEX #DB4872

RGB 219 72 114

HSL 342.86, 0.67%, 0.57%

LAB 52.85, 60.13, 8.67

 

CMYK 0 / 67 / 66 / 14

HEX #DB484A

RGB 219 72 74

HSL 359.18, 0.67%, 0.57%

LAB 52.05, 57.27, 31.36

 

CMYK 0 / 50 / 67 / 14

HEX #DB6D48

RGB 219 109 72

HSL 15.1, 0.67%, 0.57%

LAB 58.48, 40.25, 40.17

 

CMYK 0 / 32 / 67 / 14

HEX #DB9448

RGB 219 148 72

HSL 31.02, 0.67%, 0.57%

LAB 67.06, 19.7, 49.89

 

CMYK 0 / 80 / 80 / 32

HEX #AE2223

RGB 174 34 35

HSL 359.57, 0.67%, 0.41%

LAB 38.31, 54.78, 36.01

 

CMYK 0 / 80 / 79 / 18

HEX #D0292B

RGB 208 41 43

HSL 359.28, 0.67%, 0.49%

LAB 45.87, 62.99, 41.43

 

CMYK 0 / 67 / 67 / 14

HEX #DB4849

RGB 219 72 73

HSL 359.59, 0.67%, 0.57%

LAB 52.04, 57.22, 31.92

 

CMYK 0 / 53 / 53 / 11

HEX #E26A6B

RGB 226 106 107

HSL 359.5, 0.67%, 0.65%

LAB 59.47, 46.79, 22.09

 

CMYK 0 / 39 / 39 / 9

HEX #E88D8E

RGB 232 141 142

HSL 359.34, 0.66%, 0.73%

LAB 68.14, 34.64, 14.28

 

CMYK 0 / 67 / 66 / 14

HEX #DB484A

RGB 219.1 72.8 74

HSL 359.51, 0.67%, 0.57%

LAB 52.18, 56.99, 31.53

 

CMYK 12 / 0 / 67 / 14

HEX #C0DB48

RGB 192 219 72

HSL 71.02, 0.67%, 0.57%

LAB 83.09, -28.29, 66.15

 

CMYK 67 / 39 / 0 / 14

HEX #4885DB

RGB 72 133 219

HSL 215.1, 0.67%, 0.57%

LAB 55.35, 7.82, -49.81

 

CMYK 0 / 67 / 66 / 14

HEX #DB484A

RGB 219.1 72.8 74

HSL 359.51, 0.67%, 0.57%

LAB 52.18, 56.99, 31.53

 

CMYK 66 / 0 / 67 / 14

HEX #4ADB48

RGB 74 219 72

HSL 119.18, 0.67%, 0.57%

LAB 77.63, -65.72, 58.75

 

CMYK 67 / 66 / 0 / 14

HEX #484ADB

RGB 72 74 219

HSL 239.18, 0.67%, 0.57%

LAB 40.23, 44.27, -74.24

 

CMYK 0 / 67 / 66 / 14

HEX #DB484A

RGB 219.1 72.8 74

HSL 359.51, 0.67%, 0.57%

LAB 52.18, 56.99, 31.53

 

CMYK 12 / 0 / 67 / 14

HEX #C0DB48

RGB 192 219 72

HSL 71.02, 0.67%, 0.57%

LAB 83.09, -28.29, 66.15

 

CMYK 67 / 0 / 1 / 14

HEX #48DBD8

RGB 72 219 216

HSL 178.78, 0.67%, 0.57%

LAB 80.18, -38.63, -9.89

 

CMYK 55 / 67 / 0 / 14

HEX #6348DB

RGB 99 72 219

HSL 251.02, 0.67%, 0.57%

LAB 41.85, 49.28, -71.5

 

CMYK 0 / 67 / 66 / 14

HEX #DB484A

RGB 219.1 72.8 74

HSL 359.51, 0.67%, 0.57%

LAB 52.18, 56.99, 31.53

 

CMYK 32 / 0 / 67 / 14

HEX #94DB48

RGB 148 219 72

HSL 88.98, 0.67%, 0.57%

LAB 80.42, -44.96, 62.55

 

CMYK 67 / 0 / 1 / 14

HEX #48DBD8

RGB 72 219 216

HSL 178.78, 0.67%, 0.57%

LAB 80.18, -38.63, -9.89

 

CMYK 35 / 67 / 0 / 14

HEX #8F48DB

RGB 143 72 219

HSL 268.98, 0.67%, 0.57%

LAB 46.43, 57.26, -63.84

 

Description

Color code: RGB 219.1 72.8 74 | qconv.com Color code: RGB 219.1 72.8 74 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219.1 red, 72.8 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219.1 72.8 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 66 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 66% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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