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Color name
RGB 218 53 39

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 53 39 it is the complementary color RGB 37 202 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 53 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 53 39 shade: RGB 223 53 34, RGB 240 71 53, RGB 255 89 72, RGB 255 107 91 and RGB 255 125 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 53 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 53 39 shade: RGB 218 53 39, RGB 201 35 20, RGB 184 17 1, RGB 167 0 0 and RGB 150 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 53 39 shade: RGB 218 51 37 and RGB 218 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 53 39 shade: RGB 218 51 37, RGB 218 100 37, RGB 218 149 37, RGB 218 198 37 and RGB 190 218 37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 53 39 shade matches the following richer shades: RGB 218 51 37 and RGB 239 34 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 53 39 shade: RGB 218 51 37, RGB 197 69 58, RGB 177 86 78, RGB 156 103 99 and RGB 136 121 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 53 39 shade: RGB 218 37 121, RGB 218 37 73, RGB 218 49 37, RGB 218 97 37 and RGB 218 146 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 53 39 shade: RGB 147 35 25, RGB 183 43 31, RGB 218 51 37, RGB 224 84 72 and RGB 230 117 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 53 39 shade: RGB 218 53 39, RGB 170 218 37 and RGB 37 97 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 53 39 shade: RGB 218 53 39, RGB 37 218 49 and RGB 49 37 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 53 39 shade: RGB 218 53 39, RGB 170 218 37, RGB 37 206 218 and RGB 85 37 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 53 39 shade: RGB 218 53 39, RGB 115 218 37, RGB 37 206 218 and RGB 140 37 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 82 / 15

HEX #DA3527

RGB 218 53 39

HSL 4.69, 0.71%, 0.5%

LAB 49, 62.32, 47.26

 

Complementary color

CMYK 83 / 6 / 0 / 15

HEX #25CAD8

RGB 37 202 216

HSL 184.69, 0.71%, 0.5%

LAB 74.57, -34.47, -18.37

 

CMYK 0 / 76 / 85 / 13

HEX #DF3522

RGB 223 53 34

HSL 6.03, 0.75%, 0.5%

LAB 49.92, 63.68, 50.86

 

CMYK 0 / 70 / 78 / 6

HEX #F04735

RGB 240 71 53

HSL 5.78, 0.86%, 0.57%

LAB 55.37, 63.39, 47.72

 

CMYK 0 / 65 / 72 / 0

HEX #FF5948

RGB 255 89 72

HSL 5.57, 1%, 0.64%

LAB 60.67, 62.04, 44.17

 

CMYK 0 / 58 / 64 / 0

HEX #FF6B5B

RGB 255 107 91

HSL 5.85, 1%, 0.68%

LAB 63.78, 55.36, 37.51

 

CMYK 0 / 51 / 57 / 0

HEX #FF7D6E

RGB 255 125 110

HSL 6.21, 1%, 0.72%

LAB 67.32, 48.2, 31.51

 

CMYK 0 / 76 / 82 / 15

HEX #DA3527

RGB 218 53 39

HSL 4.69, 0.71%, 0.5%

LAB 49, 62.32, 47.26

 

CMYK 0 / 83 / 90 / 21

HEX #C92314

RGB 201 35 20

HSL 4.97, 0.82%, 0.43%

LAB 43.76, 62, 50.32

 

CMYK 0 / 91 / 99 / 28

HEX #B81101

RGB 184 17 1

HSL 5.25, 0.99%, 0.36%

LAB 38.89, 60.68, 52.46

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 77 / 83 / 15

HEX #DA3325

RGB 218 51 37

HSL 4.64, 0.71%, 0.5%

LAB 48.77, 62.88, 48.04

 

CMYK 0 / 83 / 83 / 15

HEX #DA2525

RGB 218 37 37

HSL 0, 0.71%, 0.5%

LAB 47.45, 66.61, 46.83

 

CMYK 0 / 77 / 83 / 15

HEX #DA3325

RGB 218 51 37

HSL 4.64, 0.71%, 0.5%

LAB 48.77, 62.88, 48.04

 

CMYK 0 / 54 / 83 / 15

HEX #DA6425

RGB 218 100 37

HSL 20.88, 0.71%, 0.5%

LAB 56.24, 42.87, 54.74

 

CMYK 0 / 32 / 83 / 15

HEX #DA9525

RGB 218 149 37

HSL 37.13, 0.71%, 0.5%

LAB 66.93, 17.24, 64.04

 

CMYK 0 / 9 / 83 / 15

HEX #DAC625

RGB 218 198 37

HSL 53.37, 0.71%, 0.5%

LAB 79.29, -8.6, 74.53

 

CMYK 13 / 0 / 83 / 15

HEX #BEDA25

RGB 190 218 37

HSL 69.28, 0.71%, 0.5%

LAB 82.5, -30.19, 76.37

 

CMYK 0 / 77 / 83 / 15

HEX #DA3325

RGB 218 51 37

HSL 4.64, 0.71%, 0.5%

LAB 48.77, 62.88, 48.04

 

CMYK 0 / 86 / 93 / 6

HEX #EF2210

RGB 239 34 16

HSL 4.84, 0.87%, 0.5%

LAB 51.3, 72.54, 60.36

 

CMYK 0 / 77 / 83 / 15

HEX #DA3325

RGB 218 51 37

HSL 4.64, 0.71%, 0.5%

LAB 48.77, 62.88, 48.04

 

CMYK 0 / 65 / 71 / 23

HEX #C5453A

RGB 197 69 58

HSL 4.75, 0.55%, 0.5%

LAB 47.54, 50.37, 34.26

 

CMYK 0 / 51 / 56 / 31

HEX #B1564E

RGB 177 86 78

HSL 4.85, 0.39%, 0.5%

LAB 47.69, 36.3, 22.05

 

CMYK 0 / 34 / 37 / 39

HEX #9C6763

RGB 156 103 99

HSL 4.21, 0.22%, 0.5%

LAB 49.09, 20.8, 11

 

CMYK 0 / 11 / 13 / 47

HEX #887977

RGB 136 121 119

HSL 7.06, 0.07%, 0.5%

LAB 52.11, 5.4, 3.19

 

CMYK 0 / 83 / 44 / 15

HEX #DA2579

RGB 218 37 121

HSL 332.15, 0.71%, 0.5%

LAB 49.02, 71.26, -1.11

 

CMYK 0 / 83 / 67 / 15

HEX #DA2549

RGB 218 37 73

HSL 348.07, 0.71%, 0.5%

LAB 47.89, 67.95, 26.72

 

CMYK 0 / 78 / 83 / 15

HEX #DA3125

RGB 218 49 37

HSL 3.98, 0.71%, 0.5%

LAB 48.56, 63.48, 47.85

 

CMYK 0 / 56 / 83 / 15

HEX #DA6125

RGB 218 97 37

HSL 19.89, 0.71%, 0.5%

LAB 55.67, 44.33, 54.24

 

CMYK 0 / 33 / 83 / 15

HEX #DA9225

RGB 218 146 37

HSL 36.13, 0.71%, 0.5%

LAB 66.21, 18.85, 63.43

 

CMYK 0 / 76 / 83 / 42

HEX #932319

RGB 147 35 25

HSL 4.92, 0.71%, 0.34%

LAB 32.87, 45.72, 34.39

 

CMYK 0 / 77 / 83 / 28

HEX #B72B1F

RGB 183 43 31

HSL 4.74, 0.71%, 0.42%

LAB 41.05, 54.64, 41.48

 

CMYK 0 / 77 / 83 / 15

HEX #DA3325

RGB 218 51 37

HSL 4.64, 0.71%, 0.5%

LAB 48.77, 62.88, 48.04

 

CMYK 0 / 63 / 68 / 12

HEX #E05448

RGB 224 84 72

HSL 4.74, 0.71%, 0.58%

LAB 54.72, 53.85, 35.93

 

CMYK 0 / 49 / 53 / 10

HEX #E6756C

RGB 230 117 108

HSL 4.43, 0.71%, 0.66%

LAB 62.19, 42.9, 25.25

 

CMYK 0 / 76 / 82 / 15

HEX #DA3527

RGB 218 53 39

HSL 4.69, 0.71%, 0.5%

LAB 49, 62.32, 47.26

 

CMYK 22 / 0 / 83 / 15

HEX #AADA25

RGB 170 218 37

HSL 75.91, 0.71%, 0.5%

LAB 81.19, -38.15, 74.74

 

CMYK 83 / 56 / 0 / 15

HEX #2561DA

RGB 37 97 218

HSL 220.11, 0.71%, 0.5%

LAB 44.24, 25.83, -67.18

 

CMYK 0 / 76 / 82 / 15

HEX #DA3527

RGB 218 53 39

HSL 4.69, 0.71%, 0.5%

LAB 49, 62.32, 47.26

 

CMYK 83 / 0 / 78 / 15

HEX #25DA31

RGB 37 218 49

HSL 123.98, 0.71%, 0.5%

LAB 76.53, -72.66, 65.52

 

CMYK 78 / 83 / 0 / 15

HEX #3125DA

RGB 49 37 218

HSL 243.98, 0.71%, 0.5%

LAB 31.89, 61.24, -87.47

 

CMYK 0 / 76 / 82 / 15

HEX #DA3527

RGB 218 53 39

HSL 4.69, 0.71%, 0.5%

LAB 49, 62.32, 47.26

 

CMYK 22 / 0 / 83 / 15

HEX #AADA25

RGB 170 218 37

HSL 75.91, 0.71%, 0.5%

LAB 81.19, -38.15, 74.74

 

CMYK 83 / 6 / 0 / 15

HEX #25CEDA

RGB 37 206 218

HSL 183.98, 0.71%, 0.5%

LAB 75.82, -35.74, -17.55

 

CMYK 61 / 83 / 0 / 15

HEX #5525DA

RGB 85 37 218

HSL 255.91, 0.71%, 0.5%

LAB 34.63, 63.81, -82.84

 

CMYK 0 / 76 / 82 / 15

HEX #DA3527

RGB 218 53 39

HSL 4.69, 0.71%, 0.5%

LAB 49, 62.32, 47.26

 

CMYK 47 / 0 / 83 / 15

HEX #73DA25

RGB 115 218 37

HSL 94.14, 0.71%, 0.5%

LAB 78.42, -57.41, 71.23

 

CMYK 83 / 6 / 0 / 15

HEX #25CEDA

RGB 37 206 218

HSL 183.98, 0.71%, 0.5%

LAB 75.82, -35.74, -17.55

 

CMYK 36 / 83 / 0 / 15

HEX #8C25DA

RGB 140 37 218

HSL 274.14, 0.71%, 0.5%

LAB 41.15, 70.26, -71.88

 

Description

Color code: RGB 218 53 39 | qconv.com Color code: RGB 218 53 39 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 53 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 53 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 82% 15% C M Y K

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