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Color name
RGB 218 47 72

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 47 72 it is the complementary color RGB 37 208 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 47 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 47 72 shade: RGB 223 47 67, RGB 240 65 86, RGB 255 83 105, RGB 255 101 124 and RGB 255 119 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 47 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 47 72 shade: RGB 218 47 72, RGB 201 29 53, RGB 184 11 34, RGB 167 0 15 and RGB 150 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 47 72 shade: RGB 218 47 72 and RGB 218 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 47 72 shade: RGB 218 47 72, RGB 218 47 118, RGB 218 47 164, RGB 218 47 211 and RGB 180 47 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 47 72 shade matches the following richer shades: RGB 218 47 72 and RGB 238 27 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 47 72 shade: RGB 218 47 72, RGB 198 67 86, RGB 179 87 100, RGB 159 106 114 and RGB 139 126 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 47 72 shade: RGB 218 47 164, RGB 218 47 118, RGB 218 47 73, RGB 218 67 47 and RGB 218 113 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 47 72 shade: RGB 155 27 46, RGB 190 34 57, RGB 218 47 72, RGB 224 82 103 and RGB 231 117 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218 47 72 shade: RGB 218 47 72, RGB 210 218 47 and RGB 47 141 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218 47 72 shade: RGB 218 47 72, RGB 73 218 47 and RGB 47 73 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218 47 72 shade: RGB 218 47 72, RGB 210 218 47, RGB 47 218 193 and RGB 55 47 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218 47 72 shade: RGB 218 47 72, RGB 158 218 47, RGB 47 218 193 and RGB 107 47 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

Complementary color

CMYK 82 / 0 / 12 / 18

HEX #25D0B7

RGB 37 208 183

HSL 171.23, 0.7%, 0.48%

LAB 75.4, -46.63, 0.7

 

CMYK 0 / 79 / 70 / 13

HEX #DF2F43

RGB 223 47 67

HSL 353.18, 0.73%, 0.53%

LAB 49.65, 66.53, 32.7

 

CMYK 0 / 73 / 64 / 6

HEX #F04156

RGB 240 65 86

HSL 352.8, 0.85%, 0.6%

LAB 55.05, 66.9, 28.91

 

CMYK 0 / 67 / 59 / 0

HEX #FF5369

RGB 255 83 105

HSL 352.33, 1%, 0.66%

LAB 60.31, 66.15, 25.18

 

CMYK 0 / 60 / 51 / 0

HEX #FF657C

RGB 255 101 124

HSL 351.04, 1%, 0.7%

LAB 63.36, 60.29, 18.35

 

CMYK 0 / 53 / 44 / 0

HEX #FF778F

RGB 255 119 143

HSL 349.41, 1%, 0.73%

LAB 66.85, 53.89, 12.37

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 0 / 86 / 74 / 21

HEX #C91D35

RGB 201 29 53

HSL 351.63, 0.75%, 0.45%

LAB 43.59, 64.25, 32.79

 

CMYK 0 / 94 / 82 / 28

HEX #B80B22

RGB 184 11 34

HSL 352.02, 0.89%, 0.38%

LAB 38.8, 62.04, 37.76

 

CMYK 0 / 100 / 91 / 35

HEX #A7000F

RGB 167 0 15

HSL 354.61, 1%, 0.33%

LAB 34.5, 58.54, 42.56

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 0 / 78 / 78 / 15

HEX #DA2F2F

RGB 218 47 47

HSL 0, 0.7%, 0.52%

LAB 48.44, 64.34, 42.5

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 0 / 78 / 46 / 15

HEX #DA2F76

RGB 218 47 118

HSL 335.09, 0.7%, 0.52%

LAB 49.79, 68.54, 1.85

 

CMYK 0 / 78 / 25 / 15

HEX #DA2FA4

RGB 218 47 164

HSL 318.95, 0.7%, 0.52%

LAB 51.4, 73.33, -23.32

 

CMYK 0 / 78 / 3 / 15

HEX #DA2FD3

RGB 218 47 211

HSL 302.46, 0.7%, 0.52%

LAB 53.64, 79.7, -47.11

 

CMYK 17 / 78 / 0 / 15

HEX #B42FDA

RGB 180 47 218

HSL 286.67, 0.7%, 0.52%

LAB 48, 73.73, -60.48

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 0 / 89 / 76 / 7

HEX #EE1B3A

RGB 238 27 58

HSL 351.18, 0.86%, 0.52%

LAB 51, 74.37, 40.25

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 0 / 66 / 57 / 22

HEX #C64356

RGB 198 67 86

HSL 351.3, 0.53%, 0.52%

LAB 47.87, 53.29, 18.1

 

CMYK 0 / 51 / 44 / 30

HEX #B35764

RGB 179 87 100

HSL 351.52, 0.38%, 0.52%

LAB 48.66, 38.62, 10.25

 

CMYK 0 / 33 / 28 / 38

HEX #9F6A72

RGB 159 106 114

HSL 350.94, 0.22%, 0.52%

LAB 50.56, 22.35, 4.23

 

CMYK 0 / 9 / 8 / 45

HEX #8B7E80

RGB 139 126 128

HSL 350.77, 0.05%, 0.52%

LAB 53.99, 5.32, 0.71

 

CMYK 0 / 78 / 25 / 15

HEX #DA2FA4

RGB 218 47 164

HSL 318.95, 0.7%, 0.52%

LAB 51.4, 73.33, -23.32

 

CMYK 0 / 78 / 46 / 15

HEX #DA2F76

RGB 218 47 118

HSL 335.09, 0.7%, 0.52%

LAB 49.79, 68.54, 1.85

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F49

RGB 218 47 73

HSL 350.88, 0.7%, 0.52%

LAB 48.78, 65.42, 27.84

 

CMYK 0 / 69 / 78 / 15

HEX #DA432F

RGB 218 67 47

HSL 7.02, 0.7%, 0.52%

LAB 50.83, 57.7, 44.95

 

CMYK 0 / 48 / 78 / 15

HEX #DA712F

RGB 218 113 47

HSL 23.16, 0.7%, 0.52%

LAB 58.9, 36.66, 52.93

 

CMYK 0 / 83 / 70 / 39

HEX #9B1B2E

RGB 155 27 46

HSL 351.09, 0.7%, 0.36%

LAB 33.88, 51.58, 23.26

 

CMYK 0 / 82 / 70 / 25

HEX #BE2239

RGB 190 34 57

HSL 351.15, 0.7%, 0.44%

LAB 41.82, 60.27, 27.73

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 0 / 63 / 54 / 12

HEX #E05267

RGB 224 82 103

HSL 351.13, 0.7%, 0.6%

LAB 54.93, 56.72, 18.23

 

CMYK 0 / 49 / 42 / 9

HEX #E77586

RGB 231 117 134

HSL 351.05, 0.7%, 0.68%

LAB 62.87, 45.71, 11.39

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 4 / 0 / 78 / 15

HEX #D2DA2F

RGB 210 218 47

HSL 62.81, 0.7%, 0.52%

LAB 83.99, -21.63, 75.71

 

CMYK 78 / 35 / 0 / 15

HEX #2F8DDA

RGB 47 141 218

HSL 207.02, 0.7%, 0.52%

LAB 56.8, -0.62, -46.99

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 67 / 0 / 78 / 15

HEX #49DA2F

RGB 73 218 47

HSL 110.88, 0.7%, 0.52%

LAB 77.14, -67.46, 66.91

 

CMYK 78 / 67 / 0 / 15

HEX #2F49DA

RGB 47 73 218

HSL 230.88, 0.7%, 0.52%

LAB 38.61, 41.91, -76.38

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 4 / 0 / 78 / 15

HEX #D2DA2F

RGB 210 218 47

HSL 62.81, 0.7%, 0.52%

LAB 83.99, -21.63, 75.71

 

CMYK 78 / 0 / 11 / 15

HEX #2FDAC1

RGB 47 218 193

HSL 171.23, 0.7%, 0.52%

LAB 78.81, -47.33, 0.32

 

CMYK 75 / 78 / 0 / 15

HEX #372FDA

RGB 55 47 218

HSL 242.81, 0.7%, 0.52%

LAB 33.79, 57.07, -84.31

 

CMYK 0 / 78 / 67 / 15

HEX #DA2F48

RGB 218 47 72

HSL 351.23, 0.7%, 0.52%

LAB 48.77, 65.37, 28.42

 

CMYK 28 / 0 / 78 / 15

HEX #9EDA2F

RGB 158 218 47

HSL 81.05, 0.7%, 0.52%

LAB 80.53, -42.35, 71.29

 

CMYK 78 / 0 / 11 / 15

HEX #2FDAC1

RGB 47 218 193

HSL 171.23, 0.7%, 0.52%

LAB 78.81, -47.33, 0.32

 

CMYK 51 / 78 / 0 / 15

HEX #6B2FDA

RGB 107 47 218

HSL 261.05, 0.7%, 0.52%

LAB 38.24, 62.3, -76.82

 

Description

Color code: RGB 218 47 72 | qconv.com Color code: RGB 218 47 72 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 47 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 47 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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