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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 218 218 it is the complementary color RGB 37 37 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 218 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218 218 218 shade: RGB 223 218 213, RGB 240 236 232 and RGB 255 254 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 218 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218 218 218 shade: RGB 218 218 218, RGB 201 200 199, RGB 184 182 180, RGB 167 164 161 and RGB 150 146 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218 218 218 shade: RGB 217 217 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218 218 218 shade: RGB 217 217 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218 218 218 shade matches the following richer shades: RGB 217 217 217, RGB 223 211 211, RGB 229 204 204, RGB 235 198 198 and RGB 242 192 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218 218 218 shade: RGB 217 217 217, RGB 211 223 223, RGB 204 229 229, RGB 198 235 235 and RGB 192 242 242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218 218 218 shade: RGB 217 217 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218 218 218 shade: RGB 175 175 175, RGB 196 196 196, RGB 217 217 217, RGB 237 237 237 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 15

HEX #DADADA

RGB 218 218 218

HSL 0, 0%, 0.85%

LAB 87.05, 0, -0.01

 

Complementary color

CMYK 0 / 0 / 0 / 85

HEX #252525

RGB 37 37 37

HSL 0, 0%, 0.15%

LAB 14.68, 0, -0

 

CMYK 0 / 2 / 4 / 13

HEX #DFDAD5

RGB 223 218 213

HSL 30, 0.14%, 0.85%

LAB 87.31, 0.83, 3.05

 

CMYK 0 / 2 / 3 / 6

HEX #F0ECE8

RGB 240 236 232

HSL 30, 0.21%, 0.93%

LAB 93.6, 0.65, 2.4

 

CMYK 0 / 0 / 2 / 0

HEX #FFFEFB

RGB 255 254 251

HSL 45, 1%, 0.99%

LAB 99.65, -0.19, 1.54

 

CMYK 0 / 0 / 0 / 15

HEX #DADADA

RGB 218 218 218

HSL 0, 0%, 0.85%

LAB 87.05, 0, -0.01

 

CMYK 0 / 0 / 1 / 21

HEX #C9C8C7

RGB 201 200 199

HSL 30, 0.02%, 0.78%

LAB 80.66, 0.17, 0.61

 

CMYK 0 / 1 / 2 / 28

HEX #B8B6B4

RGB 184 182 180

HSL 30, 0.03%, 0.71%

LAB 74.15, 0.34, 1.26

 

CMYK 0 / 2 / 4 / 35

HEX #A7A4A1

RGB 167 164 161

HSL 30, 0.03%, 0.64%

LAB 67.53, 0.52, 1.93

 

CMYK 0 / 3 / 5 / 41

HEX #96928E

RGB 150 146 142

HSL 30, 0.04%, 0.57%

LAB 60.78, 0.72, 2.63

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 0 / 5 / 5 / 13

HEX #DFD3D3

RGB 223 211 211

HSL 0, 0.16%, 0.85%

LAB 85.49, 4.13, 1.47

 

CMYK 0 / 11 / 11 / 10

HEX #E5CCCC

RGB 229 204 204

HSL 0, 0.32%, 0.85%

LAB 84.07, 8.73, 3.19

 

CMYK 0 / 16 / 16 / 8

HEX #EBC6C6

RGB 235 198 198

HSL 0, 0.48%, 0.85%

LAB 82.98, 13.08, 4.88

 

CMYK 0 / 21 / 21 / 5

HEX #F2C0C0

RGB 242 192 192

HSL 0, 0.66%, 0.85%

LAB 82.05, 17.87, 6.83

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 5 / 0 / 0 / 13

HEX #D3DFDF

RGB 211 223 223

HSL 180, 0.16%, 0.85%

LAB 87.95, -4, -1.4

 

CMYK 11 / 0 / 0 / 10

HEX #CCE5E5

RGB 204 229 229

HSL 180, 0.32%, 0.85%

LAB 89.17, -8.21, -2.81

 

CMYK 16 / 0 / 0 / 8

HEX #C6EBEB

RGB 198 235 235

HSL 180, 0.48%, 0.85%

LAB 90.51, -11.94, -4.02

 

CMYK 21 / 0 / 0 / 5

HEX #C0F2F2

RGB 192 242 242

HSL 180, 0.66%, 0.85%

LAB 92.19, -15.82, -5.25

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 0 / 0 / 0 / 31

HEX #AFAFAF

RGB 175 175 175

HSL 0, 0%, 0.69%

LAB 71.47, 0, -0.01

 

CMYK 0 / 0 / 0 / 23

HEX #C4C4C4

RGB 196 196 196

HSL 0, 0%, 0.77%

LAB 79.16, 0, -0.01

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 0 / 0 / 0 / 7

HEX #EDEDED

RGB 237 237 237

HSL 0, 0%, 0.93%

LAB 93.75, 0, -0.01

 

Description

Color code: RGB 218 218 218 | qconv.com Color code: RGB 218 218 218 | qconv.com - big

All color components are almost equal - balanced color. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 218 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 218 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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