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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218.3 72.4 46 it is the complementary color RGB 36.7 182.6 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218.3 72.4 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218.3 72.4 46 shade: RGB 223.3 72.4 41, RGB 240.3 90.4 60, RGB 255 108.4 79, RGB 255 126.4 98 and RGB 255 144.4 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218.3 72.4 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218.3 72.4 46 shade: RGB 218.3 72.4 46, RGB 201.3 54.4 27, RGB 184.3 36.4 8, RGB 167.3 18.4 0 and RGB 150.3 0.40000000000001 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218.3 72.4 46 shade: RGB 218 73 47 and RGB 218 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218.3 72.4 46 shade: RGB 218 73 47, RGB 218 119 47, RGB 218 166 47, RGB 218 212 47 and RGB 179 218 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218.3 72.4 46 shade matches the following richer shades: RGB 218 73 47 and RGB 238 59 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218.3 72.4 46 shade: RGB 218 73 47, RGB 198 87 67, RGB 179 101 87, RGB 159 114 106 and RGB 139 128 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218.3 72.4 46 shade: RGB 218 47 113, RGB 218 47 67, RGB 218 73 47, RGB 218 118 47 and RGB 218 164 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218.3 72.4 46 shade: RGB 155 47 27, RGB 190 58 34, RGB 218 73 47, RGB 224 104 82 and RGB 231 134 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218.3 72.4 46 shade: RGB 218.3 72.4 46, RGB 158 218 47 and RGB 47 90 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218.3 72.4 46 shade: RGB 218.3 72.4 46, RGB 47 218 73 and RGB 73 47 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218.3 72.4 46 shade: RGB 218.3 72.4 46, RGB 158 218 47, RGB 47 193 218 and RGB 107 47 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218.3 72.4 46 shade: RGB 218.3 72.4 46, RGB 107 218 47, RGB 47 193 218 and RGB 158 47 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 79 / 14

HEX #DA482E

RGB 218.3 72.4 46

HSL 9.19, 0.7%, 0.52%

LAB 51.65, 55.66, 46.31

 

Complementary color

CMYK 82 / 13 / 0 / 18

HEX #24B6D1

RGB 36.7 182.6 209

HSL 189.19, 0.7%, 0.48%

LAB 68.53, -27.31, -23.74

 

CMYK 0 / 68 / 82 / 12

HEX #DF4829

RGB 223.3 72.4 41

HSL 10.33, 0.74%, 0.52%

LAB 52.49, 57.16, 49.89

 

CMYK 0 / 62 / 75 / 6

HEX #F05A3C

RGB 240.3 90.4 60

HSL 10.12, 0.86%, 0.59%

LAB 58.31, 56.1, 47.19

 

CMYK 0 / 57 / 69 / 0

HEX #FF6C4F

RGB 255 108.4 79

HSL 10.02, 1%, 0.65%

LAB 63.86, 54.09, 44.09

 

CMYK 0 / 50 / 62 / 0

HEX #FF7E62

RGB 255 126.4 98

HSL 10.85, 1%, 0.69%

LAB 67.4, 46.7, 38.16

 

CMYK 0 / 43 / 54 / 0

HEX #FF9075

RGB 255 144.4 117

HSL 11.91, 1%, 0.73%

LAB 71.29, 39.1, 32.82

 

CMYK 0 / 67 / 79 / 14

HEX #DA482E

RGB 218.3 72.4 46

HSL 9.19, 0.7%, 0.52%

LAB 51.65, 55.66, 46.31

 

CMYK 0 / 73 / 87 / 21

HEX #C9361B

RGB 201.3 54.4 27

HSL 9.43, 0.76%, 0.45%

LAB 45.93, 56.42, 49.04

 

CMYK 0 / 80 / 96 / 28

HEX #B82408

RGB 184.3 36.4 8

HSL 9.67, 0.92%, 0.38%

LAB 40.46, 56.61, 50.79

 

CMYK 0 / 89 / 100 / 34

HEX #A71200

RGB 167.3 18.4 0

HSL 6.6, 1%, 0.33%

LAB 35.39, 55.85, 49.24

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150.3 0.40000000000001 0

HSL 0.16, 1%, 0.29%

LAB 30.69, 53.94, 44.44

 

CMYK 0 / 67 / 78 / 15

HEX #DA492F

RGB 218 73 47

HSL 9.12, 0.7%, 0.52%

LAB 51.7, 55.35, 45.83

 

CMYK 0 / 78 / 78 / 15

HEX #DA2F2F

RGB 218 47 47

HSL 0, 0.7%, 0.52%

LAB 48.44, 64.34, 42.5

 

CMYK 0 / 67 / 78 / 15

HEX #DA492F

RGB 218 73 47

HSL 9.12, 0.7%, 0.52%

LAB 51.7, 55.35, 45.83

 

CMYK 0 / 45 / 78 / 15

HEX #DA772F

RGB 218 119 47

HSL 25.26, 0.7%, 0.52%

LAB 60.16, 33.55, 54.15

 

CMYK 0 / 24 / 78 / 15

HEX #DAA62F

RGB 218 166 47

HSL 41.75, 0.7%, 0.52%

LAB 71.13, 8.44, 64.42

 

CMYK 0 / 3 / 78 / 15

HEX #DAD42F

RGB 218 212 47

HSL 57.89, 0.7%, 0.52%

LAB 83.02, -15.34, 75.09

 

CMYK 18 / 0 / 78 / 15

HEX #B3DA2F

RGB 179 218 47

HSL 73.68, 0.7%, 0.52%

LAB 81.8, -34.25, 72.92

 

CMYK 0 / 67 / 78 / 15

HEX #DA492F

RGB 218 73 47

HSL 9.12, 0.7%, 0.52%

LAB 51.7, 55.35, 45.83

 

CMYK 0 / 75 / 89 / 7

HEX #EE3B1B

RGB 238 59 27

HSL 9.1, 0.86%, 0.52%

LAB 53.37, 66.16, 57.79

 

CMYK 0 / 67 / 78 / 15

HEX #DA492F

RGB 218 73 47

HSL 9.12, 0.7%, 0.52%

LAB 51.7, 55.35, 45.83

 

CMYK 0 / 56 / 66 / 22

HEX #C65743

RGB 198 87 67

HSL 9.16, 0.53%, 0.52%

LAB 50.95, 42.95, 33.23

 

CMYK 0 / 44 / 51 / 30

HEX #B36557

RGB 179 101 87

HSL 9.13, 0.38%, 0.52%

LAB 51.36, 29.87, 21.65

 

CMYK 0 / 28 / 33 / 38

HEX #9F726A

RGB 159 114 106

HSL 9.06, 0.22%, 0.52%

LAB 52.34, 16.64, 11.47

 

CMYK 0 / 8 / 9 / 45

HEX #8B807E

RGB 139 128 126

HSL 9.23, 0.05%, 0.52%

LAB 54.48, 3.8, 2.58

 

CMYK 0 / 78 / 48 / 15

HEX #DA2F71

RGB 218 47 113

HSL 336.84, 0.7%, 0.52%

LAB 49.65, 68.11, 4.69

 

CMYK 0 / 78 / 69 / 15

HEX #DA2F43

RGB 218 47 67

HSL 352.98, 0.7%, 0.52%

LAB 48.69, 65.13, 31.31

 

CMYK 0 / 67 / 78 / 15

HEX #DA492F

RGB 218 73 47

HSL 9.12, 0.7%, 0.52%

LAB 51.7, 55.35, 45.83

 

CMYK 0 / 46 / 78 / 15

HEX #DA762F

RGB 218 118 47

HSL 24.91, 0.7%, 0.52%

LAB 59.95, 34.08, 53.94

 

CMYK 0 / 25 / 78 / 15

HEX #DAA42F

RGB 218 164 47

HSL 41.05, 0.7%, 0.52%

LAB 70.64, 9.51, 63.96

 

CMYK 0 / 70 / 83 / 39

HEX #9B2F1B

RGB 155 47 27

HSL 9.38, 0.7%, 0.36%

LAB 36.14, 43.84, 37.01

 

CMYK 0 / 69 / 82 / 25

HEX #BE3A22

RGB 190 58 34

HSL 9.23, 0.7%, 0.44%

LAB 44.36, 51.57, 43.54

 

CMYK 0 / 67 / 78 / 15

HEX #DA492F

RGB 218 73 47

HSL 9.12, 0.7%, 0.52%

LAB 51.7, 55.35, 45.83

 

CMYK 0 / 54 / 63 / 12

HEX #E06852

RGB 224 104 82

HSL 9.3, 0.7%, 0.6%

LAB 58.37, 45.2, 34.78

 

CMYK 0 / 42 / 49 / 9

HEX #E78675

RGB 231 134 117

HSL 8.95, 0.7%, 0.68%

LAB 66, 35.36, 25.29

 

CMYK 0 / 67 / 79 / 14

HEX #DA482E

RGB 218.3 72.4 46

HSL 9.19, 0.7%, 0.52%

LAB 51.65, 55.66, 46.31

 

CMYK 28 / 0 / 78 / 15

HEX #9EDA2F

RGB 158 218 47

HSL 81.05, 0.7%, 0.52%

LAB 80.53, -42.35, 71.29

 

CMYK 78 / 59 / 0 / 15

HEX #2F5ADA

RGB 47 90 218

HSL 224.91, 0.7%, 0.52%

LAB 42.73, 31.21, -69.62

 

CMYK 0 / 67 / 79 / 14

HEX #DA482E

RGB 218.3 72.4 46

HSL 9.19, 0.7%, 0.52%

LAB 51.65, 55.66, 46.31

 

CMYK 78 / 0 / 67 / 15

HEX #2FDA49

RGB 47 218 73

HSL 129.12, 0.7%, 0.52%

LAB 76.82, -69.59, 57.32

 

CMYK 67 / 78 / 0 / 15

HEX #492FDA

RGB 73 47 218

HSL 249.12, 0.7%, 0.52%

LAB 35.03, 58.53, -82.23

 

CMYK 0 / 67 / 79 / 14

HEX #DA482E

RGB 218.3 72.4 46

HSL 9.19, 0.7%, 0.52%

LAB 51.65, 55.66, 46.31

 

CMYK 28 / 0 / 78 / 15

HEX #9EDA2F

RGB 158 218 47

HSL 81.05, 0.7%, 0.52%

LAB 80.53, -42.35, 71.29

 

CMYK 78 / 11 / 0 / 15

HEX #2FC1DA

RGB 47 193 218

HSL 188.77, 0.7%, 0.52%

LAB 72.1, -28.68, -23.19

 

CMYK 51 / 78 / 0 / 15

HEX #6B2FDA

RGB 107 47 218

HSL 261.05, 0.7%, 0.52%

LAB 38.24, 62.3, -76.82

 

CMYK 0 / 67 / 79 / 14

HEX #DA482E

RGB 218.3 72.4 46

HSL 9.19, 0.7%, 0.52%

LAB 51.65, 55.66, 46.31

 

CMYK 51 / 0 / 78 / 15

HEX #6BDA2F

RGB 107 218 47

HSL 98.95, 0.7%, 0.52%

LAB 78.15, -59.28, 68.23

 

CMYK 78 / 11 / 0 / 15

HEX #2FC1DA

RGB 47 193 218

HSL 188.77, 0.7%, 0.52%

LAB 72.1, -28.68, -23.19

 

CMYK 28 / 78 / 0 / 15

HEX #9E2FDA

RGB 158 47 218

HSL 278.95, 0.7%, 0.52%

LAB 44.75, 69.93, -65.91

 

Description

Color code: RGB 218.3 72.4 46 | qconv.com Color code: RGB 218.3 72.4 46 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218.3 red, 72.4 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218.3 72.4 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 79 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 79% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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