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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218.14 90 80 it is the complementary color RGB 36.86 165 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218.14 90 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 218.14 90 80 shade: RGB 223.14 90 75, RGB 240.14 108 94, RGB 255 126 113, RGB 255 144 132 and RGB 255 162 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218.14 90 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 218.14 90 80 shade: RGB 218.14 90 80, RGB 201.14 72 61, RGB 184.14 54 42, RGB 167.14 36 23 and RGB 150.14 18 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 218.14 90 80 shade: RGB 218 88 78 and RGB 218 78 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 218.14 90 80 shade: RGB 218 88 78, RGB 218 126 78, RGB 218 163 78, RGB 218 201 78 and RGB 196 218 78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 218.14 90 80 shade matches the following richer shades: RGB 218 88 78, RGB 235 74 61 and RGB 252 59 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 218.14 90 80 shade: RGB 218 88 78, RGB 200 103 96, RGB 183 118 113, RGB 166 133 130 and RGB 148 148 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 218.14 90 80 shade: RGB 218 78 143, RGB 218 78 106, RGB 218 88 78, RGB 218 125 78 and RGB 218 162 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 218.14 90 80 shade: RGB 176 47 37, RGB 210 57 45, RGB 218 88 78, RGB 225 120 112 and RGB 232 153 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 218.14 90 80 shade: RGB 218.14 90 80, RGB 180 218 78 and RGB 78 125 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 218.14 90 80 shade: RGB 218.14 90 80, RGB 78 218 88 and RGB 88 78 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 218.14 90 80 shade: RGB 218.14 90 80, RGB 180 218 78, RGB 78 208 218 and RGB 115 78 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 218.14 90 80 shade: RGB 218.14 90 80, RGB 139 218 78, RGB 78 208 218 and RGB 157 78 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 63 / 14

HEX #DA5A50

RGB 218.14 90 80

HSL 4.34, 0.65%, 0.58%

LAB 54.88, 49.6, 31.39

 

Complementary color

CMYK 79 / 6 / 0 / 31

HEX #24A5AF

RGB 36.86 165 175

HSL 184.34, 0.65%, 0.42%

LAB 61.99, -29.42, -14.8

 

CMYK 0 / 60 / 66 / 12

HEX #DF5A4B

RGB 223.14 90 75

HSL 6.08, 0.7%, 0.58%

LAB 55.61, 51.06, 35.29

 

CMYK 0 / 55 / 61 / 6

HEX #F06C5E

RGB 240.14 108 94

HSL 5.75, 0.83%, 0.66%

LAB 61.73, 49.9, 32.8

 

CMYK 0 / 51 / 56 / 0

HEX #FF7E71

RGB 255 126 113

HSL 5.49, 1%, 0.72%

LAB 67.56, 47.94, 30.16

 

CMYK 0 / 44 / 48 / 0

HEX #FF9084

RGB 255 144 132

HSL 5.85, 1%, 0.76%

LAB 71.47, 40.59, 24.87

 

CMYK 0 / 36 / 41 / 0

HEX #FFA297

RGB 255 162 151

HSL 6.35, 1%, 0.8%

LAB 75.66, 33.23, 20.18

 

CMYK 0 / 59 / 63 / 14

HEX #DA5A50

RGB 218.14 90 80

HSL 4.34, 0.65%, 0.58%

LAB 54.88, 49.6, 31.39

 

CMYK 0 / 64 / 70 / 21

HEX #C9483D

RGB 201.14 72 61

HSL 4.71, 0.57%, 0.51%

LAB 48.77, 50.65, 34.17

 

CMYK 0 / 71 / 77 / 28

HEX #B8362A

RGB 184.14 54 42

HSL 5.07, 0.63%, 0.44%

LAB 42.78, 51.45, 37.35

 

CMYK 0 / 78 / 86 / 34

HEX #A72417

RGB 167.14 36 23

HSL 5.41, 0.76%, 0.37%

LAB 37.03, 51.75, 40.75

 

CMYK 0 / 88 / 97 / 41

HEX #961204

RGB 150.14 18 4

HSL 5.75, 0.95%, 0.3%

LAB 31.67, 51.1, 43.48

 

CMYK 0 / 60 / 64 / 15

HEX #DA584E

RGB 218 88 78

HSL 4.29, 0.65%, 0.58%

LAB 54.49, 50.35, 32.03

 

CMYK 0 / 64 / 64 / 15

HEX #DA4E4E

RGB 218 78 78

HSL 0, 0.65%, 0.58%

LAB 52.84, 54.72, 29.98

 

CMYK 0 / 60 / 64 / 15

HEX #DA584E

RGB 218 88 78

HSL 4.29, 0.65%, 0.58%

LAB 54.49, 50.35, 32.03

 

CMYK 0 / 42 / 64 / 15

HEX #DA7E4E

RGB 218 126 78

HSL 20.57, 0.65%, 0.58%

LAB 61.98, 31.42, 41.07

 

CMYK 0 / 25 / 64 / 15

HEX #DAA34E

RGB 218 163 78

HSL 36.43, 0.65%, 0.58%

LAB 70.63, 11.58, 50.98

 

CMYK 0 / 8 / 64 / 15

HEX #DAC94E

RGB 218 201 78

HSL 52.71, 0.65%, 0.58%

LAB 80.31, -8.36, 61.49

 

CMYK 10 / 0 / 64 / 15

HEX #C4DA4E

RGB 196 218 78

HSL 69.43, 0.65%, 0.58%

LAB 83.14, -25.84, 63.95

 

CMYK 0 / 60 / 64 / 15

HEX #DA584E

RGB 218 88 78

HSL 4.29, 0.65%, 0.58%

LAB 54.49, 50.35, 32.03

 

CMYK 0 / 69 / 74 / 8

HEX #EB4A3D

RGB 235 74 61

HSL 4.48, 0.81%, 0.58%

LAB 54.97, 61, 42.79

 

CMYK 0 / 77 / 83 / 1

HEX #FC3B2C

RGB 252 59 44

HSL 4.33, 0.97%, 0.58%

LAB 56.09, 70.59, 53.68

 

CMYK 0 / 60 / 64 / 15

HEX #DA584E

RGB 218 88 78

HSL 4.29, 0.65%, 0.58%

LAB 54.49, 50.35, 32.03

 

CMYK 0 / 49 / 52 / 22

HEX #C86760

RGB 200 103 96

HSL 4.04, 0.49%, 0.58%

LAB 54.89, 37.8, 21.64

 

CMYK 0 / 36 / 38 / 28

HEX #B77671

RGB 183 118 113

HSL 4.29, 0.33%, 0.58%

LAB 56.3, 24.9, 13.35

 

CMYK 0 / 20 / 22 / 35

HEX #A68582

RGB 166 133 130

HSL 5, 0.17%, 0.58%

LAB 58.5, 12.12, 6.4

 

CMYK 0 / 0 / 0 / 42

HEX #949494

RGB 148 148 148

HSL 0, 0%, 0.58%

LAB 61.32, 0, -0.01

 

CMYK 0 / 64 / 34 / 15

HEX #DA4E8F

RGB 218 78 143

HSL 332.14, 0.65%, 0.58%

LAB 54.38, 60.37, -6.39

 

CMYK 0 / 64 / 51 / 15

HEX #DA4E6A

RGB 218 78 106

HSL 348, 0.65%, 0.58%

LAB 53.38, 56.72, 14.17

 

CMYK 0 / 60 / 64 / 15

HEX #DA584E

RGB 218 88 78

HSL 4.29, 0.65%, 0.58%

LAB 54.49, 50.35, 32.03

 

CMYK 0 / 43 / 64 / 15

HEX #DA7D4E

RGB 218 125 78

HSL 20.14, 0.65%, 0.58%

LAB 61.76, 31.95, 40.81

 

CMYK 0 / 26 / 64 / 15

HEX #DAA24E

RGB 218 162 78

HSL 36, 0.65%, 0.58%

LAB 70.38, 12.12, 50.7

 

CMYK 0 / 73 / 79 / 31

HEX #B02F25

RGB 176 47 37

HSL 4.32, 0.65%, 0.42%

LAB 40.24, 51.24, 37

 

CMYK 0 / 73 / 79 / 18

HEX #D2392D

RGB 210 57 45

HSL 4.36, 0.65%, 0.5%

LAB 48.03, 58.73, 42.68

 

CMYK 0 / 60 / 64 / 15

HEX #DA584E

RGB 218 88 78

HSL 4.29, 0.65%, 0.58%

LAB 54.49, 50.35, 32.03

 

CMYK 0 / 47 / 50 / 12

HEX #E17870

RGB 225 120 112

HSL 4.25, 0.65%, 0.66%

LAB 62.18, 39.87, 22.84

 

CMYK 0 / 34 / 37 / 9

HEX #E89992

RGB 232 153 146

HSL 4.88, 0.65%, 0.74%

LAB 70.88, 28.76, 15.89

 

CMYK 0 / 59 / 63 / 14

HEX #DA5A50

RGB 218.14 90 80

HSL 4.34, 0.65%, 0.58%

LAB 54.88, 49.6, 31.39

 

CMYK 17 / 0 / 64 / 15

HEX #B4DA4E

RGB 180 218 78

HSL 76.29, 0.65%, 0.58%

LAB 82.05, -32.17, 62.47

 

CMYK 64 / 43 / 0 / 15

HEX #4E7DDA

RGB 78 125 218

HSL 219.86, 0.65%, 0.58%

LAB 53.33, 13.33, -52.45

 

CMYK 0 / 59 / 63 / 14

HEX #DA5A50

RGB 218.14 90 80

HSL 4.34, 0.65%, 0.58%

LAB 54.88, 49.6, 31.39

 

CMYK 64 / 0 / 60 / 15

HEX #4EDA58

RGB 78 218 88

HSL 124.29, 0.65%, 0.58%

LAB 77.56, -62.94, 51.99

 

CMYK 60 / 64 / 0 / 15

HEX #584EDA

RGB 88 78 218

HSL 244.29, 0.65%, 0.58%

LAB 42.13, 43.84, -70.51

 

CMYK 0 / 59 / 63 / 14

HEX #DA5A50

RGB 218.14 90 80

HSL 4.34, 0.65%, 0.58%

LAB 54.88, 49.6, 31.39

 

CMYK 17 / 0 / 64 / 15

HEX #B4DA4E

RGB 180 218 78

HSL 76.29, 0.65%, 0.58%

LAB 82.05, -32.17, 62.47

 

CMYK 64 / 5 / 0 / 15

HEX #4ED0DA

RGB 78 208 218

HSL 184.29, 0.65%, 0.58%

LAB 77.16, -32.06, -15.47

 

CMYK 47 / 64 / 0 / 15

HEX #734EDA

RGB 115 78 218

HSL 255.86, 0.65%, 0.58%

LAB 44.46, 48.49, -66.62

 

CMYK 0 / 59 / 63 / 14

HEX #DA5A50

RGB 218.14 90 80

HSL 4.34, 0.65%, 0.58%

LAB 54.88, 49.6, 31.39

 

CMYK 36 / 0 / 64 / 15

HEX #8BDA4E

RGB 139 218 78

HSL 93.86, 0.65%, 0.58%

LAB 79.72, -47.18, 59.28

 

CMYK 64 / 5 / 0 / 15

HEX #4ED0DA

RGB 78 208 218

HSL 184.29, 0.65%, 0.58%

LAB 77.16, -32.06, -15.47

 

CMYK 28 / 64 / 0 / 15

HEX #9D4EDA

RGB 157 78 218

HSL 273.86, 0.65%, 0.58%

LAB 49.1, 57.08, -58.87

 

Description

Color code: RGB 218.14 90 80 | qconv.com Color code: RGB 218.14 90 80 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218.14 red, 90 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218.14 90 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 63 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 63% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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