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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 47 227 it is the complementary color RGB 38 208 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 47 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 47 227 shade: RGB 222 47 222, RGB 239 65 241, RGB 255 83 255, RGB 255 101 255 and RGB 255 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 47 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 47 227 shade: RGB 217 47 227, RGB 200 29 208, RGB 183 11 189, RGB 166 0 170 and RGB 149 0 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 47 227 shade: RGB 217 49 227, RGB 227 49 189, RGB 227 49 141, RGB 227 49 93 and RGB 227 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 47 227 shade: RGB 217 49 227, RGB 169 49 227, RGB 121 49 227, RGB 73 49 227 and RGB 49 49 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 47 227 shade matches the following richer shades: RGB 217 49 227 and RGB 234 30 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 47 227 shade: RGB 217 49 227, RGB 200 68 208, RGB 183 87 189, RGB 166 105 170 and RGB 149 124 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 47 227 shade: RGB 120 49 227, RGB 167 49 227, RGB 215 49 227, RGB 227 49 191 and RGB 227 49 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 47 227 shade: RGB 162 23 170, RGB 196 28 206, RGB 217 49 227, RGB 224 85 232 and RGB 230 121 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 47 227 shade: RGB 217 47 227, RGB 227 72 49 and RGB 49 227 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 47 227 shade: RGB 217 47 227, RGB 227 215 49 and RGB 49 227 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 47 227 shade: RGB 217 47 227, RGB 227 72 49, RGB 60 227 49 and RGB 49 203 227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 47 227 shade: RGB 217 47 227, RGB 227 126 49, RGB 60 227 49 and RGB 49 150 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 79 / 0 / 11

HEX #D92FE3

RGB 217 47 227

HSL 296.67, 0.76%, 0.54%

LAB 54.38, 81.96, -55.05

 

Complementary color

CMYK 82 / 0 / 87 / 18

HEX #26D01C

RGB 38 208 28

HSL 116.67, 0.76%, 0.46%

LAB 73.29, -70.76, 67.94

 

CMYK 0 / 79 / 0 / 13

HEX #DE2FDE

RGB 222 47 222

HSL 300, 0.73%, 0.53%

LAB 54.9, 82.12, -51.33

 

CMYK 1 / 73 / 0 / 5

HEX #EF41F1

RGB 239 65 241

HSL 299.32, 0.86%, 0.6%

LAB 60.32, 83.51, -53.22

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 4 / 79 / 0 / 11

HEX #D92FE3

RGB 217 47 227

HSL 296.67, 0.76%, 0.54%

LAB 54.38, 81.96, -55.05

 

CMYK 4 / 86 / 0 / 18

HEX #C81DD0

RGB 200 29 208

HSL 297.32, 0.76%, 0.46%

LAB 49.15, 79.77, -52.75

 

CMYK 3 / 94 / 0 / 26

HEX #B70BBD

RGB 183 11 189

HSL 297.98, 0.89%, 0.39%

LAB 44.21, 76.46, -49.8

 

CMYK 2 / 100 / 0 / 33

HEX #A600AA

RGB 166 0 170

HSL 298.59, 1%, 0.33%

LAB 39.6, 71.86, -46.11

 

CMYK 1 / 100 / 0 / 41

HEX #950097

RGB 149 0 151

HSL 299.21, 1%, 0.3%

LAB 35.25, 66.12, -41.77

 

CMYK 4 / 78 / 0 / 11

HEX #D931E3

RGB 217 49 227

HSL 296.63, 0.76%, 0.54%

LAB 54.55, 81.47, -54.77

 

CMYK 0 / 78 / 17 / 11

HEX #E331BD

RGB 227 49 189

HSL 312.81, 0.76%, 0.54%

LAB 54.24, 77.96, -33.42

 

CMYK 0 / 78 / 38 / 11

HEX #E3318D

RGB 227 49 141

HSL 328.99, 0.76%, 0.54%

LAB 52.34, 72.41, -8.07

 

CMYK 0 / 78 / 59 / 11

HEX #E3315D

RGB 227 49 93

HSL 345.17, 0.76%, 0.54%

LAB 51.06, 68.5, 19.06

 

CMYK 0 / 78 / 78 / 11

HEX #E33131

RGB 227 49 49

HSL 0, 0.76%, 0.54%

LAB 50.39, 66.42, 43.98

 

CMYK 4 / 78 / 0 / 11

HEX #D931E3

RGB 217 49 227

HSL 296.63, 0.76%, 0.54%

LAB 54.55, 81.47, -54.77

 

CMYK 26 / 78 / 0 / 11

HEX #A931E3

RGB 169 49 227

HSL 280.45, 0.76%, 0.54%

LAB 47.21, 72.93, -66.98

 

CMYK 47 / 78 / 0 / 11

HEX #7931E3

RGB 121 49 227

HSL 264.27, 0.76%, 0.54%

LAB 40.91, 65.6, -77.52

 

CMYK 68 / 78 / 0 / 11

HEX #4931E3

RGB 73 49 227

HSL 248.09, 0.76%, 0.54%

LAB 36.29, 60.2, -85.3

 

CMYK 78 / 78 / 0 / 11

HEX #3131E3

RGB 49 49 227

HSL 240, 0.76%, 0.54%

LAB 34.79, 58.46, -87.82

 

CMYK 4 / 78 / 0 / 11

HEX #D931E3

RGB 217 49 227

HSL 296.63, 0.76%, 0.54%

LAB 54.55, 81.47, -54.77

 

CMYK 5 / 88 / 0 / 4

HEX #EA1EF6

RGB 234 30 246

HSL 296.67, 0.92%, 0.54%

LAB 57.15, 91.09, -61.12

 

CMYK 4 / 78 / 0 / 11

HEX #D931E3

RGB 217 49 227

HSL 296.63, 0.76%, 0.54%

LAB 54.55, 81.47, -54.77

 

CMYK 4 / 67 / 0 / 18

HEX #C844D0

RGB 200 68 208

HSL 296.57, 0.6%, 0.54%

LAB 52.91, 68.93, -46.74

 

CMYK 3 / 54 / 0 / 26

HEX #B757BD

RGB 183 87 189

HSL 296.47, 0.44%, 0.54%

LAB 52.46, 53.18, -36.69

 

CMYK 2 / 38 / 0 / 33

HEX #A669AA

RGB 166 105 170

HSL 296.31, 0.28%, 0.54%

LAB 53.07, 35.1, -24.89

 

CMYK 1 / 18 / 0 / 41

HEX #957C97

RGB 149 124 151

HSL 295.56, 0.11%, 0.54%

LAB 55.11, 14.64, -10.91

 

CMYK 47 / 78 / 0 / 11

HEX #7831E3

RGB 120 49 227

HSL 263.93, 0.76%, 0.54%

LAB 40.79, 65.46, -77.72

 

CMYK 26 / 78 / 0 / 11

HEX #A731E3

RGB 167 49 227

HSL 279.78, 0.76%, 0.54%

LAB 46.92, 72.6, -67.46

 

CMYK 5 / 78 / 0 / 11

HEX #D731E3

RGB 215 49 227

HSL 295.96, 0.76%, 0.54%

LAB 54.23, 81.09, -55.3

 

CMYK 0 / 78 / 16 / 11

HEX #E331BF

RGB 227 49 191

HSL 312.13, 0.76%, 0.54%

LAB 54.33, 78.23, -34.43

 

CMYK 0 / 78 / 37 / 11

HEX #E33190

RGB 227 49 144

HSL 327.98, 0.76%, 0.54%

LAB 52.44, 72.71, -9.72

 

CMYK 5 / 86 / 0 / 33

HEX #A217AA

RGB 162 23 170

HSL 296.73, 0.76%, 0.38%

LAB 39.91, 68.14, -45.65

 

CMYK 5 / 86 / 0 / 19

HEX #C41CCE

RGB 196 28 206

HSL 296.63, 0.76%, 0.46%

LAB 48.29, 78.94, -53.01

 

CMYK 4 / 78 / 0 / 11

HEX #D931E3

RGB 217 49 227

HSL 296.63, 0.76%, 0.54%

LAB 54.55, 81.47, -54.77

 

CMYK 3 / 63 / 0 / 9

HEX #E055E8

RGB 224 85 232

HSL 296.73, 0.76%, 0.62%

LAB 60.04, 71.93, -48.78

 

CMYK 3 / 49 / 0 / 7

HEX #E679ED

RGB 230 121 237

HSL 296.38, 0.76%, 0.7%

LAB 66.99, 58.35, -40.57

 

CMYK 4 / 79 / 0 / 11

HEX #D92FE3

RGB 217 47 227

HSL 296.67, 0.76%, 0.54%

LAB 54.38, 81.96, -55.05

 

CMYK 0 / 68 / 78 / 11

HEX #E34831

RGB 227 72 49

HSL 7.75, 0.76%, 0.54%

LAB 53.15, 58.76, 46.79

 

CMYK 78 / 0 / 37 / 11

HEX #31E390

RGB 49 227 144

HSL 152.02, 0.76%, 0.54%

LAB 80.52, -61.9, 28.47

 

CMYK 4 / 79 / 0 / 11

HEX #D92FE3

RGB 217 47 227

HSL 296.67, 0.76%, 0.54%

LAB 54.38, 81.96, -55.05

 

CMYK 0 / 5 / 78 / 11

HEX #E3D731

RGB 227 215 49

HSL 55.96, 0.76%, 0.54%

LAB 84.56, -12.97, 76.18

 

CMYK 78 / 0 / 5 / 11

HEX #31E3D7

RGB 49 227 215

HSL 175.96, 0.76%, 0.54%

LAB 82.11, -45.08, -6.54

 

CMYK 4 / 79 / 0 / 11

HEX #D92FE3

RGB 217 47 227

HSL 296.67, 0.76%, 0.54%

LAB 54.38, 81.96, -55.05

 

CMYK 0 / 68 / 78 / 11

HEX #E34831

RGB 227 72 49

HSL 7.75, 0.76%, 0.54%

LAB 53.15, 58.76, 46.79

 

CMYK 74 / 0 / 78 / 11

HEX #3CE331

RGB 60 227 49

HSL 116.29, 0.76%, 0.54%

LAB 79.68, -72.42, 68.65

 

CMYK 78 / 11 / 0 / 11

HEX #31CBE3

RGB 49 203 227

HSL 188.09, 0.76%, 0.54%

LAB 75.4, -30.56, -23.03

 

CMYK 4 / 79 / 0 / 11

HEX #D92FE3

RGB 217 47 227

HSL 296.67, 0.76%, 0.54%

LAB 54.38, 81.96, -55.05

 

CMYK 0 / 44 / 78 / 11

HEX #E37E31

RGB 227 126 49

HSL 25.96, 0.76%, 0.54%

LAB 62.91, 33.62, 56.35

 

CMYK 74 / 0 / 78 / 11

HEX #3CE331

RGB 60 227 49

HSL 116.29, 0.76%, 0.54%

LAB 79.68, -72.42, 68.65

 

CMYK 78 / 34 / 0 / 11

HEX #3196E3

RGB 49 150 227

HSL 205.96, 0.76%, 0.54%

LAB 59.9, -2.42, -47.1

 

Description

Color code: RGB 217 47 227 | qconv.com Color code: RGB 217 47 227 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 47 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 47 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 79 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 79% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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