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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 130 72 it is the complementary color RGB 38 125 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 130 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217 130 72 shade: RGB 222 130 67, RGB 239 148 86, RGB 255 166 105, RGB 255 184 124 and RGB 255 202 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 130 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217 130 72 shade: RGB 217 130 72, RGB 200 112 53, RGB 183 94 34, RGB 166 76 15 and RGB 149 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217 130 72 shade: RGB 218 131 73, RGB 218 92 73 and RGB 218 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217 130 72 shade: RGB 218 131 73, RGB 218 170 73, RGB 218 209 73, RGB 187 218 73 and RGB 148 218 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217 130 72 shade matches the following richer shades: RGB 218 131 73, RGB 235 127 55 and RGB 253 124 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217 130 72 shade: RGB 218 131 73, RGB 200 134 91, RGB 182 138 108, RGB 164 142 126 and RGB 147 145 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217 130 72 shade: RGB 218 73 92, RGB 218 92 73, RGB 218 131 73, RGB 218 169 73 and RGB 218 208 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217 130 72 shade: RGB 173 90 35, RGB 207 108 42, RGB 218 131 73, RGB 225 154 107 and RGB 232 178 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217 130 72 shade: RGB 217 130 72, RGB 131 218 73 and RGB 73 73 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217 130 72 shade: RGB 217 130 72, RGB 73 218 131 and RGB 131 73 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217 130 72 shade: RGB 217 130 72, RGB 131 218 73, RGB 73 160 218 and RGB 160 73 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217 130 72 shade: RGB 217 130 72, RGB 87 218 73, RGB 73 160 218 and RGB 203 73 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 67 / 15

HEX #D98248

RGB 217 130 72

HSL 24, 0.66%, 0.57%

LAB 62.66, 28.52, 44.91

 

Complementary color

CMYK 79 / 32 / 0 / 28

HEX #267DB7

RGB 38 125 183

HSL 204, 0.66%, 0.43%

LAB 50.09, -4.96, -37.72

 

CMYK 0 / 41 / 70 / 13

HEX #DE8243

RGB 222 130 67

HSL 24.39, 0.7%, 0.57%

LAB 63.26, 30.29, 48.24

 

CMYK 0 / 38 / 64 / 6

HEX #EF9456

RGB 239 148 86

HSL 24.31, 0.83%, 0.64%

LAB 69.61, 28.78, 46.57

 

CMYK 0 / 35 / 59 / 0

HEX #FFA669

RGB 255 166 105

HSL 24.4, 1%, 0.71%

LAB 75.79, 27.03, 44.76

 

CMYK 0 / 28 / 51 / 0

HEX #FFB87C

RGB 255 184 124

HSL 27.48, 1%, 0.74%

LAB 80.18, 19.12, 40.48

 

CMYK 0 / 21 / 44 / 0

HEX #FFCA8F

RGB 255 202 143

HSL 31.61, 1%, 0.78%

LAB 84.73, 11.5, 36.57

 

CMYK 0 / 40 / 67 / 15

HEX #D98248

RGB 217 130 72

HSL 24, 0.66%, 0.57%

LAB 62.66, 28.52, 44.91

 

CMYK 0 / 44 / 74 / 22

HEX #C87035

RGB 200 112 53

HSL 24.08, 0.58%, 0.5%

LAB 56.21, 30.14, 46.62

 

CMYK 0 / 49 / 81 / 28

HEX #B75E22

RGB 183 94 34

HSL 24.16, 0.69%, 0.43%

LAB 49.72, 31.95, 48.14

 

CMYK 0 / 54 / 91 / 35

HEX #A64C0F

RGB 166 76 15

HSL 24.24, 0.83%, 0.35%

LAB 43.23, 33.94, 48.9

 

CMYK 0 / 61 / 100 / 42

HEX #953A00

RGB 149 58 0

HSL 23.36, 1%, 0.29%

LAB 36.77, 36.01, 47.96

 

CMYK 0 / 40 / 67 / 15

HEX #DA8349

RGB 218 131 73

HSL 24, 0.66%, 0.57%

LAB 63.03, 28.46, 44.86

 

CMYK 0 / 58 / 67 / 15

HEX #DA5C49

RGB 218 92 73

HSL 7.86, 0.66%, 0.57%

LAB 55.11, 48.21, 35.61

 

CMYK 0 / 67 / 67 / 15

HEX #DA4949

RGB 218 73 73

HSL 0, 0.66%, 0.57%

LAB 52.01, 56.49, 31.85

 

CMYK 0 / 40 / 67 / 15

HEX #DA8349

RGB 218 131 73

HSL 24, 0.66%, 0.57%

LAB 63.03, 28.46, 44.86

 

CMYK 0 / 22 / 67 / 15

HEX #DAAA49

RGB 218 170 73

HSL 40.14, 0.66%, 0.57%

LAB 72.32, 7.54, 55.13

 

CMYK 0 / 4 / 67 / 15

HEX #DAD149

RGB 218 209 73

HSL 56.28, 0.66%, 0.57%

LAB 82.37, -12.69, 65.66

 

CMYK 14 / 0 / 67 / 15

HEX #BBDA49

RGB 187 218 73

HSL 72.83, 0.66%, 0.57%

LAB 82.48, -29.75, 65.03

 

CMYK 32 / 0 / 67 / 15

HEX #94DA49

RGB 148 218 73

HSL 88.97, 0.66%, 0.57%

LAB 80.13, -44.46, 61.86

 

CMYK 0 / 40 / 67 / 15

HEX #DA8349

RGB 218 131 73

HSL 24, 0.66%, 0.57%

LAB 63.03, 28.46, 44.86

 

CMYK 0 / 46 / 77 / 8

HEX #EB7F37

RGB 235 127 55

HSL 24, 0.82%, 0.57%

LAB 64.26, 36.53, 55.43

 

CMYK 0 / 51 / 85 / 1

HEX #FD7C25

RGB 253 124 37

HSL 24.17, 0.98%, 0.57%

LAB 66.08, 44.5, 65.18

 

CMYK 0 / 40 / 67 / 15

HEX #DA8349

RGB 218 131 73

HSL 24, 0.66%, 0.57%

LAB 63.03, 28.46, 44.86

 

CMYK 0 / 33 / 55 / 22

HEX #C8865B

RGB 200 134 91

HSL 23.67, 0.5%, 0.57%

LAB 61.73, 20.71, 33.31

 

CMYK 0 / 24 / 41 / 29

HEX #B68A6C

RGB 182 138 108

HSL 24.32, 0.34%, 0.57%

LAB 60.96, 12.76, 22.55

 

CMYK 0 / 13 / 23 / 36

HEX #A48E7E

RGB 164 142 126

HSL 25.26, 0.17%, 0.57%

LAB 60.56, 5.65, 11.56

 

CMYK 0 / 1 / 2 / 42

HEX #939190

RGB 147 145 144

HSL 20, 0.01%, 0.57%

LAB 60.31, 0.54, 0.78

 

CMYK 0 / 67 / 58 / 15

HEX #DA495C

RGB 218 73 92

HSL 352.14, 0.66%, 0.57%

LAB 52.33, 57.68, 21.08

 

CMYK 0 / 58 / 67 / 15

HEX #DA5C49

RGB 218 92 73

HSL 7.86, 0.66%, 0.57%

LAB 55.11, 48.21, 35.61

 

CMYK 0 / 40 / 67 / 15

HEX #DA8349

RGB 218 131 73

HSL 24, 0.66%, 0.57%

LAB 63.03, 28.46, 44.86

 

CMYK 0 / 22 / 67 / 15

HEX #DAA949

RGB 218 169 73

HSL 39.72, 0.66%, 0.57%

LAB 72.07, 8.07, 54.86

 

CMYK 0 / 5 / 67 / 15

HEX #DAD049

RGB 218 208 73

HSL 55.86, 0.66%, 0.57%

LAB 82.11, -12.19, 65.39

 

CMYK 0 / 48 / 80 / 32

HEX #AD5A23

RGB 173 90 35

HSL 23.91, 0.66%, 0.41%

LAB 47.39, 29.97, 44.96

 

CMYK 0 / 48 / 80 / 19

HEX #CF6C2A

RGB 207 108 42

HSL 24, 0.66%, 0.49%

LAB 56.25, 34.66, 52.03

 

CMYK 0 / 40 / 67 / 15

HEX #DA8349

RGB 218 131 73

HSL 24, 0.66%, 0.57%

LAB 63.03, 28.46, 44.86

 

CMYK 0 / 32 / 52 / 12

HEX #E19A6B

RGB 225 154 107

HSL 23.9, 0.66%, 0.65%

LAB 69.6, 21.49, 35.27

 

CMYK 0 / 23 / 39 / 9

HEX #E8B28D

RGB 232 178 141

HSL 24.4, 0.66%, 0.73%

LAB 76.63, 14.86, 26.48

 

CMYK 0 / 40 / 67 / 15

HEX #D98248

RGB 217 130 72

HSL 24, 0.66%, 0.57%

LAB 62.66, 28.52, 44.91

 

CMYK 40 / 0 / 67 / 15

HEX #83DA49

RGB 131 218 73

HSL 96, 0.66%, 0.57%

LAB 79.3, -50.24, 60.72

 

CMYK 67 / 67 / 0 / 15

HEX #4949DA

RGB 73 73 218

HSL 240, 0.66%, 0.57%

LAB 39.99, 44.66, -74.06

 

CMYK 0 / 40 / 67 / 15

HEX #D98248

RGB 217 130 72

HSL 24, 0.66%, 0.57%

LAB 62.66, 28.52, 44.91

 

CMYK 67 / 0 / 40 / 15

HEX #49DA83

RGB 73 218 131

HSL 144, 0.66%, 0.57%

LAB 77.99, -57.61, 31.83

 

CMYK 40 / 67 / 0 / 15

HEX #8349DA

RGB 131 73 218

HSL 264, 0.66%, 0.57%

LAB 45.15, 54.17, -65.41

 

CMYK 0 / 40 / 67 / 15

HEX #D98248

RGB 217 130 72

HSL 24, 0.66%, 0.57%

LAB 62.66, 28.52, 44.91

 

CMYK 40 / 0 / 67 / 15

HEX #83DA49

RGB 131 218 73

HSL 96, 0.66%, 0.57%

LAB 79.3, -50.24, 60.72

 

CMYK 67 / 27 / 0 / 15

HEX #49A0DA

RGB 73 160 218

HSL 204, 0.66%, 0.57%

LAB 63.03, -8.05, -37.14

 

CMYK 27 / 67 / 0 / 15

HEX #A049DA

RGB 160 73 218

HSL 276, 0.66%, 0.57%

LAB 48.64, 60.06, -59.61

 

CMYK 0 / 40 / 67 / 15

HEX #D98248

RGB 217 130 72

HSL 24, 0.66%, 0.57%

LAB 62.66, 28.52, 44.91

 

CMYK 60 / 0 / 67 / 15

HEX #57DA49

RGB 87 218 73

HSL 114.21, 0.66%, 0.57%

LAB 77.67, -62.54, 58.49

 

CMYK 67 / 27 / 0 / 15

HEX #49A0DA

RGB 73 160 218

HSL 204, 0.66%, 0.57%

LAB 63.03, -8.05, -37.14

 

CMYK 7 / 67 / 0 / 15

HEX #CB49DA

RGB 203 73 218

HSL 293.79, 0.66%, 0.57%

LAB 54.58, 69.43, -49.76

 

Description

Color code: RGB 217 130 72 | qconv.com Color code: RGB 217 130 72 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 130 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 130 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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