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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217.9 110.2 19 it is the complementary color RGB 37.1 144.8 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217.9 110.2 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217.9 110.2 19 shade: RGB 222.9 110.2 14, RGB 239.9 128.2 33, RGB 255 146.2 52, RGB 255 164.2 71 and RGB 255 182.2 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217.9 110.2 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217.9 110.2 19 shade: RGB 217.9 110.2 19, RGB 200.9 92.2 0, RGB 183.9 74.2 0, RGB 166.9 56.2 0 and RGB 149.9 38.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217.9 110.2 19 shade: RGB 215 109 18, RGB 215 55 18 and RGB 215 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217.9 110.2 19 shade: RGB 215 109 18, RGB 215 162 18, RGB 215 215 18, RGB 163 215 18 and RGB 109 215 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217.9 110.2 19 shade matches the following richer shades: RGB 215 109 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217.9 110.2 19 shade: RGB 215 109 18, RGB 196 110 37, RGB 177 112 56, RGB 158 113 75 and RGB 139 115 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217.9 110.2 19 shade: RGB 215 18 35, RGB 215 54 18, RGB 215 107 18, RGB 215 159 18 and RGB 215 212 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217.9 110.2 19 shade: RGB 139 70 12, RGB 177 89 15, RGB 215 109 18, RGB 236 129 39 and RGB 239 151 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217.9 110.2 19 shade: RGB 217.9 110.2 19, RGB 87 215 18 and RGB 28 18 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217.9 110.2 19 shade: RGB 217.9 110.2 19, RGB 18 215 107 and RGB 107 18 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217.9 110.2 19 shade: RGB 217.9 110.2 19, RGB 87 215 18, RGB 18 127 215 and RGB 146 18 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217.9 110.2 19 shade: RGB 217.9 110.2 19, RGB 28 215 18, RGB 18 127 215 and RGB 205 18 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 91 / 15

HEX #D96E13

RGB 217.9 110.2 19

HSL 27.51, 0.84%, 0.46%

LAB 58.16, 37.34, 62.3

 

Complementary color

CMYK 84 / 39 / 0 / 7

HEX #2590EC

RGB 37.1 144.8 236

HSL 207.51, 0.84%, 0.54%

LAB 58.64, 2.86, -54.1

 

CMYK 0 / 51 / 94 / 13

HEX #DE6E0E

RGB 222.9 110.2 14

HSL 27.63, 0.88%, 0.46%

LAB 58.88, 39.26, 64.29

 

CMYK 0 / 47 / 86 / 6

HEX #EF8021

RGB 239.9 128.2 33

HSL 27.61, 0.87%, 0.54%

LAB 65.05, 37.21, 64.89

 

CMYK 0 / 43 / 80 / 0

HEX #FF9234

RGB 255 146.2 52

HSL 27.84, 1%, 0.6%

LAB 70.96, 34.56, 64.02

 

CMYK 0 / 36 / 72 / 0

HEX #FFA447

RGB 255 164.2 71

HSL 30.39, 1%, 0.64%

LAB 75.04, 25.99, 60.13

 

CMYK 0 / 29 / 65 / 0

HEX #FFB65A

RGB 255 182.2 90

HSL 33.53, 1%, 0.68%

LAB 79.35, 17.58, 56.2

 

CMYK 0 / 49 / 91 / 15

HEX #D96E13

RGB 217.9 110.2 19

HSL 27.51, 0.84%, 0.46%

LAB 58.16, 37.34, 62.3

 

CMYK 0 / 54 / 100 / 21

HEX #C85C00

RGB 200.9 92.2 0

HSL 27.54, 1%, 0.39%

LAB 51.94, 39.46, 61.01

 

CMYK 0 / 60 / 100 / 28

HEX #B74A00

RGB 183.9 74.2 0

HSL 24.21, 1%, 0.36%

LAB 45.77, 41.68, 56.09

 

CMYK 0 / 66 / 100 / 35

HEX #A63800

RGB 166.9 56.2 0

HSL 20.2, 1%, 0.33%

LAB 39.67, 43.62, 51.23

 

CMYK 0 / 75 / 100 / 41

HEX #952600

RGB 149.9 38.2 0

HSL 15.29, 1%, 0.29%

LAB 33.72, 45.01, 46.39

 

CMYK 0 / 49 / 92 / 16

HEX #D76D12

RGB 215 109 18

HSL 27.72, 0.85%, 0.46%

LAB 57.49, 36.78, 61.87

 

CMYK 0 / 74 / 92 / 16

HEX #D73712

RGB 215 55 18

HSL 11.27, 0.85%, 0.46%

LAB 48.54, 60.34, 55.66

 

CMYK 0 / 92 / 92 / 16

HEX #D71212

RGB 215 18 18

HSL 0, 0.85%, 0.46%

LAB 45.53, 68.86, 53.68

 

CMYK 0 / 49 / 92 / 16

HEX #D76D12

RGB 215 109 18

HSL 27.72, 0.85%, 0.46%

LAB 57.49, 36.78, 61.87

 

CMYK 0 / 25 / 92 / 16

HEX #D7A212

RGB 215 162 18

HSL 43.86, 0.85%, 0.46%

LAB 69.7, 8.54, 70.85

 

CMYK 0 / 0 / 92 / 16

HEX #D7D712

RGB 215 215 18

HSL 60, 0.85%, 0.46%

LAB 83.49, -18.77, 81.34

 

CMYK 24 / 0 / 92 / 16

HEX #A3D712

RGB 163 215 18

HSL 75.84, 0.85%, 0.46%

LAB 79.86, -40.01, 76.94

 

CMYK 49 / 0 / 92 / 16

HEX #6DD712

RGB 109 215 18

HSL 92.28, 0.85%, 0.46%

LAB 77.22, -58.68, 73.7

 

CMYK 0 / 49 / 92 / 16

HEX #D76D12

RGB 215 109 18

HSL 27.72, 0.85%, 0.46%

LAB 57.49, 36.78, 61.87

 

CMYK 0 / 49 / 92 / 16

HEX #D76D12

RGB 215 109 18

HSL 27.72, 0.85%, 0.46%

LAB 57.49, 36.78, 61.87

 

CMYK 0 / 44 / 81 / 23

HEX #C46E25

RGB 196 110 37

HSL 27.55, 0.68%, 0.46%

LAB 55.09, 28.9, 52.51

 

CMYK 0 / 37 / 68 / 31

HEX #B17038

RGB 177 112 56

HSL 27.77, 0.52%, 0.46%

LAB 53.19, 20.58, 40.97

 

CMYK 0 / 28 / 53 / 38

HEX #9E714B

RGB 158 113 75

HSL 27.47, 0.36%, 0.46%

LAB 51.37, 13.21, 28.02

 

CMYK 0 / 17 / 32 / 45

HEX #8B735E

RGB 139 115 94

HSL 28, 0.19%, 0.46%

LAB 50.17, 6.12, 15.14

 

CMYK 0 / 92 / 84 / 16

HEX #D71223

RGB 215 18 35

HSL 354.82, 0.85%, 0.46%

LAB 45.64, 69.16, 45.99

 

CMYK 0 / 75 / 92 / 16

HEX #D73612

RGB 215 54 18

HSL 10.96, 0.85%, 0.46%

LAB 48.42, 60.67, 55.58

 

CMYK 0 / 50 / 92 / 16

HEX #D76B12

RGB 215 107 18

HSL 27.11, 0.85%, 0.46%

LAB 57.08, 37.8, 61.58

 

CMYK 0 / 26 / 92 / 16

HEX #D79F12

RGB 215 159 18

HSL 42.94, 0.85%, 0.46%

LAB 68.96, 10.15, 70.29

 

CMYK 0 / 1 / 92 / 16

HEX #D7D412

RGB 215 212 18

HSL 59.09, 0.85%, 0.46%

LAB 82.69, -17.29, 80.72

 

CMYK 0 / 50 / 91 / 45

HEX #8B460C

RGB 139 70 12

HSL 27.4, 0.84%, 0.3%

LAB 37.65, 25.71, 43.75

 

CMYK 0 / 50 / 92 / 31

HEX #B1590F

RGB 177 89 15

HSL 27.41, 0.84%, 0.38%

LAB 47.66, 31.63, 52.96

 

CMYK 0 / 49 / 92 / 16

HEX #D76D12

RGB 215 109 18

HSL 27.72, 0.85%, 0.46%

LAB 57.49, 36.78, 61.87

 

CMYK 0 / 45 / 83 / 7

HEX #EC8127

RGB 236 129 39

HSL 27.41, 0.84%, 0.54%

LAB 64.71, 35.39, 62.36

 

CMYK 0 / 37 / 68 / 6

HEX #EF974D

RGB 239 151 77

HSL 27.41, 0.84%, 0.62%

LAB 70.19, 26.67, 51.64

 

CMYK 0 / 49 / 91 / 15

HEX #D96E13

RGB 217.9 110.2 19

HSL 27.51, 0.84%, 0.46%

LAB 58.16, 37.34, 62.3

 

CMYK 60 / 0 / 92 / 16

HEX #57D712

RGB 87 215 18

HSL 98.98, 0.85%, 0.46%

LAB 76.48, -64.58, 72.78

 

CMYK 87 / 92 / 0 / 16

HEX #1C12D7

RGB 28 18 215

HSL 243.05, 0.85%, 0.46%

LAB 28.34, 66.23, -91.68

 

CMYK 0 / 49 / 91 / 15

HEX #D96E13

RGB 217.9 110.2 19

HSL 27.51, 0.84%, 0.46%

LAB 58.16, 37.34, 62.3

 

CMYK 92 / 0 / 50 / 16

HEX #12D76B

RGB 18 215 107

HSL 147.11, 0.85%, 0.46%

LAB 75.94, -66.79, 41.01

 

CMYK 50 / 92 / 0 / 16

HEX #6B12D7

RGB 107 18 215

HSL 267.11, 0.85%, 0.46%

LAB 34.93, 70.47, -80.54

 

CMYK 0 / 49 / 91 / 15

HEX #D96E13

RGB 217.9 110.2 19

HSL 27.51, 0.84%, 0.46%

LAB 58.16, 37.34, 62.3

 

CMYK 60 / 0 / 92 / 16

HEX #57D712

RGB 87 215 18

HSL 98.98, 0.85%, 0.46%

LAB 76.48, -64.58, 72.78

 

CMYK 92 / 41 / 0 / 16

HEX #127FD7

RGB 18 127 215

HSL 206.8, 0.85%, 0.46%

LAB 52.08, 4.47, -52.85

 

CMYK 32 / 92 / 0 / 16

HEX #9212D7

RGB 146 18 215

HSL 278.98, 0.85%, 0.46%

LAB 40.33, 74.7, -71.47

 

CMYK 0 / 49 / 91 / 15

HEX #D96E13

RGB 217.9 110.2 19

HSL 27.51, 0.84%, 0.46%

LAB 58.16, 37.34, 62.3

 

CMYK 87 / 0 / 92 / 16

HEX #1CD712

RGB 28 215 18

HSL 116.95, 0.85%, 0.46%

LAB 75.38, -74.01, 71.42

 

CMYK 92 / 41 / 0 / 16

HEX #127FD7

RGB 18 127 215

HSL 206.8, 0.85%, 0.46%

LAB 52.08, 4.47, -52.85

 

CMYK 5 / 92 / 0 / 16

HEX #CD12D7

RGB 205 18 215

HSL 296.95, 0.85%, 0.46%

LAB 49.88, 83.27, -55.54

 

Description

Color code: RGB 217.9 110.2 19 | qconv.com Color code: RGB 217.9 110.2 19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217.9 red, 110.2 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217.9 110.2 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 91 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 91% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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