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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217.5 198 163 it is the complementary color RGB 37.5 57 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217.5 198 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217.5 198 163 shade: RGB 222.5 198 158, RGB 239.5 216 177, RGB 255 234 196, RGB 255 252 215 and RGB 255 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217.5 198 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217.5 198 163 shade: RGB 217.5 198 163, RGB 200.5 180 144, RGB 183.5 162 125, RGB 166.5 144 106 and RGB 149.5 126 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217.5 198 163 shade: RGB 218 199 164, RGB 218 184 164, RGB 218 170 164 and RGB 218 164 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217.5 198 163 shade: RGB 218 199 164, RGB 218 213 164, RGB 208 218 164, RGB 194 218 164 and RGB 179 218 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217.5 198 163 shade matches the following richer shades: RGB 218 199 164, RGB 228 202 154, RGB 239 205 144 and RGB 249 208 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217.5 198 163 shade: RGB 218 199 164, RGB 208 196 175, RGB 197 193 185, RGB 187 190 195 and RGB 177 187 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217.5 198 163 shade: RGB 218 170 164, RGB 218 184 164, RGB 218 198 164, RGB 218 213 164 and RGB 209 218 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217.5 198 163 shade: RGB 194 163 106, RGB 206 181 135, RGB 218 199 164, RGB 230 217 194 and RGB 242 235 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217.5 198 163 shade: RGB 217.5 198 163, RGB 173 218 164 and RGB 177 164 218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217.5 198 163 shade: RGB 217.5 198 163, RGB 164 218 198 and RGB 198 164 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217.5 198 163 shade: RGB 217.5 198 163, RGB 173 218 164, RGB 164 184 218 and RGB 209 164 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217.5 198 163 shade: RGB 217.5 198 163, RGB 164 218 172, RGB 164 184 218 and RGB 218 164 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 25 / 15

HEX #D9C6A3

RGB 217.5 198 163

HSL 38.53, 0.42%, 0.75%

LAB 80.66, 1.44, 20.05

 

Complementary color

CMYK 59 / 38 / 0 / 64

HEX #25395C

RGB 37.5 57 92

HSL 218.53, 0.42%, 0.25%

LAB 24, 4, -23.31

 

CMYK 0 / 11 / 29 / 13

HEX #DEC69E

RGB 222.5 198 158

HSL 37.21, 0.5%, 0.75%

LAB 81, 2.68, 23.23

 

CMYK 0 / 10 / 26 / 6

HEX #EFD8B1

RGB 239.5 216 177

HSL 37.44, 0.67%, 0.82%

LAB 87.35, 2.28, 22.21

 

CMYK 0 / 8 / 23 / 0

HEX #FFEAC4

RGB 255 234 196

HSL 38.64, 1%, 0.88%

LAB 93.49, 1.37, 21.06

 

CMYK 0 / 1 / 16 / 0

HEX #FFFCD7

RGB 255 252 215

HSL 55.5, 1%, 0.92%

LAB 98.35, -4.97, 18.1

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEA

RGB 255 255 234

HSL 60, 1%, 0.96%

LAB 99.5, -3.53, 10.03

 

CMYK 0 / 9 / 25 / 15

HEX #D9C6A3

RGB 217.5 198 163

HSL 38.53, 0.42%, 0.75%

LAB 80.66, 1.44, 20.05

 

CMYK 0 / 10 / 28 / 21

HEX #C8B490

RGB 200.5 180 144

HSL 38.23, 0.34%, 0.68%

LAB 74.19, 1.83, 21.07

 

CMYK 0 / 12 / 32 / 28

HEX #B7A27D

RGB 183.5 162 125

HSL 37.95, 0.29%, 0.6%

LAB 67.61, 2.26, 22.15

 

CMYK 0 / 14 / 36 / 35

HEX #A6906A

RGB 166.5 144 106

HSL 37.69, 0.25%, 0.53%

LAB 60.91, 2.77, 23.32

 

CMYK 0 / 16 / 42 / 41

HEX #957E57

RGB 149.5 126 87

HSL 37.44, 0.26%, 0.46%

LAB 54.08, 3.39, 24.59

 

CMYK 0 / 9 / 25 / 15

HEX #DAC7A4

RGB 218 199 164

HSL 38.89, 0.42%, 0.75%

LAB 80.98, 1.25, 19.96

 

CMYK 0 / 16 / 25 / 15

HEX #DAB8A4

RGB 218 184 164

HSL 22.22, 0.42%, 0.75%

LAB 77.2, 9.18, 14.7

 

CMYK 0 / 22 / 25 / 15

HEX #DAAAA4

RGB 218 170 164

HSL 6.67, 0.42%, 0.75%

LAB 73.76, 16.69, 9.84

 

CMYK 0 / 25 / 25 / 15

HEX #DAA4A4

RGB 218 164 164

HSL 0, 0.42%, 0.75%

LAB 72.32, 19.93, 7.78

 

CMYK 0 / 9 / 25 / 15

HEX #DAC7A4

RGB 218 199 164

HSL 38.89, 0.42%, 0.75%

LAB 80.98, 1.25, 19.96

 

CMYK 0 / 2 / 25 / 15

HEX #DAD5A4

RGB 218 213 164

HSL 54.44, 0.42%, 0.75%

LAB 84.57, -6, 24.9

 

CMYK 5 / 0 / 25 / 15

HEX #D0DAA4

RGB 208 218 164

HSL 71.11, 0.42%, 0.75%

LAB 85.12, -12.27, 25.52

 

CMYK 11 / 0 / 25 / 15

HEX #C2DAA4

RGB 194 218 164

HSL 86.67, 0.42%, 0.75%

LAB 84.12, -17.37, 23.99

 

CMYK 18 / 0 / 25 / 15

HEX #B3DAA4

RGB 179 218 164

HSL 103.33, 0.42%, 0.75%

LAB 83.13, -22.68, 22.48

 

CMYK 0 / 9 / 25 / 15

HEX #DAC7A4

RGB 218 199 164

HSL 38.89, 0.42%, 0.75%

LAB 80.98, 1.25, 19.96

 

CMYK 0 / 11 / 32 / 11

HEX #E4CA9A

RGB 228 202 154

HSL 38.92, 0.58%, 0.75%

LAB 82.42, 2.19, 27.34

 

CMYK 0 / 14 / 40 / 6

HEX #EFCD90

RGB 239 205 144

HSL 38.53, 0.75%, 0.75%

LAB 83.98, 3.76, 34.79

 

CMYK 0 / 16 / 46 / 2

HEX #F9D086

RGB 249 208 134

HSL 38.61, 0.91%, 0.75%

LAB 85.49, 5.14, 42

 

CMYK 0 / 9 / 25 / 15

HEX #DAC7A4

RGB 218 199 164

HSL 38.89, 0.42%, 0.75%

LAB 80.98, 1.25, 19.96

 

CMYK 0 / 6 / 16 / 18

HEX #D0C4AF

RGB 208 196 175

HSL 38.18, 0.26%, 0.75%

LAB 79.61, 0.72, 12.05

 

CMYK 0 / 2 / 6 / 23

HEX #C5C1B9

RGB 197 193 185

HSL 40, 0.09%, 0.75%

LAB 78.18, -0.03, 4.51

 

CMYK 4 / 3 / 0 / 24

HEX #BBBEC3

RGB 187 190 195

HSL 217.5, 0.06%, 0.75%

LAB 76.88, -0.09, -2.89

 

CMYK 14 / 9 / 0 / 19

HEX #B1BBCE

RGB 177 187 206

HSL 219.31, 0.23%, 0.75%

LAB 75.66, 0.4, -10.74

 

CMYK 0 / 22 / 25 / 15

HEX #DAAAA4

RGB 218 170 164

HSL 6.67, 0.42%, 0.75%

LAB 73.76, 16.69, 9.84

 

CMYK 0 / 16 / 25 / 15

HEX #DAB8A4

RGB 218 184 164

HSL 22.22, 0.42%, 0.75%

LAB 77.2, 9.18, 14.7

 

CMYK 0 / 9 / 25 / 15

HEX #DAC6A4

RGB 218 198 164

HSL 37.78, 0.42%, 0.75%

LAB 80.72, 1.77, 19.61

 

CMYK 0 / 2 / 25 / 15

HEX #DAD5A4

RGB 218 213 164

HSL 54.44, 0.42%, 0.75%

LAB 84.57, -6, 24.9

 

CMYK 4 / 0 / 25 / 15

HEX #D1DAA4

RGB 209 218 164

HSL 70, 0.42%, 0.75%

LAB 85.19, -11.9, 25.63

 

CMYK 0 / 16 / 45 / 24

HEX #C2A36A

RGB 194 163 106

HSL 38.86, 0.42%, 0.59%

LAB 68.54, 3.79, 33.78

 

CMYK 0 / 12 / 34 / 19

HEX #CEB587

RGB 206 181 135

HSL 38.87, 0.42%, 0.67%

LAB 74.77, 2.29, 26.76

 

CMYK 0 / 9 / 25 / 15

HEX #DAC7A4

RGB 218 199 164

HSL 38.89, 0.42%, 0.75%

LAB 80.98, 1.25, 19.96

 

CMYK 0 / 6 / 16 / 10

HEX #E6D9C2

RGB 230 217 194

HSL 38.33, 0.42%, 0.83%

LAB 87.17, 0.72, 12.93

 

CMYK 0 / 3 / 8 / 5

HEX #F2EBDF

RGB 242 235 223

HSL 37.89, 0.42%, 0.91%

LAB 93.29, 0.33, 6.64

 

CMYK 0 / 9 / 25 / 15

HEX #D9C6A3

RGB 217.5 198 163

HSL 38.53, 0.42%, 0.75%

LAB 80.66, 1.44, 20.05

 

CMYK 21 / 0 / 25 / 15

HEX #ADDAA4

RGB 173 218 164

HSL 110, 0.42%, 0.75%

LAB 82.76, -24.74, 21.91

 

CMYK 19 / 25 / 0 / 15

HEX #B1A4DA

RGB 177 164 218

HSL 254.44, 0.42%, 0.75%

LAB 70.15, 15.64, -25.64

 

CMYK 0 / 9 / 25 / 15

HEX #D9C6A3

RGB 217.5 198 163

HSL 38.53, 0.42%, 0.75%

LAB 80.66, 1.44, 20.05

 

CMYK 25 / 0 / 9 / 15

HEX #A4DAC6

RGB 164 218 198

HSL 157.78, 0.42%, 0.75%

LAB 82.97, -21.44, 4.21

 

CMYK 9 / 25 / 0 / 15

HEX #C6A4DA

RGB 198 164 218

HSL 277.78, 0.42%, 0.75%

LAB 71.97, 22.32, -22.69

 

CMYK 0 / 9 / 25 / 15

HEX #D9C6A3

RGB 217.5 198 163

HSL 38.53, 0.42%, 0.75%

LAB 80.66, 1.44, 20.05

 

CMYK 21 / 0 / 25 / 15

HEX #ADDAA4

RGB 173 218 164

HSL 110, 0.42%, 0.75%

LAB 82.76, -24.74, 21.91

 

CMYK 25 / 16 / 0 / 15

HEX #A4B8DA

RGB 164 184 218

HSL 217.78, 0.42%, 0.75%

LAB 74.34, 0.6, -19.34

 

CMYK 4 / 25 / 0 / 15

HEX #D1A4DA

RGB 209 164 218

HSL 290, 0.42%, 0.75%

LAB 73, 25.9, -21.03

 

CMYK 0 / 9 / 25 / 15

HEX #D9C6A3

RGB 217.5 198 163

HSL 38.53, 0.42%, 0.75%

LAB 80.66, 1.44, 20.05

 

CMYK 25 / 0 / 21 / 15

HEX #A4DAAC

RGB 164 218 172

HSL 128.89, 0.42%, 0.75%

LAB 82.39, -26.38, 17.12

 

CMYK 25 / 16 / 0 / 15

HEX #A4B8DA

RGB 164 184 218

HSL 217.78, 0.42%, 0.75%

LAB 74.34, 0.6, -19.34

 

CMYK 0 / 25 / 3 / 15

HEX #DAA4D3

RGB 218 164 211

HSL 307.78, 0.42%, 0.75%

LAB 73.65, 27.56, -16.13

 

Description

Color code: RGB 217.5 198 163 | qconv.com Color code: RGB 217.5 198 163 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217.5 red, 198 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217.5 198 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 25 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 25% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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