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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217.1 201 141 it is the complementary color RGB 37.9 54 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217.1 201 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 217.1 201 141 shade: RGB 222.1 201 136, RGB 239.1 219 155, RGB 255 237 174, RGB 255 255 193 and RGB 255 255 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217.1 201 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 217.1 201 141 shade: RGB 217.1 201 141, RGB 200.1 183 122, RGB 183.1 165 103, RGB 166.1 147 84 and RGB 149.1 129 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 217.1 201 141 shade: RGB 217 201 140, RGB 217 180 140, RGB 217 159 140 and RGB 217 140 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 217.1 201 141 shade: RGB 217 201 140, RGB 212 217 140, RGB 192 217 140, RGB 171 217 140 and RGB 150 217 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 217.1 201 141 shade matches the following richer shades: RGB 217 201 140, RGB 229 208 128, RGB 242 215 115 and RGB 254 222 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 217.1 201 141 shade: RGB 217 201 140, RGB 204 193 153, RGB 192 186 165, RGB 180 179 177 and RGB 167 172 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 217.1 201 141 shade: RGB 217 159 140, RGB 217 180 140, RGB 217 200 140, RGB 213 217 140 and RGB 193 217 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 217.1 201 141 shade: RGB 196 171 78, RGB 206 186 109, RGB 217 201 140, RGB 227 215 171 and RGB 237 230 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 217.1 201 141 shade: RGB 217.1 201 141, RGB 142 217 140 and RGB 170 140 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 217.1 201 141 shade: RGB 217.1 201 141, RGB 140 217 200 and RGB 200 140 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 217.1 201 141 shade: RGB 217.1 201 141, RGB 142 217 140, RGB 140 157 217 and RGB 215 140 217

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 217.1 201 141 shade: RGB 217.1 201 141, RGB 140 217 162, RGB 140 157 217 and RGB 217 140 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 35 / 15

HEX #D9C98D

RGB 217.1 201 141

HSL 47.31, 0.5%, 0.7%

LAB 81, -3.1, 32.06

 

Complementary color

CMYK 67 / 53 / 0 / 55

HEX #253672

RGB 37.9 54 114

HSL 227.31, 0.5%, 0.3%

LAB 24.52, 14.56, -36.7

 

CMYK 0 / 10 / 39 / 13

HEX #DEC988

RGB 222.1 201 136

HSL 45.3, 0.57%, 0.7%

LAB 81.34, -1.71, 35.18

 

CMYK 0 / 8 / 35 / 6

HEX #EFDB9B

RGB 239.1 219 155

HSL 45.66, 0.73%, 0.77%

LAB 87.68, -2.17, 34.02

 

CMYK 0 / 7 / 32 / 0

HEX #FFEDAE

RGB 255 237 174

HSL 46.67, 1%, 0.84%

LAB 93.83, -2.98, 32.78

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD4

RGB 255 255 212

HSL 60, 1%, 0.92%

LAB 99.04, -6.9, 20.6

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98D

RGB 217.1 201 141

HSL 47.31, 0.5%, 0.7%

LAB 81, -3.1, 32.06

 

CMYK 0 / 9 / 39 / 22

HEX #C8B77A

RGB 200.1 183 122

HSL 46.86, 0.42%, 0.63%

LAB 74.55, -2.66, 33.23

 

CMYK 0 / 10 / 44 / 28

HEX #B7A567

RGB 183.1 165 103

HSL 46.44, 0.36%, 0.56%

LAB 68, -2.13, 34.47

 

CMYK 0 / 11 / 49 / 35

HEX #A69354

RGB 166.1 147 84

HSL 46.04, 0.33%, 0.49%

LAB 61.33, -1.49, 35.76

 

CMYK 0 / 13 / 56 / 42

HEX #958141

RGB 149.1 129 65

HSL 45.66, 0.39%, 0.42%

LAB 54.53, -0.72, 37.07

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98C

RGB 217 201 140

HSL 47.53, 0.5%, 0.7%

LAB 80.97, -3.26, 32.54

 

CMYK 0 / 17 / 35 / 15

HEX #D9B48C

RGB 217 180 140

HSL 31.17, 0.5%, 0.7%

LAB 75.63, 7.78, 25.42

 

CMYK 0 / 27 / 35 / 15

HEX #D99F8C

RGB 217 159 140

HSL 14.81, 0.5%, 0.7%

LAB 70.48, 19.07, 18.39

 

CMYK 0 / 35 / 35 / 15

HEX #D98C8C

RGB 217 140 140

HSL 0, 0.5%, 0.7%

LAB 66.06, 29.32, 12.23

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98C

RGB 217 201 140

HSL 47.53, 0.5%, 0.7%

LAB 80.97, -3.26, 32.54

 

CMYK 2 / 0 / 35 / 15

HEX #D4D98C

RGB 212 217 140

HSL 63.9, 0.5%, 0.7%

LAB 84.75, -13.36, 37.4

 

CMYK 12 / 0 / 35 / 15

HEX #C0D98C

RGB 192 217 140

HSL 79.48, 0.5%, 0.7%

LAB 83.3, -20.95, 35.23

 

CMYK 21 / 0 / 35 / 15

HEX #ABD98C

RGB 171 217 140

HSL 95.84, 0.5%, 0.7%

LAB 81.93, -28.6, 33.19

 

CMYK 31 / 0 / 35 / 15

HEX #96D98C

RGB 150 217 140

HSL 112.21, 0.5%, 0.7%

LAB 80.74, -35.77, 31.39

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98C

RGB 217 201 140

HSL 47.53, 0.5%, 0.7%

LAB 80.97, -3.26, 32.54

 

CMYK 0 / 9 / 44 / 10

HEX #E5D080

RGB 229 208 128

HSL 47.52, 0.66%, 0.7%

LAB 83.61, -3.42, 42.26

 

CMYK 0 / 11 / 52 / 5

HEX #F2D773

RGB 242 215 115

HSL 47.24, 0.83%, 0.7%

LAB 86.36, -2.95, 52.23

 

CMYK 0 / 13 / 59 / 0

HEX #FEDE67

RGB 254 222 103

HSL 47.28, 0.99%, 0.7%

LAB 89.06, -2.52, 61.15

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98C

RGB 217 201 140

HSL 47.53, 0.5%, 0.7%

LAB 80.97, -3.26, 32.54

 

CMYK 0 / 5 / 25 / 20

HEX #CCC199

RGB 204 193 153

HSL 47.06, 0.33%, 0.7%

LAB 78.04, -2.46, 21.57

 

CMYK 0 / 3 / 14 / 25

HEX #C0BAA5

RGB 192 186 165

HSL 46.67, 0.18%, 0.7%

LAB 75.48, -1.48, 11.4

 

CMYK 0 / 1 / 2 / 29

HEX #B4B3B1

RGB 180 179 177

HSL 40, 0.02%, 0.7%

LAB 72.97, -0.01, 1.13

 

CMYK 12 / 9 / 0 / 25

HEX #A7ACBE

RGB 167 172 190

HSL 226.96, 0.15%, 0.7%

LAB 70.48, 1.88, -9.79

 

CMYK 0 / 27 / 35 / 15

HEX #D99F8C

RGB 217 159 140

HSL 14.81, 0.5%, 0.7%

LAB 70.48, 19.07, 18.39

 

CMYK 0 / 17 / 35 / 15

HEX #D9B48C

RGB 217 180 140

HSL 31.17, 0.5%, 0.7%

LAB 75.63, 7.78, 25.42

 

CMYK 0 / 8 / 35 / 15

HEX #D9C88C

RGB 217 200 140

HSL 46.75, 0.5%, 0.7%

LAB 80.71, -2.74, 32.2

 

CMYK 2 / 0 / 35 / 15

HEX #D5D98C

RGB 213 217 140

HSL 63.12, 0.5%, 0.7%

LAB 84.83, -12.98, 37.51

 

CMYK 11 / 0 / 35 / 15

HEX #C1D98C

RGB 193 217 140

HSL 78.7, 0.5%, 0.7%

LAB 83.37, -20.58, 35.33

 

CMYK 0 / 13 / 60 / 23

HEX #C4AB4E

RGB 196 171 78

HSL 47.29, 0.5%, 0.54%

LAB 70.46, -2.09, 50.19

 

CMYK 0 / 10 / 47 / 19

HEX #CEBA6D

RGB 206 186 109

HSL 47.63, 0.5%, 0.62%

LAB 75.66, -3.19, 41.44

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98C

RGB 217 201 140

HSL 47.53, 0.5%, 0.7%

LAB 80.97, -3.26, 32.54

 

CMYK 0 / 5 / 25 / 11

HEX #E3D7AB

RGB 227 215 171

HSL 47.14, 0.5%, 0.78%

LAB 85.94, -2.7, 23.24

 

CMYK 0 / 3 / 15 / 7

HEX #EDE6CA

RGB 237 230 202

HSL 48, 0.49%, 0.86%

LAB 91.17, -2.22, 14.49

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98D

RGB 217.1 201 141

HSL 47.31, 0.5%, 0.7%

LAB 81, -3.1, 32.06

 

CMYK 35 / 0 / 35 / 15

HEX #8ED98C

RGB 142 217 140

HSL 118.44, 0.5%, 0.7%

LAB 80.33, -38.35, 30.78

 

CMYK 22 / 35 / 0 / 15

HEX #AA8CD9

RGB 170 140 217

HSL 263.38, 0.5%, 0.7%

LAB 63.6, 26.78, -35.25

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98D

RGB 217.1 201 141

HSL 47.31, 0.5%, 0.7%

LAB 81, -3.1, 32.06

 

CMYK 35 / 0 / 8 / 15

HEX #8CD9C8

RGB 140 217 200

HSL 166.75, 0.5%, 0.7%

LAB 81.5, -27.52, 0.84

 

CMYK 8 / 35 / 0 / 15

HEX #C88CD9

RGB 200 140 217

HSL 286.75, 0.5%, 0.7%

LAB 66.55, 35.93, -30.44

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98D

RGB 217.1 201 141

HSL 47.31, 0.5%, 0.7%

LAB 81, -3.1, 32.06

 

CMYK 35 / 0 / 35 / 15

HEX #8ED98C

RGB 142 217 140

HSL 118.44, 0.5%, 0.7%

LAB 80.33, -38.35, 30.78

 

CMYK 35 / 28 / 0 / 15

HEX #8C9DD9

RGB 140 157 217

HSL 226.75, 0.5%, 0.7%

LAB 65.51, 8.38, -32.46

 

CMYK 1 / 35 / 0 / 15

HEX #D78CD9

RGB 215 140 217

HSL 298.44, 0.5%, 0.7%

LAB 68.18, 40.6, -27.8

 

CMYK 0 / 7 / 35 / 15

HEX #D9C98D

RGB 217.1 201 141

HSL 47.31, 0.5%, 0.7%

LAB 81, -3.1, 32.06

 

CMYK 35 / 0 / 25 / 15

HEX #8CD9A2

RGB 140 217 162

HSL 137.14, 0.5%, 0.7%

LAB 80.63, -35.23, 19.74

 

CMYK 35 / 28 / 0 / 15

HEX #8C9DD9

RGB 140 157 217

HSL 226.75, 0.5%, 0.7%

LAB 65.51, 8.38, -32.46

 

CMYK 0 / 35 / 10 / 15

HEX #D98CC3

RGB 217 140 195

HSL 317.14, 0.5%, 0.7%

LAB 67.61, 37.34, -16.4

 

Description

Color code: RGB 217.1 201 141 | qconv.com Color code: RGB 217.1 201 141 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217.1 red, 201 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217.1 201 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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