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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216.7 237 215 it is the complementary color RGB 38.3 18 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216.7 237 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216.7 237 215 shade: RGB 221.7 237 210, RGB 238.7 255 229, RGB 255 255 248 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216.7 237 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216.7 237 215 shade: RGB 216.7 237 215, RGB 199.7 219 196, RGB 182.7 201 177, RGB 165.7 183 158 and RGB 148.7 165 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216.7 237 215 shade: RGB 218 238 216, RGB 224 238 216, RGB 229 238 216, RGB 235 238 216 and RGB 238 234 216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216.7 237 215 shade: RGB 218 238 216, RGB 216 238 220, RGB 216 238 226, RGB 216 238 232 and RGB 216 238 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216.7 237 215 shade matches the following richer shades: RGB 218 238 216, RGB 214 242 212, RGB 210 247 207 and RGB 206 251 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216.7 237 215 shade: RGB 218 238 216, RGB 222 233 221, RGB 226 229 225, RGB 229 224 230 and RGB 233 219 234

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216.7 237 215 shade: RGB 229 238 216, RGB 224 238 216, RGB 218 238 216, RGB 216 238 220 and RGB 216 238 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216.7 237 215 shade: RGB 163 212 159, RGB 191 225 188, RGB 218 238 216, RGB 245 250 245 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216.7 237 215 shade: RGB 216.7 237 215, RGB 216 235 238 and RGB 238 216 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216.7 237 215 shade: RGB 216.7 237 215, RGB 216 218 238 and RGB 238 216 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216.7 237 215 shade: RGB 216.7 237 215, RGB 216 235 238, RGB 236 216 238 and RGB 238 219 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216.7 237 215 shade: RGB 216.7 237 215, RGB 216 229 238, RGB 236 216 238 and RGB 238 225 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 9 / 7

HEX #D8EDD7

RGB 216.7 237 215

HSL 115.36, 0.38%, 0.89%

LAB 91.77, -10.67, 8.38

 

Complementary color

CMYK 4 / 55 / 0 / 84

HEX #261228

RGB 38.3 18 40

HSL 295.36, 0.38%, 0.11%

LAB 9.02, 15, -10.72

 

CMYK 6 / 0 / 11 / 7

HEX #DDEDD2

RGB 221.7 237 210

HSL 94, 0.43%, 0.88%

LAB 92, -9.83, 11.35

 

CMYK 6 / 0 / 10 / 0

HEX #EEFFE5

RGB 238.7 255 229

HSL 97.62, 1%, 0.95%

LAB 98.22, -9.87, 10.6

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 9 / 0 / 9 / 7

HEX #D8EDD7

RGB 216.7 237 215

HSL 115.36, 0.38%, 0.89%

LAB 91.77, -10.67, 8.38

 

CMYK 9 / 0 / 11 / 14

HEX #C7DBC4

RGB 199.7 219 196

HSL 110.35, 0.24%, 0.81%

LAB 85.45, -10.66, 9.12

 

CMYK 9 / 0 / 12 / 21

HEX #B6C9B1

RGB 182.7 201 177

HSL 105.75, 0.18%, 0.74%

LAB 79.03, -10.66, 9.89

 

CMYK 9 / 0 / 14 / 28

HEX #A5B79E

RGB 165.7 183 158

HSL 101.52, 0.15%, 0.67%

LAB 72.5, -10.67, 10.7

 

CMYK 10 / 0 / 16 / 35

HEX #94A58B

RGB 148.7 165 139

HSL 97.62, 0.13%, 0.6%

LAB 65.85, -10.67, 11.56

 

CMYK 8 / 0 / 9 / 7

HEX #DAEED8

RGB 218 238 216

HSL 114.55, 0.39%, 0.89%

LAB 92.14, -10.56, 8.4

 

CMYK 6 / 0 / 9 / 7

HEX #E0EED8

RGB 224 238 216

HSL 98.18, 0.39%, 0.89%

LAB 92.55, -8.54, 9.05

 

CMYK 4 / 0 / 9 / 7

HEX #E5EED8

RGB 229 238 216

HSL 84.55, 0.39%, 0.89%

LAB 92.91, -6.83, 9.61

 

CMYK 1 / 0 / 9 / 7

HEX #EBEED8

RGB 235 238 216

HSL 68.18, 0.39%, 0.89%

LAB 93.35, -4.76, 10.3

 

CMYK 0 / 2 / 9 / 7

HEX #EEEAD8

RGB 238 234 216

HSL 49.09, 0.39%, 0.89%

LAB 92.57, -1.69, 9.21

 

CMYK 8 / 0 / 9 / 7

HEX #DAEED8

RGB 218 238 216

HSL 114.55, 0.39%, 0.89%

LAB 92.14, -10.56, 8.4

 

CMYK 9 / 0 / 8 / 7

HEX #D8EEDC

RGB 216 238 220

HSL 130.91, 0.39%, 0.89%

LAB 92.09, -10.53, 6.24

 

CMYK 9 / 0 / 5 / 7

HEX #D8EEE2

RGB 216 238 226

HSL 147.27, 0.39%, 0.89%

LAB 92.24, -9.44, 3.33

 

CMYK 9 / 0 / 3 / 7

HEX #D8EEE8

RGB 216 238 232

HSL 163.64, 0.39%, 0.89%

LAB 92.39, -8.33, 0.42

 

CMYK 9 / 0 / 0 / 7

HEX #D8EEEE

RGB 216 238 238

HSL 180, 0.39%, 0.89%

LAB 92.54, -7.2, -2.47

 

CMYK 8 / 0 / 9 / 7

HEX #DAEED8

RGB 218 238 216

HSL 114.55, 0.39%, 0.89%

LAB 92.14, -10.56, 8.4

 

CMYK 12 / 0 / 12 / 5

HEX #D6F2D4

RGB 214 242 212

HSL 116, 0.54%, 0.89%

LAB 92.82, -14.59, 11.41

 

CMYK 15 / 0 / 16 / 3

HEX #D2F7CF

RGB 210 247 207

HSL 115.5, 0.71%, 0.89%

LAB 93.77, -19.24, 15.3

 

CMYK 18 / 0 / 19 / 2

HEX #CEFBCB

RGB 206 251 203

HSL 116.25, 0.86%, 0.89%

LAB 94.5, -23.17, 18.34

 

CMYK 8 / 0 / 9 / 7

HEX #DAEED8

RGB 218 238 216

HSL 114.55, 0.39%, 0.89%

LAB 92.14, -10.56, 8.4

 

CMYK 5 / 0 / 5 / 9

HEX #DEE9DD

RGB 222 233 221

HSL 115, 0.21%, 0.89%

LAB 91.25, -5.82, 4.55

 

CMYK 1 / 0 / 2 / 10

HEX #E2E5E1

RGB 226 229 225

HSL 105, 0.07%, 0.89%

LAB 90.62, -1.72, 1.58

 

CMYK 0 / 3 / 0 / 10

HEX #E5E0E6

RGB 229 224 230

HSL 290, 0.11%, 0.89%

LAB 89.71, 2.77, -2.33

 

CMYK 0 / 6 / 0 / 8

HEX #E9DBEA

RGB 233 219 234

HSL 296, 0.26%, 0.89%

LAB 88.89, 7.43, -5.61

 

CMYK 4 / 0 / 9 / 7

HEX #E5EED8

RGB 229 238 216

HSL 84.55, 0.39%, 0.89%

LAB 92.91, -6.83, 9.61

 

CMYK 6 / 0 / 9 / 7

HEX #E0EED8

RGB 224 238 216

HSL 98.18, 0.39%, 0.89%

LAB 92.55, -8.54, 9.05

 

CMYK 8 / 0 / 9 / 7

HEX #DAEED8

RGB 218 238 216

HSL 114.55, 0.39%, 0.89%

LAB 92.14, -10.56, 8.4

 

CMYK 9 / 0 / 8 / 7

HEX #D8EEDC

RGB 216 238 220

HSL 130.91, 0.39%, 0.89%

LAB 92.09, -10.53, 6.24

 

CMYK 9 / 0 / 5 / 7

HEX #D8EEE2

RGB 216 238 226

HSL 147.27, 0.39%, 0.89%

LAB 92.24, -9.44, 3.33

 

CMYK 23 / 0 / 25 / 17

HEX #A3D49F

RGB 163 212 159

HSL 115.47, 0.38%, 0.73%

LAB 80.39, -26.05, 21.17

 

CMYK 15 / 0 / 16 / 12

HEX #BFE1BC

RGB 191 225 188

HSL 115.14, 0.38%, 0.81%

LAB 86.28, -18.03, 14.43

 

CMYK 8 / 0 / 9 / 7

HEX #DAEED8

RGB 218 238 216

HSL 114.55, 0.39%, 0.89%

LAB 92.14, -10.56, 8.4

 

CMYK 2 / 0 / 2 / 2

HEX #F5FAF5

RGB 245 250 245

HSL 120, 0.33%, 0.97%

LAB 97.78, -2.53, 1.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 9 / 0 / 9 / 7

HEX #D8EDD7

RGB 216.7 237 215

HSL 115.36, 0.38%, 0.89%

LAB 91.77, -10.67, 8.38

 

CMYK 9 / 1 / 0 / 7

HEX #D8EBEE

RGB 216 235 238

HSL 188.18, 0.39%, 0.89%

LAB 91.77, -5.67, -3.61

 

CMYK 0 / 9 / 5 / 7

HEX #EED8E3

RGB 238 216 227

HSL 330, 0.39%, 0.89%

LAB 88.37, 9.45, -2.64

 

CMYK 9 / 0 / 9 / 7

HEX #D8EDD7

RGB 216.7 237 215

HSL 115.36, 0.38%, 0.89%

LAB 91.77, -10.67, 8.38

 

CMYK 9 / 8 / 0 / 7

HEX #D8DAEE

RGB 216 218 238

HSL 234.55, 0.39%, 0.89%

LAB 87.44, 3.11, -10

 

CMYK 0 / 9 / 8 / 7

HEX #EED8DA

RGB 238 216 218

HSL 354.55, 0.39%, 0.89%

LAB 88.14, 7.92, 1.77

 

CMYK 9 / 0 / 9 / 7

HEX #D8EDD7

RGB 216.7 237 215

HSL 115.36, 0.38%, 0.89%

LAB 91.77, -10.67, 8.38

 

CMYK 9 / 1 / 0 / 7

HEX #D8EBEE

RGB 216 235 238

HSL 188.18, 0.39%, 0.89%

LAB 91.77, -5.67, -3.61

 

CMYK 1 / 9 / 0 / 7

HEX #ECD8EE

RGB 236 216 238

HSL 294.55, 0.39%, 0.89%

LAB 88.5, 10.73, -8.26

 

CMYK 0 / 8 / 9 / 7

HEX #EEDBD8

RGB 238 219 216

HSL 8.18, 0.39%, 0.89%

LAB 88.83, 6.02, 3.82

 

CMYK 9 / 0 / 9 / 7

HEX #D8EDD7

RGB 216.7 237 215

HSL 115.36, 0.38%, 0.89%

LAB 91.77, -10.67, 8.38

 

CMYK 9 / 4 / 0 / 7

HEX #D8E5EE

RGB 216 229 238

HSL 204.55, 0.39%, 0.89%

LAB 90.23, -2.6, -5.87

 

CMYK 1 / 9 / 0 / 7

HEX #ECD8EE

RGB 236 216 238

HSL 294.55, 0.39%, 0.89%

LAB 88.5, 10.73, -8.26

 

CMYK 0 / 5 / 9 / 7

HEX #EEE1D8

RGB 238 225 216

HSL 24.55, 0.39%, 0.89%

LAB 90.31, 2.92, 5.97

 

Description

Color code: RGB 216.7 237 215 | qconv.com Color code: RGB 216.7 237 215 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216.7 red, 237 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216.7 237 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 9 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 9% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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