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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216.1 237 139 it is the complementary color RGB 38.9 18 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216.1 237 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216.1 237 139 shade: RGB 221.1 237 134, RGB 238.1 255 153, RGB 255 255 172, RGB 255 255 191 and RGB 255 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216.1 237 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216.1 237 139 shade: RGB 216.1 237 139, RGB 199.1 219 120, RGB 182.1 201 101, RGB 165.1 183 82 and RGB 148.1 165 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216.1 237 139 shade: RGB 216 237 140, RGB 237 232 140, RGB 237 206 140, RGB 237 179 140 and RGB 237 153 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216.1 237 139 shade: RGB 216 237 140, RGB 190 237 140, RGB 164 237 140, RGB 140 237 142 and RGB 140 237 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216.1 237 139 shade matches the following richer shades: RGB 216 237 140 and RGB 223 248 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216.1 237 139 shade: RGB 216 237 140, RGB 210 226 151, RGB 204 216 162, RGB 198 205 172 and RGB 192 194 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216.1 237 139 shade: RGB 237 205 140, RGB 237 231 140, RGB 218 237 140, RGB 192 237 140 and RGB 166 237 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216.1 237 139 shade: RGB 192 226 69, RGB 204 232 105, RGB 216 237 140, RGB 228 243 176 and RGB 240 248 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216.1 237 139 shade: RGB 216.1 237 139, RGB 140 237 179 and RGB 218 140 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216.1 237 139 shade: RGB 216.1 237 139, RGB 140 218 237 and RGB 237 140 218

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216.1 237 139 shade: RGB 216.1 237 139, RGB 140 237 179, RGB 160 140 237 and RGB 237 140 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216.1 237 139 shade: RGB 216.1 237 139, RGB 140 237 208, RGB 160 140 237 and RGB 237 140 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 41 / 7

HEX #D8ED8B

RGB 216.1 237 139

HSL 72.8, 0.73%, 0.74%

LAB 90.34, -21.75, 45.1

 

Complementary color

CMYK 66 / 84 / 0 / 55

HEX #261274

RGB 38.9 18 116

HSL 252.8, 0.73%, 0.26%

LAB 16.12, 38.34, -51.7

 

CMYK 7 / 0 / 43 / 7

HEX #DDED86

RGB 221.1 237 134

HSL 69.26, 0.74%, 0.73%

LAB 90.63, -20.38, 47.96

 

CMYK 7 / 0 / 40 / 0

HEX #EEFF99

RGB 238.1 255 153

HSL 69.94, 1%, 0.8%

LAB 96.83, -20.61, 46.83

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD2

RGB 255 255 210

HSL 60, 1%, 0.91%

LAB 99, -7.2, 21.56

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8B

RGB 216.1 237 139

HSL 72.8, 0.73%, 0.74%

LAB 90.34, -21.75, 45.1

 

CMYK 9 / 0 / 45 / 14

HEX #C7DB78

RGB 199.1 219 120

HSL 72.06, 0.58%, 0.66%

LAB 84.06, -21.55, 46.24

 

CMYK 9 / 0 / 50 / 21

HEX #B6C965

RGB 182.1 201 101

HSL 71.34, 0.48%, 0.59%

LAB 77.68, -21.3, 47.38

 

CMYK 10 / 0 / 55 / 28

HEX #A5B752

RGB 165.1 183 82

HSL 70.63, 0.41%, 0.52%

LAB 71.2, -20.97, 48.48

 

CMYK 10 / 0 / 62 / 35

HEX #94A53F

RGB 148.1 165 63

HSL 69.94, 0.45%, 0.45%

LAB 64.62, -20.53, 49.43

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8C

RGB 216 237 140

HSL 72.99, 0.73%, 0.74%

LAB 90.35, -21.68, 44.62

 

CMYK 0 / 2 / 41 / 7

HEX #EDE88C

RGB 237 232 140

HSL 56.91, 0.73%, 0.74%

LAB 90.6, -11.17, 45.27

 

CMYK 0 / 13 / 41 / 7

HEX #EDCE8C

RGB 237 206 140

HSL 40.82, 0.73%, 0.74%

LAB 83.99, 2.02, 36.81

 

CMYK 0 / 24 / 41 / 7

HEX #EDB38C

RGB 237 179 140

HSL 24.12, 0.73%, 0.74%

LAB 77.36, 16.19, 28.09

 

CMYK 0 / 35 / 41 / 7

HEX #ED998C

RGB 237 153 140

HSL 8.04, 0.73%, 0.74%

LAB 71.34, 29.98, 19.92

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8C

RGB 216 237 140

HSL 72.99, 0.73%, 0.74%

LAB 90.35, -21.68, 44.62

 

CMYK 20 / 0 / 41 / 7

HEX #BEED8C

RGB 190 237 140

HSL 89.07, 0.73%, 0.74%

LAB 88.64, -31.25, 42.1

 

CMYK 31 / 0 / 41 / 7

HEX #A4ED8C

RGB 164 237 140

HSL 105.15, 0.73%, 0.74%

LAB 87.17, -40.19, 39.92

 

CMYK 41 / 0 / 40 / 7

HEX #8CED8E

RGB 140 237 142

HSL 121.24, 0.73%, 0.74%

LAB 86.05, -47.38, 37.26

 

CMYK 41 / 0 / 29 / 7

HEX #8CEDA9

RGB 140 237 169

HSL 137.94, 0.73%, 0.74%

LAB 86.51, -42.95, 24.19

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8C

RGB 216 237 140

HSL 72.99, 0.73%, 0.74%

LAB 90.35, -21.68, 44.62

 

CMYK 10 / 0 / 48 / 3

HEX #DFF882

RGB 223 248 130

HSL 72.71, 0.89%, 0.74%

LAB 93.64, -25.33, 53.57

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8C

RGB 216 237 140

HSL 72.99, 0.73%, 0.74%

LAB 90.35, -21.68, 44.62

 

CMYK 7 / 0 / 33 / 11

HEX #D2E297

RGB 210 226 151

HSL 72.8, 0.56%, 0.74%

LAB 87.16, -17.26, 34.95

 

CMYK 6 / 0 / 25 / 15

HEX #CCD8A2

RGB 204 216 162

HSL 73.33, 0.41%, 0.74%

LAB 84.26, -13.02, 25.34

 

CMYK 3 / 0 / 16 / 20

HEX #C6CDAC

RGB 198 205 172

HSL 72.73, 0.25%, 0.74%

LAB 81.1, -8.1, 15.64

 

CMYK 1 / 0 / 6 / 24

HEX #C0C2B7

RGB 192 194 183

HSL 70.91, 0.08%, 0.74%

LAB 78, -2.68, 5.28

 

CMYK 0 / 14 / 41 / 7

HEX #EDCD8C

RGB 237 205 140

HSL 40.21, 0.73%, 0.74%

LAB 83.74, 2.54, 36.49

 

CMYK 0 / 3 / 41 / 7

HEX #EDE78C

RGB 237 231 140

HSL 56.29, 0.73%, 0.74%

LAB 90.34, -10.68, 44.95

 

CMYK 8 / 0 / 41 / 7

HEX #DAED8C

RGB 218 237 140

HSL 71.75, 0.73%, 0.74%

LAB 90.49, -20.92, 44.83

 

CMYK 19 / 0 / 41 / 7

HEX #C0ED8C

RGB 192 237 140

HSL 87.84, 0.73%, 0.74%

LAB 88.77, -30.53, 42.28

 

CMYK 30 / 0 / 41 / 7

HEX #A6ED8C

RGB 166 237 140

HSL 103.92, 0.73%, 0.74%

LAB 87.28, -39.53, 40.08

 

CMYK 15 / 0 / 69 / 11

HEX #C0E245

RGB 192 226 69

HSL 72.99, 0.73%, 0.58%

LAB 85.01, -31.74, 69.19

 

CMYK 12 / 0 / 55 / 9

HEX #CCE869

RGB 204 232 105

HSL 73.23, 0.73%, 0.66%

LAB 87.76, -27.31, 57.73

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8C

RGB 216 237 140

HSL 72.99, 0.73%, 0.74%

LAB 90.35, -21.68, 44.62

 

CMYK 6 / 0 / 28 / 5

HEX #E4F3B0

RGB 228 243 176

HSL 73.43, 0.74%, 0.82%

LAB 93.33, -15.72, 30.74

 

CMYK 3 / 0 / 15 / 3

HEX #F0F8D4

RGB 240 248 212

HSL 73.33, 0.72%, 0.9%

LAB 96.17, -8.69, 16.41

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8B

RGB 216.1 237 139

HSL 72.8, 0.73%, 0.74%

LAB 90.34, -21.75, 45.1

 

CMYK 41 / 0 / 24 / 7

HEX #8CEDB3

RGB 140 237 179

HSL 144.12, 0.73%, 0.74%

LAB 86.7, -41.12, 19.3

 

CMYK 8 / 41 / 0 / 7

HEX #DA8CED

RGB 218 140 237

HSL 288.25, 0.73%, 0.74%

LAB 69.31, 45.32, -37.05

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8B

RGB 216.1 237 139

HSL 72.8, 0.73%, 0.74%

LAB 90.34, -21.75, 45.1

 

CMYK 41 / 8 / 0 / 7

HEX #8CDAED

RGB 140 218 237

HSL 191.75, 0.73%, 0.74%

LAB 82.82, -19.21, -16.86

 

CMYK 0 / 41 / 8 / 7

HEX #ED8CDA

RGB 237 140 218

HSL 311.75, 0.73%, 0.74%

LAB 70.75, 47.63, -24.19

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8B

RGB 216.1 237 139

HSL 72.8, 0.73%, 0.74%

LAB 90.34, -21.75, 45.1

 

CMYK 41 / 0 / 24 / 7

HEX #8CEDB3

RGB 140 237 179

HSL 144.12, 0.73%, 0.74%

LAB 86.7, -41.12, 19.3

 

CMYK 32 / 41 / 0 / 7

HEX #A08CED

RGB 160 140 237

HSL 252.37, 0.73%, 0.74%

LAB 63.63, 28.84, -46.36

 

CMYK 0 / 41 / 16 / 7

HEX #ED8CC6

RGB 237 140 198

HSL 324.12, 0.73%, 0.74%

LAB 70.06, 44.42, -14.15

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8B

RGB 216.1 237 139

HSL 72.8, 0.73%, 0.74%

LAB 90.34, -21.75, 45.1

 

CMYK 41 / 0 / 12 / 7

HEX #8CEDD0

RGB 140 237 208

HSL 162.06, 0.73%, 0.74%

LAB 87.34, -35.22, 5.1

 

CMYK 32 / 41 / 0 / 7

HEX #A08CED

RGB 160 140 237

HSL 252.37, 0.73%, 0.74%

LAB 63.63, 28.84, -46.36

 

CMYK 0 / 41 / 29 / 7

HEX #ED8CA9

RGB 237 140 169

HSL 342.06, 0.73%, 0.74%

LAB 69.2, 40.28, 0.77

 

Description

Color code: RGB 216.1 237 139 | qconv.com Color code: RGB 216.1 237 139 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216.1 red, 237 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216.1 237 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 41 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 41% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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