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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216.1 219 202 it is the complementary color RGB 38.9 36 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216.1 219 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216.1 219 202 shade: RGB 221.1 219 197, RGB 238.1 237 216, RGB 255 255 235 and RGB 255 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216.1 219 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216.1 219 202 shade: RGB 216.1 219 202, RGB 199.1 201 183, RGB 182.1 183 164, RGB 165.1 165 145 and RGB 148.1 147 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216.1 219 202 shade: RGB 217 219 203, RGB 219 218 203, RGB 219 213 203, RGB 219 209 203 and RGB 219 204 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216.1 219 202 shade: RGB 217 219 203, RGB 212 219 203, RGB 208 219 203, RGB 203 219 203 and RGB 203 219 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216.1 219 202 shade matches the following richer shades: RGB 217 219 203, RGB 221 226 196, RGB 226 233 189, RGB 230 240 182 and RGB 235 247 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216.1 219 202 shade: RGB 217 219 203, RGB 212 212 210, RGB 207 205 217, RGB 203 198 224 and RGB 198 191 231

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216.1 219 202 shade: RGB 219 213 203, RGB 219 218 203, RGB 217 219 203, RGB 212 219 203 and RGB 208 219 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216.1 219 202 shade: RGB 180 186 154, RGB 199 203 178, RGB 217 219 203, RGB 235 236 227 and RGB 253 253 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216.1 219 202 shade: RGB 216.1 219 202, RGB 203 219 209 and RGB 216 203 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216.1 219 202 shade: RGB 216.1 219 202, RGB 203 217 219 and RGB 219 203 217

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216.1 219 202 shade: RGB 216.1 219 202, RGB 203 219 209, RGB 206 203 219 and RGB 219 203 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216.1 219 202 shade: RGB 216.1 219 202, RGB 203 219 214, RGB 206 203 219 and RGB 219 203 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 8 / 14

HEX #D8DBCA

RGB 216.1 219 202

HSL 70.24, 0.19%, 0.83%

LAB 86.77, -3.96, 8.01

 

Complementary color

CMYK 27 / 32 / 0 / 79

HEX #262435

RGB 38.9 36 53

HSL 250.24, 0.19%, 0.17%

LAB 15.21, 5.91, -10.57

 

CMYK 0 / 1 / 11 / 13

HEX #DDDBC5

RGB 221.1 219 197

HSL 54.77, 0.26%, 0.82%

LAB 87.04, -3.03, 11.07

 

CMYK 0 / 0 / 9 / 7

HEX #EEEDD8

RGB 238.1 237 216

HSL 57.01, 0.4%, 0.89%

LAB 93.33, -3.18, 10.3

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 1 / 0 / 8 / 14

HEX #D8DBCA

RGB 216.1 219 202

HSL 70.24, 0.19%, 0.83%

LAB 86.77, -3.96, 8.01

 

CMYK 1 / 0 / 9 / 21

HEX #C7C9B7

RGB 199.1 201 183

HSL 66.33, 0.14%, 0.75%

LAB 80.37, -3.83, 8.76

 

CMYK 0 / 0 / 10 / 28

HEX #B6B7A4

RGB 182.1 183 164

HSL 62.84, 0.12%, 0.68%

LAB 73.87, -3.69, 9.55

 

CMYK 0 / 0 / 12 / 35

HEX #A5A591

RGB 165.1 165 145

HSL 59.7, 0.1%, 0.61%

LAB 67.25, -3.54, 10.39

 

CMYK 0 / 1 / 15 / 42

HEX #94937E

RGB 148.1 147 126

HSL 57.01, 0.09%, 0.54%

LAB 60.5, -3.37, 11.28

 

CMYK 1 / 0 / 7 / 14

HEX #D9DBCB

RGB 217 219 203

HSL 67.5, 0.18%, 0.83%

LAB 86.86, -3.48, 7.62

 

CMYK 0 / 0 / 7 / 14

HEX #DBDACB

RGB 219 218 203

HSL 56.25, 0.18%, 0.83%

LAB 86.76, -2.26, 7.49

 

CMYK 0 / 3 / 7 / 14

HEX #DBD5CB

RGB 219 213 203

HSL 37.5, 0.18%, 0.83%

LAB 85.48, 0.33, 5.66

RGB 219 213 203

CMYK 0 / 5 / 7 / 14

HEX #DBD1CB

RGB 219 209 203

HSL 22.5, 0.18%, 0.83%

LAB 84.47, 2.41, 4.19

RGB 219 209 203

CMYK 0 / 7 / 7 / 14

HEX #DBCCCB

RGB 219 204 203

HSL 3.75, 0.18%, 0.83%

LAB 83.21, 5.04, 2.36

RGB 219 204 203

CMYK 1 / 0 / 7 / 14

HEX #D9DBCB

RGB 217 219 203

HSL 67.5, 0.18%, 0.83%

LAB 86.86, -3.48, 7.62

 

CMYK 3 / 0 / 7 / 14

HEX #D4DBCB

RGB 212 219 203

HSL 86.25, 0.18%, 0.83%

LAB 86.49, -5.21, 7.04

 

CMYK 5 / 0 / 7 / 14

HEX #D0DBCB

RGB 208 219 203

HSL 101.25, 0.18%, 0.83%

LAB 86.2, -6.59, 6.58

 

CMYK 7 / 0 / 7 / 14

HEX #CBDBCB

RGB 203 219 203

HSL 120, 0.18%, 0.83%

LAB 85.84, -8.3, 6.02

 

CMYK 7 / 0 / 5 / 14

HEX #CBDBCF

RGB 203 219 207

HSL 135, 0.18%, 0.83%

LAB 85.94, -7.58, 4.05

 

CMYK 1 / 0 / 7 / 14

HEX #D9DBCB

RGB 217 219 203

HSL 67.5, 0.18%, 0.83%

LAB 86.86, -3.48, 7.62

 

CMYK 2 / 0 / 13 / 11

HEX #DDE2C4

RGB 221 226 196

HSL 70, 0.34%, 0.83%

LAB 88.8, -6.8, 14.1

 

CMYK 3 / 0 / 19 / 9

HEX #E2E9BD

RGB 226 233 189

HSL 69.55, 0.5%, 0.83%

LAB 90.83, -9.63, 20.64

 

CMYK 4 / 0 / 24 / 6

HEX #E6F0B6

RGB 230 240 182

HSL 70.34, 0.66%, 0.83%

LAB 92.8, -12.69, 26.99

 

CMYK 5 / 0 / 29 / 3

HEX #EBF7AF

RGB 235 247 175

HSL 70, 0.82%, 0.83%

LAB 94.86, -15.26, 33.37

 

CMYK 1 / 0 / 7 / 14

HEX #D9DBCB

RGB 217 219 203

HSL 67.5, 0.18%, 0.83%

LAB 86.86, -3.48, 7.62

 

CMYK 0 / 0 / 1 / 17

HEX #D4D4D2

RGB 212 212 210

HSL 60, 0.02%, 0.83%

LAB 84.86, -0.36, 0.98

 

CMYK 5 / 6 / 0 / 15

HEX #CFCDD9

RGB 207 205 217

HSL 250, 0.14%, 0.83%

LAB 82.88, 2.92, -5.7

 

CMYK 9 / 12 / 0 / 12

HEX #CBC6E0

RGB 203 198 224

HSL 251.54, 0.3%, 0.83%

LAB 81, 6.68, -12.28

 

CMYK 14 / 17 / 0 / 9

HEX #C6BFE7

RGB 198 191 231

HSL 250.5, 0.45%, 0.83%

LAB 79.06, 10.27, -18.98

 

CMYK 0 / 3 / 7 / 14

HEX #DBD5CB

RGB 219 213 203

HSL 37.5, 0.18%, 0.83%

LAB 85.48, 0.33, 5.66

RGB 219 213 203

CMYK 0 / 0 / 7 / 14

HEX #DBDACB

RGB 219 218 203

HSL 56.25, 0.18%, 0.83%

LAB 86.76, -2.26, 7.49

RGB 219 218 203

CMYK 1 / 0 / 7 / 14

HEX #D9DBCB

RGB 217 219 203

HSL 67.5, 0.18%, 0.83%

LAB 86.86, -3.48, 7.62

RGB 217 219 203

CMYK 3 / 0 / 7 / 14

HEX #D4DBCB

RGB 212 219 203

HSL 86.25, 0.18%, 0.83%

LAB 86.49, -5.21, 7.04

RGB 212 219 203

CMYK 5 / 0 / 7 / 14

HEX #D0DBCB

RGB 208 219 203

HSL 101.25, 0.18%, 0.83%

LAB 86.2, -6.59, 6.58

RGB 208 219 203

CMYK 3 / 0 / 17 / 27

HEX #B4BA9A

RGB 180 186 154

HSL 71.25, 0.19%, 0.67%

LAB 74.29, -7.69, 15.54

 

CMYK 2 / 0 / 12 / 20

HEX #C7CBB2

RGB 199 203 178

HSL 69.6, 0.19%, 0.75%

LAB 80.78, -5.74, 12.01

 

CMYK 1 / 0 / 7 / 14

HEX #D9DBCB

RGB 217 219 203

HSL 67.5, 0.18%, 0.83%

LAB 86.86, -3.48, 7.62

 

CMYK 0 / 0 / 4 / 7

HEX #EBECE3

RGB 235 236 227

HSL 66.67, 0.19%, 0.91%

LAB 93.1, -1.9, 4.23

 

CMYK 0 / 0 / 0 / 1

HEX #FDFDFC

RGB 253 253 252

HSL 60, 0.2%, 0.99%

LAB 99.28, -0.17, 0.47

 

CMYK 1 / 0 / 8 / 14

HEX #D8DBCA

RGB 216.1 219 202

HSL 70.24, 0.19%, 0.83%

LAB 86.77, -3.96, 8.01

 

CMYK 7 / 0 / 5 / 14

HEX #CBDBD1

RGB 203 219 209

HSL 142.5, 0.18%, 0.83%

LAB 85.99, -7.21, 3.06

 

CMYK 1 / 7 / 0 / 14

HEX #D8CBDB

RGB 216 203 219

HSL 288.75, 0.18%, 0.83%

LAB 83.14, 7.38, -6.31

 

CMYK 1 / 0 / 8 / 14

HEX #D8DBCA

RGB 216.1 219 202

HSL 70.24, 0.19%, 0.83%

LAB 86.77, -3.96, 8.01

 

CMYK 7 / 1 / 0 / 14

HEX #CBD9DB

RGB 203 217 219

HSL 187.5, 0.18%, 0.83%

LAB 85.72, -4.3, -2.61

 

CMYK 0 / 7 / 1 / 14

HEX #DBCBD9

RGB 219 203 217

HSL 307.5, 0.18%, 0.83%

LAB 83.33, 8.03, -4.93

 

CMYK 1 / 0 / 8 / 14

HEX #D8DBCA

RGB 216.1 219 202

HSL 70.24, 0.19%, 0.83%

LAB 86.77, -3.96, 8.01

 

CMYK 7 / 0 / 5 / 14

HEX #CBDBD1

RGB 203 219 209

HSL 142.5, 0.18%, 0.83%

LAB 85.99, -7.21, 3.06

 

CMYK 6 / 7 / 0 / 14

HEX #CECBDB

RGB 206 203 219

HSL 251.25, 0.18%, 0.83%

LAB 82.35, 4.03, -7.56

 

CMYK 0 / 7 / 3 / 14

HEX #DBCBD5

RGB 219 203 213

HSL 322.5, 0.18%, 0.83%

LAB 83.22, 7.31, -2.96

 

CMYK 1 / 0 / 8 / 14

HEX #D8DBCA

RGB 216.1 219 202

HSL 70.24, 0.19%, 0.83%

LAB 86.77, -3.96, 8.01

 

CMYK 7 / 0 / 2 / 14

HEX #CBDBD6

RGB 203 219 214

HSL 161.25, 0.18%, 0.83%

LAB 86.11, -6.29, 0.6

 

CMYK 6 / 7 / 0 / 14

HEX #CECBDB

RGB 206 203 219

HSL 251.25, 0.18%, 0.83%

LAB 82.35, 4.03, -7.56

 

CMYK 0 / 7 / 5 / 14

HEX #DBCBD0

RGB 219 203 208

HSL 341.25, 0.18%, 0.83%

LAB 83.09, 6.43, -0.48

 

Description

Color code: RGB 216.1 219 202 | qconv.com Color code: RGB 216.1 219 202 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216.1 red, 219 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216.1 219 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 8 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 8% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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