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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216.1 183 142 it is the complementary color RGB 38.9 72 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216.1 183 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 216.1 183 142 shade: RGB 221.1 183 137, RGB 238.1 201 156, RGB 255 219 175, RGB 255 237 194 and RGB 255 255 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216.1 183 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 216.1 183 142 shade: RGB 216.1 183 142, RGB 199.1 165 123, RGB 182.1 147 104, RGB 165.1 129 85 and RGB 148.1 111 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 216.1 183 142 shade: RGB 216 182 141, RGB 216 162 141, RGB 216 142 141 and RGB 216 141 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 216.1 183 142 shade: RGB 216 182 141, RGB 216 203 141, RGB 209 216 141, RGB 189 216 141 and RGB 169 216 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 216.1 183 142 shade matches the following richer shades: RGB 216 182 141, RGB 228 184 129, RGB 241 185 116 and RGB 253 186 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 216.1 183 142 shade: RGB 216 182 141, RGB 204 181 153, RGB 191 180 166, RGB 179 179 178 and RGB 166 177 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 216.1 183 142 shade: RGB 216 142 141, RGB 216 162 141, RGB 216 182 141, RGB 216 202 141 and RGB 210 216 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 216.1 183 142 shade: RGB 195 143 80, RGB 205 163 110, RGB 216 182 141, RGB 227 202 172 and RGB 237 222 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 216.1 183 142 shade: RGB 216.1 183 142, RGB 160 216 141 and RGB 152 141 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 216.1 183 142 shade: RGB 216.1 183 142, RGB 141 216 182 and RGB 182 141 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 216.1 183 142 shade: RGB 216.1 183 142, RGB 160 216 141, RGB 141 175 216 and RGB 197 141 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 216.1 183 142 shade: RGB 216.1 183 142, RGB 141 216 145, RGB 141 175 216 and RGB 216 141 212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 34 / 15

HEX #D8B78E

RGB 216.1 183 142

HSL 33.2, 0.49%, 0.7%

LAB 76.33, 6.07, 25.29

 

Complementary color

CMYK 66 / 36 / 0 / 56

HEX #264871

RGB 38.9 72 113

HSL 213.2, 0.49%, 0.3%

LAB 30.05, 2.03, -27.25

 

CMYK 0 / 17 / 38 / 13

HEX #DDB789

RGB 221.1 183 137

HSL 32.82, 0.55%, 0.7%

LAB 76.72, 7.45, 28.54

 

CMYK 0 / 16 / 34 / 7

HEX #EEC99C

RGB 238.1 201 156

HSL 32.89, 0.71%, 0.77%

LAB 83.11, 6.86, 27.38

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBAF

RGB 255 219 175

HSL 33, 1%, 0.84%

LAB 89.4, 6.3, 26.28

 

CMYK 0 / 7 / 24 / 0

HEX #FFEDC2

RGB 255 237 194

HSL 42.3, 1%, 0.88%

LAB 94.19, -0.42, 23.07

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 15 / 34 / 15

HEX #D8B78E

RGB 216.1 183 142

HSL 33.2, 0.49%, 0.7%

LAB 76.33, 6.07, 25.29

 

CMYK 0 / 17 / 38 / 22

HEX #C7A57B

RGB 199.1 165 123

HSL 33.11, 0.41%, 0.63%

LAB 69.82, 6.67, 26.46

 

CMYK 0 / 19 / 43 / 29

HEX #B69368

RGB 182.1 147 104

HSL 33.03, 0.35%, 0.56%

LAB 63.2, 7.36, 27.72

 

CMYK 0 / 22 / 49 / 35

HEX #A58155

RGB 165.1 129 85

HSL 32.96, 0.32%, 0.49%

LAB 56.45, 8.18, 29.09

 

CMYK 0 / 25 / 55 / 42

HEX #946F42

RGB 148.1 111 66

HSL 32.89, 0.38%, 0.42%

LAB 49.58, 9.17, 30.55

 

CMYK 0 / 16 / 35 / 15

HEX #D8B68D

RGB 216 182 141

HSL 32.8, 0.49%, 0.7%

LAB 76.06, 6.44, 25.44

 

CMYK 0 / 25 / 35 / 15

HEX #D8A28D

RGB 216 162 141

HSL 16.8, 0.49%, 0.7%

LAB 71.12, 17.18, 18.71

 

CMYK 0 / 34 / 35 / 15

HEX #D88E8D

RGB 216 142 141

HSL 0.8, 0.49%, 0.7%

LAB 66.42, 27.99, 12.15

 

CMYK 0 / 35 / 35 / 15

HEX #D88D8D

RGB 216 141 141

HSL 0, 0.49%, 0.7%

LAB 66.19, 28.52, 11.83

 

CMYK 0 / 16 / 35 / 15

HEX #D8B68D

RGB 216 182 141

HSL 32.8, 0.49%, 0.7%

LAB 76.06, 6.44, 25.44

 

CMYK 0 / 6 / 35 / 15

HEX #D8CB8D

RGB 216 203 141

HSL 49.6, 0.49%, 0.7%

LAB 81.42, -4.57, 32.6

 

CMYK 3 / 0 / 35 / 15

HEX #D1D88D

RGB 209 216 141

HSL 65.6, 0.49%, 0.7%

LAB 84.27, -13.9, 36.23

 

CMYK 13 / 0 / 35 / 15

HEX #BDD88D

RGB 189 216 141

HSL 81.6, 0.49%, 0.7%

LAB 82.84, -21.45, 34.08

 

CMYK 22 / 0 / 35 / 15

HEX #A9D88D

RGB 169 216 141

HSL 97.6, 0.49%, 0.7%

LAB 81.55, -28.69, 32.15

 

CMYK 0 / 16 / 35 / 15

HEX #D8B68D

RGB 216 182 141

HSL 32.8, 0.49%, 0.7%

LAB 76.06, 6.44, 25.44

 

CMYK 0 / 19 / 43 / 11

HEX #E4B881

RGB 228 184 129

HSL 33.33, 0.65%, 0.7%

LAB 77.5, 8.8, 33.9

 

CMYK 0 / 23 / 52 / 5

HEX #F1B974

RGB 241 185 116

HSL 33.12, 0.82%, 0.7%

LAB 78.84, 12.28, 42.58

 

CMYK 0 / 26 / 59 / 1

HEX #FDBA68

RGB 253 186 104

HSL 33.02, 0.97%, 0.7%

LAB 80.18, 15.69, 50.44

 

CMYK 0 / 16 / 35 / 15

HEX #D8B68D

RGB 216 182 141

HSL 32.8, 0.49%, 0.7%

LAB 76.06, 6.44, 25.44

 

CMYK 0 / 11 / 25 / 20

HEX #CCB599

RGB 204 181 153

HSL 32.94, 0.33%, 0.7%

LAB 74.94, 3.89, 17.29

 

CMYK 0 / 6 / 13 / 25

HEX #BFB4A6

RGB 191 180 166

HSL 33.6, 0.16%, 0.7%

LAB 73.85, 1.51, 8.53

 

CMYK 0 / 0 / 1 / 30

HEX #B3B3B2

RGB 179 179 178

HSL 60, 0.01%, 0.7%

LAB 72.92, -0.18, 0.5

 

CMYK 13 / 7 / 0 / 25

HEX #A6B1BF

RGB 166 177 191

HSL 213.6, 0.16%, 0.7%

LAB 71.77, -0.97, -8.44

 

CMYK 0 / 34 / 35 / 15

HEX #D88E8D

RGB 216 142 141

HSL 0.8, 0.49%, 0.7%

LAB 66.42, 27.99, 12.15

 

CMYK 0 / 25 / 35 / 15

HEX #D8A28D

RGB 216 162 141

HSL 16.8, 0.49%, 0.7%

LAB 71.12, 17.18, 18.71

 

CMYK 0 / 16 / 35 / 15

HEX #D8B68D

RGB 216 182 141

HSL 32.8, 0.49%, 0.7%

LAB 76.06, 6.44, 25.44

 

CMYK 0 / 6 / 35 / 15

HEX #D8CA8D

RGB 216 202 141

HSL 48.8, 0.49%, 0.7%

LAB 81.16, -4.05, 32.26

 

CMYK 3 / 0 / 35 / 15

HEX #D2D88D

RGB 210 216 141

HSL 64.8, 0.49%, 0.7%

LAB 84.35, -13.51, 36.34

 

CMYK 0 / 27 / 59 / 24

HEX #C38F50

RGB 195 143 80

HSL 32.87, 0.49%, 0.54%

LAB 63.2, 12.78, 40.79

 

CMYK 0 / 20 / 46 / 20

HEX #CDA36E

RGB 205 163 110

HSL 33.47, 0.49%, 0.62%

LAB 69.68, 8.74, 33.35

 

CMYK 0 / 16 / 35 / 15

HEX #D8B68D

RGB 216 182 141

HSL 32.8, 0.49%, 0.7%

LAB 76.06, 6.44, 25.44

 

CMYK 0 / 11 / 24 / 11

HEX #E3CAAC

RGB 227 202 172

HSL 32.73, 0.5%, 0.78%

LAB 82.67, 4.18, 18.19

 

CMYK 0 / 6 / 15 / 7

HEX #EDDECA

RGB 237 222 202

HSL 34.29, 0.49%, 0.86%

LAB 89.16, 1.88, 11.65

 

CMYK 0 / 15 / 34 / 15

HEX #D8B78E

RGB 216.1 183 142

HSL 33.2, 0.49%, 0.7%

LAB 76.33, 6.07, 25.29

 

CMYK 26 / 0 / 35 / 15

HEX #A0D88D

RGB 160 216 141

HSL 104.8, 0.49%, 0.7%

LAB 81.02, -31.81, 31.35

 

CMYK 30 / 35 / 0 / 15

HEX #988DD8

RGB 152 141 216

HSL 248.8, 0.49%, 0.7%

LAB 62.24, 20.7, -36.93

 

CMYK 0 / 15 / 34 / 15

HEX #D8B78E

RGB 216.1 183 142

HSL 33.2, 0.49%, 0.7%

LAB 76.33, 6.07, 25.29

 

CMYK 35 / 0 / 16 / 15

HEX #8DD8B6

RGB 141 216 182

HSL 152.8, 0.49%, 0.7%

LAB 80.82, -30.6, 9.45

 

CMYK 16 / 35 / 0 / 15

HEX #B68DD8

RGB 182 141 216

HSL 272.8, 0.49%, 0.7%

LAB 64.93, 29.62, -32.55

 

CMYK 0 / 15 / 34 / 15

HEX #D8B78E

RGB 216.1 183 142

HSL 33.2, 0.49%, 0.7%

LAB 76.33, 6.07, 25.29

 

CMYK 26 / 0 / 35 / 15

HEX #A0D88D

RGB 160 216 141

HSL 104.8, 0.49%, 0.7%

LAB 81.02, -31.81, 31.35

 

CMYK 35 / 19 / 0 / 15

HEX #8DAFD8

RGB 141 175 216

HSL 212.8, 0.49%, 0.7%

LAB 70.37, -1.67, -24.43

 

CMYK 9 / 35 / 0 / 15

HEX #C58DD8

RGB 197 141 216

HSL 284.8, 0.49%, 0.7%

LAB 66.43, 34.25, -30.11

 

CMYK 0 / 15 / 34 / 15

HEX #D8B78E

RGB 216.1 183 142

HSL 33.2, 0.49%, 0.7%

LAB 76.33, 6.07, 25.29

 

CMYK 35 / 0 / 33 / 15

HEX #8DD891

RGB 141 216 145

HSL 123.2, 0.49%, 0.7%

LAB 80.08, -37.41, 27.85

 

CMYK 35 / 19 / 0 / 15

HEX #8DAFD8

RGB 141 175 216

HSL 212.8, 0.49%, 0.7%

LAB 70.37, -1.67, -24.43

 

CMYK 0 / 35 / 2 / 15

HEX #D88DD4

RGB 216 141 212

HSL 303.2, 0.49%, 0.7%

LAB 68.32, 39.46, -24.81

 

Description

Color code: RGB 216.1 183 142 | qconv.com Color code: RGB 216.1 183 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216.1 red, 183 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216.1 183 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 34 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 34% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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