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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 9 74 it is the complementary color RGB 40 246 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 9 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 9 74 shade: RGB 220 9 69, RGB 237 27 88, RGB 254 45 107, RGB 255 63 126 and RGB 255 81 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 9 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 9 74 shade: RGB 215 9 74, RGB 198 0 55, RGB 181 0 36, RGB 164 0 17 and RGB 147 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 9 74 shade: RGB 215 9 74, RGB 215 9 18 and RGB 215 9 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 9 74 shade: RGB 215 9 74, RGB 215 9 130, RGB 215 9 185, RGB 190 9 215 and RGB 134 9 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 9 74 shade matches the following richer shades: RGB 215 9 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 9 74 shade: RGB 215 9 74, RGB 197 27 81, RGB 179 45 88, RGB 161 63 94 and RGB 143 82 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 9 74 shade: RGB 215 9 184, RGB 215 9 129, RGB 215 9 74, RGB 215 9 19 and RGB 215 54 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 9 74 shade: RGB 136 6 47, RGB 176 7 60, RGB 215 9 74, RGB 245 20 91 and RGB 247 60 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 9 74 shade: RGB 215 9 74, RGB 215 191 9 and RGB 9 157 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 9 74 shade: RGB 215 9 74, RGB 74 215 9 and RGB 9 74 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 9 74 shade: RGB 215 9 74, RGB 215 191 9, RGB 9 215 150 and RGB 9 33 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 9 74 shade: RGB 215 9 74, RGB 178 215 9, RGB 9 215 150 and RGB 47 9 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

Complementary color

CMYK 84 / 0 / 26 / 4

HEX #28F6B5

RGB 40 246 181

HSL 161.07, 0.92%, 0.56%

LAB 86.85, -61.96, 18.1

 

CMYK 0 / 96 / 69 / 14

HEX #DC0945

RGB 220 9 69

HSL 342.94, 0.92%, 0.45%

LAB 46.76, 72.47, 27.83

 

CMYK 0 / 89 / 63 / 7

HEX #ED1B58

RGB 237 27 88

HSL 342.57, 0.85%, 0.52%

LAB 51.26, 75.43, 22.7

 

CMYK 0 / 82 / 58 / 0

HEX #FE2D6B

RGB 254 45 107

HSL 342.2, 0.99%, 0.59%

LAB 56.1, 77.39, 18.33

 

CMYK 0 / 75 / 51 / 0

HEX #FF3F7E

RGB 255 63 126

HSL 340.31, 1%, 0.62%

LAB 58.34, 74.34, 10.19

 

CMYK 0 / 68 / 43 / 0

HEX #FF5191

RGB 255 81 145

HSL 337.93, 1%, 0.66%

LAB 60.95, 70.04, 2.78

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 100 / 72 / 22

HEX #C60037

RGB 198 0 55

HSL 343.33, 1%, 0.39%

LAB 41.66, 67.4, 29.15

 

CMYK 0 / 100 / 80 / 29

HEX #B50024

RGB 181 0 36

HSL 348.07, 1%, 0.35%

LAB 37.75, 62.56, 35.32

 

CMYK 0 / 100 / 90 / 36

HEX #A40011

RGB 164 0 17

HSL 353.78, 1%, 0.32%

LAB 33.84, 57.81, 40.83

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 96 / 92 / 16

HEX #D70912

RGB 215 9 18

HSL 357.38, 0.92%, 0.44%

LAB 45.2, 69.81, 53.47

 

CMYK 0 / 96 / 96 / 16

HEX #D70909

RGB 215 9 9

HSL 0, 0.92%, 0.44%

LAB 45.17, 69.71, 56.44

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 96 / 40 / 16

HEX #D70982

RGB 215 9 130

HSL 324.76, 0.92%, 0.44%

LAB 47.31, 75.51, -9.2

 

CMYK 0 / 96 / 14 / 16

HEX #D709B9

RGB 215 9 185

HSL 308.74, 0.92%, 0.44%

LAB 49.67, 81.62, -38.41

 

CMYK 12 / 96 / 0 / 16

HEX #BE09D7

RGB 190 9 215

HSL 292.72, 0.92%, 0.44%

LAB 47.04, 81.82, -60.25

 

CMYK 38 / 96 / 0 / 16

HEX #8609D7

RGB 134 9 215

HSL 276.41, 0.92%, 0.44%

LAB 38.15, 74.51, -75.12

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 86 / 59 / 23

HEX #C51B51

RGB 197 27 81

HSL 340.94, 0.76%, 0.44%

LAB 43.13, 65.05, 14.74

 

CMYK 0 / 75 / 51 / 30

HEX #B32D58

RGB 179 45 88

HSL 340.75, 0.6%, 0.44%

LAB 41.48, 55.91, 7.5

 

CMYK 0 / 61 / 42 / 37

HEX #A13F5E

RGB 161 63 94

HSL 341.02, 0.44%, 0.44%

LAB 41.12, 43.53, 2.81

 

CMYK 0 / 43 / 29 / 44

HEX #8F5265

RGB 143 82 101

HSL 341.31, 0.27%, 0.44%

LAB 42.48, 27.94, 0.11

 

CMYK 0 / 96 / 14 / 16

HEX #D709B8

RGB 215 9 184

HSL 309.03, 0.92%, 0.44%

LAB 49.62, 81.49, -37.91

 

CMYK 0 / 96 / 40 / 16

HEX #D70981

RGB 215 9 129

HSL 325.05, 0.92%, 0.44%

LAB 47.27, 75.42, -8.64

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 96 / 91 / 16

HEX #D70913

RGB 215 9 19

HSL 357.09, 0.92%, 0.44%

LAB 45.21, 69.82, 53.08

 

CMYK 0 / 75 / 96 / 16

HEX #D73609

RGB 215 54 9

HSL 13.11, 0.92%, 0.44%

LAB 48.39, 60.57, 58.16

 

CMYK 0 / 96 / 65 / 47

HEX #88062F

RGB 136 6 47

HSL 341.08, 0.92%, 0.28%

LAB 28.3, 50.72, 14.67

 

CMYK 0 / 96 / 66 / 31

HEX #B0073C

RGB 176 7 60

HSL 341.18, 0.92%, 0.36%

LAB 37.31, 61.5, 19.55

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 92 / 63 / 4

HEX #F5145B

RGB 245 20 91

HSL 341.07, 0.92%, 0.52%

LAB 52.58, 78.43, 22.92

 

CMYK 0 / 76 / 52 / 3

HEX #F73C77

RGB 247 60 119

HSL 341.07, 0.92%, 0.6%

LAB 56.42, 72.56, 11.43

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 11 / 96 / 16

HEX #D7BF09

RGB 215 191 9

HSL 53.01, 0.92%, 0.44%

LAB 77.12, -6.81, 77.55

 

CMYK 96 / 27 / 0 / 16

HEX #099DD7

RGB 9 157 215

HSL 196.89, 0.92%, 0.44%

LAB 60.85, -13.32, -38.97

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 66 / 0 / 96 / 16

HEX #4AD709

RGB 74 215 9

HSL 101.07, 0.92%, 0.44%

LAB 76.12, -67.66, 73.37

 

CMYK 96 / 66 / 0 / 16

HEX #094AD7

RGB 9 74 215

HSL 221.07, 0.92%, 0.44%

LAB 37.59, 38.15, -76.35

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 0 / 11 / 96 / 16

HEX #D7BF09

RGB 215 191 9

HSL 53.01, 0.92%, 0.44%

LAB 77.12, -6.81, 77.55

 

CMYK 96 / 0 / 30 / 16

HEX #09D796

RGB 9 215 150

HSL 161.07, 0.92%, 0.44%

LAB 76.59, -58.99, 19.96

 

CMYK 96 / 85 / 0 / 16

HEX #0921D7

RGB 9 33 215

HSL 233.01, 0.92%, 0.44%

LAB 29.54, 60.79, -89.69

 

CMYK 0 / 96 / 66 / 16

HEX #D7094A

RGB 215 9 74

HSL 341.07, 0.92%, 0.44%

LAB 45.82, 71.52, 23.34

 

CMYK 17 / 0 / 96 / 16

HEX #B2D709

RGB 178 215 9

HSL 70.78, 0.92%, 0.44%

LAB 80.79, -34.21, 79.05

 

CMYK 96 / 0 / 30 / 16

HEX #09D796

RGB 9 215 150

HSL 161.07, 0.92%, 0.44%

LAB 76.59, -58.99, 19.96

 

CMYK 78 / 96 / 0 / 16

HEX #2F09D7

RGB 47 9 215

HSL 251.07, 0.92%, 0.44%

LAB 28.66, 68.61, -91.13

 

Description

Color code: RGB 215 9 74 | qconv.com Color code: RGB 215 9 74 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 9 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 9 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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