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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 53 111 it is the complementary color RGB 40 202 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 53 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 53 111 shade: RGB 220 53 106, RGB 237 71 125, RGB 254 89 144, RGB 255 107 163 and RGB 255 125 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 53 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 53 111 shade: RGB 215 53 111, RGB 198 35 92, RGB 181 17 73, RGB 164 0 54 and RGB 147 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 53 111 shade: RGB 215 55 112, RGB 215 55 69 and RGB 215 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 53 111 shade: RGB 215 55 112, RGB 215 55 156, RGB 215 55 199, RGB 189 55 215 and RGB 145 55 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 53 111 shade matches the following richer shades: RGB 215 55 112, RGB 235 35 107 and RGB 254 16 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 53 111 shade: RGB 215 55 112, RGB 196 74 118, RGB 177 94 123, RGB 157 113 129 and RGB 138 132 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 53 111 shade: RGB 215 55 199, RGB 215 55 157, RGB 215 55 114, RGB 215 55 71 and RGB 215 82 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 53 111 shade: RGB 157 31 76, RGB 191 38 93, RGB 215 55 112, RGB 222 89 137 and RGB 229 124 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 53 111 shade: RGB 215 53 111, RGB 215 189 55 and RGB 55 178 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 53 111 shade: RGB 215 53 111, RGB 114 215 55 and RGB 55 114 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 53 111 shade: RGB 215 53 111, RGB 215 189 55, RGB 55 215 157 and RGB 55 82 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 53 111 shade: RGB 215 53 111, RGB 194 215 55, RGB 55 215 157 and RGB 76 55 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 48 / 16

HEX #D7356F

RGB 215 53 111

HSL 338.52, 0.67%, 0.53%

LAB 49.67, 65.39, 5.85

 

Complementary color

CMYK 80 / 0 / 29 / 21

HEX #28CA90

RGB 40 202 144

HSL 158.52, 0.67%, 0.47%

LAB 72.7, -53.51, 17.79

 

CMYK 0 / 76 / 52 / 14

HEX #DC356A

RGB 220 53 106

HSL 340.96, 0.7%, 0.54%

LAB 50.46, 66.35, 10.14

 

CMYK 0 / 70 / 47 / 7

HEX #ED477D

RGB 237 71 125

HSL 340.48, 0.82%, 0.6%

LAB 56.08, 66.73, 7.13

 

CMYK 0 / 65 / 43 / 0

HEX #FE5990

RGB 254 89 144

HSL 340, 0.99%, 0.67%

LAB 61.85, 66.66, 4.65

 

CMYK 0 / 58 / 36 / 0

HEX #FF6BA3

RGB 255 107 163

HSL 337.3, 1%, 0.71%

LAB 65.29, 61.42, -1.26

 

CMYK 0 / 51 / 29 / 0

HEX #FF7DB6

RGB 255 125 182

HSL 333.69, 1%, 0.75%

LAB 68.97, 55.43, -6.59

 

CMYK 0 / 75 / 48 / 16

HEX #D7356F

RGB 215 53 111

HSL 338.52, 0.67%, 0.53%

LAB 49.67, 65.39, 5.85

 

CMYK 0 / 82 / 54 / 22

HEX #C6235C

RGB 198 35 92

HSL 339.02, 0.7%, 0.46%

LAB 44.21, 64.33, 9.37

 

CMYK 0 / 91 / 60 / 29

HEX #B51149

RGB 181 17 73

HSL 339.51, 0.83%, 0.39%

LAB 39.08, 62.24, 13.75

 

CMYK 0 / 100 / 67 / 36

HEX #A40036

RGB 164 0 54

HSL 340.24, 1%, 0.32%

LAB 34.31, 59.08, 19.05

 

CMYK 0 / 100 / 76 / 42

HEX #930023

RGB 147 0 35

HSL 345.71, 1%, 0.29%

LAB 30.22, 53.94, 25.54

 

CMYK 0 / 74 / 48 / 16

HEX #D73770

RGB 215 55 112

HSL 338.63, 0.67%, 0.53%

LAB 49.92, 64.85, 5.6

 

CMYK 0 / 74 / 68 / 16

HEX #D73745

RGB 215 55 69

HSL 354.75, 0.67%, 0.53%

LAB 49.02, 61.93, 30.4

 

CMYK 0 / 74 / 74 / 16

HEX #D73737

RGB 215 55 55

HSL 0, 0.67%, 0.53%

LAB 48.83, 61.3, 38.3

 

CMYK 0 / 74 / 48 / 16

HEX #D73770

RGB 215 55 112

HSL 338.63, 0.67%, 0.53%

LAB 49.92, 64.85, 5.6

 

CMYK 0 / 74 / 27 / 16

HEX #D7379C

RGB 215 55 156

HSL 322.13, 0.67%, 0.53%

LAB 51.36, 69.37, -18.7

 

CMYK 0 / 74 / 7 / 16

HEX #D737C7

RGB 215 55 199

HSL 306, 0.67%, 0.53%

LAB 53.28, 75.13, -40.84

 

CMYK 12 / 74 / 0 / 16

HEX #BD37D7

RGB 189 55 215

HSL 290.25, 0.67%, 0.53%

LAB 50.05, 72.39, -55.41

 

CMYK 33 / 74 / 0 / 16

HEX #9137D7

RGB 145 55 215

HSL 273.75, 0.67%, 0.53%

LAB 43.74, 64.18, -65.91

 

CMYK 0 / 74 / 48 / 16

HEX #D73770

RGB 215 55 112

HSL 338.63, 0.67%, 0.53%

LAB 49.92, 64.85, 5.6

 

CMYK 0 / 85 / 54 / 8

HEX #EB236B

RGB 235 35 107

HSL 338.4, 0.83%, 0.53%

LAB 51.75, 74.73, 11.76

 

CMYK 0 / 94 / 60 / 0

HEX #FE1065

RGB 254 16 101

HSL 338.57, 0.99%, 0.53%

LAB 54.43, 81.47, 19.66

 

CMYK 0 / 74 / 48 / 16

HEX #D73770

RGB 215 55 112

HSL 338.63, 0.67%, 0.53%

LAB 49.92, 64.85, 5.6

 

CMYK 0 / 62 / 40 / 23

HEX #C44A76

RGB 196 74 118

HSL 338.36, 0.51%, 0.53%

LAB 49.42, 52.59, 0.84

 

CMYK 0 / 47 / 31 / 31

HEX #B15E7B

RGB 177 94 123

HSL 339.04, 0.35%, 0.53%

LAB 50.43, 37.02, -1.03

 

CMYK 0 / 28 / 18 / 38

HEX #9D7181

RGB 157 113 129

HSL 338.18, 0.18%, 0.53%

LAB 52.47, 19.9, -1.89

 

CMYK 0 / 4 / 3 / 46

HEX #8A8486

RGB 138 132 134

HSL 340, 0.02%, 0.53%

LAB 55.71, 2.63, -0.28

 

CMYK 0 / 74 / 7 / 16

HEX #D737C7

RGB 215 55 199

HSL 306, 0.67%, 0.53%

LAB 53.28, 75.13, -40.84

 

CMYK 0 / 74 / 27 / 16

HEX #D7379D

RGB 215 55 157

HSL 321.75, 0.67%, 0.53%

LAB 51.4, 69.49, -19.24

 

CMYK 0 / 74 / 47 / 16

HEX #D73772

RGB 215 55 114

HSL 337.88, 0.67%, 0.53%

LAB 49.97, 65.02, 4.47

 

CMYK 0 / 74 / 67 / 16

HEX #D73747

RGB 215 55 71

HSL 354, 0.67%, 0.53%

LAB 49.05, 62.03, 29.25

 

CMYK 0 / 62 / 74 / 16

HEX #D75237

RGB 215 82 55

HSL 10.13, 0.67%, 0.53%

LAB 52.68, 50.81, 42.53

 

CMYK 0 / 80 / 52 / 38

HEX #9D1F4C

RGB 157 31 76

HSL 338.57, 0.67%, 0.37%

LAB 35.34, 53.04, 5.87

 

CMYK 0 / 80 / 51 / 25

HEX #BF265D

RGB 191 38 93

HSL 338.43, 0.67%, 0.45%

LAB 43.14, 61.79, 7.05

 

CMYK 0 / 74 / 48 / 16

HEX #D73770

RGB 215 55 112

HSL 338.63, 0.67%, 0.53%

LAB 49.92, 64.85, 5.6

 

CMYK 0 / 60 / 38 / 13

HEX #DE5989

RGB 222 89 137

HSL 338.35, 0.67%, 0.61%

LAB 56.57, 56.24, 0.43

 

CMYK 0 / 46 / 30 / 10

HEX #E57CA1

RGB 229 124 161

HSL 338.86, 0.67%, 0.69%

LAB 64.68, 44.67, -1.45

 

CMYK 0 / 75 / 48 / 16

HEX #D7356F

RGB 215 53 111

HSL 338.52, 0.67%, 0.53%

LAB 49.67, 65.39, 5.85

 

CMYK 0 / 12 / 74 / 16

HEX #D7BD37

RGB 215 189 55

HSL 50.25, 0.67%, 0.53%

LAB 76.75, -4.65, 66.74

 

CMYK 74 / 17 / 0 / 16

HEX #37B2D7

RGB 55 178 215

HSL 193.88, 0.67%, 0.53%

LAB 67.69, -21.22, -28.29

 

CMYK 0 / 75 / 48 / 16

HEX #D7356F

RGB 215 53 111

HSL 338.52, 0.67%, 0.53%

LAB 49.67, 65.39, 5.85

 

CMYK 47 / 0 / 74 / 16

HEX #72D737

RGB 114 215 55

HSL 97.88, 0.67%, 0.53%

LAB 77.55, -55.66, 65.26

 

CMYK 74 / 47 / 0 / 16

HEX #3772D7

RGB 55 114 215

HSL 217.88, 0.67%, 0.53%

LAB 49.2, 15.68, -57.43

 

CMYK 0 / 75 / 48 / 16

HEX #D7356F

RGB 215 53 111

HSL 338.52, 0.67%, 0.53%

LAB 49.67, 65.39, 5.85

 

CMYK 0 / 12 / 74 / 16

HEX #D7BD37

RGB 215 189 55

HSL 50.25, 0.67%, 0.53%

LAB 76.75, -4.65, 66.74

 

CMYK 74 / 0 / 27 / 16

HEX #37D79D

RGB 55 215 157

HSL 158.25, 0.67%, 0.53%

LAB 77.19, -53.98, 17.17

 

CMYK 74 / 62 / 0 / 16

HEX #3752D7

RGB 55 82 215

HSL 229.88, 0.67%, 0.53%

LAB 40.82, 36.01, -71.01

 

CMYK 0 / 75 / 48 / 16

HEX #D7356F

RGB 215 53 111

HSL 338.52, 0.67%, 0.53%

LAB 49.67, 65.39, 5.85

 

CMYK 10 / 0 / 74 / 16

HEX #C2D737

RGB 194 215 55

HSL 67.88, 0.67%, 0.53%

LAB 82.03, -26.47, 71.11

 

CMYK 74 / 0 / 27 / 16

HEX #37D79D

RGB 55 215 157

HSL 158.25, 0.67%, 0.53%

LAB 77.19, -53.98, 17.17

 

CMYK 65 / 74 / 0 / 16

HEX #4C37D7

RGB 76 55 215

HSL 247.88, 0.67%, 0.53%

LAB 36.32, 54.04, -78.36

 

Description

Color code: RGB 215 53 111 | qconv.com Color code: RGB 215 53 111 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 53 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 53 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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