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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 210 146 it is the complementary color RGB 40 45 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 210 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 210 146 shade: RGB 220 210 141, RGB 237 228 160, RGB 254 246 179, RGB 255 255 198 and RGB 255 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 210 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 210 146 shade: RGB 215 210 146, RGB 198 192 127, RGB 181 174 108, RGB 164 156 89 and RGB 147 138 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 210 146 shade: RGB 215 210 147, RGB 215 191 147, RGB 215 173 147, RGB 215 155 147 and RGB 215 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 210 146 shade: RGB 215 210 147, RGB 201 215 147, RGB 183 215 147, RGB 164 215 147 and RGB 147 215 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 210 146 shade matches the following richer shades: RGB 215 210 147, RGB 227 220 135, RGB 238 230 123 and RGB 250 240 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 210 146 shade: RGB 215 210 147, RGB 203 199 158, RGB 191 189 170, RGB 179 179 182 and RGB 167 169 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 210 146 shade: RGB 215 173 147, RGB 215 191 147, RGB 215 209 147, RGB 202 215 147 and RGB 184 215 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 210 146 shade: RGB 192 185 86, RGB 203 197 116, RGB 215 210 147, RGB 226 222 177 and RGB 237 235 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 210 146 shade: RGB 215 210 146, RGB 147 215 154 and RGB 182 147 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 210 146 shade: RGB 215 210 146, RGB 147 215 209 and RGB 209 147 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 210 146 shade: RGB 215 210 146, RGB 147 215 154, RGB 147 152 215 and RGB 215 147 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 210 146 shade: RGB 215 210 146, RGB 147 215 175, RGB 147 152 215 and RGB 215 147 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 32 / 16

HEX #D7D292

RGB 215 210 146

HSL 55.65, 0.46%, 0.71%

LAB 83.24, -7.95, 32.4

 

Complementary color

CMYK 63 / 59 / 0 / 57

HEX #282D6D

RGB 40 45 109

HSL 235.65, 0.46%, 0.29%

LAB 21.7, 19.38, -38.04

 

CMYK 0 / 5 / 36 / 14

HEX #DCD28D

RGB 220 210 141

HSL 52.41, 0.53%, 0.71%

LAB 83.56, -6.6, 35.47

 

CMYK 0 / 4 / 32 / 7

HEX #EDE4A0

RGB 237 228 160

HSL 52.99, 0.68%, 0.78%

LAB 89.87, -6.95, 34.35

 

CMYK 0 / 3 / 30 / 0

HEX #FEF6B3

RGB 254 246 179

HSL 53.6, 0.97%, 0.85%

LAB 96.1, -7.25, 33.27

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 2 / 32 / 16

HEX #D7D292

RGB 215 210 146

HSL 55.65, 0.46%, 0.71%

LAB 83.24, -7.95, 32.4

 

CMYK 0 / 3 / 36 / 22

HEX #C6C07F

RGB 198 192 127

HSL 54.93, 0.38%, 0.64%

LAB 76.82, -7.62, 33.55

 

CMYK 0 / 4 / 40 / 29

HEX #B5AE6C

RGB 181 174 108

HSL 54.25, 0.33%, 0.57%

LAB 70.3, -7.24, 34.74

 

CMYK 0 / 5 / 46 / 36

HEX #A49C59

RGB 164 156 89

HSL 53.6, 0.3%, 0.5%

LAB 63.66, -6.77, 35.99

 

CMYK 0 / 6 / 52 / 42

HEX #938A46

RGB 147 138 70

HSL 52.99, 0.35%, 0.43%

LAB 56.9, -6.19, 37.26

 

CMYK 0 / 2 / 32 / 16

HEX #D7D293

RGB 215 210 147

HSL 55.59, 0.46%, 0.71%

LAB 83.26, -7.82, 31.91

 

CMYK 0 / 11 / 32 / 16

HEX #D7BF93

RGB 215 191 147

HSL 38.82, 0.46%, 0.71%

LAB 78.35, 2.04, 25.34

 

CMYK 0 / 20 / 32 / 16

HEX #D7AD93

RGB 215 173 147

HSL 22.94, 0.46%, 0.71%

LAB 73.83, 11.62, 19.16

 

CMYK 0 / 28 / 32 / 16

HEX #D79B93

RGB 215 155 147

HSL 7.06, 0.46%, 0.71%

LAB 69.47, 21.34, 13.08

 

CMYK 0 / 32 / 32 / 16

HEX #D79393

RGB 215 147 147

HSL 0, 0.46%, 0.71%

LAB 67.59, 25.67, 10.43

 

CMYK 0 / 2 / 32 / 16

HEX #D7D293

RGB 215 210 147

HSL 55.59, 0.46%, 0.71%

LAB 83.26, -7.82, 31.91

 

CMYK 7 / 0 / 32 / 16

HEX #C9D793

RGB 201 215 147

HSL 72.35, 0.46%, 0.71%

LAB 83.51, -15.68, 32.05

 

CMYK 15 / 0 / 32 / 16

HEX #B7D793

RGB 183 215 147

HSL 88.24, 0.46%, 0.71%

LAB 82.26, -22.35, 30.16

 

CMYK 24 / 0 / 32 / 16

HEX #A4D793

RGB 164 215 147

HSL 105, 0.46%, 0.71%

LAB 81.07, -29.07, 28.37

 

CMYK 32 / 0 / 32 / 16

HEX #93D793

RGB 147 215 147

HSL 120, 0.46%, 0.71%

LAB 80.13, -34.73, 26.94

 

CMYK 0 / 2 / 32 / 16

HEX #D7D293

RGB 215 210 147

HSL 55.59, 0.46%, 0.71%

LAB 83.26, -7.82, 31.91

 

CMYK 0 / 3 / 41 / 11

HEX #E3DC87

RGB 227 220 135

HSL 55.43, 0.62%, 0.71%

LAB 86.64, -9.59, 42.56

 

CMYK 0 / 3 / 48 / 7

HEX #EEE67B

RGB 238 230 123

HSL 55.83, 0.77%, 0.71%

LAB 89.95, -11.41, 52.67

 

CMYK 0 / 4 / 56 / 2

HEX #FAF06F

RGB 250 240 111

HSL 55.68, 0.93%, 0.71%

LAB 93.36, -12.54, 62.37

 

CMYK 0 / 2 / 32 / 16

HEX #D7D293

RGB 215 210 147

HSL 55.59, 0.46%, 0.71%

LAB 83.26, -7.82, 31.91

 

CMYK 0 / 2 / 22 / 20

HEX #CBC79E

RGB 203 199 158

HSL 54.67, 0.3%, 0.71%

LAB 79.62, -5.26, 21.08

 

CMYK 0 / 1 / 11 / 25

HEX #BFBDAA

RGB 191 189 170

HSL 54.29, 0.14%, 0.71%

LAB 76.3, -2.62, 9.85

 

CMYK 2 / 2 / 0 / 29

HEX #B3B3B6

RGB 179 179 182

HSL 240, 0.02%, 0.71%

LAB 73.02, 0.57, -1.53

 

CMYK 14 / 13 / 0 / 24

HEX #A7A9C2

RGB 167 169 194

HSL 235.56, 0.18%, 0.71%

LAB 69.81, 4.37, -13

 

CMYK 0 / 20 / 32 / 16

HEX #D7AD93

RGB 215 173 147

HSL 22.94, 0.46%, 0.71%

LAB 73.83, 11.62, 19.16

 

CMYK 0 / 11 / 32 / 16

HEX #D7BF93

RGB 215 191 147

HSL 38.82, 0.46%, 0.71%

LAB 78.35, 2.04, 25.34

 

CMYK 0 / 3 / 32 / 16

HEX #D7D193

RGB 215 209 147

HSL 54.71, 0.46%, 0.71%

LAB 83, -7.31, 31.57

 

CMYK 6 / 0 / 32 / 16

HEX #CAD793

RGB 202 215 147

HSL 71.47, 0.46%, 0.71%

LAB 83.58, -15.31, 32.16

 

CMYK 14 / 0 / 32 / 16

HEX #B8D793

RGB 184 215 147

HSL 87.35, 0.46%, 0.71%

LAB 82.32, -21.98, 30.26

 

CMYK 0 / 4 / 55 / 25

HEX #C0B956

RGB 192 185 86

HSL 56.04, 0.46%, 0.55%

LAB 73.92, -10.5, 50.28

 

CMYK 0 / 3 / 43 / 20

HEX #CBC574

RGB 203 197 116

HSL 55.86, 0.46%, 0.63%

LAB 78.4, -9.41, 41.26

 

CMYK 0 / 2 / 32 / 16

HEX #D7D293

RGB 215 210 147

HSL 55.59, 0.46%, 0.71%

LAB 83.26, -7.82, 31.91

 

CMYK 0 / 2 / 22 / 11

HEX #E2DEB1

RGB 226 222 177

HSL 55.1, 0.46%, 0.79%

LAB 87.77, -5.81, 22.62

 

CMYK 0 / 1 / 13 / 7

HEX #EDEBCF

RGB 237 235 207

HSL 56, 0.45%, 0.87%

LAB 92.54, -3.98, 13.84

 

CMYK 0 / 2 / 32 / 16

HEX #D7D292

RGB 215 210 146

HSL 55.65, 0.46%, 0.71%

LAB 83.24, -7.95, 32.4

 

CMYK 32 / 0 / 28 / 16

HEX #93D79A

RGB 147 215 154

HSL 126.18, 0.46%, 0.71%

LAB 80.26, -33.56, 23.47

 

CMYK 15 / 32 / 0 / 16

HEX #B693D7

RGB 182 147 215

HSL 270.88, 0.46%, 0.71%

LAB 66.3, 26.05, -29.86

 

CMYK 0 / 2 / 32 / 16

HEX #D7D292

RGB 215 210 146

HSL 55.65, 0.46%, 0.71%

LAB 83.24, -7.95, 32.4

 

CMYK 32 / 0 / 3 / 16

HEX #93D7D1

RGB 147 215 209

HSL 174.71, 0.46%, 0.71%

LAB 81.52, -22.59, -3.88

 

CMYK 3 / 32 / 0 / 16

HEX #D193D7

RGB 209 147 215

HSL 294.71, 0.46%, 0.71%

LAB 68.99, 34.57, -25.5

 

CMYK 0 / 2 / 32 / 16

HEX #D7D292

RGB 215 210 146

HSL 55.65, 0.46%, 0.71%

LAB 83.24, -7.95, 32.4

 

CMYK 32 / 0 / 28 / 16

HEX #93D79A

RGB 147 215 154

HSL 126.18, 0.46%, 0.71%

LAB 80.26, -33.56, 23.47

 

CMYK 32 / 29 / 0 / 16

HEX #9398D7

RGB 147 152 215

HSL 235.59, 0.46%, 0.71%

LAB 64.62, 12.69, -32.71

 

CMYK 0 / 32 / 4 / 16

HEX #D793CF

RGB 215 147 207

HSL 307.06, 0.46%, 0.71%

LAB 69.34, 35.03, -20.48

 

CMYK 0 / 2 / 32 / 16

HEX #D7D292

RGB 215 210 146

HSL 55.65, 0.46%, 0.71%

LAB 83.24, -7.95, 32.4

 

CMYK 32 / 0 / 19 / 16

HEX #93D7AF

RGB 147 215 175

HSL 144.71, 0.46%, 0.71%

LAB 80.68, -29.74, 13

 

CMYK 32 / 29 / 0 / 16

HEX #9398D7

RGB 147 152 215

HSL 235.59, 0.46%, 0.71%

LAB 64.62, 12.69, -32.71

 

CMYK 0 / 32 / 13 / 16

HEX #D793BA

RGB 215 147 186

HSL 325.59, 0.46%, 0.71%

LAB 68.65, 31.42, -9.84

 

Description

Color code: RGB 215 210 146 | qconv.com Color code: RGB 215 210 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 210 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 210 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 32 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 32% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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