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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 206 66 it is the complementary color RGB 40 49 189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 206 66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 206 66 shade: RGB 220 206 61, RGB 237 224 80, RGB 254 242 99, RGB 255 255 118 and RGB 255 255 137

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 206 66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 206 66 shade: RGB 215 206 66, RGB 198 188 47, RGB 181 170 28, RGB 164 152 9 and RGB 147 134 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 206 66 shade: RGB 215 206 66, RGB 215 166 66, RGB 215 125 66, RGB 215 85 66 and RGB 215 66 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 206 66 shade: RGB 215 206 66, RGB 184 215 66, RGB 143 215 66, RGB 103 215 66 and RGB 66 215 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 206 66 shade matches the following richer shades: RGB 215 206 66, RGB 233 222 47 and RGB 252 238 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 206 66 shade: RGB 215 206 66, RGB 196 190 84, RGB 178 173 103, RGB 159 157 121 and RGB 141 141 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 206 66 shade: RGB 215 125 66, RGB 215 165 66, RGB 215 205 66, RGB 185 215 66 and RGB 145 215 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 206 66 shade: RGB 163 156 35, RGB 197 188 42, RGB 215 206 66, RGB 222 215 100 and RGB 229 224 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 206 66 shade: RGB 215 206 66, RGB 66 215 86 and RGB 145 66 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 206 66 shade: RGB 215 206 66, RGB 66 215 205 and RGB 205 66 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 206 66 shade: RGB 215 206 66, RGB 66 215 86, RGB 66 76 215 and RGB 215 66 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 206 66 shade: RGB 215 206 66, RGB 66 215 130, RGB 66 76 215 and RGB 215 66 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

Complementary color

CMYK 79 / 74 / 0 / 26

HEX #2831BD

RGB 40 49 189

HSL 236.38, 0.65%, 0.45%

LAB 30.21, 45.65, -73.36

 

CMYK 0 / 6 / 72 / 14

HEX #DCCE3D

RGB 220 206 61

HSL 54.72, 0.69%, 0.55%

LAB 81.67, -10.94, 69.48

 

CMYK 0 / 5 / 66 / 7

HEX #EDE050

RGB 237 224 80

HSL 55.03, 0.81%, 0.62%

LAB 87.92, -11.91, 69.11

 

CMYK 0 / 5 / 61 / 0

HEX #FEF263

RGB 254 242 99

HSL 55.35, 0.99%, 0.69%

LAB 94.09, -12.73, 68.4

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 0 / 5 / 76 / 22

HEX #C6BC2F

RGB 198 188 47

HSL 56.03, 0.62%, 0.48%

LAB 74.94, -11.78, 67.2

 

CMYK 0 / 6 / 85 / 29

HEX #B5AA1C

RGB 181 170 28

HSL 55.69, 0.73%, 0.41%

LAB 68.5, -10.55, 66.39

 

CMYK 0 / 7 / 95 / 36

HEX #A49809

RGB 164 152 9

HSL 55.35, 0.9%, 0.34%

LAB 61.97, -9.08, 64.18

 

CMYK 0 / 9 / 100 / 42

HEX #938600

RGB 147 134 0

HSL 54.69, 1%, 0.29%

LAB 55.33, -7.33, 59.98

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 0 / 23 / 69 / 16

HEX #D7A642

RGB 215 166 66

HSL 40.27, 0.65%, 0.55%

LAB 70.95, 8, 56.66

 

CMYK 0 / 42 / 69 / 16

HEX #D77D42

RGB 215 125 66

HSL 23.76, 0.65%, 0.55%

LAB 61.23, 30.03, 46.24

 

CMYK 0 / 60 / 69 / 16

HEX #D75542

RGB 215 85 66

HSL 7.65, 0.65%, 0.55%

LAB 53.32, 49.98, 37.26

 

CMYK 0 / 69 / 69 / 16

HEX #D74242

RGB 215 66 66

HSL 0, 0.65%, 0.55%

LAB 50.38, 57.9, 33.8

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 14 / 0 / 69 / 16

HEX #B8D742

RGB 184 215 66

HSL 72.48, 0.65%, 0.55%

LAB 81.39, -29.95, 66.49

 

CMYK 33 / 0 / 69 / 16

HEX #8FD742

RGB 143 215 66

HSL 88.99, 0.65%, 0.55%

LAB 78.95, -45.45, 63.22

 

CMYK 52 / 0 / 69 / 16

HEX #67D742

RGB 103 215 66

HSL 105.1, 0.65%, 0.55%

LAB 77.21, -58.04, 60.87

 

CMYK 69 / 0 / 68 / 16

HEX #42D744

RGB 66 215 68

HSL 120.81, 0.65%, 0.55%

LAB 76.18, -66.25, 58.71

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 0 / 5 / 80 / 9

HEX #E9DE2F

RGB 233 222 47

HSL 56.45, 0.81%, 0.55%

LAB 86.88, -13.98, 78.95

 

CMYK 0 / 6 / 88 / 1

HEX #FCEE1D

RGB 252 238 29

HSL 56.23, 0.97%, 0.55%

LAB 92.55, -14.32, 88.07

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 0 / 3 / 57 / 23

HEX #C4BE54

RGB 196 190 84

HSL 56.79, 0.49%, 0.55%

LAB 75.58, -11.55, 53.17

 

CMYK 0 / 3 / 42 / 30

HEX #B2AD67

RGB 178 173 103

HSL 56, 0.33%, 0.55%

LAB 69.7, -8.49, 36.53

 

CMYK 0 / 1 / 24 / 38

HEX #9F9D79

RGB 159 157 121

HSL 56.84, 0.17%, 0.55%

LAB 64.05, -5.35, 19.15

 

CMYK 0 / 0 / 1 / 45

HEX #8D8D8C

RGB 141 141 140

HSL 60, 0%, 0.55%

LAB 58.61, -0.19, 0.53

 

CMYK 0 / 42 / 69 / 16

HEX #D77D42

RGB 215 125 66

HSL 23.76, 0.65%, 0.55%

LAB 61.23, 30.03, 46.24

 

CMYK 0 / 23 / 69 / 16

HEX #D7A542

RGB 215 165 66

HSL 39.87, 0.65%, 0.55%

LAB 70.7, 8.53, 56.4

 

CMYK 0 / 5 / 69 / 16

HEX #D7CD42

RGB 215 205 66

HSL 55.97, 0.65%, 0.55%

LAB 81.02, -12.31, 66.89

 

CMYK 14 / 0 / 69 / 16

HEX #B9D742

RGB 185 215 66

HSL 72.08, 0.65%, 0.55%

LAB 81.46, -29.55, 66.58

 

CMYK 33 / 0 / 69 / 16

HEX #91D742

RGB 145 215 66

HSL 88.19, 0.65%, 0.55%

LAB 79.05, -44.74, 63.36

 

CMYK 0 / 4 / 79 / 36

HEX #A39C23

RGB 163 156 35

HSL 56.72, 0.65%, 0.39%

LAB 63.08, -10.99, 59.13

 

CMYK 0 / 5 / 79 / 23

HEX #C5BC2A

RGB 197 188 42

HSL 56.52, 0.65%, 0.47%

LAB 74.83, -12.4, 68.61

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 0 / 3 / 55 / 13

HEX #DED764

RGB 222 215 100

HSL 56.56, 0.65%, 0.63%

LAB 84.51, -12.26, 56.61

 

CMYK 0 / 2 / 41 / 10

HEX #E5E086

RGB 229 224 134

HSL 56.84, 0.65%, 0.71%

LAB 87.82, -10.92, 44.58

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 69 / 0 / 60 / 16

HEX #42D756

RGB 66 215 86

HSL 128.05, 0.65%, 0.55%

LAB 76.33, -64.4, 51.39

 

CMYK 33 / 69 / 0 / 16

HEX #9142D7

RGB 145 66 215

HSL 271.81, 0.65%, 0.55%

LAB 45.39, 59.51, -63.23

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 69 / 0 / 5 / 16

HEX #42D7CD

RGB 66 215 205

HSL 175.97, 0.65%, 0.55%

LAB 78.56, -40.64, -6.43

 

CMYK 5 / 69 / 0 / 16

HEX #CD42D7

RGB 205 66 215

HSL 295.97, 0.65%, 0.55%

LAB 53.79, 71.94, -49.28

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 69 / 0 / 60 / 16

HEX #42D756

RGB 66 215 86

HSL 128.05, 0.65%, 0.55%

LAB 76.33, -64.4, 51.39

 

CMYK 69 / 65 / 0 / 16

HEX #424CD7

RGB 66 76 215

HSL 235.97, 0.65%, 0.55%

LAB 39.97, 40.99, -72.38

 

CMYK 0 / 69 / 9 / 16

HEX #D742C3

RGB 215 66 195

HSL 308.05, 0.65%, 0.55%

LAB 54.33, 71.01, -36.89

 

CMYK 0 / 4 / 69 / 16

HEX #D7CE42

RGB 215 206 66

HSL 56.38, 0.65%, 0.55%

LAB 81.28, -12.81, 67.15

 

CMYK 69 / 0 / 40 / 16

HEX #42D782

RGB 66 215 130

HSL 145.77, 0.65%, 0.55%

LAB 76.9, -57.85, 30.88

 

CMYK 69 / 65 / 0 / 16

HEX #424CD7

RGB 66 76 215

HSL 235.97, 0.65%, 0.55%

LAB 39.97, 40.99, -72.38

 

CMYK 0 / 69 / 30 / 16

HEX #D74296

RGB 215 66 150

HSL 326.17, 0.65%, 0.55%

LAB 52.45, 64.97, -13.49

 

Description

Color code: RGB 215 206 66 | qconv.com Color code: RGB 215 206 66 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 206 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 206 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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