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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 205 0 it is the complementary color RGB 40 50 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 205 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 215 205 0: RGB 220 205 0, RGB 237 223 14, RGB 254 241 33, RGB 255 255 52 and RGB 255 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 205 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 215 205 0: RGB 215 205 0, RGB 198 187 0, RGB 181 169 0, RGB 164 151 0 and RGB 147 133 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 100 / 16

HEX #D7CD00

RGB 215 205 0

HSL 57.21, 1%, 0.42%

LAB 80.8, -14, 81.12

 

Complementary color

CMYK 84 / 80 / 0 / 0

HEX #2832FF

RGB 40 50 255

HSL 237.21, 1%, 0.58%

LAB 37.76, 66.01, -98.74

 

CMYK 0 / 7 / 100 / 14

HEX #DCCD00

RGB 220 205 0

HSL 55.91, 1%, 0.43%

LAB 81.22, -11.85, 81.62

 

CMYK 0 / 6 / 94 / 7

HEX #EDDF0E

RGB 237 223 14

HSL 56.23, 0.89%, 0.49%

LAB 87.39, -13.45, 85.55

 

CMYK 0 / 5 / 87 / 0

HEX #FEF121

RGB 254 241 33

HSL 56.47, 0.99%, 0.56%

LAB 93.49, -14.88, 88.21

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 0 / 5 / 100 / 16

HEX #D7CD00

RGB 215 205 0

HSL 57.21, 1%, 0.42%

LAB 80.8, -14, 81.12

 

CMYK 0 / 6 / 100 / 22

HEX #C6BB00

RGB 198 187 0

HSL 56.67, 1%, 0.39%

LAB 74.54, -12.28, 75.93

 

CMYK 0 / 7 / 100 / 29

HEX #B5A900

RGB 181 169 0

HSL 56.02, 1%, 0.35%

LAB 68.17, -10.51, 70.65

 

CMYK 0 / 8 / 100 / 36

HEX #A49700

RGB 164 151 0

HSL 55.24, 1%, 0.32%

LAB 61.68, -8.68, 65.26

 

CMYK 0 / 10 / 100 / 42

HEX #938500

RGB 147 133 0

HSL 54.29, 1%, 0.29%

LAB 55.05, -6.79, 59.77

 

CMYK 0 / 5 / 100 / 16

HEX #D7CD00

RGB 215 205 0

HSL 57.21, 1%, 0.42%

LAB 80.8, -14, 81.12

 

CMYK 12 / 0 / 100 / 16

HEX #BDD600

RGB 189 214 0

HSL 67.01, 1%, 0.42%

LAB 81.24, -29.36, 80.55

 

CMYK 29 / 0 / 100 / 16

HEX #99D600

RGB 153 214 0

HSL 77.1, 1%, 0.42%

LAB 78.96, -43.64, 77.82

 

CMYK 45 / 0 / 100 / 16

HEX #75D600

RGB 117 214 0

HSL 87.2, 1%, 0.42%

LAB 77.21, -56.17, 75.7

 

CMYK 62 / 0 / 100 / 16

HEX #52D600

RGB 82 214 0

HSL 97.01, 1%, 0.42%

LAB 76, -65.75, 74.24

 

CMYK 0 / 5 / 100 / 16

HEX #D7CD00

RGB 215 205 0

HSL 57.21, 1%, 0.42%

LAB 80.8, -14, 81.12

 

CMYK 0 / 9 / 100 / 96

HEX #0B0A00

RGB 11 10 0

HSL 54.55, 1%, 0.02%

LAB 2.6, -1.12, 3.88

 

CMYK 0 / 5 / 100 / 76

HEX #3E3B00

RGB 62 59 0

HSL 57.1, 1%, 0.12%

LAB 24.17, -5.99, 32.88

 

CMYK 0 / 4 / 100 / 56

HEX #716C00

RGB 113 108 0

HSL 57.35, 1%, 0.22%

LAB 44.57, -9.04, 50.74

 

CMYK 0 / 5 / 100 / 36

HEX #A49C00

RGB 164 156 0

HSL 57.07, 1%, 0.32%

LAB 63.07, -11.33, 66.27

 

CMYK 0 / 5 / 100 / 16

HEX #D7CD00

RGB 215 205 0

HSL 57.21, 1%, 0.42%

LAB 80.8, -14, 81.12

 

CMYK 100 / 0 / 85 / 16

HEX #00D620

RGB 0 214 32

HSL 128.97, 1%, 0.42%

LAB 74.95, -74.65, 68.45

 

CMYK 45 / 100 / 0 / 16

HEX #7500D6

RGB 117 0 214

HSL 272.8, 1%, 0.42%

LAB 35.28, 73.75, -79.35

 

CMYK 0 / 5 / 100 / 16

HEX #D7CD00

RGB 215 205 0

HSL 57.21, 1%, 0.42%

LAB 80.8, -14, 81.12

 

CMYK 100 / 0 / 5 / 16

HEX #00D6CB

RGB 0 214 203

HSL 176.92, 1%, 0.42%

LAB 77.52, -45.33, -6.97

 

CMYK 5 / 100 / 0 / 16

HEX #CB00D6

RGB 203 0 214

HSL 296.92, 1%, 0.42%

LAB 48.95, 84.37, -56.48

 

CMYK 0 / 5 / 100 / 16

HEX #D7CD00

RGB 215 205 0

HSL 57.21, 1%, 0.42%

LAB 80.8, -14, 81.12

 

CMYK 100 / 0 / 85 / 16

HEX #00D620

RGB 0 214 32

HSL 128.97, 1%, 0.42%

LAB 74.95, -74.65, 68.45

 

CMYK 100 / 95 / 0 / 16

HEX #000AD6

RGB 0 10 214

HSL 237.2, 1%, 0.42%

LAB 26.94, 67.45, -93.46

 

CMYK 0 / 100 / 15 / 16

HEX #D600B6

RGB 214 0 182

HSL 308.97, 1%, 0.42%

LAB 49.1, 81.76, -37.57

 

CMYK 0 / 5 / 100 / 16

HEX #D7CD00

RGB 215 205 0

HSL 57.21, 1%, 0.42%

LAB 80.8, -14, 81.12

 

CMYK 100 / 0 / 55 / 16

HEX #00D660

RGB 0 214 96

HSL 146.92, 1%, 0.42%

LAB 75.41, -68.79, 45.58

 

CMYK 100 / 95 / 0 / 16

HEX #000AD6

RGB 0 10 214

HSL 237.2, 1%, 0.42%

LAB 26.94, 67.45, -93.46

 

CMYK 0 / 100 / 45 / 16

HEX #D60075

RGB 214 0 117

HSL 327.2, 1%, 0.42%

LAB 46.42, 74.91, -2.56

 

Description

Color code: RGB 215 205 0 | qconv.com Color code: RGB 215 205 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 205 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 205 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 100 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 100% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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