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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 188 162 it is the complementary color RGB 40 67 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 188 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 188 162 shade: RGB 220 188 157, RGB 237 206 176, RGB 254 224 195, RGB 255 242 214 and RGB 255 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 188 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 188 162 shade: RGB 215 188 162, RGB 198 170 143, RGB 181 152 124, RGB 164 134 105 and RGB 147 116 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 188 162 shade: RGB 215 188 162, RGB 215 173 162 and RGB 215 162 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 188 162 shade: RGB 215 188 162, RGB 215 202 162, RGB 213 215 162, RGB 199 215 162 and RGB 185 215 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 188 162 shade matches the following richer shades: RGB 215 188 162, RGB 225 187 151, RGB 236 187 140 and RGB 247 187 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 188 162 shade: RGB 215 188 162, RGB 204 188 172, RGB 193 188 183, RGB 183 188 194 and RGB 172 189 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 188 162 shade: RGB 215 162 164, RGB 215 173 162, RGB 215 187 162, RGB 215 201 162 and RGB 214 215 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 188 162 shade: RGB 190 146 104, RGB 202 167 133, RGB 215 188 162, RGB 227 208 191 and RGB 239 229 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 188 162 shade: RGB 215 188 162, RGB 178 215 162 and RGB 166 162 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 188 162 shade: RGB 215 188 162, RGB 162 215 187 and RGB 187 162 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 188 162 shade: RGB 215 188 162, RGB 178 215 162, RGB 162 189 215 and RGB 198 162 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 188 162 shade: RGB 215 188 162, RGB 163 215 162, RGB 162 189 215 and RGB 214 162 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

Complementary color

CMYK 57 / 28 / 0 / 64

HEX #28435D

RGB 40 67 93

HSL 209.43, 0.4%, 0.26%

LAB 27.45, -1.73, -18.55

 

CMYK 0 / 15 / 29 / 14

HEX #DCBC9D

RGB 220 188 157

HSL 29.52, 0.47%, 0.74%

LAB 78.24, 6.85, 19.93

 

CMYK 0 / 13 / 26 / 7

HEX #EDCEB0

RGB 237 206 176

HSL 29.51, 0.63%, 0.81%

LAB 84.63, 6.39, 18.93

 

CMYK 0 / 12 / 23 / 0

HEX #FEE0C3

RGB 254 224 195

HSL 29.49, 0.97%, 0.88%

LAB 90.93, 5.98, 17.99

 

CMYK 0 / 5 / 16 / 0

HEX #FFF2D6

RGB 255 242 214

HSL 40.98, 1%, 0.92%

LAB 95.84, -0.1, 15.08

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 0 / 14 / 28 / 22

HEX #C6AA8F

RGB 198 170 143

HSL 29.45, 0.33%, 0.67%

LAB 71.38, 6.08, 17.69

 

CMYK 0 / 16 / 31 / 29

HEX #B5987C

RGB 181 152 124

HSL 29.47, 0.28%, 0.6%

LAB 64.75, 6.6, 18.76

 

CMYK 0 / 18 / 36 / 36

HEX #A48669

RGB 164 134 105

HSL 29.49, 0.24%, 0.53%

LAB 58, 7.2, 19.93

 

CMYK 0 / 21 / 41 / 42

HEX #937456

RGB 147 116 86

HSL 29.51, 0.26%, 0.46%

LAB 51.11, 7.91, 21.2

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 0 / 20 / 25 / 16

HEX #D7ADA2

RGB 215 173 162

HSL 12.45, 0.4%, 0.74%

LAB 74.15, 13.66, 11.44

 

CMYK 0 / 25 / 25 / 16

HEX #D7A2A2

RGB 215 162 162

HSL 0, 0.4%, 0.74%

LAB 71.48, 19.6, 7.64

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 0 / 6 / 25 / 16

HEX #D7CAA2

RGB 215 202 162

HSL 45.28, 0.4%, 0.74%

LAB 81.45, -1.73, 21.64

 

CMYK 1 / 0 / 25 / 16

HEX #D5D7A2

RGB 213 215 162

HSL 62.26, 0.4%, 0.74%

LAB 84.67, -9.17, 26.01

 

CMYK 7 / 0 / 25 / 16

HEX #C7D7A2

RGB 199 215 162

HSL 78.11, 0.4%, 0.74%

LAB 83.63, -14.35, 24.42

 

CMYK 14 / 0 / 25 / 16

HEX #B9D7A2

RGB 185 215 162

HSL 93.96, 0.4%, 0.74%

LAB 82.66, -19.41, 22.94

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 0 / 17 / 33 / 12

HEX #E1BB97

RGB 225 187 151

HSL 29.19, 0.55%, 0.74%

LAB 78.33, 8.54, 23.34

 

CMYK 0 / 21 / 41 / 7

HEX #ECBB8C

RGB 236 187 140

HSL 29.38, 0.72%, 0.74%

LAB 79.19, 11.56, 30.51

 

CMYK 0 / 24 / 48 / 3

HEX #F7BB81

RGB 247 187 129

HSL 29.49, 0.88%, 0.74%

LAB 80.12, 14.81, 37.67

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 0 / 8 / 16 / 20

HEX #CCBCAC

RGB 204 188 172

HSL 30, 0.24%, 0.74%

LAB 77.15, 3.01, 10.13

 

CMYK 0 / 3 / 5 / 24

HEX #C1BCB7

RGB 193 188 183

HSL 30, 0.07%, 0.74%

LAB 76.51, 0.86, 3.14

 

CMYK 6 / 3 / 0 / 24

HEX #B7BCC2

RGB 183 188 194

HSL 212.73, 0.08%, 0.74%

LAB 76.03, -0.58, -3.63

 

CMYK 16 / 8 / 0 / 20

HEX #ACBDCD

RGB 172 189 205

HSL 209.09, 0.25%, 0.74%

LAB 75.81, -2.5, -10.02

 

CMYK 0 / 25 / 24 / 16

HEX #D7A2A4

RGB 215 162 164

HSL 357.74, 0.4%, 0.74%

LAB 71.53, 19.89, 6.61

 

CMYK 0 / 20 / 25 / 16

HEX #D7ADA2

RGB 215 173 162

HSL 12.45, 0.4%, 0.74%

LAB 74.15, 13.66, 11.44

 

CMYK 0 / 13 / 25 / 16

HEX #D7BBA2

RGB 215 187 162

HSL 28.3, 0.4%, 0.74%

LAB 77.64, 6.16, 16.34

 

CMYK 0 / 7 / 25 / 16

HEX #D7C9A2

RGB 215 201 162

HSL 44.15, 0.4%, 0.74%

LAB 81.2, -1.21, 21.29

 

CMYK 0 / 0 / 25 / 16

HEX #D6D7A2

RGB 214 215 162

HSL 61.13, 0.4%, 0.74%

LAB 84.74, -8.8, 26.12

 

CMYK 0 / 23 / 45 / 25

HEX #BE9268

RGB 190 146 104

HSL 29.3, 0.4%, 0.58%

LAB 63.76, 11.2, 28.61

 

CMYK 0 / 17 / 34 / 21

HEX #CAA785

RGB 202 167 133

HSL 29.57, 0.39%, 0.66%

LAB 70.79, 7.96, 22.4

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 0 / 8 / 16 / 11

HEX #E3D0BF

RGB 227 208 191

HSL 28.33, 0.39%, 0.82%

LAB 84.59, 3.85, 10.82

 

CMYK 0 / 4 / 8 / 6

HEX #EFE5DB

RGB 239 229 219

HSL 30, 0.38%, 0.9%

LAB 91.46, 1.7, 6.07

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 17 / 0 / 25 / 16

HEX #B2D7A2

RGB 178 215 162

HSL 101.89, 0.4%, 0.74%

LAB 82.2, -21.88, 22.24

 

CMYK 23 / 25 / 0 / 16

HEX #A6A2D7

RGB 166 162 215

HSL 244.53, 0.4%, 0.74%

LAB 68.65, 12.67, -26.37

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 25 / 0 / 13 / 16

HEX #A2D7BB

RGB 162 215 187

HSL 148.3, 0.4%, 0.74%

LAB 81.77, -22.77, 8.29

 

CMYK 13 / 25 / 0 / 16

HEX #BBA2D7

RGB 187 162 215

HSL 268.3, 0.4%, 0.74%

LAB 70.39, 19.26, -23.54

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 17 / 0 / 25 / 16

HEX #B2D7A2

RGB 178 215 162

HSL 101.89, 0.4%, 0.74%

LAB 82.2, -21.88, 22.24

 

CMYK 25 / 12 / 0 / 16

HEX #A2BDD7

RGB 162 189 215

HSL 209.43, 0.4%, 0.74%

LAB 75.44, -3.4, -16.06

 

CMYK 8 / 25 / 0 / 16

HEX #C6A2D7

RGB 198 162 215

HSL 280.75, 0.4%, 0.74%

LAB 71.39, 22.81, -21.94

 

CMYK 0 / 13 / 25 / 16

HEX #D7BCA2

RGB 215 188 162

HSL 29.43, 0.4%, 0.74%

LAB 77.89, 5.63, 16.7

 

CMYK 24 / 0 / 25 / 16

HEX #A3D7A2

RGB 163 215 162

HSL 118.87, 0.4%, 0.74%

LAB 81.29, -27, 20.84

 

CMYK 25 / 12 / 0 / 16

HEX #A2BDD7

RGB 162 189 215

HSL 209.43, 0.4%, 0.74%

LAB 75.44, -3.4, -16.06

 

CMYK 0 / 25 / 0 / 16

HEX #D6A2D7

RGB 214 162 215

HSL 298.87, 0.4%, 0.74%

LAB 72.92, 28.05, -19.46

 

Description

Color code: RGB 215 188 162 | qconv.com Color code: RGB 215 188 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 188 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 188 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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