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Color name
RGB 215 166 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 166 142 it is the complementary color RGB 40 89 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 166 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 166 142 shade: RGB 220 166 137, RGB 237 184 156, RGB 254 202 175, RGB 255 220 194 and RGB 255 238 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 166 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 166 142 shade: RGB 215 166 142, RGB 198 148 123, RGB 181 130 104, RGB 164 112 85 and RGB 147 94 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 166 142 shade: RGB 215 166 142, RGB 215 146 142 and RGB 215 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 166 142 shade: RGB 215 166 142, RGB 215 186 142, RGB 215 206 142, RGB 205 215 142 and RGB 185 215 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 166 142 shade matches the following richer shades: RGB 215 166 142, RGB 228 162 129, RGB 240 157 117 and RGB 252 153 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 166 142 shade: RGB 215 166 142, RGB 203 170 154, RGB 190 174 167, RGB 178 179 179 and RGB 166 183 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 166 142 shade: RGB 215 142 158, RGB 215 145 142, RGB 215 165 142, RGB 215 185 142 and RGB 215 204 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 166 142 shade: RGB 194 118 81, RGB 204 142 111, RGB 215 166 142, RGB 226 190 172 and RGB 237 214 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 166 142 shade: RGB 215 166 142, RGB 177 215 142 and RGB 142 148 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 166 142 shade: RGB 215 166 142, RGB 142 215 165 and RGB 165 142 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 166 142 shade: RGB 215 166 142, RGB 177 215 142, RGB 142 192 215 and RGB 180 142 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 166 142 shade: RGB 215 166 142, RGB 155 215 142, RGB 142 192 215 and RGB 202 142 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

Complementary color

CMYK 65 / 21 / 0 / 56

HEX #285971

RGB 40 89 113

HSL 199.73, 0.48%, 0.3%

LAB 35.57, -8.53, -18.62

 

CMYK 0 / 25 / 38 / 14

HEX #DCA689

RGB 220 166 137

HSL 20.96, 0.54%, 0.7%

LAB 72.42, 16.11, 22.74

 

CMYK 0 / 22 / 34 / 7

HEX #EDB89C

RGB 237 184 156

HSL 20.74, 0.69%, 0.77%

LAB 78.86, 15.38, 21.58

 

CMYK 0 / 20 / 31 / 0

HEX #FECAAF

RGB 254 202 175

HSL 20.51, 0.98%, 0.84%

LAB 85.2, 14.73, 20.5

 

CMYK 0 / 14 / 24 / 0

HEX #FFDCC2

RGB 255 220 194

HSL 25.57, 1%, 0.88%

LAB 90.02, 8.27, 17.25

 

CMYK 0 / 7 / 16 / 0

HEX #FFEED5

RGB 255 238 213

HSL 35.71, 1%, 0.92%

LAB 94.83, 1.78, 14.17

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 0 / 25 / 38 / 22

HEX #C6947B

RGB 198 148 123

HSL 20, 0.4%, 0.63%

LAB 65.45, 15.5, 20.55

 

CMYK 0 / 28 / 43 / 29

HEX #B58268

RGB 181 130 104

HSL 20.26, 0.34%, 0.56%

LAB 58.78, 16.35, 21.85

 

CMYK 0 / 32 / 48 / 36

HEX #A47055

RGB 164 112 85

HSL 20.51, 0.32%, 0.49%

LAB 51.99, 17.35, 23.29

 

CMYK 0 / 36 / 55 / 42

HEX #935E42

RGB 147 94 66

HSL 20.74, 0.38%, 0.42%

LAB 45.08, 18.52, 24.91

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 0 / 32 / 34 / 16

HEX #D7928E

RGB 215 146 142

HSL 3.29, 0.48%, 0.7%

LAB 67.25, 25.57, 12.74

 

CMYK 0 / 34 / 34 / 16

HEX #D78E8E

RGB 215 142 142

HSL 0, 0.48%, 0.7%

LAB 66.33, 27.73, 11.44

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 0 / 13 / 34 / 16

HEX #D7BA8E

RGB 215 186 142

HSL 36.16, 0.48%, 0.7%

LAB 76.99, 4.05, 26.16

 

CMYK 0 / 4 / 34 / 16

HEX #D7CE8E

RGB 215 206 142

HSL 52.6, 0.48%, 0.7%

LAB 82.13, -6.38, 33

 

CMYK 5 / 0 / 34 / 16

HEX #CDD78E

RGB 205 215 142

HSL 68.22, 0.48%, 0.7%

LAB 83.72, -14.8, 34.94

 

CMYK 14 / 0 / 34 / 16

HEX #B9D78E

RGB 185 215 142

HSL 84.66, 0.48%, 0.7%

LAB 82.31, -22.3, 32.82

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 0 / 29 / 43 / 11

HEX #E4A281

RGB 228 162 129

HSL 20, 0.65%, 0.7%

LAB 72.17, 20.52, 26.89

 

CMYK 0 / 35 / 51 / 6

HEX #F09D75

RGB 240 157 117

HSL 19.51, 0.8%, 0.7%

LAB 72.18, 26.76, 33.6

 

CMYK 0 / 39 / 58 / 1

HEX #FC9969

RGB 252 153 105

HSL 19.59, 0.96%, 0.7%

LAB 72.56, 32.61, 40.73

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 0 / 16 / 24 / 20

HEX #CBAA9A

RGB 203 170 154

HSL 19.59, 0.32%, 0.7%

LAB 72.08, 9.57, 12.73

 

CMYK 0 / 8 / 12 / 25

HEX #BEAEA7

RGB 190 174 167

HSL 18.26, 0.15%, 0.7%

LAB 72.23, 4.54, 5.66

 

CMYK 1 / 0 / 0 / 30

HEX #B2B3B3

RGB 178 179 179

HSL 180, 0.01%, 0.7%

LAB 72.87, -0.35, -0.13

 

CMYK 13 / 4 / 0 / 25

HEX #A6B7BF

RGB 166 183 191

HSL 199.2, 0.16%, 0.7%

LAB 73.37, -4.2, -6.05

 

CMYK 0 / 34 / 27 / 16

HEX #D78E9E

RGB 215 142 158

HSL 346.85, 0.48%, 0.7%

LAB 66.72, 29.86, 3.01

 

CMYK 0 / 33 / 34 / 16

HEX #D7918E

RGB 215 145 142

HSL 2.47, 0.48%, 0.7%

LAB 67.01, 26.11, 12.41

 

CMYK 0 / 23 / 34 / 16

HEX #D7A58E

RGB 215 165 142

HSL 18.9, 0.48%, 0.7%

LAB 71.77, 15.29, 19.03

 

CMYK 0 / 14 / 34 / 16

HEX #D7B98E

RGB 215 185 142

HSL 35.34, 0.48%, 0.7%

LAB 76.74, 4.58, 25.82

 

CMYK 0 / 5 / 34 / 16

HEX #D7CC8E

RGB 215 204 142

HSL 50.96, 0.48%, 0.7%

LAB 81.61, -5.35, 32.32

 

CMYK 0 / 39 / 58 / 24

HEX #C27651

RGB 194 118 81

HSL 19.65, 0.48%, 0.54%

LAB 57.1, 26.17, 32.82

 

CMYK 0 / 30 / 46 / 20

HEX #CC8E6F

RGB 204 142 111

HSL 20, 0.48%, 0.62%

LAB 64.43, 19.86, 25.94

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 0 / 16 / 24 / 11

HEX #E2BEAC

RGB 226 190 172

HSL 20, 0.48%, 0.78%

LAB 79.6, 10.13, 13.87

 

CMYK 0 / 10 / 14 / 7

HEX #EDD6CB

RGB 237 214 203

HSL 19.41, 0.49%, 0.86%

LAB 87.2, 6.18, 8.31

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 18 / 0 / 34 / 16

HEX #B1D78E

RGB 177 215 142

HSL 91.23, 0.48%, 0.7%

LAB 81.78, -25.22, 32.04

 

CMYK 34 / 31 / 0 / 16

HEX #8E94D7

RGB 142 148 215

HSL 235.07, 0.48%, 0.7%

LAB 63.21, 13.56, -34.93

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 34 / 0 / 23 / 16

HEX #8ED7A5

RGB 142 215 165

HSL 138.9, 0.48%, 0.7%

LAB 80.22, -33.15, 17.6

 

CMYK 23 / 34 / 0 / 16

HEX #A58ED7

RGB 165 142 215

HSL 258.9, 0.48%, 0.7%

LAB 63.55, 23.69, -34.25

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 18 / 0 / 34 / 16

HEX #B1D78E

RGB 177 215 142

HSL 91.23, 0.48%, 0.7%

LAB 81.78, -25.22, 32.04

 

CMYK 34 / 11 / 0 / 16

HEX #8EC0D7

RGB 142 192 215

HSL 198.9, 0.48%, 0.7%

LAB 75.05, -10.8, -16.77

 

CMYK 16 / 34 / 0 / 16

HEX #B48ED7

RGB 180 142 215

HSL 271.23, 0.48%, 0.7%

LAB 64.93, 28.23, -32.01

 

CMYK 0 / 23 / 34 / 16

HEX #D7A68E

RGB 215 166 142

HSL 19.73, 0.48%, 0.7%

LAB 72.01, 14.75, 19.37

 

CMYK 28 / 0 / 34 / 16

HEX #9BD78E

RGB 155 215 142

HSL 109.32, 0.48%, 0.7%

LAB 80.47, -32.89, 30.06

 

CMYK 34 / 11 / 0 / 16

HEX #8EC0D7

RGB 142 192 215

HSL 198.9, 0.48%, 0.7%

LAB 75.05, -10.8, -16.77

 

CMYK 6 / 34 / 0 / 16

HEX #CA8ED7

RGB 202 142 215

HSL 289.32, 0.48%, 0.7%

LAB 67.13, 35.07, -28.42

 

Description

Color code: RGB 215 166 142 | qconv.com Color code: RGB 215 166 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 166 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 166 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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