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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 158 90 it is the complementary color RGB 40 97 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 158 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 158 90 shade: RGB 220 158 85, RGB 237 176 104, RGB 254 194 123, RGB 255 212 142 and RGB 255 230 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 158 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 158 90 shade: RGB 215 158 90, RGB 198 140 71, RGB 181 122 52, RGB 164 104 33 and RGB 147 86 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 158 90 shade: RGB 215 158 90, RGB 215 124 90, RGB 215 91 90 and RGB 215 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 158 90 shade: RGB 215 158 90, RGB 215 192 90, RGB 204 215 90, RGB 171 215 90 and RGB 137 215 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 158 90 shade matches the following richer shades: RGB 215 158 90, RGB 231 159 74 and RGB 248 161 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 158 90 shade: RGB 215 158 90, RGB 198 157 107, RGB 182 155 123, RGB 165 154 140 and RGB 149 152 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 158 90 shade: RGB 215 90 90, RGB 215 123 90, RGB 215 157 90, RGB 215 190 90 and RGB 206 215 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 158 90 shade: RGB 179 117 43, RGB 207 138 57, RGB 215 158 90, RGB 223 177 123 and RGB 231 197 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 158 90 shade: RGB 215 158 90, RGB 123 215 90 and RGB 107 90 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 158 90 shade: RGB 215 158 90, RGB 90 215 157 and RGB 157 90 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 158 90 shade: RGB 215 158 90, RGB 123 215 90, RGB 90 148 215 and RGB 182 90 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 158 90 shade: RGB 215 158 90, RGB 90 215 94, RGB 90 148 215 and RGB 215 90 211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

Complementary color

CMYK 76 / 41 / 0 / 35

HEX #2861A5

RGB 40 97 165

HSL 212.64, 0.61%, 0.4%

LAB 40.76, 5.76, -41.99

 

CMYK 0 / 28 / 61 / 14

HEX #DC9E55

RGB 220 158 85

HSL 32.44, 0.66%, 0.6%

LAB 69.7, 15.57, 46.6

 

CMYK 0 / 26 / 56 / 7

HEX #EDB068

RGB 237 176 104

HSL 32.48, 0.79%, 0.67%

LAB 76.1, 14.42, 45.17

 

CMYK 0 / 24 / 52 / 0

HEX #FEC27B

RGB 254 194 123

HSL 32.52, 0.98%, 0.74%

LAB 82.42, 13.41, 43.78

 

CMYK 0 / 17 / 44 / 0

HEX #FFD48E

RGB 255 212 142

HSL 37.17, 1%, 0.78%

LAB 87.14, 6.23, 40.2

 

CMYK 0 / 10 / 37 / 0

HEX #FFE6A1

RGB 255 230 161

HSL 44.04, 1%, 0.82%

LAB 91.88, -0.96, 36.76

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 0 / 29 / 64 / 22

HEX #C68C47

RGB 198 140 71

HSL 32.6, 0.53%, 0.53%

LAB 62.69, 15.07, 44.83

 

CMYK 0 / 33 / 71 / 29

HEX #B57A34

RGB 181 122 52

HSL 32.56, 0.55%, 0.46%

LAB 56.08, 16.51, 46.21

 

CMYK 0 / 37 / 80 / 36

HEX #A46821

RGB 164 104 33

HSL 32.52, 0.66%, 0.39%

LAB 49.38, 18.22, 47.29

 

CMYK 0 / 41 / 90 / 42

HEX #93560E

RGB 147 86 14

HSL 32.48, 0.83%, 0.32%

LAB 42.6, 20.24, 47.48

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 0 / 42 / 58 / 16

HEX #D77C5A

RGB 215 124 90

HSL 16.32, 0.61%, 0.6%

LAB 61.31, 32.11, 33.73

 

CMYK 0 / 58 / 58 / 16

HEX #D75B5A

RGB 215 91 90

HSL 0.48, 0.61%, 0.6%

LAB 54.73, 48.71, 25.32

 

CMYK 0 / 58 / 58 / 16

HEX #D75A5A

RGB 215 90 90

HSL 0, 0.61%, 0.6%

LAB 54.55, 49.18, 25.09

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 0 / 11 / 58 / 16

HEX #D7C05A

RGB 215 192 90

HSL 48.96, 0.61%, 0.6%

LAB 77.81, -4.19, 53.38

 

CMYK 5 / 0 / 58 / 16

HEX #CCD75A

RGB 204 215 90

HSL 65.28, 0.61%, 0.6%

LAB 83.01, -20.33, 58.97

 

CMYK 20 / 0 / 58 / 16

HEX #ABD75A

RGB 171 215 90

HSL 81.12, 0.61%, 0.6%

LAB 80.74, -33.31, 55.81

 

CMYK 36 / 0 / 58 / 16

HEX #89D75A

RGB 137 215 90

HSL 97.44, 0.61%, 0.6%

LAB 78.84, -45.5, 53.15

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 0 / 31 / 68 / 9

HEX #E79F4A

RGB 231 159 74

HSL 32.48, 0.77%, 0.6%

LAB 71.06, 18.96, 53.73

 

CMYK 0 / 35 / 77 / 3

HEX #F8A139

RGB 248 161 57

HSL 32.67, 0.93%, 0.6%

LAB 73.38, 24.2, 64.02

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 0 / 21 / 46 / 22

HEX #C69D6B

RGB 198 157 107

HSL 32.97, 0.44%, 0.6%

LAB 67.41, 8.8, 31.89

 

CMYK 0 / 15 / 32 / 29

HEX #B69B7B

RGB 182 155 123

HSL 32.54, 0.29%, 0.6%

LAB 65.61, 5.22, 20.5

 

CMYK 0 / 7 / 15 / 35

HEX #A59A8C

RGB 165 154 140

HSL 33.6, 0.12%, 0.6%

LAB 64.16, 1.6, 8.79

 

CMYK 4 / 3 / 0 / 39

HEX #95989C

RGB 149 152 156

HSL 214.29, 0.03%, 0.6%

LAB 62.72, -0.29, -2.48

 

CMYK 0 / 58 / 58 / 16

HEX #D75A5A

RGB 215 90 90

HSL 0, 0.61%, 0.6%

LAB 54.55, 49.18, 25.09

 

CMYK 0 / 43 / 58 / 16

HEX #D77B5A

RGB 215 123 90

HSL 15.84, 0.61%, 0.6%

LAB 61.09, 32.64, 33.46

 

CMYK 0 / 27 / 58 / 16

HEX #D79D5A

RGB 215 157 90

HSL 32.16, 0.61%, 0.6%

LAB 68.97, 14.38, 43.09

 

CMYK 0 / 12 / 58 / 16

HEX #D7BE5A

RGB 215 190 90

HSL 48, 0.61%, 0.6%

LAB 77.29, -3.15, 52.79

 

CMYK 4 / 0 / 58 / 16

HEX #CED75A

RGB 206 215 90

HSL 64.32, 0.61%, 0.6%

LAB 83.16, -19.52, 59.18

 

CMYK 0 / 35 / 76 / 30

HEX #B3752B

RGB 179 117 43

HSL 32.65, 0.61%, 0.44%

LAB 54.53, 17.98, 48.65

 

CMYK 0 / 33 / 72 / 19

HEX #CF8A39

RGB 207 138 57

HSL 32.4, 0.61%, 0.52%

LAB 63.13, 19.22, 52.23

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 0 / 21 / 45 / 13

HEX #DFB17B

RGB 223 177 123

HSL 32.4, 0.61%, 0.68%

LAB 75.18, 9.89, 33.94

 

CMYK 0 / 15 / 32 / 9

HEX #E7C59D

RGB 231 197 157

HSL 32.43, 0.61%, 0.76%

LAB 81.49, 6.34, 24.55

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 43 / 0 / 58 / 16

HEX #7BD75A

RGB 123 215 90

HSL 104.16, 0.61%, 0.6%

LAB 78.2, -50, 52.24

 

CMYK 50 / 58 / 0 / 16

HEX #6B5AD7

RGB 107 90 215

HSL 248.16, 0.61%, 0.6%

LAB 46.1, 39.24, -62.27

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 58 / 0 / 27 / 16

HEX #5AD79D

RGB 90 215 157

HSL 152.16, 0.61%, 0.6%

LAB 78, -48.14, 18.42

 

CMYK 27 / 58 / 0 / 16

HEX #9D5AD7

RGB 157 90 215

HSL 272.16, 0.61%, 0.6%

LAB 51.14, 50.39, -53.9

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 43 / 0 / 58 / 16

HEX #7BD75A

RGB 123 215 90

HSL 104.16, 0.61%, 0.6%

LAB 78.2, -50, 52.24

 

CMYK 58 / 31 / 0 / 16

HEX #5A94D7

RGB 90 148 215

HSL 212.16, 0.61%, 0.6%

LAB 60.12, 0.86, -39.97

 

CMYK 15 / 58 / 0 / 16

HEX #B65AD7

RGB 182 90 215

HSL 284.16, 0.61%, 0.6%

LAB 54.2, 56.52, -48.83

 

CMYK 0 / 27 / 58 / 16

HEX #D79E5A

RGB 215 158 90

HSL 32.64, 0.61%, 0.6%

LAB 69.21, 13.84, 43.38

 

CMYK 58 / 0 / 56 / 16

HEX #5AD75E

RGB 90 215 94

HSL 121.92, 0.61%, 0.6%

LAB 77.03, -58.54, 48.76

 

CMYK 58 / 31 / 0 / 16

HEX #5A94D7

RGB 90 148 215

HSL 212.16, 0.61%, 0.6%

LAB 60.12, 0.86, -39.97

 

CMYK 0 / 58 / 2 / 16

HEX #D75AD3

RGB 215 90 211

HSL 301.92, 0.61%, 0.6%

LAB 58.47, 64.13, -39.52

 

Description

Color code: RGB 215 158 90 | qconv.com Color code: RGB 215 158 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 158 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 158 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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