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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 131 162 it is the complementary color RGB 40 124 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 131 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 215 131 162 shade: RGB 220 131 157, RGB 237 149 176, RGB 254 167 195, RGB 255 185 214 and RGB 255 203 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 131 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 215 131 162 shade: RGB 215 131 162, RGB 198 113 143, RGB 181 95 124, RGB 164 77 105 and RGB 147 59 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 215 131 162 shade: RGB 215 131 162, RGB 215 131 140 and RGB 215 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 215 131 162 shade: RGB 215 131 162, RGB 215 131 184, RGB 215 131 207, RGB 200 131 215 and RGB 177 131 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 215 131 162 shade matches the following richer shades: RGB 215 131 162, RGB 228 118 159, RGB 241 105 155 and RGB 254 92 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 215 131 162 shade: RGB 215 131 162, RGB 201 144 165, RGB 188 158 169, RGB 175 171 172 and RGB 162 184 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 215 131 162 shade: RGB 215 131 208, RGB 215 131 185, RGB 215 131 163, RGB 215 131 141 and RGB 215 144 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 215 131 162 shade: RGB 194 69 115, RGB 204 100 139, RGB 215 131 162, RGB 225 162 185 and RGB 235 194 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 215 131 162 shade: RGB 215 131 162, RGB 215 199 131 and RGB 131 196 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 215 131 162 shade: RGB 215 131 162, RGB 163 215 131 and RGB 131 163 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 215 131 162 shade: RGB 215 131 162, RGB 215 199 131, RGB 131 215 183 and RGB 131 147 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 215 131 162 shade: RGB 215 131 162, RGB 205 215 131, RGB 131 215 183 and RGB 141 131 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

Complementary color

CMYK 68 / 0 / 25 / 51

HEX #287C5D

RGB 40 124 93

HSL 157.86, 0.51%, 0.32%

LAB 46.52, -32.98, 9.7

 

CMYK 0 / 40 / 29 / 14

HEX #DC839D

RGB 220 131 157

HSL 342.47, 0.56%, 0.69%

LAB 64.87, 37.39, 0.96

 

CMYK 0 / 37 / 26 / 7

HEX #ED95B0

RGB 237 149 176

HSL 341.59, 0.71%, 0.76%

LAB 71.31, 36.54, -0.07

 

CMYK 0 / 34 / 23 / 0

HEX #FEA7C3

RGB 254 167 195

HSL 340.69, 0.98%, 0.83%

LAB 77.67, 35.74, -0.99

 

CMYK 0 / 27 / 16 / 0

HEX #FFB9D6

RGB 255 185 214

HSL 335.14, 1%, 0.86%

LAB 82.28, 29.48, -4.5

 

CMYK 0 / 20 / 9 / 0

HEX #FFCBE9

RGB 255 203 233

HSL 325.38, 1%, 0.9%

LAB 86.93, 23.08, -7.77

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 0 / 43 / 28 / 22

HEX #C6718F

RGB 198 113 143

HSL 338.82, 0.43%, 0.61%

LAB 57.85, 37.16, -1.6

 

CMYK 0 / 48 / 31 / 29

HEX #B55F7C

RGB 181 95 124

HSL 339.77, 0.37%, 0.54%

LAB 51.23, 38.05, -0.4

 

CMYK 0 / 53 / 36 / 36

HEX #A44D69

RGB 164 77 105

HSL 340.69, 0.36%, 0.47%

LAB 44.55, 38.94, 1.03

 

CMYK 0 / 60 / 41 / 42

HEX #933B56

RGB 147 59 86

HSL 341.59, 0.43%, 0.4%

LAB 37.85, 39.75, 2.82

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 0 / 39 / 35 / 16

HEX #D7838C

RGB 215 131 140

HSL 353.57, 0.51%, 0.68%

LAB 63.81, 33.38, 9.01

 

CMYK 0 / 39 / 39 / 16

HEX #D78383

RGB 215 131 131

HSL 0, 0.51%, 0.68%

LAB 63.61, 32.31, 13.83

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 0 / 39 / 14 / 16

HEX #D783B8

RGB 215 131 184

HSL 322.14, 0.51%, 0.68%

LAB 65.07, 39.64, -14.08

 

CMYK 0 / 39 / 4 / 16

HEX #D783CF

RGB 215 131 207

HSL 305.71, 0.51%, 0.68%

LAB 65.89, 43.53, -25.75

 

CMYK 7 / 39 / 0 / 16

HEX #C883D7

RGB 200 131 215

HSL 289.29, 0.51%, 0.68%

LAB 64.5, 40.4, -32.51

 

CMYK 18 / 39 / 0 / 16

HEX #B183D7

RGB 177 131 215

HSL 272.86, 0.51%, 0.68%

LAB 62.07, 33.48, -36.47

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 0 / 48 / 30 / 11

HEX #E4769F

RGB 228 118 159

HSL 337.64, 0.67%, 0.68%

LAB 63.3, 47.09, -2.34

 

CMYK 0 / 56 / 36 / 5

HEX #F1699B

RGB 241 105 155

HSL 337.94, 0.83%, 0.68%

LAB 62.65, 57.06, -0.79

 

CMYK 0 / 64 / 40 / 0

HEX #FE5C98

RGB 254 92 152

HSL 337.78, 0.99%, 0.68%

LAB 62.5, 66.25, 0.96

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 0 / 28 / 18 / 21

HEX #C990A5

RGB 201 144 165

HSL 337.89, 0.35%, 0.68%

LAB 65.81, 24.7, -2.44

 

CMYK 0 / 16 / 10 / 26

HEX #BC9EA9

RGB 188 158 169

HSL 338, 0.18%, 0.68%

LAB 68.03, 12.9, -1.58

 

CMYK 0 / 2 / 2 / 31

HEX #AFABAC

RGB 175 171 172

HSL 345, 0.02%, 0.68%

LAB 70.33, 1.61, -0.02

 

CMYK 12 / 0 / 4 / 28

HEX #A2B8B0

RGB 162 184 176

HSL 158.18, 0.13%, 0.68%

LAB 72.96, -9.12, 1.5

 

CMYK 0 / 39 / 3 / 16

HEX #D783D0

RGB 215 131 208

HSL 305, 0.51%, 0.68%

LAB 65.93, 43.71, -26.25

 

CMYK 0 / 39 / 14 / 16

HEX #D783B9

RGB 215 131 185

HSL 321.43, 0.51%, 0.68%

LAB 65.11, 39.8, -14.59

 

CMYK 0 / 39 / 24 / 16

HEX #D783A3

RGB 215 131 163

HSL 337.14, 0.51%, 0.68%

LAB 64.42, 36.45, -3.17

 

CMYK 0 / 39 / 34 / 16

HEX #D7838D

RGB 215 131 141

HSL 352.86, 0.51%, 0.68%

LAB 63.84, 33.5, 8.48

 

CMYK 0 / 33 / 39 / 16

HEX #D79083

RGB 215 144 131

HSL 9.29, 0.51%, 0.68%

LAB 66.54, 25.33, 17.91

 

CMYK 0 / 64 / 41 / 24

HEX #C24573

RGB 194 69 115

HSL 337.92, 0.51%, 0.52%

LAB 48.21, 53.8, 0.85

 

CMYK 0 / 51 / 32 / 20

HEX #CC648B

RGB 204 100 139

HSL 337.5, 0.5%, 0.6%

LAB 55.9, 45.42, -2.03

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 0 / 28 / 18 / 12

HEX #E1A2B9

RGB 225 162 185

HSL 338.1, 0.51%, 0.76%

LAB 73.12, 26.69, -2.54

 

CMYK 0 / 17 / 11 / 8

HEX #EBC2D1

RGB 235 194 209

HSL 338.05, 0.51%, 0.84%

LAB 82.3, 16.96, -2.01

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 0 / 7 / 39 / 16

HEX #D7C783

RGB 215 199 131

HSL 48.57, 0.51%, 0.68%

LAB 80.14, -4.04, 36.07

 

CMYK 39 / 9 / 0 / 16

HEX #83C4D7

RGB 131 196 215

HSL 193.57, 0.51%, 0.68%

LAB 75.58, -15.84, -16.02

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 24 / 0 / 39 / 16

HEX #A3D783

RGB 163 215 131

HSL 97.14, 0.51%, 0.68%

LAB 80.75, -31.72, 36.13

 

CMYK 39 / 24 / 0 / 16

HEX #83A3D7

RGB 131 163 215

HSL 217.14, 0.51%, 0.68%

LAB 66.46, 1.99, -29.94

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 0 / 7 / 39 / 16

HEX #D7C783

RGB 215 199 131

HSL 48.57, 0.51%, 0.68%

LAB 80.14, -4.04, 36.07

 

CMYK 39 / 0 / 15 / 16

HEX #83D7B7

RGB 131 215 183

HSL 157.14, 0.51%, 0.68%

LAB 80.09, -32.73, 7.81

 

CMYK 39 / 32 / 0 / 16

HEX #8393D7

RGB 131 147 215

HSL 228.57, 0.51%, 0.68%

LAB 62.17, 11.12, -36.61

 

CMYK 0 / 39 / 25 / 16

HEX #D783A2

RGB 215 131 162

HSL 337.86, 0.51%, 0.68%

LAB 64.39, 36.3, -2.64

 

CMYK 5 / 0 / 39 / 16

HEX #CDD783

RGB 205 215 131

HSL 67.14, 0.51%, 0.68%

LAB 83.56, -16.1, 40.29

 

CMYK 39 / 0 / 15 / 16

HEX #83D7B7

RGB 131 215 183

HSL 157.14, 0.51%, 0.68%

LAB 80.09, -32.73, 7.81

 

CMYK 34 / 39 / 0 / 16

HEX #8D83D7

RGB 141 131 215

HSL 247.14, 0.51%, 0.68%

LAB 58.79, 23.15, -41.85

 

Description

Color code: RGB 215 131 162 | qconv.com Color code: RGB 215 131 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 131 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 131 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 25 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 25% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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