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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 8 209 it is the complementary color RGB 41 247 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 8 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 8 209 shade: RGB 219 8 204, RGB 236 26 223, RGB 253 44 242, RGB 255 62 255 and RGB 255 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 8 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 8 209 shade: RGB 214 8 209, RGB 197 0 190, RGB 180 0 171, RGB 163 0 152 and RGB 146 0 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 8 209 shade: RGB 216 7 211, RGB 216 7 155, RGB 216 7 98, RGB 216 7 42 and RGB 216 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 8 209 shade: RGB 216 7 211, RGB 165 7 216, RGB 109 7 216, RGB 52 7 216 and RGB 7 7 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 8 209 shade matches the following richer shades: RGB 216 7 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 8 209 shade: RGB 216 7 211, RGB 198 26 194, RGB 180 44 176, RGB 162 62 159 and RGB 143 80 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 8 209 shade: RGB 108 7 216, RGB 164 7 216, RGB 216 7 213, RGB 216 7 157 and RGB 216 7 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 8 209 shade: RGB 136 4 133, RGB 176 6 172, RGB 216 7 211, RGB 246 19 240 and RGB 247 59 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 8 209 shade: RGB 214 8 209, RGB 216 53 7 and RGB 7 216 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 8 209 shade: RGB 214 8 209, RGB 213 216 7 and RGB 7 213 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 8 209 shade: RGB 214 8 209, RGB 216 53 7, RGB 7 216 11 and RGB 7 171 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 8 209 shade: RGB 214 8 209, RGB 216 115 7, RGB 7 216 11 and RGB 7 108 216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 2 / 16

HEX #D608D1

RGB 214 8 209

HSL 301.46, 0.93%, 0.44%

LAB 50.77, 84.77, -50.58

 

Complementary color

CMYK 83 / 0 / 81 / 3

HEX #29F72E

RGB 41 247 46

HSL 121.46, 0.93%, 0.56%

LAB 85.6, -80.68, 74.89

 

CMYK 0 / 96 / 7 / 14

HEX #DB08CC

RGB 219 8 204

HSL 304.27, 0.93%, 0.45%

LAB 51.37, 84.91, -46.7

 

CMYK 0 / 89 / 6 / 7

HEX #EC1ADF

RGB 236 26 223

HSL 303.71, 0.85%, 0.51%

LAB 55.99, 88.66, -50.03

 

CMYK 0 / 83 / 4 / 1

HEX #FD2CF2

RGB 253 44 242

HSL 303.16, 0.98%, 0.58%

LAB 60.87, 91.4, -52.77

 

CMYK 0 / 76 / 0 / 0

HEX #FF3EFF

RGB 255 62 255

HSL 300, 1%, 0.62%

LAB 63.28, 89.59, -56.12

 

CMYK 0 / 69 / 0 / 0

HEX #FF50FF

RGB 255 80 255

HSL 300, 1%, 0.66%

LAB 65.13, 84.28, -53.17

 

CMYK 0 / 96 / 2 / 16

HEX #D608D1

RGB 214 8 209

HSL 301.46, 0.93%, 0.44%

LAB 50.77, 84.77, -50.58

 

CMYK 0 / 100 / 4 / 23

HEX #C500BE

RGB 197 0 190

HSL 302.13, 1%, 0.39%

LAB 46.43, 79.9, -46.68

 

CMYK 0 / 100 / 5 / 29

HEX #B400AB

RGB 180 0 171

HSL 303, 1%, 0.35%

LAB 42.22, 74.34, -42.37

 

CMYK 0 / 100 / 7 / 36

HEX #A30098

RGB 163 0 152

HSL 304.05, 1%, 0.32%

LAB 37.94, 68.68, -37.94

 

CMYK 0 / 100 / 9 / 43

HEX #920085

RGB 146 0 133

HSL 305.34, 1%, 0.29%

LAB 33.57, 62.91, -33.38

 

CMYK 0 / 97 / 2 / 15

HEX #D807D3

RGB 216 7 211

HSL 301.44, 0.94%, 0.44%

LAB 51.21, 85.45, -51.01

 

CMYK 0 / 97 / 28 / 15

HEX #D8079B

RGB 216 7 155

HSL 317.51, 0.94%, 0.44%

LAB 48.41, 78.4, -22.62

 

CMYK 0 / 97 / 55 / 15

HEX #D80762

RGB 216 7 98

HSL 333.88, 0.94%, 0.44%

LAB 46.49, 73.34, 9.36

 

CMYK 0 / 97 / 81 / 15

HEX #D8072A

RGB 216 7 42

HSL 349.95, 0.94%, 0.44%

LAB 45.52, 70.7, 42.17

 

CMYK 0 / 97 / 97 / 15

HEX #D80707

RGB 216 7 7

HSL 0, 0.94%, 0.44%

LAB 45.31, 70.12, 57.21

 

CMYK 0 / 97 / 2 / 15

HEX #D807D3

RGB 216 7 211

HSL 301.44, 0.94%, 0.44%

LAB 51.21, 85.45, -51.01

 

CMYK 24 / 97 / 0 / 15

HEX #A507D8

RGB 165 7 216

HSL 285.36, 0.94%, 0.44%

LAB 42.93, 78.65, -67.68

 

CMYK 50 / 97 / 0 / 15

HEX #6D07D8

RGB 109 7 216

HSL 269.28, 0.94%, 0.44%

LAB 34.72, 72.57, -81.46

 

CMYK 76 / 97 / 0 / 15

HEX #3407D8

RGB 52 7 216

HSL 252.92, 0.94%, 0.44%

LAB 29, 69.36, -91.12

 

CMYK 97 / 97 / 0 / 15

HEX #0707D8

RGB 7 7 216

HSL 240, 0.94%, 0.44%

LAB 27.17, 68.58, -94.23

 

CMYK 0 / 97 / 2 / 15

HEX #D807D3

RGB 216 7 211

HSL 301.44, 0.94%, 0.44%

LAB 51.21, 85.45, -51.01

 

CMYK 0 / 97 / 2 / 15

HEX #D807D3

RGB 216 7 211

HSL 301.44, 0.94%, 0.44%

LAB 51.21, 85.45, -51.01

 

CMYK 0 / 87 / 2 / 22

HEX #C61AC2

RGB 198 26 194

HSL 301.4, 0.77%, 0.44%

LAB 47.8, 77.81, -46.82

 

CMYK 0 / 76 / 2 / 29

HEX #B42CB0

RGB 180 44 176

HSL 301.76, 0.61%, 0.44%

LAB 45.14, 67.42, -40.7

 

CMYK 0 / 62 / 2 / 36

HEX #A23E9F

RGB 162 62 159

HSL 301.8, 0.45%, 0.44%

LAB 43.7, 53.72, -33.06

 

CMYK 0 / 44 / 1 / 44

HEX #8F508E

RGB 143 80 142

HSL 300.95, 0.28%, 0.44%

LAB 43.55, 36.07, -23.28

 

CMYK 50 / 97 / 0 / 15

HEX #6C07D8

RGB 108 7 216

HSL 269, 0.94%, 0.44%

LAB 34.6, 72.49, -81.67

 

CMYK 24 / 97 / 0 / 15

HEX #A407D8

RGB 164 7 216

HSL 285.07, 0.94%, 0.44%

LAB 42.77, 78.52, -67.95

 

CMYK 0 / 97 / 1 / 15

HEX #D807D5

RGB 216 7 213

HSL 300.86, 0.94%, 0.44%

LAB 51.33, 85.74, -51.97

 

CMYK 0 / 97 / 27 / 15

HEX #D8079D

RGB 216 7 157

HSL 316.94, 0.94%, 0.44%

LAB 48.49, 78.62, -23.69

 

CMYK 0 / 97 / 53 / 15

HEX #D80765

RGB 216 7 101

HSL 333.01, 0.94%, 0.44%

LAB 46.57, 73.54, 7.6

 

CMYK 0 / 97 / 2 / 47

HEX #880485

RGB 136 4 133

HSL 301.36, 0.94%, 0.27%

LAB 31.84, 60.53, -36.25

 

CMYK 0 / 97 / 2 / 31

HEX #B006AC

RGB 176 6 172

HSL 301.41, 0.93%, 0.36%

LAB 41.75, 73.2, -43.76

 

CMYK 0 / 97 / 2 / 15

HEX #D807D3

RGB 216 7 211

HSL 301.44, 0.94%, 0.44%

LAB 51.21, 85.45, -51.01

 

CMYK 0 / 92 / 2 / 4

HEX #F613F0

RGB 246 19 240

HSL 301.59, 0.93%, 0.52%

LAB 58.37, 93.48, -55.7

 

CMYK 0 / 76 / 2 / 3

HEX #F73BF3

RGB 247 59 243

HSL 301.28, 0.92%, 0.6%

LAB 61.11, 87.05, -53

 

CMYK 0 / 96 / 2 / 16

HEX #D608D1

RGB 214 8 209

HSL 301.46, 0.93%, 0.44%

LAB 50.77, 84.77, -50.58

 

CMYK 0 / 75 / 97 / 15

HEX #D83507

RGB 216 53 7

HSL 13.21, 0.94%, 0.44%

LAB 48.46, 61.18, 58.8

 

CMYK 97 / 0 / 37 / 15

HEX #07D888

RGB 7 216 136

HSL 157.03, 0.94%, 0.44%

LAB 76.64, -62.36, 27.32

 

CMYK 0 / 96 / 2 / 16

HEX #D608D1

RGB 214 8 209

HSL 301.46, 0.93%, 0.44%

LAB 50.77, 84.77, -50.58

 

CMYK 1 / 0 / 97 / 15

HEX #D5D807

RGB 213 216 7

HSL 60.86, 0.94%, 0.44%

LAB 83.59, -20.22, 82.46

 

CMYK 97 / 1 / 0 / 15

HEX #07D5D8

RGB 7 213 216

HSL 180.86, 0.94%, 0.44%

LAB 77.63, -40.9, -13.77

 

CMYK 0 / 96 / 2 / 16

HEX #D608D1

RGB 214 8 209

HSL 301.46, 0.93%, 0.44%

LAB 50.77, 84.77, -50.58

 

CMYK 0 / 75 / 97 / 15

HEX #D83507

RGB 216 53 7

HSL 13.21, 0.94%, 0.44%

LAB 48.46, 61.18, 58.8

 

CMYK 97 / 0 / 95 / 15

HEX #07D80B

RGB 7 216 11

HSL 121.15, 0.94%, 0.44%

LAB 75.56, -75.58, 72.37

 

CMYK 97 / 21 / 0 / 15

HEX #07ABD8

RGB 7 171 216

HSL 192.92, 0.94%, 0.44%

LAB 65.06, -20.55, -32.95

 

CMYK 0 / 96 / 2 / 16

HEX #D608D1

RGB 214 8 209

HSL 301.46, 0.93%, 0.44%

LAB 50.77, 84.77, -50.58

 

CMYK 0 / 47 / 97 / 15

HEX #D87307

RGB 216 115 7

HSL 31, 0.94%, 0.44%

LAB 58.86, 33.96, 65.05

 

CMYK 97 / 0 / 95 / 15

HEX #07D80B

RGB 7 216 11

HSL 121.15, 0.94%, 0.44%

LAB 75.56, -75.58, 72.37

 

CMYK 97 / 50 / 0 / 15

HEX #076CD8

RGB 7 108 216

HSL 211, 0.94%, 0.44%

LAB 46.62, 16.41, -62.21

 

Description

Color code: RGB 214 8 209 | qconv.com Color code: RGB 214 8 209 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 8 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 8 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 2 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 2% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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