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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 86 250 it is the complementary color RGB 41 169 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 86 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 86 250 shade: RGB 219 86 245, RGB 236 104 255, RGB 253 122 255, RGB 255 140 255 and RGB 255 158 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 86 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 86 250 shade: RGB 214 86 250, RGB 197 68 231, RGB 180 50 212, RGB 163 32 193 and RGB 146 14 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 86 250 shade: RGB 214 86 249, RGB 249 86 241, RGB 249 86 197, RGB 249 86 153 and RGB 249 86 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 86 250 shade: RGB 214 86 249, RGB 170 86 249, RGB 126 86 249 and RGB 86 86 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 86 250 shade matches the following richer shades: RGB 214 86 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 86 250 shade: RGB 214 86 249, RGB 206 100 235, RGB 198 114 221, RGB 190 128 207 and RGB 182 142 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 86 250 shade: RGB 124 86 249, RGB 168 86 249, RGB 211 86 249, RGB 249 86 244 and RGB 249 86 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 86 250 shade: RGB 194 7 246, RGB 204 46 248, RGB 214 86 249, RGB 223 126 251 and RGB 233 166 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 86 250 shade: RGB 214 86 250, RGB 249 86 92 and RGB 86 249 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 86 250 shade: RGB 214 86 250, RGB 249 211 86 and RGB 86 249 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 86 250 shade: RGB 214 86 250, RGB 249 86 92, RGB 124 249 86 and RGB 86 249 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 86 250 shade: RGB 214 86 250, RGB 249 130 86, RGB 124 249 86 and RGB 86 206 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 66 / 0 / 2

HEX #D656FA

RGB 214 86 250

HSL 286.83, 0.94%, 0.66%

LAB 59.76, 72.5, -59.33

 

Complementary color

CMYK 76 / 0 / 97 / 34

HEX #29A905

RGB 41 169 5

HSL 106.83, 0.94%, 0.34%

LAB 60.66, -59.44, 60.95

 

CMYK 11 / 65 / 0 / 4

HEX #DB56F5

RGB 219 86 245

HSL 290.19, 0.89%, 0.65%

LAB 60.17, 72.68, -55.86

 

CMYK 7 / 59 / 0 / 0

HEX #EC68FF

RGB 236 104 255

HSL 292.45, 1%, 0.7%

LAB 65.71, 70.89, -52.43

 

CMYK 1 / 52 / 0 / 0

HEX #FD7AFF

RGB 253 122 255

HSL 299.1, 1%, 0.74%

LAB 70.89, 67.17, -44.13

 

CMYK 0 / 45 / 0 / 0

HEX #FF8CFF

RGB 255 140 255

HSL 300, 1%, 0.77%

LAB 74.34, 59.25, -38.72

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 14 / 66 / 0 / 2

HEX #D656FA

RGB 214 86 250

HSL 286.83, 0.94%, 0.66%

LAB 59.76, 72.5, -59.33

 

CMYK 15 / 71 / 0 / 9

HEX #C544E7

RGB 197 68 231

HSL 287.48, 0.77%, 0.59%

LAB 53.79, 72.38, -58.42

 

CMYK 15 / 76 / 0 / 17

HEX #B432D4

RGB 180 50 212

HSL 288.15, 0.65%, 0.51%

LAB 47.93, 71.73, -57.17

 

CMYK 16 / 83 / 0 / 24

HEX #A320C1

RGB 163 32 193

HSL 288.82, 0.72%, 0.44%

LAB 42.26, 70.28, -55.44

 

CMYK 16 / 92 / 0 / 32

HEX #920EAE

RGB 146 14 174

HSL 289.5, 0.85%, 0.37%

LAB 36.89, 67.66, -53.04

 

CMYK 14 / 65 / 0 / 2

HEX #D656F9

RGB 214 86 249

HSL 287.12, 0.93%, 0.66%

LAB 59.7, 72.32, -58.87

 

CMYK 0 / 65 / 3 / 2

HEX #F956F1

RGB 249 86 241

HSL 302.94, 0.93%, 0.66%

LAB 64.28, 78.73, -46.85

 

CMYK 0 / 65 / 21 / 2

HEX #F956C5

RGB 249 86 197

HSL 319.14, 0.93%, 0.66%

LAB 62.36, 72.41, -25.14

 

CMYK 0 / 65 / 39 / 2

HEX #F95699

RGB 249 86 153

HSL 335.34, 0.93%, 0.66%

LAB 60.87, 67.25, -2.11

 

CMYK 0 / 65 / 56 / 2

HEX #F9566D

RGB 249 86 109

HSL 351.53, 0.93%, 0.66%

LAB 59.8, 63.43, 22

 

CMYK 14 / 65 / 0 / 2

HEX #D656F9

RGB 214 86 249

HSL 287.12, 0.93%, 0.66%

LAB 59.7, 72.32, -58.87

 

CMYK 32 / 65 / 0 / 2

HEX #AA56F9

RGB 170 86 249

HSL 270.92, 0.93%, 0.66%

LAB 54.07, 63.07, -68.22

 

CMYK 49 / 65 / 0 / 2

HEX #7E56F9

RGB 126 86 249

HSL 254.72, 0.93%, 0.66%

LAB 49.41, 54.78, -75.99

 

CMYK 65 / 65 / 0 / 2

HEX #5656F9

RGB 86 86 249

HSL 240, 0.93%, 0.66%

LAB 46.28, 48.75, -81.24

 

CMYK 14 / 65 / 0 / 2

HEX #D656F9

RGB 214 86 249

HSL 287.12, 0.93%, 0.66%

LAB 59.7, 72.32, -58.87

 

CMYK 14 / 65 / 0 / 2

HEX #D656F9

RGB 214 86 249

HSL 287.12, 0.93%, 0.66%

LAB 59.7, 72.32, -58.87

 

CMYK 12 / 57 / 0 / 8

HEX #CE64EB

RGB 206 100 235

HSL 287.11, 0.77%, 0.66%

LAB 60.1, 61.7, -50.51

 

CMYK 10 / 48 / 0 / 13

HEX #C672DD

RGB 198 114 221

HSL 287.1, 0.61%, 0.66%

LAB 61.01, 49.97, -41.32

 

CMYK 8 / 38 / 0 / 19

HEX #BE80CF

RGB 190 128 207

HSL 287.09, 0.45%, 0.66%

LAB 62.42, 37.37, -31.35

 

CMYK 6 / 26 / 0 / 24

HEX #B68EC1

RGB 182 142 193

HSL 287.06, 0.29%, 0.66%

LAB 64.28, 24.23, -20.7

 

CMYK 50 / 65 / 0 / 2

HEX #7C56F9

RGB 124 86 249

HSL 253.99, 0.93%, 0.66%

LAB 49.23, 54.44, -76.3

 

CMYK 33 / 65 / 0 / 2

HEX #A856F9

RGB 168 86 249

HSL 270.18, 0.93%, 0.66%

LAB 53.84, 62.66, -68.61

 

CMYK 15 / 65 / 0 / 2

HEX #D356F9

RGB 211 86 249

HSL 286.01, 0.93%, 0.66%

LAB 59.29, 71.67, -59.54

 

CMYK 0 / 65 / 2 / 2

HEX #F956F4

RGB 249 86 244

HSL 301.84, 0.93%, 0.66%

LAB 64.42, 79.2, -48.28

 

CMYK 0 / 65 / 20 / 2

HEX #F956C8

RGB 249 86 200

HSL 318.04, 0.93%, 0.66%

LAB 62.48, 72.81, -26.67

 

CMYK 21 / 97 / 0 / 4

HEX #C207F6

RGB 194 7 246

HSL 286.95, 0.94%, 0.5%

LAB 49.83, 87.67, -73.27

 

CMYK 18 / 81 / 0 / 3

HEX #CC2EF8

RGB 204 46 248

HSL 286.93, 0.94%, 0.58%

LAB 53.57, 83.45, -68.25

 

CMYK 14 / 65 / 0 / 2

HEX #D656F9

RGB 214 86 249

HSL 287.12, 0.93%, 0.66%

LAB 59.7, 72.32, -58.87

 

CMYK 11 / 50 / 0 / 2

HEX #DF7EFB

RGB 223 126 251

HSL 286.56, 0.94%, 0.74%

LAB 67.71, 56.62, -47.19

 

CMYK 8 / 34 / 0 / 1

HEX #E9A6FC

RGB 233 166 252

HSL 286.74, 0.93%, 0.82%

LAB 77.06, 38.99, -33.08

 

CMYK 14 / 66 / 0 / 2

HEX #D656FA

RGB 214 86 250

HSL 286.83, 0.94%, 0.66%

LAB 59.76, 72.5, -59.33

 

CMYK 0 / 65 / 63 / 2

HEX #F9565C

RGB 249 86 92

HSL 357.79, 0.93%, 0.66%

LAB 59.5, 62.33, 31.41

 

CMYK 65 / 0 / 41 / 2

HEX #56F992

RGB 86 249 146

HSL 142.09, 0.93%, 0.66%

LAB 87.87, -64.19, 37.31

 

CMYK 14 / 66 / 0 / 2

HEX #D656FA

RGB 214 86 250

HSL 286.83, 0.94%, 0.66%

LAB 59.76, 72.5, -59.33

 

CMYK 0 / 15 / 65 / 2

HEX #F9D356

RGB 249 211 86

HSL 46.01, 0.93%, 0.66%

LAB 85.71, -0.05, 64.7

 

CMYK 65 / 0 / 15 / 2

HEX #56F9D3

RGB 86 249 211

HSL 166.01, 0.93%, 0.66%

LAB 89.13, -50.93, 5.9

 

CMYK 14 / 66 / 0 / 2

HEX #D656FA

RGB 214 86 250

HSL 286.83, 0.94%, 0.66%

LAB 59.76, 72.5, -59.33

 

CMYK 0 / 65 / 63 / 2

HEX #F9565C

RGB 249 86 92

HSL 357.79, 0.93%, 0.66%

LAB 59.5, 62.33, 31.41

 

CMYK 50 / 0 / 65 / 2

HEX #7CF956

RGB 124 249 86

HSL 106.01, 0.93%, 0.66%

LAB 88.31, -63.2, 65.16

 

CMYK 65 / 0 / 2 / 2

HEX #56F9F4

RGB 86 249 244

HSL 178.16, 0.93%, 0.66%

LAB 89.98, -42.59, -10.02

 

CMYK 14 / 66 / 0 / 2

HEX #D656FA

RGB 214 86 250

HSL 286.83, 0.94%, 0.66%

LAB 59.76, 72.5, -59.33

 

CMYK 0 / 48 / 65 / 2

HEX #F98256

RGB 249 130 86

HSL 16.2, 0.93%, 0.66%

LAB 67.11, 41.95, 43.97

 

CMYK 50 / 0 / 65 / 2

HEX #7CF956

RGB 124 249 86

HSL 106.01, 0.93%, 0.66%

LAB 88.31, -63.2, 65.16

 

CMYK 65 / 17 / 0 / 2

HEX #56CEF9

RGB 86 206 249

HSL 195.83, 0.93%, 0.66%

LAB 77.85, -20.67, -31.01

 

Description

Color code: RGB 214 86 250 | qconv.com Color code: RGB 214 86 250 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 86 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 86 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 66 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 66% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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