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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 76 154 it is the complementary color RGB 41 179 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 76 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 76 154 shade: RGB 219 76 149, RGB 236 94 168, RGB 253 112 187, RGB 255 130 206 and RGB 255 148 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 76 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 76 154 shade: RGB 214 76 154, RGB 197 58 135, RGB 180 40 116, RGB 163 22 97 and RGB 146 4 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 76 154 shade: RGB 214 76 154, RGB 214 76 117, RGB 214 76 80 and RGB 214 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 76 154 shade: RGB 214 76 154, RGB 214 76 192, RGB 200 76 214, RGB 163 76 214 and RGB 125 76 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 76 154 shade matches the following richer shades: RGB 214 76 154, RGB 232 59 157 and RGB 250 41 159

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 76 154 shade: RGB 214 76 154, RGB 197 94 152, RGB 179 112 150, RGB 161 129 147 and RGB 143 147 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 76 154 shade: RGB 201 76 214, RGB 214 76 191, RGB 214 76 155, RGB 214 76 118 and RGB 214 76 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 76 154 shade: RGB 170 39 113, RGB 203 46 135, RGB 214 76 154, RGB 222 110 173 and RGB 230 144 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 76 154 shade: RGB 214 76 154, RGB 214 164 76 and RGB 76 210 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 76 154 shade: RGB 214 76 154, RGB 155 214 76 and RGB 76 155 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 76 154 shade: RGB 214 76 154, RGB 214 164 76, RGB 76 214 136 and RGB 76 127 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 76 154 shade: RGB 214 76 154, RGB 214 205 76, RGB 76 214 136 and RGB 76 85 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

Complementary color

CMYK 77 / 0 / 44 / 30

HEX #29B365

RGB 41 179 101

HSL 146.09, 0.63%, 0.43%

LAB 64.68, -53.47, 29.78

 

CMYK 0 / 65 / 32 / 14

HEX #DB4C95

RGB 219 76 149

HSL 329.37, 0.67%, 0.58%

LAB 54.45, 62.16, -9.82

 

CMYK 0 / 60 / 29 / 7

HEX #EC5EA8

RGB 236 94 168

HSL 328.73, 0.79%, 0.65%

LAB 60.49, 61.92, -11.57

 

CMYK 0 / 56 / 26 / 1

HEX #FD70BB

RGB 253 112 187

HSL 328.09, 0.97%, 0.72%

LAB 66.56, 61.46, -13.03

 

CMYK 0 / 49 / 19 / 0

HEX #FF82CE

RGB 255 130 206

HSL 323.52, 1%, 0.75%

LAB 70.65, 56.29, -17.48

 

CMYK 0 / 42 / 12 / 0

HEX #FF94E1

RGB 255 148 225

HSL 316.82, 1%, 0.79%

LAB 74.75, 50.31, -21.75

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 71 / 31 / 23

HEX #C53A87

RGB 197 58 135

HSL 326.76, 0.55%, 0.5%

LAB 47.81, 61.22, -11.81

 

CMYK 0 / 78 / 36 / 29

HEX #B42874

RGB 180 40 116

HSL 327.43, 0.64%, 0.43%

LAB 41.97, 60.49, -9.27

 

CMYK 0 / 87 / 40 / 36

HEX #A31661

RGB 163 22 97

HSL 328.09, 0.76%, 0.36%

LAB 36.41, 58.8, -5.96

 

CMYK 0 / 97 / 47 / 43

HEX #92044E

RGB 146 4 78

HSL 328.73, 0.95%, 0.29%

LAB 31.23, 55.84, -1.68

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 64 / 45 / 16

HEX #D64C75

RGB 214 76 117

HSL 342.17, 0.63%, 0.57%

LAB 52.67, 57.27, 6.51

 

CMYK 0 / 64 / 63 / 16

HEX #D64C50

RGB 214 76 80

HSL 358.26, 0.63%, 0.57%

LAB 51.89, 54.36, 27.47

 

CMYK 0 / 64 / 64 / 16

HEX #D64C4C

RGB 214 76 76

HSL 0, 0.63%, 0.57%

LAB 51.82, 54.12, 29.72

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 64 / 10 / 16

HEX #D64CC0

RGB 214 76 192

HSL 309.57, 0.63%, 0.57%

LAB 55.35, 66.62, -33.57

 

CMYK 7 / 64 / 0 / 16

HEX #C84CD6

RGB 200 76 214

HSL 293.91, 0.63%, 0.57%

LAB 54.35, 66.86, -47.88

 

CMYK 24 / 64 / 0 / 16

HEX #A34CD6

RGB 163 76 214

HSL 277.83, 0.63%, 0.57%

LAB 49.27, 58.46, -56.29

 

CMYK 42 / 64 / 0 / 16

HEX #7D4CD6

RGB 125 76 214

HSL 261.3, 0.63%, 0.57%

LAB 44.78, 50.41, -63.76

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 75 / 32 / 9

HEX #E83B9D

RGB 232 59 157

HSL 326.01, 0.79%, 0.57%

LAB 54.78, 72.48, -13.82

 

CMYK 0 / 84 / 36 / 2

HEX #FA299F

RGB 250 41 159

HSL 326.12, 0.95%, 0.57%

LAB 56.5, 81.42, -12.09

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 52 / 23 / 23

HEX #C55E98

RGB 197 94 152

HSL 326.21, 0.47%, 0.57%

LAB 54.18, 47.85, -12.33

 

CMYK 0 / 37 / 16 / 30

HEX #B37096

RGB 179 112 150

HSL 325.97, 0.31%, 0.57%

LAB 55.46, 32.02, -9.48

 

CMYK 0 / 20 / 9 / 37

HEX #A18193

RGB 161 129 147

HSL 326.25, 0.15%, 0.57%

LAB 57.45, 15.37, -4.99

 

CMYK 3 / 0 / 1 / 42

HEX #8F9391

RGB 143 147 145

HSL 150, 0.02%, 0.57%

LAB 60.56, -1.84, 0.54

 

CMYK 6 / 64 / 0 / 16

HEX #C94CD6

RGB 201 76 214

HSL 294.35, 0.63%, 0.57%

LAB 54.49, 67.09, -47.64

 

CMYK 0 / 64 / 11 / 16

HEX #D64CBF

RGB 214 76 191

HSL 310, 0.63%, 0.57%

LAB 55.3, 66.47, -33.07

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9B

RGB 214 76 155

HSL 325.65, 0.63%, 0.57%

LAB 53.85, 61.47, -14.34

 

CMYK 0 / 64 / 45 / 16

HEX #D64C76

RGB 214 76 118

HSL 341.74, 0.63%, 0.57%

LAB 52.7, 57.37, 5.95

 

CMYK 0 / 64 / 62 / 16

HEX #D64C51

RGB 214 76 81

HSL 357.83, 0.63%, 0.57%

LAB 51.9, 54.42, 26.9

 

CMYK 0 / 77 / 34 / 33

HEX #AA2771

RGB 170 39 113

HSL 326.11, 0.63%, 0.41%

LAB 39.9, 57.86, -10.71

 

CMYK 0 / 77 / 33 / 20

HEX #CB2E87

RGB 203 46 135

HSL 325.99, 0.63%, 0.49%

LAB 47.49, 66.67, -12.18

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 50 / 22 / 13

HEX #DE6EAD

RGB 222 110 173

HSL 326.25, 0.63%, 0.65%

LAB 61.39, 50.97, -13.28

 

CMYK 0 / 37 / 17 / 10

HEX #E690C0

RGB 230 144 192

HSL 326.51, 0.63%, 0.73%

LAB 69.88, 39.09, -11.17

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 23 / 64 / 16

HEX #D6A44C

RGB 214 164 76

HSL 38.26, 0.63%, 0.57%

LAB 70.43, 9.22, 51.58

 

CMYK 64 / 2 / 0 / 16

HEX #4CD2D6

RGB 76 210 214

HSL 181.74, 0.63%, 0.57%

LAB 77.57, -34.44, -12.7

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 28 / 0 / 64 / 16

HEX #9BD64C

RGB 155 214 76

HSL 85.65, 0.63%, 0.57%

LAB 79.38, -39.98, 59.97

 

CMYK 64 / 28 / 0 / 16

HEX #4C9BD6

RGB 76 155 214

HSL 205.65, 0.63%, 0.57%

LAB 61.51, -6.07, -37.28

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 23 / 64 / 16

HEX #D6A44C

RGB 214 164 76

HSL 38.26, 0.63%, 0.57%

LAB 70.43, 9.22, 51.58

 

CMYK 64 / 0 / 36 / 16

HEX #4CD688

RGB 76 214 136

HSL 146.09, 0.63%, 0.57%

LAB 76.93, -54.63, 27.86

 

CMYK 64 / 41 / 0 / 16

HEX #4C7FD6

RGB 76 127 214

HSL 217.83, 0.63%, 0.57%

LAB 53.57, 10.39, -49.82

 

CMYK 0 / 64 / 28 / 16

HEX #D64C9A

RGB 214 76 154

HSL 326.09, 0.63%, 0.57%

LAB 53.81, 61.35, -13.81

 

CMYK 0 / 4 / 64 / 16

HEX #D6CD4C

RGB 214 205 76

HSL 56.09, 0.63%, 0.57%

LAB 81.01, -12.18, 62.95

 

CMYK 64 / 0 / 36 / 16

HEX #4CD688

RGB 76 214 136

HSL 146.09, 0.63%, 0.57%

LAB 76.93, -54.63, 27.86

 

CMYK 64 / 60 / 0 / 16

HEX #4C55D6

RGB 76 85 214

HSL 236.09, 0.63%, 0.57%

LAB 42.59, 36.5, -67.5

 

Description

Color code: RGB 214 76 154 | qconv.com Color code: RGB 214 76 154 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 76 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 76 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 28 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 28% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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