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Color name
RGB 214 39 215

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 39 215 it is the complementary color RGB 41 216 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 39 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 39 215 shade: RGB 219 39 210, RGB 236 57 229, RGB 253 75 248, RGB 255 93 255 and RGB 255 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 39 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 39 215 shade: RGB 214 39 215, RGB 197 21 196, RGB 180 3 177, RGB 163 0 158 and RGB 146 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 39 215 shade: RGB 214 39 215, RGB 215 39 169, RGB 215 39 121, RGB 215 39 74 and RGB 215 39 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 39 215 shade: RGB 214 39 215, RGB 167 39 215, RGB 119 39 215, RGB 72 39 215 and RGB 39 39 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 39 215 shade matches the following richer shades: RGB 214 39 215 and RGB 234 18 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 39 215 shade: RGB 214 39 215, RGB 194 60 194, RGB 173 80 174, RGB 153 101 153 and RGB 132 122 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 39 215 shade: RGB 118 39 215, RGB 165 39 215, RGB 212 39 215, RGB 215 39 171 and RGB 215 39 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 39 215 shade: RGB 145 26 145, RGB 179 33 180, RGB 214 39 215, RGB 221 74 221 and RGB 227 109 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 39 215 shade: RGB 214 39 215, RGB 215 71 39 and RGB 39 215 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 39 215 shade: RGB 214 39 215, RGB 215 212 39 and RGB 39 215 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 39 215 shade: RGB 214 39 215, RGB 215 71 39, RGB 42 215 39 and RGB 39 183 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 39 215 shade: RGB 214 39 215, RGB 215 124 39, RGB 42 215 39 and RGB 39 130 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

Complementary color

CMYK 81 / 0 / 81 / 15

HEX #29D828

RGB 41 216 40

HSL 119.66, 0.69%, 0.5%

LAB 75.91, -72.19, 67.49

 

CMYK 0 / 82 / 4 / 14

HEX #DB27D2

RGB 219 39 210

HSL 303, 0.71%, 0.51%

LAB 53.13, 81.57, -47.35

 

CMYK 0 / 76 / 3 / 7

HEX #EC39E5

RGB 236 57 229

HSL 302.35, 0.82%, 0.57%

LAB 58.43, 83.34, -49.54

 

CMYK 0 / 70 / 2 / 1

HEX #FD4BF8

RGB 253 75 248

HSL 301.69, 0.98%, 0.64%

LAB 63.91, 84.4, -51.27

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 0 / 89 / 1 / 23

HEX #C515C4

RGB 197 21 196

HSL 300.34, 0.81%, 0.43%

LAB 47.48, 78.69, -48.5

 

CMYK 0 / 98 / 2 / 29

HEX #B403B1

RGB 180 3 177

HSL 301.02, 0.97%, 0.36%

LAB 42.68, 74.92, -45.2

 

CMYK 0 / 100 / 3 / 36

HEX #A3009E

RGB 163 0 158

HSL 301.84, 1%, 0.32%

LAB 38.3, 69.55, -41.01

 

CMYK 0 / 100 / 5 / 43

HEX #92008B

RGB 146 0 139

HSL 302.88, 1%, 0.29%

LAB 33.93, 63.78, -36.54

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 0 / 82 / 21 / 16

HEX #D727A9

RGB 215 39 169

HSL 315.68, 0.69%, 0.5%

LAB 50.41, 75.22, -27.86

 

CMYK 0 / 82 / 44 / 16

HEX #D72779

RGB 215 39 121

HSL 332.05, 0.69%, 0.5%

LAB 48.61, 70.07, -1.77

 

CMYK 0 / 82 / 66 / 16

HEX #D7274A

RGB 215 39 74

HSL 348.07, 0.69%, 0.5%

LAB 47.49, 66.74, 25.47

 

CMYK 0 / 82 / 82 / 16

HEX #D72727

RGB 215 39 39

HSL 0, 0.69%, 0.5%

LAB 47.03, 65.36, 45.2

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 22 / 82 / 0 / 16

HEX #A727D7

RGB 167 39 215

HSL 283.64, 0.69%, 0.5%

LAB 45.04, 73.21, -63.65

 

CMYK 45 / 82 / 0 / 16

HEX #7727D7

RGB 119 39 215

HSL 267.27, 0.69%, 0.5%

LAB 38.34, 66.11, -74.88

 

CMYK 67 / 82 / 0 / 16

HEX #4827D7

RGB 72 39 215

HSL 251.25, 0.69%, 0.5%

LAB 33.42, 61.09, -83.15

 

CMYK 82 / 82 / 0 / 16

HEX #2727D7

RGB 39 39 215

HSL 240, 0.69%, 0.5%

LAB 31.32, 59, -86.7

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 1 / 92 / 0 / 7

HEX #EA12EC

RGB 234 18 236

HSL 299.45, 0.86%, 0.5%

LAB 56.07, 91.06, -57.25

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 0 / 69 / 0 / 24

HEX #C23CC2

RGB 194 60 194

HSL 300, 0.53%, 0.5%

LAB 50.21, 68.15, -43.03

 

CMYK 1 / 54 / 0 / 32

HEX #AD50AE

RGB 173 80 174

HSL 299.36, 0.37%, 0.5%

LAB 49.1, 51.05, -33.34

 

CMYK 0 / 34 / 0 / 40

HEX #996599

RGB 153 101 153

HSL 300, 0.2%, 0.5%

LAB 49.95, 29.72, -19.87

 

CMYK 0 / 8 / 0 / 48

HEX #847A84

RGB 132 122 132

HSL 300, 0.04%, 0.5%

LAB 52.39, 5.76, -4.06

 

CMYK 45 / 82 / 0 / 16

HEX #7627D7

RGB 118 39 215

HSL 266.93, 0.69%, 0.5%

LAB 38.21, 65.99, -75.09

 

CMYK 23 / 82 / 0 / 16

HEX #A527D7

RGB 165 39 215

HSL 282.95, 0.69%, 0.5%

LAB 44.74, 72.88, -64.16

 

CMYK 1 / 82 / 0 / 16

HEX #D427D7

RGB 212 39 215

HSL 298.98, 0.69%, 0.5%

LAB 52.24, 81.02, -51.7

 

CMYK 0 / 82 / 20 / 16

HEX #D727AB

RGB 215 39 171

HSL 315, 0.69%, 0.5%

LAB 50.5, 75.47, -28.9

 

CMYK 0 / 82 / 42 / 16

HEX #D7277C

RGB 215 39 124

HSL 331.02, 0.69%, 0.5%

LAB 48.7, 70.35, -3.47

 

CMYK 0 / 82 / 0 / 43

HEX #911A91

RGB 145 26 145

HSL 300, 0.7%, 0.34%

LAB 35.6, 60.16, -37.58

 

CMYK 1 / 82 / 0 / 29

HEX #B321B4

RGB 179 33 180

HSL 299.59, 0.69%, 0.42%

LAB 44.19, 70.77, -44.58

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 0 / 67 / 0 / 13

HEX #DD4ADD

RGB 221 74 221

HSL 300, 0.68%, 0.58%

LAB 57.55, 73.59, -46.57

 

CMYK 0 / 52 / 0 / 11

HEX #E36DE4

RGB 227 109 228

HSL 299.5, 0.69%, 0.66%

LAB 64.06, 61.63, -40.2

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 0 / 67 / 82 / 16

HEX #D74727

RGB 215 71 39

HSL 10.91, 0.69%, 0.5%

LAB 50.8, 54.9, 48.74

 

CMYK 82 / 0 / 34 / 16

HEX #27D78E

RGB 39 215 142

HSL 155.11, 0.69%, 0.5%

LAB 76.67, -58.93, 24.29

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 0 / 1 / 82 / 16

HEX #D7D427

RGB 215 212 39

HSL 58.98, 0.69%, 0.5%

LAB 82.74, -16.85, 76.85

 

CMYK 82 / 0 / 1 / 16

HEX #27D7D4

RGB 39 215 212

HSL 178.98, 0.69%, 0.5%

LAB 78.34, -41.47, -10.55

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 0 / 67 / 82 / 16

HEX #D74727

RGB 215 71 39

HSL 10.91, 0.69%, 0.5%

LAB 50.8, 54.9, 48.74

 

CMYK 80 / 0 / 82 / 16

HEX #2AD727

RGB 42 215 39

HSL 118.98, 0.69%, 0.5%

LAB 75.6, -71.84, 67.48

 

CMYK 82 / 15 / 0 / 16

HEX #27B7D7

RGB 39 183 215

HSL 190.91, 0.69%, 0.5%

LAB 68.9, -25.38, -26.46

 

CMYK 0 / 82 / 0 / 16

HEX #D627D7

RGB 214 39 215

HSL 299.66, 0.69%, 0.5%

LAB 52.57, 81.39, -51.15

 

CMYK 0 / 42 / 82 / 16

HEX #D77C27

RGB 215 124 39

HSL 28.98, 0.69%, 0.5%

LAB 60.79, 29.42, 57.83

 

CMYK 80 / 0 / 82 / 16

HEX #2AD727

RGB 42 215 39

HSL 118.98, 0.69%, 0.5%

LAB 75.6, -71.84, 67.48

 

CMYK 82 / 40 / 0 / 16

HEX #2782D7

RGB 39 130 215

HSL 208.98, 0.69%, 0.5%

LAB 53.28, 4.06, -50.91

 

Description

Color code: RGB 214 39 215 | qconv.com Color code: RGB 214 39 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 39 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 39 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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