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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 231 165 it is the complementary color RGB 41 24 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 231 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 231 165 shade: RGB 219 231 160, RGB 236 249 179, RGB 253 255 198, RGB 255 255 217 and RGB 255 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 231 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 231 165 shade: RGB 214 231 165, RGB 197 213 146, RGB 180 195 127, RGB 163 177 108 and RGB 146 159 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 231 165 shade: RGB 214 231 166, RGB 231 230 166, RGB 231 213 166, RGB 231 195 166 and RGB 231 177 166

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 231 165 shade: RGB 214 231 166, RGB 197 231 166, RGB 179 231 166, RGB 166 231 170 and RGB 166 231 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 231 165 shade matches the following richer shades: RGB 214 231 166, RGB 219 240 157 and RGB 223 249 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 231 165 shade: RGB 214 231 166, RGB 210 222 175, RGB 205 213 184, RGB 201 204 193 and RGB 197 195 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 231 165 shade: RGB 231 212 166, RGB 231 230 166, RGB 215 231 166, RGB 197 231 166 and RGB 180 231 166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 231 165 shade: RGB 185 214 101, RGB 199 222 133, RGB 214 231 166, RGB 229 240 198 and RGB 244 248 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 231 165 shade: RGB 214 231 165, RGB 166 231 195 and RGB 221 166 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 231 165 shade: RGB 214 231 165, RGB 166 215 231 and RGB 231 166 215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 231 165 shade: RGB 214 231 165, RGB 166 231 195, RGB 182 166 231 and RGB 231 166 202

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 231 165 shade: RGB 214 231 165, RGB 166 231 215, RGB 182 166 231 and RGB 231 166 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 29 / 9

HEX #D6E7A5

RGB 214 231 165

HSL 75.45, 0.58%, 0.78%

LAB 89, -16.41, 30.33

 

Complementary color

CMYK 54 / 73 / 0 / 65

HEX #29185A

RGB 41 24 90

HSL 255.45, 0.58%, 0.22%

LAB 14.75, 26.97, -36.82

 

CMYK 5 / 0 / 31 / 9

HEX #DBE7A0

RGB 219 231 160

HSL 70.14, 0.6%, 0.77%

LAB 89.28, -15.22, 33.3

 

CMYK 5 / 0 / 28 / 2

HEX #ECF9B3

RGB 236 249 179

HSL 71.14, 0.85%, 0.84%

LAB 95.51, -15.35, 32.25

 

CMYK 1 / 0 / 22 / 0

HEX #FDFFC6

RGB 253 255 198

HSL 62.11, 1%, 0.89%

LAB 98.62, -9.6, 27.1

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 7 / 0 / 29 / 9

HEX #D6E7A5

RGB 214 231 165

HSL 75.45, 0.58%, 0.78%

LAB 89, -16.41, 30.33

 

CMYK 8 / 0 / 31 / 16

HEX #C5D592

RGB 197 213 146

HSL 74.33, 0.44%, 0.7%

LAB 82.67, -16.32, 31.39

 

CMYK 8 / 0 / 35 / 24

HEX #B4C37F

RGB 180 195 127

HSL 73.24, 0.36%, 0.63%

LAB 76.23, -16.21, 32.51

 

CMYK 8 / 0 / 39 / 31

HEX #A3B16C

RGB 163 177 108

HSL 72.17, 0.31%, 0.56%

LAB 69.69, -16.06, 33.68

 

CMYK 8 / 0 / 44 / 38

HEX #929F59

RGB 146 159 89

HSL 71.14, 0.28%, 0.49%

LAB 63.03, -15.86, 34.88

 

CMYK 7 / 0 / 28 / 9

HEX #D6E7A6

RGB 214 231 166

HSL 75.69, 0.58%, 0.78%

LAB 89.02, -16.27, 29.84

 

CMYK 0 / 0 / 28 / 9

HEX #E7E6A6

RGB 231 230 166

HSL 59.08, 0.58%, 0.78%

LAB 90.01, -9.47, 31.4

 

CMYK 0 / 8 / 28 / 9

HEX #E7D5A6

RGB 231 213 166

HSL 43.38, 0.58%, 0.78%

LAB 85.67, -0.83, 25.53

 

CMYK 0 / 16 / 28 / 9

HEX #E7C3A6

RGB 231 195 166

HSL 26.77, 0.58%, 0.78%

LAB 81.17, 8.55, 19.34

 

CMYK 0 / 23 / 28 / 9

HEX #E7B1A6

RGB 231 177 166

HSL 10.15, 0.58%, 0.78%

LAB 76.79, 18.1, 13.22

 

CMYK 7 / 0 / 28 / 9

HEX #D6E7A6

RGB 214 231 166

HSL 75.69, 0.58%, 0.78%

LAB 89.02, -16.27, 29.84

 

CMYK 15 / 0 / 28 / 9

HEX #C5E7A6

RGB 197 231 166

HSL 91.38, 0.58%, 0.78%

LAB 87.86, -22.4, 28.08

 

CMYK 23 / 0 / 28 / 9

HEX #B3E7A6

RGB 179 231 166

HSL 108, 0.58%, 0.78%

LAB 86.75, -28.63, 26.38

 

CMYK 28 / 0 / 26 / 9

HEX #A6E7AA

RGB 166 231 170

HSL 123.69, 0.58%, 0.78%

LAB 86.09, -32.25, 23.3

 

CMYK 28 / 0 / 19 / 9

HEX #A6E7BC

RGB 166 231 188

HSL 140.31, 0.58%, 0.78%

LAB 86.45, -29.07, 14.45

 

CMYK 7 / 0 / 28 / 9

HEX #D6E7A6

RGB 214 231 166

HSL 75.69, 0.58%, 0.78%

LAB 89.02, -16.27, 29.84

 

CMYK 9 / 0 / 35 / 6

HEX #DBF09D

RGB 219 240 157

HSL 75.18, 0.73%, 0.78%

LAB 91.6, -20.01, 37.88

 

CMYK 10 / 0 / 41 / 2

HEX #DFF994

RGB 223 249 148

HSL 75.45, 0.89%, 0.78%

LAB 94.13, -23.92, 45.62

 

CMYK 7 / 0 / 28 / 9

HEX #D6E7A6

RGB 214 231 166

HSL 75.69, 0.58%, 0.78%

LAB 89.02, -16.27, 29.84

 

CMYK 5 / 0 / 21 / 13

HEX #D2DEAF

RGB 210 222 175

HSL 75.32, 0.42%, 0.78%

LAB 86.52, -11.95, 21.75

 

CMYK 4 / 0 / 14 / 16

HEX #CDD5B8

RGB 205 213 184

HSL 76.55, 0.26%, 0.78%

LAB 83.98, -7.77, 13.42

 

CMYK 1 / 0 / 5 / 20

HEX #C9CCC1

RGB 201 204 193

HSL 76.36, 0.1%, 0.78%

LAB 81.54, -3, 5.11

 

CMYK 2 / 3 / 0 / 21

HEX #C5C3CA

RGB 197 195 202

HSL 257.14, 0.06%, 0.78%

LAB 79.14, 2, -3.26

 

CMYK 0 / 8 / 28 / 9

HEX #E7D4A6

RGB 231 212 166

HSL 42.46, 0.58%, 0.78%

LAB 85.42, -0.32, 25.18

 

CMYK 0 / 0 / 28 / 9

HEX #E7E6A6

RGB 231 230 166

HSL 59.08, 0.58%, 0.78%

LAB 90.01, -9.47, 31.4

 

CMYK 7 / 0 / 28 / 9

HEX #D7E7A6

RGB 215 231 166

HSL 74.77, 0.58%, 0.78%

LAB 89.09, -15.91, 29.95

 

CMYK 15 / 0 / 28 / 9

HEX #C5E7A6

RGB 197 231 166

HSL 91.38, 0.58%, 0.78%

LAB 87.86, -22.4, 28.08

 

CMYK 22 / 0 / 28 / 9

HEX #B4E7A6

RGB 180 231 166

HSL 107.08, 0.58%, 0.78%

LAB 86.8, -28.29, 26.47

 

CMYK 14 / 0 / 53 / 16

HEX #B9D665

RGB 185 214 101

HSL 75.4, 0.58%, 0.62%

LAB 81.48, -26.47, 51.93

 

CMYK 10 / 0 / 40 / 13

HEX #C7DE85

RGB 199 222 133

HSL 75.51, 0.57%, 0.7%

LAB 85.04, -21.62, 41.09

 

CMYK 7 / 0 / 28 / 9

HEX #D6E7A6

RGB 214 231 166

HSL 75.69, 0.58%, 0.78%

LAB 89.02, -16.27, 29.84

 

CMYK 5 / 0 / 18 / 6

HEX #E5F0C6

RGB 229 240 198

HSL 75.71, 0.58%, 0.86%

LAB 93.04, -10.71, 19.1

 

CMYK 2 / 0 / 7 / 3

HEX #F4F8E7

RGB 244 248 231

HSL 74.12, 0.55%, 0.94%

LAB 96.88, -4.25, 7.69

 

CMYK 7 / 0 / 29 / 9

HEX #D6E7A5

RGB 214 231 165

HSL 75.45, 0.58%, 0.78%

LAB 89, -16.41, 30.33

 

CMYK 28 / 0 / 16 / 9

HEX #A6E7C3

RGB 166 231 195

HSL 146.77, 0.58%, 0.78%

LAB 86.6, -27.75, 11.01

 

CMYK 4 / 28 / 0 / 9

HEX #DDA6E7

RGB 221 166 231

HSL 290.77, 0.58%, 0.78%

LAB 75.09, 31.19, -24.84

 

CMYK 7 / 0 / 29 / 9

HEX #D6E7A5

RGB 214 231 165

HSL 75.45, 0.58%, 0.78%

LAB 89, -16.41, 30.33

 

CMYK 28 / 7 / 0 / 9

HEX #A6D7E7

RGB 166 215 231

HSL 194.77, 0.58%, 0.78%

LAB 83.17, -12.18, -13.03

 

CMYK 0 / 28 / 7 / 9

HEX #E7A6D7

RGB 231 166 215

HSL 314.77, 0.58%, 0.78%

LAB 75.56, 31.54, -15.32

 

CMYK 7 / 0 / 29 / 9

HEX #D6E7A5

RGB 214 231 165

HSL 75.45, 0.58%, 0.78%

LAB 89, -16.41, 30.33

 

CMYK 28 / 0 / 16 / 9

HEX #A6E7C3

RGB 166 231 195

HSL 146.77, 0.58%, 0.78%

LAB 86.6, -27.75, 11.01

 

CMYK 21 / 28 / 0 / 9

HEX #B6A6E7

RGB 182 166 231

HSL 254.77, 0.58%, 0.78%

LAB 71.55, 19.02, -30.58

 

CMYK 0 / 28 / 13 / 9

HEX #E7A6CA

RGB 231 166 202

HSL 326.77, 0.58%, 0.78%

LAB 75.16, 29.36, -8.81

 

CMYK 7 / 0 / 29 / 9

HEX #D6E7A5

RGB 214 231 165

HSL 75.45, 0.58%, 0.78%

LAB 89, -16.41, 30.33

 

CMYK 28 / 0 / 7 / 9

HEX #A6E7D7

RGB 166 231 215

HSL 165.23, 0.58%, 0.78%

LAB 87.08, -23.72, 1.21

 

CMYK 21 / 28 / 0 / 9

HEX #B6A6E7

RGB 182 166 231

HSL 254.77, 0.58%, 0.78%

LAB 71.55, 19.02, -30.58

 

CMYK 0 / 28 / 21 / 9

HEX #E7A6B6

RGB 231 166 182

HSL 345.23, 0.58%, 0.78%

LAB 74.6, 26.24, 1.34

 

Description

Color code: RGB 214 231 165 | qconv.com Color code: RGB 214 231 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 231 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 231 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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