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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 202 137 it is the complementary color RGB 41 53 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 202 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 202 137 shade: RGB 219 202 132, RGB 236 220 151, RGB 253 238 170, RGB 255 255 189 and RGB 255 255 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 202 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 202 137 shade: RGB 214 202 137, RGB 197 184 118, RGB 180 166 99, RGB 163 148 80 and RGB 146 130 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 202 137 shade: RGB 214 202 138, RGB 214 182 138, RGB 214 161 138, RGB 214 141 138 and RGB 214 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 202 137 shade: RGB 214 202 138, RGB 205 214 138, RGB 185 214 138, RGB 164 214 138 and RGB 144 214 138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 202 137 shade matches the following richer shades: RGB 214 202 138, RGB 227 211 125, RGB 239 220 112 and RGB 252 228 100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 202 137 shade: RGB 214 202 138, RGB 201 193 151, RGB 188 184 164, RGB 176 176 176 and RGB 163 167 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 202 137 shade: RGB 214 161 138, RGB 214 181 138, RGB 214 201 138, RGB 206 214 138 and RGB 186 214 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 202 137 shade: RGB 192 174 77, RGB 203 188 107, RGB 214 202 138, RGB 225 216 169 and RGB 235 230 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 202 137 shade: RGB 214 202 137, RGB 138 214 141 and RGB 171 138 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 202 137 shade: RGB 214 202 137, RGB 138 214 201 and RGB 201 138 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 202 137 shade: RGB 214 202 137, RGB 138 214 141, RGB 138 151 214 and RGB 214 138 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 202 137 shade: RGB 214 202 137, RGB 138 214 163, RGB 138 151 214 and RGB 214 138 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 36 / 16

HEX #D6CA89

RGB 214 202 137

HSL 50.65, 0.48%, 0.69%

LAB 80.93, -5.31, 33.99

 

Complementary color

CMYK 65 / 55 / 0 / 54

HEX #293576

RGB 41 53 118

HSL 230.65, 0.48%, 0.31%

LAB 24.72, 17.38, -38.92

 

CMYK 0 / 8 / 40 / 14

HEX #DBCA84

RGB 219 202 132

HSL 48.28, 0.55%, 0.69%

LAB 81.27, -3.9, 37.08

 

CMYK 0 / 7 / 36 / 7

HEX #ECDC97

RGB 236 220 151

HSL 48.71, 0.69%, 0.76%

LAB 87.61, -4.34, 35.92

 

CMYK 0 / 6 / 33 / 1

HEX #FDEEAA

RGB 253 238 170

HSL 49.16, 0.95%, 0.83%

LAB 93.85, -4.72, 34.8

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA89

RGB 214 202 137

HSL 50.65, 0.48%, 0.69%

LAB 80.93, -5.31, 33.99

 

CMYK 0 / 7 / 40 / 23

HEX #C5B876

RGB 197 184 118

HSL 50.13, 0.41%, 0.62%

LAB 74.48, -4.88, 35.17

 

CMYK 0 / 8 / 45 / 29

HEX #B4A663

RGB 180 166 99

HSL 49.63, 0.35%, 0.55%

LAB 67.93, -4.37, 36.41

 

CMYK 0 / 9 / 51 / 36

HEX #A39450

RGB 163 148 80

HSL 49.16, 0.34%, 0.48%

LAB 61.26, -3.76, 37.69

 

CMYK 0 / 11 / 58 / 43

HEX #92823D

RGB 146 130 61

HSL 48.71, 0.41%, 0.41%

LAB 54.46, -3, 38.96

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA8A

RGB 214 202 138

HSL 50.53, 0.48%, 0.69%

LAB 80.95, -5.19, 33.49

 

CMYK 0 / 15 / 36 / 16

HEX #D6B68A

RGB 214 182 138

HSL 34.74, 0.48%, 0.69%

LAB 75.82, 5.29, 26.69

 

CMYK 0 / 25 / 36 / 16

HEX #D6A18A

RGB 214 161 138

HSL 18.16, 0.48%, 0.69%

LAB 70.61, 16.57, 19.61

 

CMYK 0 / 34 / 36 / 16

HEX #D68D8A

RGB 214 141 138

HSL 2.37, 0.48%, 0.69%

LAB 65.89, 27.39, 13.06

 

CMYK 0 / 36 / 36 / 16

HEX #D68A8A

RGB 214 138 138

HSL 0, 0.48%, 0.69%

LAB 65.21, 29.01, 12.1

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA8A

RGB 214 202 138

HSL 50.53, 0.48%, 0.69%

LAB 80.95, -5.19, 33.49

 

CMYK 4 / 0 / 36 / 16

HEX #CDD68A

RGB 205 214 138

HSL 67.11, 0.48%, 0.69%

LAB 83.39, -14.79, 36.55

 

CMYK 14 / 0 / 36 / 16

HEX #B9D68A

RGB 185 214 138

HSL 82.89, 0.48%, 0.69%

LAB 81.97, -22.35, 34.42

 

CMYK 23 / 0 / 36 / 16

HEX #A4D68A

RGB 164 214 138

HSL 99.47, 0.48%, 0.69%

LAB 80.64, -29.92, 32.43

 

CMYK 33 / 0 / 36 / 16

HEX #90D68A

RGB 144 214 138

HSL 115.26, 0.48%, 0.69%

LAB 79.53, -36.66, 30.76

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA8A

RGB 214 202 138

HSL 50.53, 0.48%, 0.69%

LAB 80.95, -5.19, 33.49

 

CMYK 0 / 7 / 45 / 11

HEX #E3D37D

RGB 227 211 125

HSL 50.59, 0.65%, 0.69%

LAB 84.17, -6.05, 44.42

 

CMYK 0 / 8 / 53 / 6

HEX #EFDC70

RGB 239 220 112

HSL 51.02, 0.8%, 0.69%

LAB 87.34, -6.94, 54.74

 

CMYK 0 / 10 / 60 / 1

HEX #FCE464

RGB 252 228 100

HSL 50.53, 0.96%, 0.69%

LAB 90.37, -6.55, 63.87

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA8A

RGB 214 202 138

HSL 50.53, 0.48%, 0.69%

LAB 80.95, -5.19, 33.49

 

CMYK 0 / 4 / 25 / 21

HEX #C9C197

RGB 201 193 151

HSL 50.4, 0.32%, 0.69%

LAB 77.75, -3.89, 22.2

 

CMYK 0 / 2 / 13 / 26

HEX #BCB8A4

RGB 188 184 164

HSL 50, 0.15%, 0.69%

LAB 74.61, -2.06, 10.66

 

CMYK 0 / 0 / 0 / 31

HEX #B0B0B0

RGB 176 176 176

HSL 0, 0%, 0.69%

LAB 71.84, 0, -0.01

 

CMYK 14 / 12 / 0 / 26

HEX #A3A7BD

RGB 163 167 189

HSL 230.77, 0.16%, 0.69%

LAB 68.82, 3.08, -11.75

 

CMYK 0 / 25 / 36 / 16

HEX #D6A18A

RGB 214 161 138

HSL 18.16, 0.48%, 0.69%

LAB 70.61, 16.57, 19.61

 

CMYK 0 / 15 / 36 / 16

HEX #D6B58A

RGB 214 181 138

HSL 33.95, 0.48%, 0.69%

LAB 75.56, 5.82, 26.35

 

CMYK 0 / 6 / 36 / 16

HEX #D6C98A

RGB 214 201 138

HSL 49.74, 0.48%, 0.69%

LAB 80.69, -4.67, 33.15

 

CMYK 4 / 0 / 36 / 16

HEX #CED68A

RGB 206 214 138

HSL 66.32, 0.48%, 0.69%

LAB 83.47, -14.4, 36.66

 

CMYK 13 / 0 / 36 / 16

HEX #BAD68A

RGB 186 214 138

HSL 82.11, 0.48%, 0.69%

LAB 82.04, -21.97, 34.52

 

CMYK 0 / 9 / 60 / 25

HEX #C0AE4D

RGB 192 174 77

HSL 50.61, 0.48%, 0.53%

LAB 70.88, -5.45, 51.02

 

CMYK 0 / 7 / 47 / 20

HEX #CBBC6B

RGB 203 188 107

HSL 50.63, 0.48%, 0.61%

LAB 75.9, -5.66, 42.67

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA8A

RGB 214 202 138

HSL 50.53, 0.48%, 0.69%

LAB 80.95, -5.19, 33.49

 

CMYK 0 / 4 / 25 / 12

HEX #E1D8A9

RGB 225 216 169

HSL 50.36, 0.48%, 0.77%

LAB 86, -4.23, 24.33

 

CMYK 0 / 2 / 15 / 8

HEX #EBE6C7

RGB 235 230 199

HSL 51.67, 0.47%, 0.85%

LAB 90.95, -3.39, 15.72

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA89

RGB 214 202 137

HSL 50.65, 0.48%, 0.69%

LAB 80.93, -5.31, 33.99

 

CMYK 36 / 0 / 34 / 16

HEX #8AD68D

RGB 138 214 141

HSL 122.37, 0.48%, 0.69%

LAB 79.28, -38.09, 28.83

 

CMYK 20 / 36 / 0 / 16

HEX #AB8AD6

RGB 171 138 214

HSL 266.05, 0.48%, 0.69%

LAB 63.09, 27.52, -34.37

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA89

RGB 214 202 137

HSL 50.65, 0.48%, 0.69%

LAB 80.93, -5.31, 33.99

 

CMYK 36 / 0 / 6 / 16

HEX #8AD6C9

RGB 138 214 201

HSL 169.74, 0.48%, 0.69%

LAB 80.58, -26.39, -1.04

 

CMYK 6 / 36 / 0 / 16

HEX #C98AD6

RGB 201 138 214

HSL 289.74, 0.48%, 0.69%

LAB 66.1, 36.73, -29.47

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA89

RGB 214 202 137

HSL 50.65, 0.48%, 0.69%

LAB 80.93, -5.31, 33.99

 

CMYK 36 / 0 / 34 / 16

HEX #8AD68D

RGB 138 214 141

HSL 122.37, 0.48%, 0.69%

LAB 79.28, -38.09, 28.83

 

CMYK 36 / 29 / 0 / 16

HEX #8A97D6

RGB 138 151 214

HSL 229.74, 0.48%, 0.69%

LAB 63.67, 10.45, -33.68

 

CMYK 0 / 36 / 1 / 16

HEX #D68AD3

RGB 214 138 211

HSL 302.37, 0.48%, 0.69%

LAB 67.41, 40.24, -25.66

 

CMYK 0 / 6 / 36 / 16

HEX #D6CA89

RGB 214 202 137

HSL 50.65, 0.48%, 0.69%

LAB 80.93, -5.31, 33.99

 

CMYK 36 / 0 / 24 / 16

HEX #8AD6A3

RGB 138 214 163

HSL 139.74, 0.48%, 0.69%

LAB 79.69, -34.26, 17.89

 

CMYK 36 / 29 / 0 / 16

HEX #8A97D6

RGB 138 151 214

HSL 229.74, 0.48%, 0.69%

LAB 63.67, 10.45, -33.68

 

CMYK 0 / 36 / 12 / 16

HEX #D68ABD

RGB 214 138 189

HSL 319.74, 0.48%, 0.69%

LAB 66.63, 36.41, -14.56

 

Description

Color code: RGB 214 202 137 | qconv.com Color code: RGB 214 202 137 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 202 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 202 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 36 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 36% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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