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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 189 218 it is the complementary color RGB 41 66 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 189 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 189 218 shade: RGB 219 189 213, RGB 236 207 232, RGB 253 225 251 and RGB 255 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 189 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 189 218 shade: RGB 214 189 218, RGB 197 171 199, RGB 180 153 180, RGB 163 135 161 and RGB 146 117 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 189 218 shade: RGB 214 190 218, RGB 218 190 215, RGB 218 190 207, RGB 218 190 199 and RGB 218 190 191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 189 218 shade: RGB 214 190 218, RGB 207 190 218, RGB 199 190 218, RGB 191 190 218 and RGB 190 190 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 189 218 shade matches the following richer shades: RGB 214 190 218, RGB 220 181 227, RGB 226 173 235, RGB 232 165 243 and RGB 238 157 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 189 218 shade: RGB 214 190 218, RGB 208 198 210, RGB 202 206 202, RGB 196 214 194 and RGB 190 223 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 189 218 shade: RGB 199 190 218, RGB 206 190 218, RGB 214 190 218, RGB 218 190 215 and RGB 218 190 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 189 218 shade: RGB 181 137 189, RGB 198 163 203, RGB 214 190 218, RGB 231 216 233 and RGB 247 243 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 189 218 shade: RGB 214 189 218, RGB 218 191 190 and RGB 190 218 203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 189 218 shade: RGB 214 189 218, RGB 218 214 190 and RGB 190 218 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 189 218 shade: RGB 214 189 218, RGB 218 191 190, RGB 194 218 190 and RGB 190 217 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 189 218 shade: RGB 214 189 218, RGB 218 200 190, RGB 194 218 190 and RGB 190 208 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 13 / 0 / 15

HEX #D6BDDA

RGB 214 189 218

HSL 291.72, 0.28%, 0.8%

LAB 79.47, 13.99, -11.23

 

Complementary color

CMYK 38 / 0 / 44 / 74

HEX #294225

RGB 41 66 37

HSL 111.72, 0.28%, 0.2%

LAB 25.26, -16.47, 14.68

 

CMYK 0 / 14 / 3 / 14

HEX #DBBDD5

RGB 219 189 213

HSL 312, 0.29%, 0.8%

LAB 79.76, 14.77, -8.06

 

CMYK 0 / 12 / 2 / 7

HEX #ECCFE8

RGB 236 207 232

HSL 308.28, 0.43%, 0.87%

LAB 86.15, 14.38, -8.58

 

CMYK 0 / 11 / 1 / 1

HEX #FDE1FB

RGB 253 225 251

HSL 304.29, 0.88%, 0.94%

LAB 92.44, 14.01, -9.09

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 2 / 13 / 0 / 15

HEX #D6BDDA

RGB 214 189 218

HSL 291.72, 0.28%, 0.8%

LAB 79.47, 13.99, -11.23

 

CMYK 1 / 14 / 0 / 22

HEX #C5ABC7

RGB 197 171 199

HSL 295.71, 0.2%, 0.73%

LAB 72.97, 14.4, -10.77

 

CMYK 0 / 15 / 0 / 29

HEX #B499B4

RGB 180 153 180

HSL 300, 0.15%, 0.65%

LAB 66.35, 14.83, -10.29

 

CMYK 0 / 17 / 1 / 36

HEX #A387A1

RGB 163 135 161

HSL 304.29, 0.13%, 0.58%

LAB 59.61, 15.31, -9.8

 

CMYK 0 / 20 / 3 / 43

HEX #92758E

RGB 146 117 142

HSL 308.28, 0.12%, 0.52%

LAB 52.72, 15.83, -9.29

 

CMYK 2 / 13 / 0 / 15

HEX #D6BEDA

RGB 214 190 218

HSL 291.43, 0.27%, 0.8%

LAB 79.72, 13.46, -10.87

 

CMYK 0 / 13 / 1 / 15

HEX #DABED7

RGB 218 190 215

HSL 306.43, 0.27%, 0.8%

LAB 79.98, 14.26, -8.83

 

CMYK 0 / 13 / 5 / 15

HEX #DABECF

RGB 218 190 207

HSL 323.57, 0.27%, 0.8%

LAB 79.75, 12.82, -4.86

 

CMYK 0 / 13 / 9 / 15

HEX #DABEC7

RGB 218 190 199

HSL 340.71, 0.27%, 0.8%

LAB 79.53, 11.43, -0.86

 

CMYK 0 / 13 / 12 / 15

HEX #DABEBF

RGB 218 190 191

HSL 357.86, 0.27%, 0.8%

LAB 79.32, 10.1, 3.15

 

CMYK 2 / 13 / 0 / 15

HEX #D6BEDA

RGB 214 190 218

HSL 291.43, 0.27%, 0.8%

LAB 79.72, 13.46, -10.87

 

CMYK 5 / 13 / 0 / 15

HEX #CFBEDA

RGB 207 190 218

HSL 276.43, 0.27%, 0.8%

LAB 79.13, 11.11, -11.81

 

CMYK 9 / 13 / 0 / 15

HEX #C7BEDA

RGB 199 190 218

HSL 259.29, 0.27%, 0.8%

LAB 78.48, 8.46, -12.85

 

CMYK 12 / 13 / 0 / 15

HEX #BFBEDA

RGB 191 190 218

HSL 242.14, 0.27%, 0.8%

LAB 77.85, 5.84, -13.85

 

CMYK 13 / 13 / 0 / 15

HEX #BEBEDA

RGB 190 190 218

HSL 240, 0.27%, 0.8%

LAB 77.78, 5.52, -13.97

 

CMYK 2 / 13 / 0 / 15

HEX #D6BEDA

RGB 214 190 218

HSL 291.43, 0.27%, 0.8%

LAB 79.72, 13.46, -10.87

 

CMYK 3 / 20 / 0 / 11

HEX #DCB5E3

RGB 220 181 227

HSL 290.87, 0.45%, 0.8%

LAB 78.35, 22.01, -17.72

 

CMYK 4 / 26 / 0 / 8

HEX #E2ADEB

RGB 226 173 235

HSL 291.29, 0.61%, 0.8%

LAB 77.31, 29.79, -23.57

 

CMYK 5 / 32 / 0 / 5

HEX #E8A5F3

RGB 232 165 243

HSL 291.54, 0.76%, 0.8%

LAB 76.4, 37.48, -29.24

 

CMYK 5 / 37 / 0 / 2

HEX #EE9DFB

RGB 238 157 251

HSL 291.7, 0.92%, 0.8%

LAB 75.61, 45.03, -34.73

 

CMYK 2 / 13 / 0 / 15

HEX #D6BEDA

RGB 214 190 218

HSL 291.43, 0.27%, 0.8%

LAB 79.72, 13.46, -10.87

 

CMYK 1 / 6 / 0 / 18

HEX #D0C6D2

RGB 208 198 210

HSL 290, 0.12%, 0.8%

LAB 80.99, 5.65, -4.74

 

CMYK 2 / 0 / 2 / 19

HEX #CACECA

RGB 202 206 202

HSL 120, 0.04%, 0.8%

LAB 82.36, -2.1, 1.5

 

CMYK 8 / 0 / 9 / 16

HEX #C4D6C2

RGB 196 214 194

HSL 114, 0.2%, 0.8%

LAB 83.82, -9.73, 7.81

 

CMYK 15 / 0 / 17 / 13

HEX #BEDFB9

RGB 190 223 185

HSL 112.11, 0.37%, 0.8%

LAB 85.62, -17.89, 15.05

 

CMYK 9 / 13 / 0 / 15

HEX #C7BEDA

RGB 199 190 218

HSL 259.29, 0.27%, 0.8%

LAB 78.48, 8.46, -12.85

 

CMYK 6 / 13 / 0 / 15

HEX #CEBEDA

RGB 206 190 218

HSL 274.29, 0.27%, 0.8%

LAB 79.05, 10.78, -11.94

 

CMYK 2 / 13 / 0 / 15

HEX #D6BEDA

RGB 214 190 218

HSL 291.43, 0.27%, 0.8%

LAB 79.72, 13.46, -10.87

 

CMYK 0 / 13 / 1 / 15

HEX #DABED7

RGB 218 190 215

HSL 306.43, 0.27%, 0.8%

LAB 79.98, 14.26, -8.83

 

CMYK 0 / 13 / 5 / 15

HEX #DABECF

RGB 218 190 207

HSL 323.57, 0.27%, 0.8%

LAB 79.75, 12.82, -4.86

 

CMYK 4 / 28 / 0 / 26

HEX #B589BD

RGB 181 137 189

HSL 290.77, 0.28%, 0.64%

LAB 62.83, 25.89, -20.65

 

CMYK 2 / 20 / 0 / 20

HEX #C6A3CB

RGB 198 163 203

HSL 292.5, 0.28%, 0.72%

LAB 71.22, 19.89, -15.58

 

CMYK 2 / 13 / 0 / 15

HEX #D6BEDA

RGB 214 190 218

HSL 291.43, 0.27%, 0.8%

LAB 79.72, 13.46, -10.87

 

CMYK 1 / 7 / 0 / 9

HEX #E7D8E9

RGB 231 216 233

HSL 292.94, 0.28%, 0.88%

LAB 87.96, 8.15, -6.47

 

CMYK 0 / 2 / 0 / 3

HEX #F7F3F8

RGB 247 243 248

HSL 288, 0.26%, 0.96%

LAB 96.27, 2.22, -1.94

 

CMYK 2 / 13 / 0 / 15

HEX #D6BDDA

RGB 214 189 218

HSL 291.72, 0.28%, 0.8%

LAB 79.47, 13.99, -11.23

 

CMYK 0 / 12 / 13 / 15

HEX #DABFBE

RGB 218 191 190

HSL 2.14, 0.27%, 0.8%

LAB 79.55, 9.4, 4.02

 

CMYK 13 / 0 / 7 / 15

HEX #BEDACB

RGB 190 218 203

HSL 147.86, 0.27%, 0.8%

LAB 84.69, -12.15, 4.24

 

CMYK 2 / 13 / 0 / 15

HEX #D6BDDA

RGB 214 189 218

HSL 291.72, 0.28%, 0.8%

LAB 79.47, 13.99, -11.23

 

CMYK 0 / 2 / 13 / 15

HEX #DAD6BE

RGB 218 214 190

HSL 51.43, 0.27%, 0.8%

LAB 85.36, -2.67, 12.34

 

CMYK 13 / 0 / 2 / 15

HEX #BEDAD6

RGB 190 218 214

HSL 171.43, 0.27%, 0.8%

LAB 84.97, -10.03, -1.17

 

CMYK 2 / 13 / 0 / 15

HEX #D6BDDA

RGB 214 189 218

HSL 291.72, 0.28%, 0.8%

LAB 79.47, 13.99, -11.23

 

CMYK 0 / 12 / 13 / 15

HEX #DABFBE

RGB 218 191 190

HSL 2.14, 0.27%, 0.8%

LAB 79.55, 9.4, 4.02

 

CMYK 11 / 0 / 13 / 15

HEX #C2DABE

RGB 194 218 190

HSL 111.43, 0.27%, 0.8%

LAB 84.65, -13.16, 11.1

 

CMYK 13 / 0 / 0 / 15

HEX #BED9DA

RGB 190 217 218

HSL 182.14, 0.27%, 0.8%

LAB 84.81, -8.72, -3.53

 

CMYK 2 / 13 / 0 / 15

HEX #D6BDDA

RGB 214 189 218

HSL 291.72, 0.28%, 0.8%

LAB 79.47, 13.99, -11.23

 

CMYK 0 / 8 / 13 / 15

HEX #DAC8BE

RGB 218 200 190

HSL 21.43, 0.27%, 0.8%

LAB 81.8, 4.63, 7.26

 

CMYK 11 / 0 / 13 / 15

HEX #C2DABE

RGB 194 218 190

HSL 111.43, 0.27%, 0.8%

LAB 84.65, -13.16, 11.1

 

CMYK 13 / 5 / 0 / 15

HEX #BED0DA

RGB 190 208 218

HSL 201.43, 0.27%, 0.8%

LAB 82.44, -4.05, -7.02

 

Description

Color code: RGB 214 189 218 | qconv.com Color code: RGB 214 189 218 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 189 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 189 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 13 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 13% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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