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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGB 214 189 172 it is the complementary color RGB 41 66 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGB 214 189 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGB 214 189 172 shade: RGB 219 189 167, RGB 236 207 186, RGB 253 225 205, RGB 255 243 224 and RGB 255 255 243
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGB 214 189 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGB 214 189 172 shade: RGB 214 189 172, RGB 197 171 153, RGB 180 153 134, RGB 163 135 115 and RGB 146 117 96
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGB 214 189 172 shade: RGB 214 189 172, RGB 214 178 172 and RGB 214 172 172
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGB 214 189 172 shade: RGB 214 189 172, RGB 214 201 172, RGB 214 212 172, RGB 205 214 172 and RGB 194 214 172
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGB 214 189 172 shade matches the following richer shades: RGB 214 189 172, RGB 224 187 163, RGB 234 186 153, RGB 244 184 143 and RGB 254 182 133
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGB 214 189 172 shade: RGB 214 189 172, RGB 204 191 182, RGB 194 193 192, RGB 184 195 202 and RGB 174 197 212
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGB 214 189 172 shade: RGB 214 172 178, RGB 214 178 172, RGB 214 189 172, RGB 214 200 172 and RGB 214 211 172
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGB 214 189 172 shade: RGB 187 145 117, RGB 200 167 145, RGB 214 189 172, RGB 228 211 200 and RGB 241 233 228
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGB 214 189 172 shade: RGB 214 189 172, RGB 189 214 172 and RGB 172 172 214
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGB 214 189 172 shade: RGB 214 189 172, RGB 172 214 189 and RGB 189 172 214
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGB 214 189 172 shade: RGB 214 189 172, RGB 189 214 172, RGB 172 197 214 and RGB 197 172 214
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGB 214 189 172 shade: RGB 214 189 172, RGB 177 214 172, RGB 172 197 214 and RGB 210 172 214
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
Complementary color
Lighter colors
Darker colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 24.55, 0.28%, 0.69%
LAB 71.76, 6.59, 12.74
HSL 24.78, 0.23%, 0.62%
LAB 65.13, 7.04, 13.7
HSL 25, 0.21%, 0.55%
LAB 58.37, 7.57, 14.74
HSL 25.2, 0.21%, 0.47%
LAB 51.47, 8.18, 15.88
Warmer colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 8.57, 0.34%, 0.76%
LAB 75.52, 12.07, 7.93
HSL 0, 0.34%, 0.76%
LAB 74.05, 15.3, 5.81
Colder colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 41.43, 0.34%, 0.76%
LAB 81.32, -0.15, 16.13
HSL 57.14, 0.34%, 0.76%
LAB 84.15, -5.85, 20.09
HSL 72.86, 0.34%, 0.76%
LAB 83.99, -10.17, 19.76
HSL 88.57, 0.34%, 0.76%
LAB 83.2, -14.13, 18.54
Richer colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 23.61, 0.5%, 0.76%
LAB 78.48, 9.72, 17.11
HSL 24.44, 0.66%, 0.76%
LAB 78.99, 12.8, 23.31
HSL 24.36, 0.82%, 0.76%
LAB 79.33, 16.61, 29.25
HSL 24.3, 0.98%, 0.76%
LAB 79.74, 20.58, 35.24
Paler colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 24.55, 0.18%, 0.76%
LAB 78.16, 3.03, 6.17
HSL 30, 0.02%, 0.76%
LAB 78.12, 0.17, 0.62
HSL 203.33, 0.15%, 0.76%
LAB 78.16, -2.39, -4.81
HSL 203.68, 0.31%, 0.76%
LAB 78.28, -4.62, -10.11
Analogue colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 40, 0.34%, 0.76%
LAB 81.06, 0.38, 15.78
HSL 55.71, 0.34%, 0.76%
LAB 83.89, -5.33, 19.73
Monochromatic colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 23.57, 0.34%, 0.84%
LAB 85.63, 4.06, 7.55
HSL 23.08, 0.32%, 0.92%
LAB 92.83, 1.84, 3.37
Partial complementary colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 95.71, 0.34%, 0.76%
LAB 82.86, -15.91, 18
HSL 240, 0.34%, 0.76%
LAB 71.64, 8.73, -21.2
Triadic colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 144.29, 0.34%, 0.76%
LAB 82.13, -18.69, 7.83
HSL 264.29, 0.34%, 0.76%
LAB 73.01, 14.17, -19
Rectangular (tetradic) colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 95.71, 0.34%, 0.76%
LAB 82.86, -15.91, 18
HSL 204.29, 0.34%, 0.76%
LAB 78.2, -4.81, -11.31
HSL 275.71, 0.34%, 0.76%
LAB 73.69, 16.79, -17.89
Square colors
HSL 24.29, 0.34%, 0.76%
LAB 78.27, 6.18, 11.84
HSL 112.86, 0.34%, 0.76%
LAB 82.07, -20.08, 16.78
HSL 204.29, 0.34%, 0.76%
LAB 78.2, -4.81, -11.31
HSL 294.29, 0.34%, 0.76%
LAB 74.86, 21.1, -16.02
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 189 green and 172 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 20 yellow and 16 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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RAL® to HKS®
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RAL® to PANTONE®
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RAL® to Sherwin Williams®
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RAL® to NCS®
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HKS® to RGB
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HKS® to CMYK
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HKS® to HEX
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
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HKS® to NCS®
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PANTONE® to RGB
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PANTONE® to CMYK
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PANTONE® to HEX
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PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
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Sherwin Williams® to CMYK
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Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
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NCS® to HEX
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NCS® to RAL®
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NCS® to HKS®
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NCS® to PANTONE®
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NCS® to Sherwin Williams®
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