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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 183 8 it is the complementary color RGB 41 72 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 183 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 183 8 shade: RGB 219 183 3, RGB 236 201 22, RGB 253 219 41, RGB 255 237 60 and RGB 255 255 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 183 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 183 8 shade: RGB 214 183 8, RGB 197 165 0, RGB 180 147 0, RGB 163 129 0 and RGB 146 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 183 8 shade: RGB 216 185 7, RGB 216 128 7, RGB 216 72 7, RGB 216 16 7 and RGB 216 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 183 8 shade: RGB 216 185 7, RGB 191 216 7, RGB 135 216 7, RGB 79 216 7 and RGB 22 216 7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 183 8 shade matches the following richer shades: RGB 216 185 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 183 8 shade: RGB 216 185 7, RGB 198 172 26, RGB 180 159 44, RGB 162 147 62 and RGB 143 134 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 183 8 shade: RGB 216 70 7, RGB 216 126 7, RGB 216 181 7, RGB 195 216 7 and RGB 140 216 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 183 8 shade: RGB 136 117 4, RGB 176 151 6, RGB 216 185 7, RGB 246 212 19 and RGB 247 219 59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 183 8 shade: RGB 214 183 8, RGB 7 216 14 and RGB 98 7 216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 183 8 shade: RGB 214 183 8, RGB 7 216 181 and RGB 181 7 216

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 183 8 shade: RGB 214 183 8, RGB 7 216 14, RGB 7 42 216 and RGB 216 7 209

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 183 8 shade: RGB 214 183 8, RGB 7 216 77, RGB 7 42 216 and RGB 216 7 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 96 / 16

HEX #D6B708

RGB 214 183 8

HSL 50.97, 0.93%, 0.44%

LAB 74.94, -3.12, 76.02

 

Complementary color

CMYK 83 / 71 / 0 / 3

HEX #2948F7

RGB 41 72 247

HSL 230.97, 0.93%, 0.56%

LAB 40.93, 52.1, -89

 

CMYK 0 / 16 / 99 / 14

HEX #DBB703

RGB 219 183 3

HSL 50, 0.97%, 0.44%

LAB 75.41, -0.98, 77.11

 

CMYK 0 / 15 / 91 / 7

HEX #ECC916

RGB 236 201 22

HSL 50.19, 0.85%, 0.51%

LAB 81.66, -2.7, 80.15

 

CMYK 0 / 13 / 84 / 1

HEX #FDDB29

RGB 253 219 41

HSL 50.38, 0.98%, 0.58%

LAB 87.83, -4.23, 81.95

 

CMYK 0 / 7 / 76 / 0

HEX #FFED3C

RGB 255 237 60

HSL 54.46, 1%, 0.62%

LAB 92.64, -11.78, 81.08

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 14 / 96 / 16

HEX #D6B708

RGB 214 183 8

HSL 50.97, 0.93%, 0.44%

LAB 74.94, -3.12, 76.02

 

CMYK 0 / 16 / 100 / 23

HEX #C5A500

RGB 197 165 0

HSL 50.25, 1%, 0.39%

LAB 68.59, -1.25, 71.64

 

CMYK 0 / 18 / 100 / 29

HEX #B49300

RGB 180 147 0

HSL 49, 1%, 0.35%

LAB 62.14, 0.77, 66.31

 

CMYK 0 / 21 / 100 / 36

HEX #A38100

RGB 163 129 0

HSL 47.48, 1%, 0.32%

LAB 55.57, 2.88, 60.89

 

CMYK 0 / 24 / 100 / 43

HEX #926F00

RGB 146 111 0

HSL 45.62, 1%, 0.29%

LAB 48.86, 5.09, 55.37

 

CMYK 0 / 14 / 97 / 15

HEX #D8B907

RGB 216 185 7

HSL 51.1, 0.94%, 0.44%

LAB 75.65, -3.3, 76.72

 

CMYK 0 / 41 / 97 / 15

HEX #D88007

RGB 216 128 7

HSL 34.74, 0.94%, 0.44%

LAB 61.7, 27.11, 66.93

 

CMYK 0 / 67 / 97 / 15

HEX #D84807

RGB 216 72 7

HSL 18.66, 0.94%, 0.44%

LAB 50.98, 54.27, 60.19

 

CMYK 0 / 93 / 97 / 15

HEX #D81007

RGB 216 16 7

HSL 2.58, 0.94%, 0.44%

LAB 45.61, 69.25, 57.36

 

CMYK 0 / 97 / 97 / 15

HEX #D80707

RGB 216 7 7

HSL 0, 0.94%, 0.44%

LAB 45.31, 70.12, 57.21

 

CMYK 0 / 14 / 97 / 15

HEX #D8B907

RGB 216 185 7

HSL 51.1, 0.94%, 0.44%

LAB 75.65, -3.3, 76.72

 

CMYK 12 / 0 / 97 / 15

HEX #BFD807

RGB 191 216 7

HSL 67.18, 0.94%, 0.44%

LAB 81.95, -29.4, 80.51

 

CMYK 38 / 0 / 97 / 15

HEX #87D807

RGB 135 216 7

HSL 83.25, 0.94%, 0.44%

LAB 78.62, -50.9, 76.49

 

CMYK 63 / 0 / 97 / 15

HEX #4FD807

RGB 79 216 7

HSL 99.33, 0.94%, 0.44%

LAB 76.55, -66.95, 73.97

 

CMYK 90 / 0 / 97 / 15

HEX #16D807

RGB 22 216 7

HSL 115.69, 0.94%, 0.44%

LAB 75.64, -74.94, 72.84

 

CMYK 0 / 14 / 97 / 15

HEX #D8B907

RGB 216 185 7

HSL 51.1, 0.94%, 0.44%

LAB 75.65, -3.3, 76.72

 

CMYK 0 / 14 / 97 / 15

HEX #D8B907

RGB 216 185 7

HSL 51.1, 0.94%, 0.44%

LAB 75.65, -3.3, 76.72

 

CMYK 0 / 13 / 87 / 22

HEX #C6AC1A

RGB 198 172 26

HSL 50.93, 0.77%, 0.44%

LAB 70.58, -4.13, 69.2

 

CMYK 0 / 12 / 76 / 29

HEX #B49F2C

RGB 180 159 44

HSL 50.74, 0.61%, 0.44%

LAB 65.5, -4.64, 58.87

 

CMYK 0 / 9 / 62 / 36

HEX #A2933E

RGB 162 147 62

HSL 51, 0.45%, 0.44%

LAB 60.69, -5.14, 45.9

 

CMYK 0 / 6 / 44 / 44

HEX #8F8650

RGB 143 134 80

HSL 51.43, 0.28%, 0.44%

LAB 55.55, -4.71, 30.23

 

CMYK 0 / 68 / 97 / 15

HEX #D84607

RGB 216 70 7

HSL 18.09, 0.94%, 0.44%

LAB 50.68, 55.07, 60.02

 

CMYK 0 / 42 / 97 / 15

HEX #D87E07

RGB 216 126 7

HSL 34.16, 0.94%, 0.44%

LAB 61.25, 28.17, 66.63

 

CMYK 0 / 16 / 97 / 15

HEX #D8B507

RGB 216 181 7

HSL 49.95, 0.94%, 0.44%

LAB 74.61, -1.21, 75.97

 

CMYK 10 / 0 / 97 / 15

HEX #C3D807

RGB 195 216 7

HSL 66.03, 0.94%, 0.44%

LAB 82.23, -27.75, 80.85

 

CMYK 35 / 0 / 97 / 15

HEX #8CD807

RGB 140 216 7

HSL 81.82, 0.94%, 0.44%

LAB 78.87, -49.15, 76.79

 

CMYK 0 / 14 / 97 / 47

HEX #887504

RGB 136 117 4

HSL 51.36, 0.94%, 0.27%

LAB 49.45, -3, 54.45

 

CMYK 0 / 14 / 97 / 31

HEX #B09706

RGB 176 151 6

HSL 51.18, 0.93%, 0.36%

LAB 62.82, -3.14, 65.75

 

CMYK 0 / 14 / 97 / 15

HEX #D8B907

RGB 216 185 7

HSL 51.1, 0.94%, 0.44%

LAB 75.65, -3.3, 76.72

 

CMYK 0 / 14 / 92 / 4

HEX #F6D413

RGB 246 212 19

HSL 51.01, 0.93%, 0.52%

LAB 85.37, -4.07, 83.8

 

CMYK 0 / 11 / 76 / 3

HEX #F7DB3B

RGB 247 219 59

HSL 51.06, 0.92%, 0.6%

LAB 87.36, -6.2, 76.33

 

CMYK 0 / 14 / 96 / 16

HEX #D6B708

RGB 214 183 8

HSL 50.97, 0.93%, 0.44%

LAB 74.94, -3.12, 76.02

 

CMYK 97 / 0 / 94 / 15

HEX #07D80E

RGB 7 216 14

HSL 122.01, 0.94%, 0.44%

LAB 75.57, -75.52, 72.04

 

CMYK 55 / 97 / 0 / 15

HEX #6207D8

RGB 98 7 216

HSL 266.12, 0.94%, 0.44%

LAB 33.36, 71.71, -83.75

 

CMYK 0 / 14 / 96 / 16

HEX #D6B708

RGB 214 183 8

HSL 50.97, 0.93%, 0.44%

LAB 74.94, -3.12, 76.02

 

CMYK 97 / 0 / 16 / 15

HEX #07D8B5

RGB 7 216 181

HSL 169.95, 0.94%, 0.44%

LAB 77.57, -51.97, 4.9

 

CMYK 16 / 97 / 0 / 15

HEX #B507D8

RGB 181 7 216

HSL 289.95, 0.94%, 0.44%

LAB 45.54, 80.84, -63.31

 

CMYK 0 / 14 / 96 / 16

HEX #D6B708

RGB 214 183 8

HSL 50.97, 0.93%, 0.44%

LAB 74.94, -3.12, 76.02

 

CMYK 97 / 0 / 94 / 15

HEX #07D80E

RGB 7 216 14

HSL 122.01, 0.94%, 0.44%

LAB 75.57, -75.52, 72.04

 

CMYK 97 / 81 / 0 / 15

HEX #072AD8

RGB 7 42 216

HSL 229.95, 0.94%, 0.44%

LAB 31.02, 56.99, -87.81

 

CMYK 0 / 97 / 3 / 15

HEX #D807D1

RGB 216 7 209

HSL 302.01, 0.94%, 0.44%

LAB 51.1, 85.17, -50.04

 

CMYK 0 / 14 / 96 / 16

HEX #D6B708

RGB 214 183 8

HSL 50.97, 0.93%, 0.44%

LAB 74.94, -3.12, 76.02

 

CMYK 97 / 0 / 64 / 15

HEX #07D84D

RGB 7 216 77

HSL 140.1, 0.94%, 0.44%

LAB 75.88, -71.53, 54.56

 

CMYK 97 / 81 / 0 / 15

HEX #072AD8

RGB 7 42 216

HSL 229.95, 0.94%, 0.44%

LAB 31.02, 56.99, -87.81

 

CMYK 0 / 97 / 32 / 15

HEX #D80792

RGB 216 7 146

HSL 320.1, 0.94%, 0.44%

LAB 48.04, 77.44, -17.78

 

Description

Color code: RGB 214 183 8 | qconv.com Color code: RGB 214 183 8 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 183 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 183 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 96 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 96% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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