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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 173 120 it is the complementary color RGB 41 82 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 173 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 173 120 shade: RGB 219 173 115, RGB 236 191 134, RGB 253 209 153, RGB 255 227 172 and RGB 255 245 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 173 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 173 120 shade: RGB 214 173 120, RGB 197 155 101, RGB 180 137 82, RGB 163 119 63 and RGB 146 101 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 173 120 shade: RGB 213 172 118, RGB 213 146 118, RGB 213 121 118 and RGB 213 118 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 173 120 shade: RGB 213 172 118, RGB 213 197 118, RGB 203 213 118, RGB 178 213 118 and RGB 152 213 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 173 120 shade matches the following richer shades: RGB 213 172 118, RGB 227 174 104 and RGB 242 175 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 173 120 shade: RGB 213 172 118, RGB 199 170 133, RGB 184 168 147, RGB 170 166 162 and RGB 155 164 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 173 120 shade: RGB 213 120 118, RGB 213 145 118, RGB 213 170 118, RGB 213 196 118 and RGB 205 213 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 173 120 shade: RGB 190 133 59, RGB 203 153 87, RGB 213 172 118, RGB 223 191 150 and RGB 232 210 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 173 120 shade: RGB 214 173 120, RGB 142 213 118 and RGB 133 118 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 173 120 shade: RGB 214 173 120, RGB 118 213 170 and RGB 170 118 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 173 120 shade: RGB 214 173 120, RGB 142 213 118, RGB 118 161 213 and RGB 189 118 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 173 120 shade: RGB 214 173 120, RGB 118 213 123, RGB 118 161 213 and RGB 213 118 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 44 / 16

HEX #D6AD78

RGB 214 173 120

HSL 33.83, 0.53%, 0.65%

LAB 73.25, 8.07, 32.84

 

Complementary color

CMYK 70 / 39 / 0 / 47

HEX #295287

RGB 41 82 135

HSL 213.83, 0.53%, 0.35%

LAB 34.51, 4.16, -33.86

 

CMYK 0 / 21 / 47 / 14

HEX #DBAD73

RGB 219 173 115

HSL 33.46, 0.59%, 0.65%

LAB 73.67, 9.6, 36.1

 

CMYK 0 / 19 / 43 / 7

HEX #ECBF86

RGB 236 191 134

HSL 33.53, 0.73%, 0.73%

LAB 80.08, 8.82, 34.8

 

CMYK 0 / 17 / 40 / 1

HEX #FDD199

RGB 253 209 153

HSL 33.6, 0.96%, 0.8%

LAB 86.4, 8.13, 33.58

 

CMYK 0 / 11 / 33 / 0

HEX #FFE3AC

RGB 255 227 172

HSL 39.76, 1%, 0.84%

LAB 91.31, 1.84, 30.42

 

CMYK 0 / 4 / 25 / 0

HEX #FFF5BF

RGB 255 245 191

HSL 50.63, 1%, 0.87%

LAB 96.13, -4.85, 27.26

 

CMYK 0 / 19 / 44 / 16

HEX #D6AD78

RGB 214 173 120

HSL 33.83, 0.53%, 0.65%

LAB 73.25, 8.07, 32.84

RGB 214 173 120

CMYK 0 / 21 / 49 / 23

HEX #C59B65

RGB 197 155 101

HSL 33.75, 0.45%, 0.58%

LAB 66.71, 8.88, 34.17

RGB 197 155 101

CMYK 0 / 24 / 54 / 29

HEX #B48952

RGB 180 137 82

HSL 33.67, 0.4%, 0.51%

LAB 60.07, 9.83, 35.58

RGB 180 137 82

CMYK 0 / 27 / 61 / 36

HEX #A3773F

RGB 163 119 63

HSL 33.6, 0.44%, 0.44%

LAB 53.32, 10.97, 37.06

RGB 163 119 63

CMYK 0 / 31 / 70 / 43

HEX #92652C

RGB 146 101 44

HSL 33.53, 0.54%, 0.37%

LAB 46.45, 12.34, 38.52

RGB 146 101 44

CMYK 0 / 19 / 45 / 16

HEX #D5AC76

RGB 213 172 118

HSL 34.11, 0.53%, 0.65%

LAB 72.87, 7.99, 33.38

 

CMYK 0 / 31 / 45 / 16

HEX #D59276

RGB 213 146 118

HSL 17.68, 0.53%, 0.65%

LAB 66.53, 22.03, 25.06

 

CMYK 0 / 43 / 45 / 16

HEX #D57976

RGB 213 121 118

HSL 1.89, 0.53%, 0.65%

LAB 60.9, 35.43, 17.42

 

CMYK 0 / 45 / 45 / 16

HEX #D57676

RGB 213 118 118

HSL 0, 0.53%, 0.65%

LAB 60.26, 37, 16.55

 

CMYK 0 / 19 / 45 / 16

HEX #D5AC76

RGB 213 172 118

HSL 34.11, 0.53%, 0.65%

LAB 72.87, 7.99, 33.38

 

CMYK 0 / 8 / 45 / 16

HEX #D5C576

RGB 213 197 118

HSL 49.89, 0.53%, 0.65%

LAB 79.26, -5.18, 41.52

 

CMYK 5 / 0 / 45 / 16

HEX #CBD576

RGB 203 213 118

HSL 66.32, 0.53%, 0.65%

LAB 82.7, -17.28, 45.61

 

CMYK 16 / 0 / 45 / 16

HEX #B2D576

RGB 178 213 118

HSL 82.11, 0.53%, 0.65%

LAB 80.94, -26.92, 43.04

 

CMYK 29 / 0 / 45 / 16

HEX #98D576

RGB 152 213 118

HSL 98.53, 0.53%, 0.65%

LAB 79.37, -36.34, 40.74

 

CMYK 0 / 19 / 45 / 16

HEX #D5AC76

RGB 213 172 118

HSL 34.11, 0.53%, 0.65%

LAB 72.87, 7.99, 33.38

 

CMYK 0 / 23 / 54 / 11

HEX #E3AE68

RGB 227 174 104

HSL 34.15, 0.69%, 0.65%

LAB 74.57, 11.37, 43.07

 

CMYK 0 / 28 / 63 / 5

HEX #F2AF5A

RGB 242 175 90

HSL 33.55, 0.85%, 0.65%

LAB 76.24, 16.01, 52.31

 

CMYK 0 / 19 / 45 / 16

HEX #D5AC76

RGB 213 172 118

HSL 34.11, 0.53%, 0.65%

LAB 72.87, 7.99, 33.38

 

CMYK 0 / 15 / 33 / 22

HEX #C7AA85

RGB 199 170 133

HSL 33.64, 0.37%, 0.65%

LAB 71.27, 5.15, 23

 

CMYK 0 / 9 / 20 / 28

HEX #B8A893

RGB 184 168 147

HSL 34.05, 0.21%, 0.65%

LAB 69.68, 2.33, 12.95

 

CMYK 0 / 2 / 5 / 33

HEX #AAA6A2

RGB 170 166 162

HSL 30, 0.04%, 0.65%

LAB 68.33, 0.7, 2.57

 

CMYK 12 / 7 / 0 / 31

HEX #9BA4B0

RGB 155 164 176

HSL 214.29, 0.12%, 0.65%

LAB 67.02, -0.72, -7.29

 

CMYK 0 / 44 / 45 / 16

HEX #D57876

RGB 213 120 118

HSL 1.26, 0.53%, 0.65%

LAB 60.68, 35.96, 17.13

 

CMYK 0 / 32 / 45 / 16

HEX #D59176

RGB 213 145 118

HSL 17.05, 0.53%, 0.65%

LAB 66.29, 22.57, 24.74

 

CMYK 0 / 20 / 45 / 16

HEX #D5AA76

RGB 213 170 118

HSL 32.84, 0.53%, 0.65%

LAB 72.36, 9.06, 32.73

 

CMYK 0 / 8 / 45 / 16

HEX #D5C476

RGB 213 196 118

HSL 49.26, 0.53%, 0.65%

LAB 79, -4.66, 41.19

 

CMYK 4 / 0 / 45 / 16

HEX #CDD576

RGB 205 213 118

HSL 65.05, 0.53%, 0.65%

LAB 82.85, -16.5, 45.82

 

CMYK 0 / 30 / 69 / 25

HEX #BE853B

RGB 190 133 59

HSL 33.89, 0.53%, 0.49%

LAB 59.92, 14.73, 47.32

 

CMYK 0 / 25 / 57 / 20

HEX #CB9957

RGB 203 153 87

HSL 34.14, 0.53%, 0.57%

LAB 66.65, 11.26, 41.53

 

CMYK 0 / 19 / 45 / 16

HEX #D5AC76

RGB 213 172 118

HSL 34.11, 0.53%, 0.65%

LAB 72.87, 7.99, 33.38

 

CMYK 0 / 14 / 33 / 13

HEX #DFBF96

RGB 223 191 150

HSL 33.7, 0.53%, 0.73%

LAB 79.13, 5.52, 24.92

 

CMYK 0 / 9 / 22 / 9

HEX #E8D2B6

RGB 232 210 182

HSL 33.6, 0.52%, 0.81%

LAB 85.31, 3.29, 16.66

 

CMYK 0 / 19 / 44 / 16

HEX #D6AD78

RGB 214 173 120

HSL 33.83, 0.53%, 0.65%

LAB 73.25, 8.07, 32.84

RGB 214 173 120

CMYK 33 / 0 / 45 / 16

HEX #8ED576

RGB 142 213 118

HSL 104.84, 0.53%, 0.65%

LAB 78.84, -39.73, 39.96

RGB 142 213 118

CMYK 38 / 45 / 0 / 16

HEX #8576D5

RGB 133 118 213

HSL 249.47, 0.53%, 0.65%

LAB 54.81, 28.11, -47.05

RGB 133 118 213

CMYK 0 / 19 / 44 / 16

HEX #D6AD78

RGB 214 173 120

HSL 33.83, 0.53%, 0.65%

LAB 73.25, 8.07, 32.84

RGB 214 173 120

CMYK 45 / 0 / 20 / 16

HEX #76D5AA

RGB 118 213 170

HSL 152.84, 0.53%, 0.65%

LAB 78.66, -38, 12.61

RGB 118 213 170

CMYK 20 / 45 / 0 / 16

HEX #AA76D5

RGB 170 118 213

HSL 272.84, 0.53%, 0.65%

LAB 58.33, 38.23, -41.26

RGB 170 118 213

CMYK 0 / 19 / 44 / 16

HEX #D6AD78

RGB 214 173 120

HSL 33.83, 0.53%, 0.65%

LAB 73.25, 8.07, 32.84

RGB 214 173 120

CMYK 33 / 0 / 45 / 16

HEX #8ED576

RGB 142 213 118

HSL 104.84, 0.53%, 0.65%

LAB 78.84, -39.73, 39.96

RGB 142 213 118

CMYK 45 / 24 / 0 / 16

HEX #76A1D5

RGB 118 161 213

HSL 212.84, 0.53%, 0.65%

LAB 65.08, -0.82, -31.03

RGB 118 161 213

CMYK 11 / 45 / 0 / 16

HEX #BD76D5

RGB 189 118 213

HSL 284.84, 0.53%, 0.65%

LAB 60.41, 43.7, -37.85

RGB 189 118 213

CMYK 0 / 19 / 44 / 16

HEX #D6AD78

RGB 214 173 120

HSL 33.83, 0.53%, 0.65%

LAB 73.25, 8.07, 32.84

RGB 214 173 120

CMYK 45 / 0 / 42 / 16

HEX #76D57B

RGB 118 213 123

HSL 123.16, 0.53%, 0.65%

LAB 77.8, -46.47, 35.9

RGB 118 213 123

CMYK 45 / 24 / 0 / 16

HEX #76A1D5

RGB 118 161 213

HSL 212.84, 0.53%, 0.65%

LAB 65.08, -0.82, -31.03

RGB 118 161 213

CMYK 0 / 45 / 2 / 16

HEX #D576D0

RGB 213 118 208

HSL 303.16, 0.53%, 0.65%

LAB 63.06, 49.8, -30.7

RGB 213 118 208

Description

Color code: RGB 214 173 120 | qconv.com Color code: RGB 214 173 120 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 173 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 173 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 44 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 44% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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