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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 113 162 it is the complementary color RGB 41 142 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 113 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 113 162 shade: RGB 219 113 157, RGB 236 131 176, RGB 253 149 195, RGB 255 167 214 and RGB 255 185 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 113 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 113 162 shade: RGB 214 113 162, RGB 197 95 143, RGB 180 77 124, RGB 163 59 105 and RGB 146 41 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 113 162 shade: RGB 214 113 162, RGB 214 113 134 and RGB 214 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 113 162 shade: RGB 214 113 162, RGB 214 113 189, RGB 211 113 214, RGB 184 113 214 and RGB 157 113 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 113 162 shade matches the following richer shades: RGB 214 113 162, RGB 229 98 161 and RGB 243 83 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 113 162 shade: RGB 214 113 162, RGB 199 128 162, RGB 184 142 163, RGB 169 157 163 and RGB 154 172 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 113 162 shade: RGB 210 113 214, RGB 214 113 190, RGB 214 113 163, RGB 214 113 136 and RGB 214 116 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 113 162 shade: RGB 189 55 120, RGB 204 81 141, RGB 214 113 162, RGB 223 145 183 and RGB 232 177 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 113 162 shade: RGB 214 113 162, RGB 214 183 113 and RGB 113 204 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 113 162 shade: RGB 214 113 162, RGB 163 214 113 and RGB 113 163 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 113 162 shade: RGB 214 113 162, RGB 214 183 113, RGB 113 214 163 and RGB 113 143 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 113 162 shade: RGB 214 113 162, RGB 214 214 113, RGB 113 214 163 and RGB 113 113 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

Complementary color

CMYK 71 / 0 / 35 / 44

HEX #298E5D

RGB 41 142 93

HSL 150.89, 0.55%, 0.36%

LAB 52.52, -40.64, 17.98

 

CMYK 0 / 48 / 28 / 14

HEX #DB719D

RGB 219 113 157

HSL 335.09, 0.6%, 0.65%

LAB 61.05, 46.31, -4.66

 

CMYK 0 / 44 / 25 / 7

HEX #EC83B0

RGB 236 131 176

HSL 334.29, 0.73%, 0.72%

LAB 67.43, 45.49, -5.78

 

CMYK 0 / 41 / 23 / 1

HEX #FD95C3

RGB 253 149 195

HSL 333.46, 0.96%, 0.79%

LAB 73.75, 44.68, -6.77

 

CMYK 0 / 35 / 16 / 0

HEX #FFA7D6

RGB 255 167 214

HSL 327.95, 1%, 0.83%

LAB 78.32, 38.88, -10.37

 

CMYK 0 / 27 / 9 / 0

HEX #FFB9E9

RGB 255 185 233

HSL 318.86, 1%, 0.86%

LAB 82.83, 32.53, -13.88

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 52 / 27 / 23

HEX #C55F8F

RGB 197 95 143

HSL 331.76, 0.47%, 0.57%

LAB 54.07, 46.1, -7.2

 

CMYK 0 / 57 / 31 / 29

HEX #B44D7C

RGB 180 77 124

HSL 332.62, 0.41%, 0.5%

LAB 47.58, 46.79, -5.79

 

CMYK 0 / 64 / 36 / 36

HEX #A33B69

RGB 163 59 105

HSL 333.46, 0.47%, 0.44%

LAB 41.11, 47.3, -4.03

 

CMYK 0 / 72 / 41 / 43

HEX #922956

RGB 146 41 86

HSL 334.29, 0.56%, 0.37%

LAB 34.74, 47.39, -1.73

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 47 / 37 / 16

HEX #D67186

RGB 214 113 134

HSL 347.52, 0.55%, 0.64%

LAB 59.73, 41.71, 6.61

 

CMYK 0 / 47 / 47 / 16

HEX #D67171

RGB 214 113 113

HSL 0, 0.55%, 0.64%

LAB 59.25, 39.47, 18.05

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 47 / 12 / 16

HEX #D671BD

RGB 214 113 189

HSL 314.85, 0.55%, 0.64%

LAB 61.46, 49.41, -22.41

 

CMYK 1 / 47 / 0 / 16

HEX #D371D6

RGB 211 113 214

HSL 298.22, 0.55%, 0.64%

LAB 62.1, 52.81, -35.58

 

CMYK 14 / 47 / 0 / 16

HEX #B871D6

RGB 184 113 214

HSL 282.18, 0.55%, 0.64%

LAB 58.84, 45.14, -40.92

 

CMYK 27 / 47 / 0 / 16

HEX #9D71D6

RGB 157 113 214

HSL 266.14, 0.55%, 0.64%

LAB 55.92, 37.64, -45.72

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 57 / 30 / 10

HEX #E562A1

RGB 229 98 161

HSL 331.15, 0.72%, 0.64%

LAB 59.86, 57.2, -8.58

 

CMYK 0 / 66 / 34 / 5

HEX #F353A1

RGB 243 83 161

HSL 330.75, 0.87%, 0.64%

LAB 59.72, 67.57, -8.55

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 36 / 19 / 22

HEX #C780A2

RGB 199 128 162

HSL 331.27, 0.39%, 0.64%

LAB 61.82, 32.26, -6.67

 

CMYK 0 / 23 / 11 / 28

HEX #B88EA3

RGB 184 142 163

HSL 330, 0.23%, 0.64%

LAB 63.49, 19.3, -4.93

 

CMYK 0 / 7 / 4 / 34

HEX #A99DA3

RGB 169 157 163

HSL 330, 0.07%, 0.64%

LAB 65.9, 5.47, -1.55

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA3

RGB 154 172 163

HSL 150, 0.1%, 0.64%

LAB 68.77, -8.05, 2.49

 

CMYK 2 / 47 / 0 / 16

HEX #D271D6

RGB 210 113 214

HSL 297.62, 0.55%, 0.64%

LAB 61.97, 52.53, -35.79

 

CMYK 0 / 47 / 11 / 16

HEX #D671BE

RGB 214 113 190

HSL 314.26, 0.55%, 0.64%

LAB 61.5, 49.57, -22.92

 

CMYK 0 / 47 / 24 / 16

HEX #D671A3

RGB 214 113 163

HSL 330.3, 0.55%, 0.64%

LAB 60.56, 45.46, -8.91

 

CMYK 0 / 47 / 36 / 16

HEX #D67188

RGB 214 113 136

HSL 346.34, 0.55%, 0.64%

LAB 59.78, 41.95, 5.53

 

CMYK 0 / 46 / 47 / 16

HEX #D67471

RGB 214 116 113

HSL 1.78, 0.55%, 0.64%

LAB 59.87, 37.92, 18.9

 

CMYK 0 / 71 / 37 / 26

HEX #BD3778

RGB 189 55 120

HSL 330.9, 0.55%, 0.48%

LAB 45.51, 58.38, -6.28

 

CMYK 0 / 60 / 31 / 20

HEX #CC518D

RGB 204 81 141

HSL 330.73, 0.55%, 0.56%

LAB 52.56, 54.67, -8.16

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 35 / 18 / 13

HEX #DF91B7

RGB 223 145 183

HSL 330.77, 0.55%, 0.72%

LAB 69.01, 34.78, -7.53

 

CMYK 0 / 24 / 12 / 9

HEX #E8B1CC

RGB 232 177 204

HSL 330.55, 0.54%, 0.8%

LAB 77.85, 24.15, -5.89

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 14 / 47 / 16

HEX #D6B771

RGB 214 183 113

HSL 41.58, 0.55%, 0.64%

LAB 75.67, 2.05, 39.57

 

CMYK 47 / 5 / 0 / 16

HEX #71CCD6

RGB 113 204 214

HSL 185.94, 0.55%, 0.64%

LAB 77.01, -24.54, -13.42

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 24 / 0 / 47 / 16

HEX #A3D671

RGB 163 214 113

HSL 90.3, 0.55%, 0.64%

LAB 80.22, -33.51, 44.39

 

CMYK 47 / 24 / 0 / 16

HEX #71A3D6

RGB 113 163 214

HSL 210.3, 0.55%, 0.64%

LAB 65.4, -2.88, -31.1

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 14 / 47 / 16

HEX #D6B771

RGB 214 183 113

HSL 41.58, 0.55%, 0.64%

LAB 75.67, 2.05, 39.57

 

CMYK 47 / 0 / 24 / 16

HEX #71D6A3

RGB 113 214 163

HSL 149.7, 0.55%, 0.64%

LAB 78.61, -41.17, 16.21

 

CMYK 47 / 33 / 0 / 16

HEX #718FD6

RGB 113 143 214

HSL 222.18, 0.55%, 0.64%

LAB 59.9, 8.57, -39.68

 

CMYK 0 / 47 / 24 / 16

HEX #D671A2

RGB 214 113 162

HSL 330.89, 0.55%, 0.64%

LAB 60.53, 45.32, -8.38

 

CMYK 0 / 0 / 47 / 16

HEX #D6D671

RGB 214 214 113

HSL 60, 0.55%, 0.64%

LAB 83.75, -13.9, 49.5

 

CMYK 47 / 0 / 24 / 16

HEX #71D6A3

RGB 113 214 163

HSL 149.7, 0.55%, 0.64%

LAB 78.61, -41.17, 16.21

 

CMYK 47 / 47 / 0 / 16

HEX #7171D6

RGB 113 113 214

HSL 240, 0.55%, 0.64%

LAB 52.04, 26.47, -52.13

 

Description

Color code: RGB 214 113 162 | qconv.com Color code: RGB 214 113 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 113 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 113 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 24 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 24% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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